Richard Avedon: Woman in the mirror
Among the significant projects of the last years of his life, Richard Avedon (1923–2004) completed a book of his photographs of women.
Always transcending categorization - he was both a fashion photographer and known as a “poet of portraiture” - Avedon was interested in seeing how elemental facts of modern life and human existence were reflected in his work. And what could be more elemental than women, who have mesmerized artists across the centuries? Looking at his work in this way, Avedon was able to create an unparalleled view of women in his time, a tumultuous half-century of rapidly changing social mores, cultural ideals, popular styles, and high fashion. As an artist, he was deeply responsive to nuances of expression, gesture, and comportment, and his photographs unfailingly opened a window to the interior lives of his subjects.
These ranged from celebrities (Marilyn Monroe), artists (Maria Callas, Isak Dinesen), and high-fashion models (Suzy Parker, Kate Moss) to women who simply drew his attention. Like the best of art and literature, Avedon's portraits evoke rich lives and complex experiences. An incisive essay by art historian Anne Hollander offers an overview of a half-century of Avedon's images of women.
About the Authors:
Richard Avedon was one of the most celebrated photographers of the 20th century. His portrait work comprises an authoritative record of our era and he redefined the fashion photograph. In 1992, he became the first staff photographer of The New Yorker.
Anne Hollander is the author of several books, including Feeding the Eye, Moving Pictures, and Seeing Through Clothes.