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The definitive monograph on Dieter Rams, one of the most influential product designers of the twentieth century 

As head of design at Braun from 1961 to 1995, Dieter Rams created some of the twentieth century’s most iconic objects. Rams’s life and work are indelibly linked to his thoughts about how people live, and how they can live better.

Products he designed in the 1960s are still produced and sold today, and his ideas on good design continue to inspire designers and consumers. Now available again with a stunning new cover, this comprehensive monograph, with a foreword by Jonathan (Jony) Ive, former chief design officer of Apple, explores not only Rams’s life and work, but also his design philosophy.

The book includes detailed text covering Rams’s life, the intellectual context in which he worked, his designs for Braun and Vitsœ, and the ideas and lectures he developed as an advocate for good design. Sketches and photographs of finished products and prototypes provide insight into Rams’s design process, diverse archival material gives a complete picture of his life and work, and specially commissioned photographs of Dieter Rams’s house and the Braun archive provide an exclusive glimpse of the world’s most complete collection of Rams’s designs.

Known for the hundreds of iconic products he designed for Braun and Vitsœ, this comprehensive and exhaustive monograph also features Rams's only architectural work and the ideas about living sustainably embodied in his ‘ten principles’.

About the Authors:

Sophie Lovell is a writer, editor, creative consultant and a leading voice in design and architecture publishing. Born in London, she has lived in Berlin since 1994. Sophie has worked on and with numerous publications in the fields of art, architecture, and design, including uncube, form and Wallpaper* magazines. She has written and edited a number of books on design and architecture, including David Thulstrup: A Sense of Place, and is also co-editor of The Common Table, a digital platform for food thinking and systemic change that she founded together with her daughter Orlando Lovell as studio_lovell.

Sir Jonathan (Jony) Ive KBE RDI is a British-American industrial designer. Formerly Chief Design Officer at Apple, he now runs his own design firm, LoveFrom, with British designer Marc Newson.

Dieter Rams is an industrial designer whose career-defining collaborations with Braun and Vitsoe have produced some of the most iconic consumer products of the 20th century.

A celebration of the work of contemporary architect David Rockwell, who works at the intersection of architecture and performance

This unique insight into the projects and philosophy of renowned architect and Tony Award-winning set designer David Rockwell explores the remarkable range of his work, from restaurants and hotels to museums and Broadway stages. It is the first book to shine a spotlight on the relationship between architecture and performance and features contributions from leading voices and talents in fields as diverse as architecture, lighting design, and the culinary arts.

David Rockwell's fascination with theater has long informed his built work. Drama explores the core principles that Rockwell uses to enhance the impact of his architecture, with contributions from experts across the creative world – from record producer Quincy Jones to chef José Andrés. It's both an exciting new insight into the work of an important contemporary architect and a compelling case for the virtues of interdisciplinary collaboration.

About the authors:

David Rockwell, FAIA, is the founder and President of Rockwell Group, an acclaimed architecture and design firm with offices in New York, Los Angeles and Madrid, specializing in cultural, hospitality, educational, and set design.

Bruce Mau is the founder of Bruce Mau Studio and co-founder of Massive Change Network, a holistic design collective based in Chicago.

Sam Lubell has written 10 books about architecture, including several for Phaidon and Monacelli.

New in paperback, this book presents Dieter Rams’ aesthetic philosophy through highlights from a forty-year career designing iconic consumer products that enhance our daily lives.

For decades, anyone who cared about product design looked to the Braun label when choosing their appliances, radios, and other consumer items. Dieter Rams, the guiding force behind the Braun look, breaks down his design principles and processes in this elegant new paperback edition. Enumerating each of his ten principles such as “good design is innovative”; “good design is aesthetic”; “good design is useful”, etc., this bestselling book presents one hundred items that embody these guidelines. Taken together, the images and texts offer the most comprehensive overview of Dieter Rams’ work to date and will serve as both a reference and an inspiration for anyone interested in how and why good design matters.

About the Author:

Cees W. De Jong is the author of numerous books and a curator of exhibitions on design, typography, and architecture.

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Пролистать книгу Dieter Rams: Ten Principles for Good Design на сайте издательства.

