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From the front lines of the war in Ukraine comes this compelling collection of images from world-class photographers that captures the humanity, perseverance, and determination of the nation's fight for freedom and independence against all odds.

Stunning collection of images from some of the most respected photojournalists of our time:

- Carol Guzy, four-time Pulitzer Prize-winning photojournalist
- Lynsey Addario, Pulitzer Prize-winning photojournalist andNew York Times bestselling author
- Paula Bronstein, award-winning photojournalist, and Pulitzer Prize finalist
- Justyna Mielnikiewicz, award-winning photojournalist
- Svet Jacqueline, award-winning photojournalist
-and 20+ other world-renowned photojournalists

Moving essays, published in both English and Ukrainian, by:

- Foreword by the Ukrainian ambassador to the United States, Oksana Markarova. Markarova provides an overview of how this war has shaken her country and what democracy and freedom mean to her people.
- Award-winning Ukrainian author Andrey Kurkov. Ukraine's most famous living writer, Kurkov provides an emotional, heartfelt reflection on what's happening to his country in relation to the pictures displayed in the book.
- Pulitzer Prize winner and personal photographer to President Gerald Ford, David Hume Kennerly. Kennerly speaks to the emotional and physical risk photojournalists take in covering war alongside their mission to show truth.

As Ukrainian President Volodymr Zelenskyy said in his address to U.S. Congress, Russia “went on a brutal offensive against our values, basic human values. It threw tanks and planes against our freedom, against our right to live freely in our own country, choosing our own future, against our desire for happiness, against our national dreams, just like the same dreams you have, you Americans. Relentless Courage delivers a gripping, visual portfolio of images that remind us of our shared humanity, what is right, and what’s at stake when independence and freedom come under attack.

This celebration of contemporary street photography — in all its edgy, strange, beautiful, haunting, colourful, and humorous glory — brings together the work of a new generation of talented artists

Over the past few decades, the long tradition of street photography has been wholly transformed by the proliferation of digital cameras, the Internet, and smartphones.

A new generation of photographers has embraced this modern technology to capture the world around us in a way that is un-staged, of-the-moment, and real. Exploring this rich seam of emergent and exciting street photography, the 100 photographs featured in this book are presented on double-page spreads along with commentary about the work and its creator. Curated by David Gibson, a street photographer and expert in the genre, this stunning book offers a truly global collection of images. Gibson’s insightful introduction gives an insider’s overview of street photography, illuminating its historic importance and its renaissance in the digital age.

About the Author

David Gibson is a street photographer, the author of The Street Photographer's Manual, and a founder of the street photography collective In-Public. He regularly leads street photography workshops in London and other cities across the globe.

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Пролистать книгу  100 Great Street Photographs

Exploring Richard Avedon’s fascination with France, Avedon’s France brings together a collection of spectacular photographs; selected interviews, letters, publications, and writings (including new material from the Avedon Foundation archives); and substantive essays by the authors.

In addition to five portfolios of French sitters spanning a lifetime of portraiture, it looks at Avedon’s apprenticeship to his mentor, Alexei Brodovitch; his encounters with French fashion; his idealized version of Paris in the movie Funny Face; his fresh take on the belle epoque in his book on Jacques-Henri Lartigue, Diary of a Century; and his fruitful association with the magazine Egoïste later in his life.

Avedon’s France offers a full account of Avedon’s restless pursuit of new ways of looking at the world, and it reveals a master image maker, a true artist for his time.

The official illustrated history of Blue Note, the most influential and important brand in jazz

Blue Note is not only known as the purveyor of extraordinary jazz but is also famous as an arbiter of cool. The superb photography of co-founder Francis Wolff and the cover designs of Reid Miles were integral to the label’s success and this highly illustrated publication – featuring the very best photographs, covers and ephemera from the archives, including never-before-published material – commemorates Blue Note’s momentous contribution to jazz, to art and design, and to the music business.

Tracing the evolution of jazz from the boogie-woogie and swing of the 1930s, through bebop, funk and fusion, to the eclectic mix Blue Note releases today, the book also narrates a complex social history from the persecution of Jews in Nazi Germany to the developments in music and technology in the late 20th century. Celebrating over eight decades of extraordinary music, this book demonstrates how Blue Note has stayed true to its founders’ commitment to ‘Uncompromising Expression’.

