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This book references all the artist's periods and media: sculpture (plaster, bronze), paintings, drawings, prints… It will allow a comprehensive view of Alberto Giacometti's creation, from early works to the surrealist period, from the return to figuration to his work from models, and to the invention of the great post-war icons. Over 230 works are represented, including several masterpieces such as Spoon Woman (1927), The Invisible Object (1934-35), Woman with Chariot (1945), The Nose (1947), and Walking Man (1960).

Giacometti’s works are separated into fourteen original sections revealing the themes favoured by the artist - the representation of the head, the face, the female body, etc. The book is punctuated by seven essays written by leading art historians who dwell on the detours and questions that mark Alberto Giacometti's creative process, but also allow the reader to discover his relationship to loneliness, melancholy, and his hard work with his models: his wife Annette, his brother Diego, his close friends. This catalogue aims to introduce the reader to another Giacometti, the one who experiments with the limits of sculpture, and the formidable painter who also practices, alongside the portrait, the genres of landscape or still life.

Discover the immersive art of clay sculpting with comprehensive tutorials from renowned professional sculptors including Glauco Longhi and Romain Van den Bogaert. Explore key tools and materials, following the sculpting process from developing a character and creating armatures through to perfecting the final details and setting your sculpture. Featuring an introduction to sculpting by The Shiflett Brothers, Beginner’s Guide to Sculpting Characters in Clay is suitable for both complete sculpting novices and digital sculptors wanting to explore traditional techniques, covering all the essential components needed to create beautiful, clay character sculptures.

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Find both practical advice and inspiration in this exploration of the artistic process, methodology and techniques of 100 great ceramic artists

Ceramics Masterclass is an indispensable introduction to the rich history and practice of ceramics. It examines 100 of the most beautiful and inventive artworks by the world’s greatest artists, exploring the way they were made, what they do well, and how and what we can learn from them. By following this book’s detailed analyses and instructive creative tips, you will learn how to command functional forms like Bernard Leach, sculpt lively works of art like Pablo Picasso and experiment with material like Takuro Kuwata.

• Organized by genre: vessel, decorative, function, figurative, conceptual and installation.
• Includes practical tips and advice, allowing you to learn from some of the great ceramicists for your own work.
• Selected masterpieces serve as perfect examples of a particular quality in ceramics: subject matter, composition, material, surface, process and technical matters are all covered in detail.
• Explores each ceramicist’s creative vision, describing how they made the piece.

Contents List:

Introduction • 1. Vessel • 2. Batch Production • 3. Sculpture • 4. Figurative • 5. Installation • 6. Expanded Field

An inspirational showcase of the work of over 50 of the world’s most creative ceramicists which offers insights into their working methods

One of the oldest human crafts, pottery is experiencing a renaissance, with a renewed desire for unique pieces and a respect for the imperfections associated with the marks of the maker. From the functional to decorative and sculptural works pushing the boundaries of the craft, Clay: Contemporary Ceramic Artisans offers a glimpse into the lives and practices of over 50 studio potters from around the world.

It is a celebration of the new pottery artisans and a behind-the-scenes look at their inspirations and working methods.

With the help of this unique book, all the fascinating properties of iron and other metals can be creatively explored.

52 color plates and 717 b/w photos and drawings present the ideas and examples visually. After a short history of ironwork, the author discusses the ironworking shop, forge and tools, including anvils, vises, hammers, tongs, punches, centrifugal blowers and machine tools. She presents information on building, lighting, and maintaining a fire.

Forging procedures are explicitly shown: drawing out, flattening, bending, upsetting, twisting, splitting, punching and drifting, hot cutting on a hardy, and joining and finishing techniques.

From clay to kiln and all the techniques in-between, this book is an exploration into the techniques and processes of over forty-five working ceramicists.

Earth and fire represent the two elements that produce a ceramic object. Without the other they are simply components; together they create both practical objects and pieces of art. Working as both primer and inspiration, Earth & Fire explores the techniques, practices and tools of over forty-five working ceramicists.