The definitive typographic exploration of the letter forms and typography of one of Europe’s leading design studios

Letters from M/M (Paris) is a comprehensive study of the typefaces produced by Michaël Amzalag and Mathias Augustyniak since they founded their influential art and design practice, M/M (Paris).

For the first time, ninety of the designers’ typefaces are catalogued chronologically in a three-part volume, comprising the history of their development; exclusive type specimens; and detailed illustrations of projects in which they appear.

With a foreword by Björk – whose collaboration with M/M spans over two decades – this encyclopaedic volume traces the distinctive and integral nature of type, lettering and signs in the work of M/M, from one-off artistic commissions to fashion branding and their long-lasting collaborations with musicians and theatres.

This complete typographic collection is the perfect companion to the two-volume monograph M to M of M/M (Paris), and will appeal not only to graphic designers, historians and students, but to anyone interested in art and visual culture.

About the Author:

Paul McNeil is a graphic designer, writer and educator, and was formerly Course Director of MA Contemporary Typographic Media at the London College of Communication. In 2009 he co-founded MuirMcNeil with Hamish Muir, a design practice whose activities are focused on exploring systematic methods in design for visual communication. Seven years in the making, The Visual History of Type, McNeil's definitive survey of type and typography from 1450-2015, was published in 2017.

A large-format book that uncovers the secrets behind Nendo’s unique creative process

He named his firm ‘Nendo’, the Japanese word for modelling clay; he uses manga-like sketches to illustrate his design concepts; and he creates some of the most imaginative furniture in the world: he is Oki Sato, one of Japan’s most prolific designers. At any given moment, he has hundreds of projects in the works – architecture, interiors, furniture, tableware, and more. ‘There is nothing I would not design,’ says Sato.

Sato renders his designs with remarkable conceptual clarity. At the outset, he allows his imagination to run wild and then documents his idea with a simple black line drawing – be it a bathroom basin defined by a single, ceramic swirl or a pair of wooden chopsticks that twist together to become one. These 2D images are converted into minimal 3D shapes described with clean outlines and a largely monochrome palette. Like a traditional Japanese ink painting, which constructs an image with just a few brush strokes, Sato extracts the unnecessary and eliminates distraction.

Featuring Sato’s original sketches, full-scale product images and explanatory texts, nendo uncovers and unpicks the designer’s unique creative process, guiding the reader step-by-step through his innovative and playful world to reveal the secrets behind fifty of his inimitable works.

About the Author:

Oki Sato is founder of the multi-award-winning Japanese design firm Nendo. Geneviève Gallot is former director of the Institut national du patrimoine and of the École nationale supérieure des arts décoratifs.

Stefan Sagmeister’s newest project encourages long-term thinking and reminds us that many things in the world are improving.

Initially conceived in 2020 as the world entered pandemic lockdown, Stefan Sagmeister has created a book that looks at the state of the world today, illuminating, through collected data, how far we’ve come, and encouraging us to think about where we can go from here.

Statistics are vividly brought to life, as numbers are transformed into graphs, inlaid into nineteenth-century paintings, embroidered canvases, lenticular prints, and hand-painted water glasses. 

The book includes a foreword from psychologist and leading authority on language and the mind, Steven Pinker; a featured essay by graphic designer and historian Steven Heller; and a conversation between Sagmeister and Hans Ulrich Obrist, curator and artistic director of Serpentine Galleries in London and will appeal to all visually minded readers, providing a positive reaction to the tumultuous news cycle of recent years.

Published in softcover with flaps Now is Better is contained within a die-cut slipcase and accompanied by a lenticular print designed by Sagmeister. Now is Better is an intriguing and thoughtful visual meditation on our daily lives.

About the Authors:

Stefan Sagmeister formed the New York-based Sagmeister Inc. in 1993 and has since designed for clients as diverse as the Guggenheim Museum, the Rolling Stones, and HBO. His work is in museum collections around the world, including the Museum of Modern Art in New York, the Philadelphia Museum of Art, the Art Institute of Chicago, the San Francisco Museum of Modern Art, and the Museum of Applied Arts (MAK) in Vienna. He teaches in the graduate department of the School of Visual Arts in New York.

Steven Pinker is the Johnstone Family Professor of Psychology at Harvard University, and the author of many books on language, mind, and human nature, including The Language Instinct, How the Mind Works, The Better Angels of Our Nature, and Rationality.

