Книги о стилях архитектуры

This innovative and unique book is a visual guide to the buildings that surround us. Architectural features are pinpointed and labelled on images of buildings so that, unlike with other architectural dictionaries, you don't have to know the name before looking it up. Clear line drawings and extensive colour photographs illustrate each of the main building types, from forts to churches, stately homes to skyscrapers. The individual structural elements and materials common to all buildings are then explained, whether in Classical, Gothic or Modernist style. A comprehensive glossary completes the book. 

This revised edition includes an expanded section on modern structures and materials, as well as the latest styles and concepts from the last ten years.

_A must for all lovers of architecture and those who would like to learn more
_Over 11,000 copies sold in English worldwide
_Covers all key building types and styles, from cathedrals to skyscrapers, Classical to contemporary.
_Each building type is illustrated with extensive photographs and annotated drawings
_Contains a comprehensive glossary of architectural terms

About the Author:

Owen Hopkins is Director of the Farrell Centre at Newcastle University. Previously he was Senior Curator at Sir John Soane's Museum and before that he was Architecture Programme Curator at the Royal Academy of Arts, London. He is the author of several books including Reading Architecture: A Visual Lexicon (2012), Architectural Styles: A Visual Guide (2014; both Laurence King), Postmodern Architecture: Less is a Bore (2020) and The Museum (2021).

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Пролистать книгу Reading Architecture: A Visual Lexicon. Second Edition на Google Books.

Have you ever wondered what the difference is between Gothic and Gothic Revival, or how to distinguish between Baroque and Neoclassical? This guide makes extensive use of photographs to identify and explain the characteristic features of nearly 300 buildings. The result is a clear and easy-to-navigate guide to identifying the key styles of western architecture from the classical age to the present day.

About the Author:

Owen Hopkins works for the Architecture Programme at the Royal Academy of Arts in London. He is the author of Reading Architecture: A Visual Lexicon (Laurence King, 2012).

Now available in a new format, this lavishly illustrated volume explores Art Deco art and design from its origin to its present day influences.

The Art Deco style is so recognizable and widespread that its original influence on the culture in which it emerged has been all but lost in the clutter of imitation. This book draws our attention back to the birth of Art Deco — a period between two devastating world wars when industrialization was flourishing, interest in archaeology was peaking, and movements such as Cubism, Constructivism, Futurism, and Modernism were turning the art world on its head. Brilliantly designed to reflect the style it celebrates, Art Deco is filled with hundreds of examples of painting, architecture, interiors, jewellery, crafts, furniture, and fashion.

Author Norbert Wolf traces the chronology of the Art Deco style by looking at the politics and culture of Europe in the 1920s and early 1930s, and the artistic movements that paralleled its popularity. He follows Art Deco’s influence in Europe and its immigration to the Americas and Asia. Most importantly, this wide-ranging volume looks beyond the era of Art Deco’s origination to the present day. Pointing to the numerous revivals and contemporary echoes in painting and even literature, this beautiful volume demonstrates that Art Deco is alive and well today — often in forms where we least expect it.

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Arnold Schwartzman's stunning photographs of the finest examples of Art Deco from all over the world are collected here as a celebration of one of the world's most popular decorative styles.

Art deco is the 20th century's most glamorous architectural style and the one that shaped popular ideas of modern luxury. With over 200 photographs, this is a visual celebration of this very popular style. Unlike most other books on the subject that tend to be regionally specific, this book highlights Art Deco buildings from all over the world, from Australia to South America, with an emphasis on London, Los Angeles, New York, Chicago, Miami, and Paris. Art Deco features much careful and exacting detail, and of special interest in this book are photos that zoom in on murals, mosaics, flooring, ironwork, and other ornamental flourishes.

Art Deco began in 1925 and quickly swept the globe becoming the style epitomizing Jazz Age glamour and sophistication. It drew from a variety of influences including ancient Egyptian, Moorish, and Mayan motifs but also modernist movements like Cubism, Fauvism, and De Stijl. Its influence was felt everywhere, from the skylines of New York to Shanghai, and it gained prominence not only with architects and designers but enjoyed a passionate following among the public as well.

About the Author:

Arnold Schwartzman is an Oscar-winning filmmaker, a noted graphic designer, and the author of a score of books including London Art Deco and Deco Landmarks: Art Deco Gems of Los Angeles. He began his design career in British television before moving to Hollywood in 1978. He was the Director of Design for the 1984 Los Angeles Olympic Games and designed many of the key graphic elements for the annual Academy Awards. In 2010, he created the two murals for the Grand Lobby of Cunard's Queen Elizabeth. In 2001 he was awarded an OBE and in 2006 he was appointed a Royal Designer by the Royal Society of Arts.