About the Author:

Richard Havers was a British music author, journalist, consultant and broadcaster. He was the author of over fifty books, including Rolling Stones 50 and Verve: The Sound of America, both published by Thames & Hudson.

In 1967, a 17-year-old aspiring photographer named Ed Caraeff found himself front row at the Monterey Pop Festival, California. Caraeff had never seen Hendrix before, nor was he familiar with his music. But Caraeff had his ever-present camera and as Hendrix lit his guitar, he snapped a photo. That picture – Hendrix burning his guitar at Monterey – has become one of the most iconic images of rock and roll. A photo that defined Hendrix as an artist, appeared on the cover of Rolling Stone magazine not once, but twice, and launched Caraeff’s photographic career.

Timed to celebrate the 50th anniversary of the Monterey Pop Festival, Burning Desire reveals never-before published images from the magnificent, Hendrix-dedicated archive that Caraeff has compiled. From onstage to backstage, Jimi Hendrix was as electric in front of the camera as he was when he strummed his guitar.

In Burning Desire, Caraeff showcases more than 100 images, including rare shots and contract sheets, and discusses his experiences with this incredible musician. Contents: Monterey International Pop Music Festival: June 18, 1967 Hollywood Bowl: August 18, 1967 Anaheim Convention Center: February 9, 1968 Ackerman Union Ballroom: February 13, 1968 Hollywood Bowl: September 14, 1968 Whiskey-A-Go-Go: October 1968 Newport ’69: June 20-22, 1969

- Rare and unseen photos of Jimi Hendrix including 100 black-and-white and colour images including the greatest rock-and-roll image of all time: Hendrix burning his guitar on-stage at the Monterey International Pop Music Festival
- Exclusive backstage shots
- Immortalises Hendrix's most iconic onstage performances, including Monterey, Whisky A-Go-Go and Newport where fans "may have seen the best performance of their lives"
- Contains many reprint articles from 1960s music magazines, covering the rise of one of the greatest rockers the world has ever known

About the Author:

Ed Caraeff is a name recognized by anybody who is anybody in the music industry. A photographer, illustrator and graphic designer, he has directed art for, photographed, and designed hundreds of record album covers from 1967 to 1982 for numerous artists, including The Stooges, Elton John, Steely Dan, Carly Simon, Three Dog Night, Tom Waits and Dolly Parton. His photography has appeared on the cover of four issues of Rolling Stone and boasts a rightful place in the permanent collection at The Rock and Roll Hall of Fame.

In this book, the authors explore and discuss the development of one of the most interesting and dynamic of photographic genres.

Hailed as a landmark work when it was first published in 1994, Bystander is widely regarded by street photographers as the ‘bible’ of street photography. It covers an incredible array of talent, from the unknowns of the late 19th century to the acknowledged masters of the 20th, such as Atget, Stieglitz, Strand, Cartier-Bresson, Brassai, Kertesz, Frank, Arbus, Winogrand and Levitt to name just a few.

In this new and fully revised edition, the story of street photography is brought up to date with a re-evaluation of some historical material, the inclusion of more contemporary photographers and a discussion of the ongoing rise of digital photography.

About the Authors:

Formerly a Curator of Photography at the Art Institute of Chicago and Director of the California Museum of Photography at the University of California, Riverside, Colin Westerbeck has also taught the history of photography at the University of Southern California and, currently, UCLA. He is internationally acknowledged as the foremost expert on street photography. 

Joel Meyerowitz started making spontaneous color photographs on the streets of New York in 1962 with friends such as Tony Ray-Jones and Garry Winogrand. He has since become known as one of the most important street photographers of his generation. Instrumental in changing attitudes towards color photography in the 1970s, he is known as a pioneer, an important innovator, and a highly influential teacher.

Find Your Frame is a creative workshop with everything you always wanted to know from street photography master Craig Whitehead.

‘Look beyond the obvious. Street photography is what you make it’.

Craig Whitehead’s shots of the streets are unique – his sense of colour, composition, storytelling and timing have earned him a hugely dedicated following. But how does he consistently take such special images, and what are the key creative takeaways to bring to your own photography?