Hans Ulrich Obrist (b. 1968, Zurich, Switzerland) is Artistic Director of the Serpentine in London, and Senior Advisor at LUMA Arles. Prior to this, he was the Curator of the Musée d’Art Moderne de la Ville de Paris. Since his first show World Soup (The Kitchen Show) in 1991, he has curated more than 350 shows.

Steven Heller is co-chair of the SVA MFA Design program. He is the author, co-author, and/or editor of 200 books on design, illustration, and visual culture. For 33 years he was an art director at the New York Times for the OpEd page and the Book Review section. He has contributed to many magazines including The Atlantic, Wired, EYE, Baseline, and PRINT, where he has written The Daily Heller online for over a decade.

The beauty of nostalgia: 1924us revives modern brands with analogue craftsmanship.

Step into the world of Christian Watson’s creative studio, 1924us. Favoring historical tools and revisiting old techniques, the graphic designer, photographer, and illustrator applies his vision to anything, from brand and retail design, to tattooing and typography.

His atelier, 1924us revives modern brands with analogue craftsmanship. Persevering the practices and heritage style of the early 1900s, the brand’s work has come to epitomize this new-old aesthetic beyond the digital. Founded in Portland, 1924us has worked for more than 200 companies and also operates a general store.

Venture Onward is the comprehensive monograph of the artist’s work, providing beautiful and nostalgic visuals, which inspires readers to slow down and enjoy that which lasts a lifetime.

About the Author:

1924us is a branding company whose work brings the past into the present, preserving and resurrecting the handmade, heritage style of the 1900s. Founded in 2009, 1924US has worked for more than 200 companies—from small coffee shops to Fortune 500—and now also runs a general store. 1924us founder and creative director, Christian Watson, is an artist, a photographer, and designer.

The last book completed by William Klein within his lifetime: A landmark retrospective encompassing Klein's legacy of creativity across photography, filmmaking, painting, book design, graphic design and beyond.

Photographer. Filmmaker. Artist. Designer. To master one of those disciplines would be a lifetime achievement for any creative individual, yet William Klein's career was celebrated in each of them over the last eight decades. Klein was one of the great image makers of the 20th century and one whose work remains an enduring creative influence on the work of contemporary artists, photographers and filmmakers.

With over 250 images, this career retrospective explores the late William Klein's entire creative and artistic arc. Directed by Klein himself, from the selection of content to book design, this large-format publication looks back at his uncompromisingly creative lifetime, showcasing Klein's prolific and relentlessly innovative contribution to the world of photography, art, design and filmmaking.

Published in association with a major retrospective at the International Center of Photography, this book is a comprehensive take on his career. While best known as a photographer who broke all the rules and conventions, William Klein: Yes focuses on the full range of Klein’s work, from his abstract paintings through to his startling, authentic street photography and photobooks and his dynamic, satirical take on filmmaking. With a flowing, chronological text by David Campany, this book will be both an introduction to William Klein for a new generation and a source of fresh insights for those who already know who William Klein was: a true original.

About the Author:

William Klein (1926-2022) was an American photographer, painter, designer and filmmaker. New York-born, Klein settled in Paris in 1948, where he studied at the Sorbonne and pursued his artistic career working briefly under Fernand Léger. Best known as a photographer, achieving fame with a series of acclaimed photobooks, including Life is Good and Good for You In New York (1956) and through his fashion photography in Vogue magazine. Klein was also a filmmaker, directing both feature films and documentaries, a graphic designer and art director.

In the history of the decorative arts, there has never been another designer who has achieved such lasting impact. While lamenting the excesses of mass-production, he set up the firm of Morris, Marshall, Faulkner and Company. Soon it was producing a range of goods, from hand-woven tapestries, carpets and printed textiles to stained glass, metalwork and furniture. What the company offered was quite simply a way of life. 

Now available in paperback, Pamela Todd’s book celebrates William Morris’s genius, presenting a thorough overview of his life and career, while setting out his guiding principles so that a modern audience can recreate the Arts & Crafts style in their own homes.

A series of case studies explores six contemporary houses – from a modern London townhouse to a traditional Arts & Crafts home in Massachusetts – that have followed and adapted Morris’s dicta, brilliantly demonstrating how the style can be applied to our environment today.