Creating everything from wood-fired and fine porcelain wares; sculptured vases; everyday cups, bowls, and plates; to jewelry and wall pieces, these artists work in a wide range of styles and mediums to create their ceramics. Although the methods vary, the overall sentiment is that the earth and fire that the artists use to make their objects are the ultimate masters. Just when they think they know one thing, the clay, glaze and heat will teach them another. There will always be more to learn. Working with clay is, quite simply, humbling.

Written and compiled by Kylie Johnson and Tiffany Johnson, Earth & Fire captures the diverse beauty and utility of ceramics, demonstrating that clay doesn’t just get under your fingernails: it gets under your skin.

About the Authors:

Kylie Johnson is a Brisbane-based ceramic artist, gallery owner, and writer. Over the past ten years, she has curated more than fifteen exhibitions of both Australian and Japanese artists in her studio space. Kylie has published two books of poetry and a collection of quotes from her ceramic work. Tiffany Johnson has spent her professional life in book production and publishing for over twenty years. During the same period she has been by her sister Kylie Johnson’s side, working on paper boat press ceramic exhibitions and projects.

The Galleria Borghese brings together an extraordinary collection of ancient and modern sculpture within a beautifully decorated villa. This volume, dedicated to modern sculpture (Late Renaissance to Baroque to Neoclassical), marks the start of a new general catalogue of the collection.

The introduction narrates the history of the collection, from its creation by Cardinal Scipione Borghese in the 17th century to its sale to the Italian Republic at the end of the 19th century. The entries are full of chronological details, new attributions, information on restorations and account for the different historical settings thanks to an accurate study of the inventory records of the villa. They include world-famous masterpieces by Algardi, Bernini and Canova among others. The sale to Napoleon of many of its Antique works of art (now in the Louvre) was key to the Borghese's commission of works of ancient inspiration, the analysis of which animates the pages of another section, based on the concepts of copy and remake.

The catalogue closes with a section on restoration, that gives an account of the fundamental role of 16- to 18th-century sculptors in the maintenance and transformation of the archaeological collection in relation to the villa's display requirements.

Text in Italian.

About the Authors:

Anna Coliva is considered to be among the foremost experts on the history and works of the Galleria Borghese, of which she was for a long time director (1991-2020). Her specialist studies concern in particular Roman and Emilian Mannerism and the 17th century, with particular reference to Bolognese painting and Roman patronage. She has dedicated essays and monographic works to Bernini and Caravaggio. Vittoria Brunetti received her doctorate at the Scuola Normale Superiore of Pisa. She studies Roman Baroque sculpture between 17th and 18th centuries, with a particular focus in portraiture and collecting.

_Iconographic apparatus with high quality images, mainly taken by Luciano Romano.
_Analysis of pieces that have never before been catalogued.
_Unpublished archival research.
_New attributions of several artworks.

What makes a creative life? For an artist like Frances Palmer, it’s knitting all of one’s passions — all of one’s creativity — into the whole of life. And what an inspiration it is.

A renowned potter, an entrepreneur, a gardener, a photographer, a cook, a beekeeper, Palmer has over the course of three decades caught the attention not only of the countless people who collect and use her ceramics but also of designers and design lovers, writers, and fellow artists who marvel at her example. Now, in her first book, she finally tells her story, in her own words and images, distilling from her experiences lessons that will inspire a new generation of makers and entrepreneurs.

Life in the Studio is as beautiful and unexpected as Palmer’s pottery, as breathtakingly colorful as her celebrated dahlias, as intimate as the dinners she hosts in her studio for friends and family. There are insights into making pots — the importance of centering, the discovery that clay has a memory. Strategies for how to turn a passion into a business — the value to be found in collaboration, what it means to persevere, how to develop and stick to a routine that will sustain both enthusiasm and productivity. There are also step-by-step instructions (for throwing her beloved Sabine pot, growing dahlias, building an opulent flower arrangement). Even some of her most tried-and-true recipes.

The result is a portrait of a unique artist and a singularly generous manual on how to live a creative life.

About the Author:

Frances Palmer is a potter known for her handmade functional ceramics. Her pieces have been carried by Barneys New York, Bergdorf Goodman, Neue Galerie, Takashimaya, and the Philip Johnson Glass House, and featured in T: The New York Times Magazine, Vogue, Elle Decor, Martha Stewart Living, The World of Interiors, House & Garden, British House & Garden, and Veranda, among other publications. She lives and works in Weston, Connecticut. 