Find Your Frame is Whitehead’s personal how-to guide to a craft he has spent many years honing. Across 20 short, sharp lessons, he reveals his secrets, his tips, his creative approach, his sources of inspiration, and his way of seeing, shooting and anticipating the streets.

Illustrated throughout with example images, and full of creative wisdom and advice, this is the start of your journey toward better street photography and a more creative way of visual thinking.

About the Author:

Craig Whitehead (@sixstreetunder) is a hugely experienced street photographer with a uniquely creative approach. Based in Cambridge, UK, but shooting internationally, his work focuses on colour, composition and an innate sense of visual atmosphere.

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Пролистать книгу Find Your Frame: A Street Photography Masterclass на Google Books.

In the process of decommunisation, Ukraine has toppled all its Lenin monuments. The authors have hunted down and photographed these banned Soviet statues, revealing their inglorious fate

As Russia celebrates the 100th anniversary of the Bolshevik revolution, Ukraine struggles to achieve complete decommunization. Perhaps the most dramatic demonstration of this process is the phenomenon of Leninopad (Lenin-fall) ― the toppling of Lenin statues. In 2015 the Ukrainian parliament passed legislation banning these monuments as symbols of the obsolete Soviet regime. From an original population of 5500 in 1991, today not a single Lenin statue remains standing in Ukraine.

The authors, both based in Kyiv, have scoured the country in search of the remains of these toppled figures. They found them in the most unlikely of places: Lenin inhabits gardens, scrap yards and storerooms. He has fallen on hard times ― cut into pieces; daubed with paint in the colours of the Ukrainian flag; transformed into a Cossack or Darth Vader ― but despite these attempts to reduce their status, the statues retain a sinister quality, resisting all efforts to separate them from their history. These compelling images are combined with witness testimonies to form a unique insight, revealing how Ukrainians perceive their country, and how they are grappling with the legacy of their Soviet past to conceive a new vision of the future.

An extraordinary record of great photographs being captured, edited and made

Few photography books can lay claim to being truly groundbreaking. The first edition of Magnum Contact Sheets was one of them. This exceptional book, presented here in a new, accessible and democratically priced format for the first time, reveals how Magnum photographers capture and edit the very best shots. Addressing key questions of photographic practice - was the final image a set-up, or a serendipitous encounter; did the photographer work diligently to extract the potential from a situation, or was the fabled 'decisive moment' at play? - this book lays bare the creative methods, strategies and editing processes behind some of the world's most iconic images.

139 contact sheets, representing 69 photographers, are featured, as well as zoom-in details, selected photographs, press cards, notebooks and spreads from contemporary publications, including Life magazine and Picture Post. Further insight into each contact sheet is provided by texts written by the photographers themselves or by experts chosen by members' estates.

Many acknowledged greats of photography are included, such as Henri Cartier-Bresson, Elliot Erwitt and Inge Morath, as well as Magnum's latest generation, such as Jonas Bendiksen, Alessandra Sanguinetti and Alec Soth. These photographers cover over seventy years of history, from the Normandy landings by Robert Capa, the Paris riots of 1968 by Bruno Barbey and war in Chechnya by Thomas Dworzak to images of Che Guevara by Rene Burri, Malcolm X by Eve Arnold and classic New Yorkers by Bruce Gilden.

This landmark book, published just as the shift to digital photography threatens to render the contact sheet obsolete, celebrates the sheet as artifact, as personal and historic record, as invaluable editing tool, and as a fascinating way of accompanying great photographers as they work towards, and capture, the most enduring images of our time.

About the Author:

Kristen Lubben, former longtime curator at the International Center of Photography, is now executive director of the Magnum Foundation.

The impulse to take candid, unrehearsed pictures in the public realm is the cornerstone of street photography and has been part of Magnum's DNA since its foundation in 1947

Ambitious in scope, democratic in nature, Magnum Streetwise is an unmissable tour through the photographs and practices that have helped define what street photography is and can be. Magnum photographers such as Henri Cartier-Bresson pioneered ‘modern’ concepts of street photography before the term was even coined. But their influence is far from historic. A rich seam of street photography runs through the heart of Magnum to this day, both in the work of recognized masters of street photography – such as Erwitt, Parr, Gilden and Kalvar – and of those who might not even consider themselves street photographers; a continued influence that has not gone unnoticed among the current generation of budding street photographers and fans.