The book concludes with a comprehensive style-sourcing section, as well as a gazetteer of places to visit for inspiration.

Revised edition of the bestselling backlist title. William Morris was an outstanding character of many talents, being an architect, writer, social campaigner, artist and, with his Kelmscott Press, an important figure of the Arts and Crafts movement. Many of us probably know him best, however, from his superb furnishings and textile designs, intricately weaving together natural motifs in a highly stylized two-dimensional fashion influenced by medieval conventions.

Following on from the bestselling success of Art Nouveau, Art Deco and Mucha, of the same series, this delightful new book offers a survey of his life and work alongside some of his finest decorative work. A richly beautiful book.

William Morris (1834 - 1896) was an English textile designer, artist, writer, and even a libertarian socialist. His flower patterns are well-known worldwide, but his other design works such as editorial and font design are also worth watching and appreciating.

This book presents not only his textile patterns but also book design, font design, posters, stamps and various artworks including painting, all of which will become the precious reference for designers as well as for art lovers.

About the Author:

Hiroshi Unno was born in 1939 in Tokyo. Unno writes on art, cinema, music, urbanism, novels, flower arranging and more. Unno recent titles released by PIE International - Avant-Garde Graphics in Russia, The Art of Fantasy, Sci-fi and Steampunk, Harry Clarke, Beautiful Book Design, The World of Mucha, A Thousand and One Nights - have gained recognition worldwide.

The imaginative universe of Piero Fornasetti, an iconic figure of Italy’s economic boom, and the creative continuity of his son Barnaba.

Piero Fornasetti started his business in the immediate postwar period, when in 1947 — encouraged by Gio Ponti, who first sensed his talent — he presented ceramics at the eighth Milan Triennale. In the early 1950s, together with Ponti, he created the furnishings for the great Italian transatlantic liners, a fruitful collaboration that would give him great visibility. Piero Fornasetti quickly expanded production with furniture, furnishings and accessories, household objects, and fabrics, becoming an iconic designer in Italy as the country was reborn, rebuilt, and transformed after the war in the years of the economic boom. Some of Fornasetti’s furniture — the trumeau, the desk, the chest of drawers — have fully entered the history of twentieth-century Italian design.

After Piero’s death in 1988, his son Barnaba took the reins of the company, enhancing his father’s incredible visual archive, relaunching the brand, and ferrying it toward international development of great prestige, with exhibitions and activities in museums around the world.

Fornasetti is a brand that is now known all over the world and is sought-after by international collectors. The imaginative universe that Fornasetti builds around its ironic objects and outside any conventions is unique and unparalleled.

This book, made in close collaboration with Barnaba Fornasetti, who has penned the foreword, traces the story of this exciting human and creative adventure.

About the Author:

Barnaba Fornasetti has been running the company founded by his father since 1988. Museums that have hosted his exhibitions include Triennale, Milan; Musée des Arts Décoratifs, Paris; and Dongdaemun Museum, Seoul. In 2017 he was awarded the MAD Visionaries! Award.

This elaborate volume, authored by the designer’s son, is a splendid celebration of one of the world’s most inventive design minds. Combining whimsy and elegance, Piero Fornasetti (1913 –1988) transformed everyday objects like cups, scarves, and screens into works of art featuring his idiosyncratic leitmotifs, such as the hand, the female face, and luminescent fish. Additionally, he created a wide range of works, including idealized architectural fantasy drawings, book designs, and provocative nudes, as well as the decor for the luxury liner Andrea Doria. Perhaps most famous for dazzling pieces of trompe l’oeil furniture, Fornasetti was rediscovered in the 1980s and has remained much sought-after by collectors worldwide. Featuring 2,800 illustrations, many never before published, the monograph is designed to be an artist’s book that reflects as faithfully as possible Fornasetti’s own approach to design. Fornasetti’s work is organized by type and includes paintings, sculptures and etchings, furniture, graphics, textiles, glass, screens, trays, and ceramics, as well as smaller categories. With unique and exhaustive access to the archives, this epic undertaking covers detailed technical, biographical, and bibliographical information, including a list of exhibitions and a register of the complete works. A must-have for collectors and connoisseurs alike.