Now available in a new edition, this sumptuous volume explores key aspects of Art Nouveau — decorative arts, architecture, fashion, dance, advertising, and more — with an in-depth approach and stunning illustrations.

The Art Nouveau movement became an international phenomenon at the beginning of the twentieth century that ushered in the era of modernity in almost every aspect of cultural life. For decades critics have argued that Art Nouveau was not an artistic period in its own right, but an amalgam of artists and styles that served as a bridge between neoclassicism and modernism. In this comprehensive, authoritative, and copiously illustrated book, art historian Norbert Wolf explores Art Nouveau as a logical outgrowth of the historic forces in which it arose.

This book focuses on the movement's wide variety of applications and reclaims its prominence in the pantheon of modern art history. Chapters on aesthetics, spirituality, and the cult of beauty offer luminous examples of works by Mucha, Gaudí, Hoffmann, Klimt, Horta, Munch, and Tiffany, among many others. Wolf's text is both informed and accessible, providing an exciting narrative that brings the Art Nouveau movement into clear focus. Beautifully produced to appeal to a wide range of readers, this new edition gives one of the world's most popular styles the serious consideration it deserves.

About the Author:

Norbert Wolf is an art historian and author based in Munich. He has published several books with Prestel, including Art Nouveau, Art Deco, Impressionism, and "The Golden Age of Dutch and Flemish Painting", as well as monographs on Albrecht Dürer and Titian.

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From luxury apartment towers to offices, places of worship to museums, Brutalist architecture is having a 21st-century moment — and this book is here to explore the new interpretations of the style.

From luxury apartment towers to offices, places of worship to museums, brutalist architecture is having a 21st-century moment -- and this book is here to explore the new interpretations of the style. Designed with the same bold aesthetic that informed Le Corbusier himself, this book features fifty recent examples of how architects around the world are embracing the principles of brutalism -- simplicity, functionality, and rawness -- reimagining them for today's standards and tastes. Drawing from the radical approach of the controversial architectural movement, today's Brutalist buildings are both sophisticated and elegant. As the hundreds of exterior and interior photos in this book reveal, architects have taken advantage of new technology to make concrete-based structures that are refined and alluring, as well as stylish and modish unlike their predecessors. Each chapter is dedicated to a different type of building and is introduced with a selection of iconic structures as an essential visual reference for Brutalism's new look. In some instances the overall strength of the aesthetic is paired with equally forceful materials such as glass, metal and brick; other examples show how classically brutalist lines are integrated into generously proportioned, light-filled spaces. An informative celebration of Brutalist architecture's legacy, this book is an exciting exploration of how today's most innovative architects are discovering the inherent beauty of powerful concrete volumes that was at the heart of Le Corbusier's original vision.

About the Author:

Agata Toromanoff is an art and design historian. She has worked for art collectors and galleries, and has curated and managed numerous contemporary art projects. She has authored several books on art, design, photography and architecture, including Raising the Roof. Women Architects Who Broke Through the Glass Ceiling.

Concrete architecture from the Alps to the Mediterranean Sea

Containing over 140 exclusive photographs – ranging from private homes to football stadia – across every region of the country, Brutalist Italy is the first publication to focus entirely on this subject.

What makes Italian Brutalist buildings different to their counterparts in other countries? Containing over 140 exclusive photographs – ranging from private homes to churches and cemeteries via football stadia – across every region of the country, Brutalist Italy is the first publication to focus entirely on this subject.

Architectural photographers Roberto Conte and Stefano Perego (authors of Soviet Asia) have spent the past five years travelling over 20,000 kilometres documenting the monumental concrete structures of their native country.

Brutalism – with its minimalist aesthetic, favouring raw materials and structural elements over decorative design – has a complex relationship with Italian history. After World War II, Italian architects were keen to distance themselves from fascism, without rejecting the architectural modernism that had flourished during that era. They developed a form of contemporary architecture that engaged with traditional methods and materials, drawing on uncontaminated historical references. This plurality of pasts assimilated into new constructions is a recurring feature of the country’s Brutalist buildings, imparting to them a unique identity.

From the imposing social housing of Le Vele di Scampia to the celestial Our Lady of Tears Sanctuary, Syracuse – Brutalist Italy collects the most compelling examples of this extraordinary architecture for the first time in a single volume.

With an introduction by Adrian Forty, The Bartlett School of Architecture, University College London.