“Roll-up-your-sleeves advice on throwing pottery, growing dahlias, cooking her tried-and-true recipes, and everything in between.”
—Martha Stewart Living

“Suited to any type of creative, offering up lessons on inspiration and creativity that are sure to bring out your inner talent.”
—House Beautiful, Best New Design Books

While sculpture remained central to his artistic practice, Isamu Noguchi’s (1904–1988) interests and production spanned an exceptionally broad terrain that included furniture and lamps, stage sets for dance, plazas, courtyards — and gardens. Noguchi made no distinction between design, craft, and the so-called fine arts: in his view all of these could all be considered art should their aesthetic qualities sufficiently transcend those generated by the simple address of need.

Although his gardens include several of the twentieth century’s most iconic landscape designs and have received almost universal praise, Noguchi nonetheless occupies a place removed from the normal practice of landscape architecture. As an artist he relied more on intuition – bolstered by focused study where required – than on objective analysis, and he shaped his landscapes as sculpture, with space as their primary vehicle. To Noguchi landscape design was a spatial and formal art, and from his earliest environmental projects to the works of his later maturity, he succeeded in conceiving and constructing a series of remarkable places.

In this comprehensive and richly illustrated study of Noguchi’s gardens, noted landscape historian Marc Treib describes and critiques projects that date from his early unrealised projects for playgrounds and monuments to a large park in Sapporo, Japan, whose construction was completed only posthumously. The story begins with the discussion of Noguchi sculpture that relate in some way to actual landscapes, then moves to the dance set designs for Martha Graham, finally entering the realm of actual landscapes with his gardens for the Reader’s Digest offices in Tokyo and UNESCO House in Paris. Many more projects followed in the United States, Japan, and Israel.

Varying in their content and structure, several chapters collectively treat subjects such as landform, water, and the courtyard, while others focus on the major gardens monographically. Accompanied by stunning images from the archives of Isamu Noguchi Foundation and Garden Museum archives and the author’s own photographs, the story of Noguchi’s Gardens: Landscape as Sculpture will reward those interested in landscape architecture, art history, garden design, and art more broadly. 

About the Author:

Marc Treib Professor of Architecture Emeritus at the University of California, Berkeley, is a historian and critic of landscape and architecture who has published widely on modern and historical subjects in the United States, Japan, and Scandinavia. Books published by ORO Editions include Landscapes of Modern Architecture; Austere Gardens; The Landscapes of Georges Descombes: Doing Almost Nothing; and Thinking a Modern Landscape Architecture, West and East; and more recently The Aesthetics of Contemporary Planting Design and Serious Fun: The Landscapes of Claude Cormier.

Overs!ze features the best of installation art on a grand scale all around the world. 

The designers, sculptors and installation artists featured in these pages discuss considerations such as weather, wind flow, method of installation, time constraints, budgets, transportation of the piece to the site, materials used and their durability and the process of site selection. 

The finished projects interact in symbiotic or contrasting methods with their surroundings in carefully controlled ways to create new spatial meanings.

Master of the human form. Rodin's ode to flesh in bronze, marble, and clay

One of the most celebrated sculptors of all time, Auguste Rodin transformed sculptural substance not only into human forms, but into the evocation of human experience. In bronze, marble, and clay, his captivating works summon up all the passions, joys, and vices of life. 

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

The first-ever spomenik guidebook, with over 75 examples alongside map references and information on why they exist and who built them. 

Spomenik’ the Serbo-Croat/Slovenian word for ‘monument’ – refers to a series of memorials built in Tito’s Republic of Yugoslavia from the 1960s-1990s, marking the horror of the occupation and the defeat of Axis forces during World War II. Hundreds were built across the country, from coastal resorts to remote mountains. Through these imaginative forms of concrete and steel, a classless, forward-looking, socialist society, free of ethnic tensions, was envisaged. 