Edited by Stephen McLaren, Magnum Streetwise is a true visual feast, interleaving insightful texts and anecdotes within an intuitive blend of photographer- and theme-based portfolios, exploring not only the work of outstanding photographers but how common subject matter (places of leisure, marketplaces, travel) and locations (Paris, New York, Tokyo) have been addressed, conceptually and practically, across the agency and through the ages.

Magnum Streetwise is an essential addition to the bibliography of street photography, showcasing hidden gems alongside many of the genre’s most famous images.

Explore over 300 of the greatest street photographs by more than 60 of Magnum’s legendary image-makers including Henri Cartier-Bresson, Elliott Erwitt, Martin Parr, Martine Franck, Bruce Gilden and Susan Meiselas. 

About the Author:

Stephen McLaren is a photographer, writer and curator based in Los Angeles. He is the co-author of three previous Thames & Hudson titles: Street Photography Now, Photographers’ Sketchbooks and Family Photography Now.

Street photography has a tradition dating back over a century, and embracing such artists as Henri Cartier-Bresson, Vivian Maier and Lee Friedlander. In today’s digital world, where every event seems to be documented and shared, this vibrant art form is enjoying a renaissance. And yet, compared to such genres as portrait and landscape photography, there is little expert advice available. Mastering Street Photography is a practical guide to capturing the candid moments that reveal life at its most dramatic, absurd or beautiful.

Principal and Course Tutor of the Streetsnappers workshops, Brian Lloyd Duckett presents the techniques that can elevate images of the urban landscape from the ordinary to the extraordinary. He demonstrates how the successful street photographer needs to be an unseen observer, with the camera a mirror of everyday scenes and unaware subjects. A guide to equipment and technical skills leads into lessons in finding inspiration, developing projects and composing different subjects and scenes – laying the foundations for you to impose your personality on your street photography and develop your own distinctive style.

The book also addresses such key issues as staying safe and within the law when photographing on the street, and the art of building an audience for your images. The result is an inspirational and practical guide that will ensure your street photography stands out from the crowd.

About the Author:

Brian Lloyd Duckett is the Principal and Course Tutor at StreetSnappers, a specialist in street photography workshops and tutorials in London and cities across Europe. A highly successful commercial and editorial photographer, he teaches as a Visiting Lecturer on photography degree courses. He has worked for many leading newspapers and commercial organizations, but his hobby and passion is street photography.

Masters of Street Photography explores the craft and creative secrets of 16 leading lights of the genre. Through probing Q&A style interviews, beautifully reproduced images, captions telling the story of each picture, and detailed technical information, the reader is given an insight into the photographers working practices, from their career paths and inspirations, to the equipment, techniques, tropes and tricks they employ to create their breathtaking and visionary works. The result is a book that combines visual inspiration with tried and tested street smart advice from leading professionals, providing everything the aspiring street photographer needs to create their own distinctive urban portfolio. Contributing artists include: The Bragdon Brothers, Melissa Breyer, Giacomo Brunelli, Paul Burgess, Sally Davies, George Georgiou, Ash Shinya Kawaoto, Jay Maisel, Jesse Marlow, Dimitri Mellos, Rui Palha, Ed Peters, Alan Schaller, Marina Sersale, Alexey Titarenko, Martin U Waltz.

About the Author:

Rob Yarham is a writer, editor and photographer, specialising in the environment, wildlife, conservation, photography, history and travel. He lives in Sussex and is a regular contributor to The Guardian. His editorial credits include the previous titles in the series, Masters of Landscape Photography and Masters of Drone Photography.

Another country: Introducing America to Americans

Amid the ravages of the Great Depression, the United States Farm Security Administration (FSA) was first founded in 1935 to address the country s rural poverty. Its efforts focused on improving the lives of sharecroppers, tenants, and very poor landowning farmers, with resettlement and collectivization programs, as well as modernized farming methods. In a parallel documentation program, the FSA hired a number of photographers and writers to record the lives of the rural poor and introduce America to Americans.