The beauty of Soviet brutalism. A photographic record of 90 weird and wonderful buildings from the last decades of the USSR

Photographer Frédéric Chaubin reveals 90 buildings sited in fourteen former Soviet Republics which express what he considers to be the fourth age of Soviet architecture. His poetic pictures reveal an unexpected rebirth of imagination, an unknown burgeoning that took place from 1970 until 1990. Contrary to the 1920s and 1950s, no “school” or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying system. Their diversity announced the end of the Soviet Union.

Taking advantage of the collapsing monolithic structure, the holes in the widening net, architects went far beyond modernism, going back to the roots or freely innovating. Some of the daring ones completed projects that the Constructivists would have dreamt of (Druzhba Sanatorium, Yalta), others expressed their imagination in an expressionist way (Palace of Weddings, Tbilisi). A summer camp, inspired by sketches of a prototype lunar base, lays claim to Suprematist influence (Prometheus youth camp, Bogatyr). Then comes the "speaking architecture" widespread in the last years of the USSR: a crematorium adorned with concrete flames (Crematorium, Kiev), a technological institute with a flying saucer crashed on the roof (Institute of Scientific Research, Kiev), a political center watching you like Big Brother (House of Soviets, Kaliningrad). This puzzle of styles testifies to all the ideological dreams of the period, from the obsession with the cosmos to the rebirth of identity. It also outlines the geography of the USSR, showing how local influences made their exotic twists before the country was brought to its end.

Frédéric Chaubin's Cosmic Communist Constructions Photographed is elected best book on architecture of the year by the International Artbook and Film Festival in Perpignan/France (Festival International du Livre d'Art & du Film Perpignan).

The photographer:

Frédéric Chaubin has been, for the last fifteen years, editor-in-chief of the French lifestyle magazine Citizen K. Since 2000 he has regularly featured works combining text and photography. The CCCP collection research was carried out from 2003 to 2010, through an intuitive and creative travel process. This project has been shown throughout the world, from Japan to the United States.

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Посмотреть книгу Cosmic Communist Constructions Photographed - Frédéric Chaubin. CCCP в бюджетной серии Bibliotheca Universalis

Henrietta Spencer-Churchill brings the practical comfort of twenty-first-century living to the elegant and timeless classical proportions of eighteenth century design.

This inspiring and invaluable book showcases some of Henrietta Spencer-Churchill’s favourite projects. Whether working with authentic Georgian interiors, apartments or newly-built homes, Lady Henrietta brings her perfectionist talent to the task of marrying comfort and practicality to the spirit of eighteenth-century elegance and timeless classical proportions.

Georgian Style and Design for Contemporary Living is lavishly illustrated with specially commissioned photographs from the author’s portfolio of work, and contains insights into how the design process works at a practical level. With chapters looking at each room in the home individually, from the dining room to the home office and media room, discover Henrietta’s secrets for achieving the ultimate blend of Georgian style with the needs of a modern home.

This is the classic design template for twenty-first-century living.orary living. Applying classic design principles to indoor/outdoor lifestyles and eco-friendly living is also discussed.

Lady Henrietta Spencer-Churchill is the elder daughter of the 11th Duke of Marlborough, whose family home is Blenheim Palace. Her interest in interior design began when at the age of 16 she traveled to study fine art and languages in Florence and Paris. Later she returned to England to finish her formal studies at the world-famous Inchbald School of Design

Floral Buildings. Art Nouveau marvels across Europe

With a meticulous sensibility for light and detail, the late Keiichi Tahara captured Europe’s finest Art Nouveau architecture. This exquisite three-volume set features more than 500 of his photographs and is interspersed by brilliant gold pages, each carefully produced using the finest printing techniques. This is a collection of majestic aura, brimming with the unique spirit of the fin de siècle.

At the turn of the 20th century, architecture took an imaginative leap. As new construction materials and technologies met such far-flung stimuli as the Far East, nirvana, and the unleashed unconscious of Freudian psychoanalysis, buildings by the likes of Gaudí, Horta, Hoffmann, Loos, and Mackintosh instilled structure with the sinuous lines of nature, surfaces with a fairy-tale shimmer, and spaces with an ethereal wash of light or shadowy, mysterious hush.

For this dramatic portfolio, printed for the first time ever in a book with five colors including gold, the late architectural photographer Keiichi Tahara traveled across Europe to present the finest examples of this Art Nouveau architecture. From the glamorous façade of the Grand Hotel Europa to the elaborate sweep of a staircase or the perfect poise of a single chandelier, Tahara captures the intricate details as much as the holistic spatial effects of these ambitious, marvelous structures. With an eye attuned to the style’s organic detailing, he surveys its floral patterns, vine-like balustrades, and the soft, hollow interiors that seem to summon us into some primordial place.