Instead of looking to the ideologically aligned Soviet Union for artistic inspiration, Tito turned to the west and works of abstract expressionism and minimalism. As a result, Yugoslavia was able to develop its own distinct identity through these brutal monuments, which were used as political tools to articulate Tito’s personal vision of a new tomorrow. Today, following the breakup of the country and the subsequent Yugoslav Wars of the 1990s, some have been destroyed or abandoned. Many have suffered the consequences of ethnic tensions – once viewed as symbols of hope they are now the focus of resentment and anger. 

This book brings together the largest collection of spomeniks published to date. Each has been extensively photographed and researched by the author, to make this book the most comprehensive survey of this obscure and fascinating architectural phenomenon. 

A fold-out map on the reverse of the dust jacket shows the exact location of each spomenik using GPS coordinates.

A magnificent catalogue of the V&A's collection of twentieth-century and contemporary British ceramics

Contemporary ceramicists working in Britain, including Rachel Kneebone, Grayson Perry and Edmund de Waal, are part of a broader international group of artists experimenting with clay, considering how it intersects and works in dialogue with other art forms and with culture at large. Recent experimentation with the medium owes much to the rapid evolution of ceramics into an expanded field, and to the work of mid- to late 20th-century potters and their reinvention of ceramics as a radical and contemporary art practice. The pioneering methods and rethinking of form in the work of exponents such as Bernard Leach, Michael Cardew, Lucie Rie, Hans Coper and Alan Caiger-Smith – whose reference points were drawn from East Asia, Africa, the ancient Mediterranean and the Middle East as much as from their own heritage – continue to influence and inspire contemporary makers. In his introductory essay, Alun Graves, Senior Curator at the Victoria and Albert Museum, London, provides all lovers of ceramics – collectors, practitioners, historians and those interested in modern and contemporary art and crafts – with the historical context, documenting the medium’s shift into an expressive, and sometimes interventionist, art form. An extensive visual catalogue, Studio Ceramics is the primary reference for 20th-century and contemporary British studio ceramics, and a record of the national collection of British ceramics held at the V&A.

Contents List:

Foreword by Tanya Harrod
Preface by Alun Graves
Studio Ceramics in Britain
Timeline of Ceramics
A-Z of Artists

About the Authors:

Alun Graves is Senior Curator, Ceramics and Glass 1900–now, in the Department of Decorative Art and Sculpture at the Victoria and Albert Museum, London. He has written widely on 20th and 21st-century British ceramics and sculpture, contributing to a variety of journals, collected papers and exhibition catalogues. He has curated many exhibitions and displays, including Simon Carroll: Expressionist Potter (2014–15), Barnaby Barford: The Tower of Babel (2015), and Alison Britton: Content and Form (2016).

An essential reference guide to the methods and techniques of glazing

Packed with information and glaze recipes, The Glaze Book will enable you to reference hundreds of ceramic surfaces. Each glaze recipe is clearly illustrated so you can see the colour and surface responses it has to offer, and features a description including its firing range, and the uses to which it can be put.

The Glaze Book provides easily accessible help on
- Methods and Techniques
- Raw Materials
- Glazing Tools and Equipment
- Mixing a Glaze
- Methods of Application
- Glaze Recipes for Earthenware, Stoneware and Porcelain

About the Author:

Stephen Murfitt has been working with ceramics for the past 30 plus years both teaching and exhibiting.

Celebrates the contemporary revival of pottery, focusing on six inspiring cities and their makers

​Clay is back: the age-old craft of ceramics is being embraced by a new generation of urban makers and collectors. Author Katie Treggiden explores the contemporary revival of pottery, focusing on six inspiring cities and their makers. 27 young and passionate ceramicists in New York, London, Tokyo, Copenhagen, Sydney and Sao Paulo introduce us to their work, their studios and their inspiration.

Urban Potters: Makers in the City will appeal to a broad audience – not only those who practice pottery themselves, but anyone who is interested in the handmade. The book also includes a practical source list of places to buy handmade ceramics in the six cities featured.   

About the Author:

Katie Treggiden is a design writer, editor, curator, lecturer and consultant. Treggiden writes for the Guardian Magazine, the Telegraph Magazine, Elle Decoration and Icon, among others. She is the author of The Makers of East London and of The Residents: Inside the Iconic Barbican Estate.