For fans, collectors and dealers Rizzoli's upcoming book Fornasetti: The Complete Universe is cause for massive celebration. Nearly 700 pages long, with 3,000 images and illustrations, it is a composite catalogue raisonne and coffee table book extraordinaire. For those ever frustrated with the paucity of information on Fornasetti, the book feels like a miracle.

I like to equate Fornasetti with Andy Warhol. Both had long, prolific careers that constantly replenished their output with material that was simultaneously fresh but iconic. Both were talented illustrators and masters of appropriation. Fornasetti is remarkable in the realms of both art and design in his enthusiastic embrace of figuration, antiquity and the ornate defying not only his generations aesthetic preferences but many trends inherent in Modernism.

Unlike Warhol, whose works are mostly priced in the million-dollar range, objects by Fornasetti remain accessible to a large segment of the population. Of course, there are Fornasetti pieces (notably 1950’s furniture emblazoned with his most iconic motifs) with price tags that approach six figures. However, there is also a significant amount of material available on the secondary market today that was made by the Fornasetti atelier during his lifetime. (Full disclosure: I am a dealer who specializes in vintage Fornasetti) Such pieces, including everything from silk scarves, lamps, umbrella stands, ashtrays, mirrors and decorated porcelain can be found in the several hundred to several thousand dollar range. Fornasetti: The Complete Universe is such an astounding book as for the first time there is an attempt to document and date everything (?!) that Piero created during his lifetime. Fornasetti has numerous motifs or subjects that he applied to an array of consumer goods that are uniquely his own notably malachite, mythology, playing cards, the personification of the sun and moon, musical instruments and “Themes & Variations” (which puts a woman’s face in over 300 surrealist scenarios).

The book is composed of two halves; one dedicated to his artistic ambitions and evolution, the second how his talents were applied to creating a host of elaborate and distinctive consumer products. Fornasetti’s son, Barnaba is largely responsible for both maintaining his father’s archives, the creation of this book and the enduring popularity of Fornasetti. Since his father’s death in 1988, Barnaba has actively reissued designs and licensed certain iconic images. Some purists may find it problematic that such post-humous work is included here. After all such pieces were not created nor overseen by the creator and will likely never appreciate in value.

About the Authors:

Barnaba Fornasetti is a designer and oversees his father’s legacy. Andrea Branzi is a leading architect and designer in Milan and has published a number of books on design, including The Hot House: Italian New Wave Design. Mariuccia Casadio is the art consultant for Italian Vogue and the author of Dolce & Gabbana: Fashion Album, among other books.

Here, at last, is a book that does justice to this powerfully original artist’s visual invention. As beautiful and rigorous as an Escher work itself, The Magic of M. C. Escher is the classic study of a great artist.

For Escher, the skin of the visible world could be cut, folded, shaped and rearranged in marvellous ways. A superb draughtsman, Escher set himself the challenge of portraying otherworldly transformations of space within the borders of a sheet of paper. The resulting images, combining fantasy with explorations of geometry, have become the favourite artworks of tens of thousands of people around the world.

Escher’s works – from the great master prints to numerous drawings, accompanied by his eloquent words – are brilliantly arranged to form a cinematic journey of discovery. The destination is the magical world of the artist’s mind, an uncharted realm lush with exotic conceptions and inventions.

Featuring sixteen new projects and fresh photography, this updated and revised book remains the definitive publication on the internationally acclaimed designer Thomas Heatherwick

How do you create a car that cleans the air?
Construct a building that helps you heal?
Humanize space to improve life on earth?
Turn a paper mill into a gin distillery?
Let every country in the Olympic Games take part in making and lighting the Olympic Cauldron?
Design a building using an electron microscope?
Produce a new bus for London that uses less fuel?
Make someone eat your business card?

Making is an extraordinary compendium of the work of Thomas Heatherwick and his studio since its founding thirty years ago. Fully updated and revised, and now in its third edition, this is the definitive publication on one of the world's most exceptional designers. With more than 600 pages, 116 projects and hundreds of photographs, drawings and sketches, this essential monograph will be an inspirational resource for designers, makers and curious minds.

About the Author:

Thomas Heatherwick leads the design of all Heatherwick Studio projects, working in collaboration with a team of 200 architects, designers and makers across four continents on projects valued at over £2 billion. He has been appointed a Commander of the Order of the British Empire, a Royal Academician and in 2004 became the youngest Royal Designer for Industry.