Drenched in sunshine or draped in dramatic shadows, Tahara’s pictures excel in evoking not only the unrivaled aura of these buildings but also the particular, fin-de-siècle spirit of their age, caught on the axis of a century, and characterized by reflection and yearning, as much as technological, philosophical, and political advance. Texts by Riichi Miyake accompany Tahara’s pictures to describe the buildings’ floor plans, designs, and the broader context of their dreamlike environments.

Limited and numbered edition of 10,000 copies

The photographer:

Keiichi Tahara (1951–2017) lived in Paris from 1973 to 2004 before moving back to his native Japan. Considered one of architecture’s great photographers, he won many awards, including the Niépce Prize in 1988. His series include Louvre (1995); Les Anges de Croatie (1995); l’Opéra de Garnier (1996); Egypt (1997); Piemonte (2000); the Museum of Islamic Art in Doha, Qatar (2008); and The Diet Building of Japan (Kokkaigijidou) (2015).

The author"

Riichi Miyake (b. 1948) was educated at the University of Tokyo (1972) and the École des Beaux-Arts in Paris (1979). After working as a professor at Shibaura Institute of Technology, Université de Liège, Keio University, and Conservatoire National des Arts et Métiers in Paris, he is currently professor at Fuji Women’s University in Sapporo. Miyake’s publications include Weaving Culture, Creating Culture (2005) and Saint-Gobain (2010).

The work of Polhemus Savery DaSilva Architects Builders reflects the special qualities of Cape Cod, Martha's Vineyard and Nantucket. This is a region of stunning landscapes and water views, crisp ocean-reflected light, classic villages, and abundant opportunities for playful living. Architecture of the Cape Cod Summer presents more than ten years of evocative design and well-crafted construction that is rooted in this fabled place. In an architectural world increasingly polarized between strict revivalist classicism and "avant-garde" abstraction, the work of Polhemus Savery DaSilva displays a compelling third way. The book features twenty-five projects that range from modest to elaborate. Each is an individual creation tailored to its specific location and client. Several additional projects are depicted in a chronology of the firm's major work. The volume contains an eloquent introduction and text by Michael J. Crosbie, as well as forewords by renowned architects Cesar Pelli and Robert Venturi. An essay by John R. DaSilva, Design Partner, describes the firm's approach and revisits the genesis of the Shingle Style that is so influential in residential architecture today. Drawings by the firm and more than four hundred color photographs by leading architectural photographers illustrate this sixth volume of the New Classicists series.

From the Publisher, The work of Polhemus Savery DaSilva depicted in this book has been praised by some of the most well-respected architects in the world. The following are some of their comments:

"Here is architecture sublimely contextual within the natural/rural, cultural-historical place that is Cape Cod....teeming with exquisite details - rich and varied in their extreme beauty.... One is constantly fascinated and, at the same time, always at ease when outside and inside these intriguing buildings. Viva the joy and wit, the elegance and charm, of this architecture which is ultimately mannerist in its complex and contradictory quality!" Robert Venturi

"... they have reached deep into the architectural traditions of Cape Cod to produce charming and intelligent designs. The buildings... feel like up-to-date evolutions of Cape Cod architecture, deeply influenced by shingle-style architecture. This connection with the tradition of buildings of Cape Cod makes the designs... natural to the place and at the same time feel fresh and of our time." Cesar Pelli

"The world of Polhemus Savery DaSilva is so enormously refreshing, as this work takes the best of the Cape's context together with the architect's own personal approach and melds them into a body of uncompromising domestic architecture." Michael Graves

"The work of Polhemus Savery Dasilva beautifully melds the traditions of New England with the way we live today, affirming that an architecture of place trumps an architecture preoccupied with passing trends." Robert A.M. Stern

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Пролистать книгу New Classicists - Architecture of the Cape Cod Summer: The Work of Polhemus Savery DaSilva на Google books.

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Другие книги серии New Classicists:

New Classicists - Richard Manion Architecture

New Classicists - Appleton & Associates Inc.

New Classicists - Ken Tate: Selected Houses Volume 1

New Classicists - Ken Tate: Selected Houses Volume 2

New Classicists - Wadia Associates - Residential Architecture of Distinction

New Classicists - Robert Adam and the Search for a Modern Classicism

New Classicists - A Lyric Architecture: Selected Works of John Malick & Associates

New Classicists - William T. Baker & Associates

William T Baker - Great American Homes: Volume 1

Great American Homes: Volume 2

This broad survey of modernism — the most scintillating creative era in Paris — spans all domains: architecture, art, design, entertainment, fashion, film, literature, and photography.