This book records the full reach of the FSA program from 1935 to 1943, honoring its vigor and commitment across subjects, states, and stylistic preferences. The photographs are arranged into four broad regional sections but otherwise allowed to speak for themselves to provide individual impressions as much as they cumulatively build an indelible survey of a nation. Through color and black-and-white images, we meet convicts, cotton workers, kids on the street, and relocated workers on the road. We see subjects victim to the elements of nature and the timeless rituals of human life, as much as to the vagaries of the global economic market. We meet Dorothea Lange s iconic Migrant Mother, weather-beaten and worn, with two children leaning on her shoulders.

What unites all of the pictures is a commitment to the individuality and dignity of each subject, as much as to the witness they bear to this particular period of the American past and to universal cycles of growing, playing, eating, aging, ailing, and dying. Through the lenses of such perceptive, sensitive photographers as Dorothea Lange, Jack Delano, Russell Lee, Marion Post Wolcott, Walker Evans, and Ben Shahn, subjects are entrenched in the hardships of their historical lot, caught in the loop of humanity, and yet face the viewer with what is utterly their own: a unique, irreplaceable, often unforgettable presence.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

A vibrant survey of the trends and talents across the globe fuelling street photography today and a fresh take of what street photography is and can be

A world tour of the very best street photography today, Reclaim the Street showcases work by more than 100 contemporary photographers, from the established to the emerging, from all corners of the globe: here is work by Indian practitioner Swarat Ghosh, Thai photographer Jutharat Pinyodoonyachet (aka Poupay), and the Brazilian photographer Gustavo Minas. Truly diverse in scope, it pays long overdue attention to flourishing scenes throughout the world, interweaving thirty-four photographer portfolios, in-depth case studies, and surveys of the geographical hotspots where communities of street photographers are thriving today. Great photographic minds don’t think alike, nor are two streets identical: follow these photographers as they capture snapshots of people and places perpetually in flux.

The global, and ultimately optimistic and humanistic edge of Reclaim the Street will deepen its readers’ love of photography, as well as leave them inspired by the places and people captured through today’s sharpest lenses.

About the Author:

Stephen McLaren is the co-author of the acclaimed Street Photography Now and editor of Magnum Streetwise. A writer for the British Journal of Photography, he has also presented histories of street photography at Tate Liverpool, The School of Life and various international street photography festivals. Matt Stuart is one of the leading street photographers working today and the author of All That Life Can Afford and Think Like a Street Photographer. He has exhibited his work and taught street photography all over the globe.

The definitive anthology of contemporary street photography across the globe

Get up close and personal with the world's best street photographers as they capture the drama of everyday life at 1/125 of a second.

Rub shoulders with high-rollers, street vendors and dog walkers. Prowl sidewalks and back alleys, encountering comic absurdities, small acts of kindness and scenes of unexpected beauty. Let your eye be caught by a witty billboard, a woman dressed as an angel, a businessman sprinting through the crowd. The human carnival is in town and the streets are alive.

Street Photography Now presents 46 contemporary image-makers noted for their candid depictions of everyday life in our streets, subways, shopping malls, beaches and parks. Included are Magnum masters such as Bruce Gilden, Martin Parr and Alex Webb, along with an international cast of emerging photographers whose individual biographies illuminate the stories behind their pictures of New York, Tokyo, Delhi or Dakar. Four thought-provoking essays and a global conversation between leading street photographers explore the compelling and often controversial issues in the genre. A select bibliography and a resource section for aspiring street photographers complete the book.

Whether you're a follower of contemporary photography or simply a lover of the theatre of everyday life, this is your passport to the world of the street photographer, a world where ordinary public spaces offer up endless surprise.

Table of Contents:

Essay 1 ‘Stare, Pry, Listen, Eavesdrop’ • 12 photographer portfolios/biographies (Agou-Gilden) • Essay 2 ‘No Ideas But in Things’ • 12 photographer portfolios/biographies (Girard-Marlow) • Essay 3 ‘Half of the World’s Population Now Lives in Cities’ • 12 photographer portfolios biographies (Mermelstein–Savelev) • Essay 4 ‘Some Truths Cannot Be Told Except as Fiction • 10 photographer portfolios/biographies (Snoek-Zuborn) • Street Photography Now: A Global Conversation