The lives and works of artists in every creative discipline transformed Paris into a crucible of modernity in the first half of the twentieth century. Profiles of eighty-eight influential artists, designers, photographers, architects, writers, and personalities — including Gabrielle Chanel, Eileen Gray, Jean Prouvé, Pablo Picasso, Tamara de Lempicka, Sonia and Robert Delaunay, Brassai, Man Ray, Robert Mallet-Stevens, Charlotte Perriand, Le Corbusier, Adolf Loos, Walter Benjamin, Josephine Baker, Jean Renoir, Gertrude Stein, and more — highlight the boundless creative energy and optimism that permeated the City of Light at this key historical juncture.

Richly illustrated alphabetical entries with cross-references to related topics are complemented by six thematic essays on cinema, fashion, graphic design, habitation, painting, and urban planning. A portfolio of original contemporary photographs — from the historic center to the suburbs of Paris — reveals traces of modernism in dozens of buildings and their interiors that are rarely open to the public.

This catalogue — published to accompany an exhibition at the Power Station of Art in Shanghai in the summer of 2023 — sketches a panorama of human invention across the vast creative landscape of Paris from 1914 to 1945.

About the Authors:

Jean-Louis Cohen is France’s most authoritative historian of twentieth-century architecture. He has published more than forty books, including Frank Gehry: The Masterpieces (Flammarion, 2021), and curated numerous architectural expositions. He is the Sheldon H. Solow Professor in the History of Architecture department at NYU’s Institute of Fine Arts and holds a chair at the Collège de France.

Guillemette Morel Journel is an architect and urbanist; she has published several books on Le Corbusier including Villa Savoye.

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Пролистать книгу Paris Moderne: 1914-1945 на сайте издательства.

This innovative and unique book is a visual guide to the buildings that surround us, naming all the visible architectural features so that, unlike other architectural dictionaries, the reader doesn't have to know the name before looking it up.

Clear line drawings and extensive colour photographs illustrate each of the main building types, from forts to churches, stately homes to skyscrapers. The individual structural elements and materials common to all buildings are then explained, whether in Classical, Gothic or Modernist style, before delving into the inner architectural details such as doors and windows, roofs and staircases. A comprehensive glossary completes the book.

An original and accessible take on the architectural dictionary, this book takes you on a visual tour of the buildings around us and will be useful not only to students but to anyone with a general interest in architecture.

About the Author:

Owen Hopkins works for the Architecture Programme at the Royal Academy of Arts in London.

Home Inspiration by teNeues goes into the next round – and has never been more relevant. After all, when the world around us is in shambles, a home with a feel-good vibe is essential. For some, a pared-down aesthetic that exudes a pleasant homeliness may be the right path to well-deserved ease; for others, a cheerful riot of colour is a fitting counterpart to the monochromatic daily grind. Two very different approaches that nevertheless pursue the same goal: to conjure up a real retreat from a simple living space.

Whether Hygge or Lagom, the Scandinavians manage the balancing act between inviting cosiness and inspiring modernity without precedent. Almost puristic in appearance, a combination of natural materials such as wood, pampas grass or ceramics and clean lines create an unobtrusive understatement. This turns a world of furnishings into an attitude to life that promises more balance in all situations – and this is what people outside Scandinavia are striving for.

In the usual teNeues quality with a high-quality layout, large-format images and exciting content, the new illustrated books in the freshly launched series now skilfully set the scene for two further interior trends, elegantly acting as decorative eye-catching pieces themselves. A practical index, which offers support in the search for brands and manufacturers, as well as fascinating rooms for re-styling make the books true inspirational treasures for every interior enthusiast.

- The latest interior design trends in the accustomed teNeues quality
- With a foreword by renowned expert Claire Bingham and furnishing recommendations from well-known interior designers
- Beautifully designed book spine, with a continuous pattern across the whole series, to bring added style to your bookshelf
- The third publication in the new Home Inspiration series by teNeues

About the Author:

Claire Bingham is an interior design journalist and author who has been discovering, writing about and photographing fantastic homes for almost 20 years. Previously, she was home decor editor at Elle Decoration. She writes about interiors, travel, perfume and food for publications around the world, including The Observer and Telegraph magazines, Architectural Digest and House & Garden. She is also the author of numerous books. More is More was her 11 book, with teNeues Publishing. It followed A Scented World, which was published in 2019. The inspirational books Patterns and Modern Glam for which she wrote the forewords will be published in autumn 2022.

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