Книги о музеях мира

In line with best-selling The Louvre: All the Paintings, and Rizzoli's successful The Hermitage Collections and The Barnes Foundation: Masterworks, this title offers an exquisite tour, unique in its lavish illustration, scholarship, extent, and graceful packaging.

As the first large survey published in 30 years, and the first large general survey of the Met's paintings collection it is the first to celebrate the greatest and most iconic paintings of one of the largest, most important, and most beloved museums in the world. This impressive book’s broad sweep of material, all from a single museum, makes it at once a universal history of painting and the ideal introduction to the iconic masterworks of this world-renowned institution.

Lavish color illustrations and details of 500 masterpieces, created over 5,000 years in cultures across the globe, are presented chronologically from the dawn of civilization to the present. These works represent a grand tour of painting from ancient Egypt and classical antiquity and prized Byzantine and medieval altarpieces, to paintings from Asia, India, Africa, and the Americas and the greatest European and North American masters.

This unprecedented book includes an introduction and illuminating texts about each artwork written by Kathryn Calley Galitz, whose experience as both a curator and educator at the Met makes her uniquely qualified.

European and American artists include Duccio, El Greco, Raphael, Titian, Botticelli, Bronzino, Caravaggio, Turner, Velázquez, Goya, Rubens, Rembrandt, Brueghel, Vermeer, David, Renoir, Monet, Van Gogh, Gauguin, Cézanne, Degas, Sargent, Homer, Matisse, Picasso, Pollock, and Warhol. For those wishing to experience the Met’s unparalleled collection or to study masterpieces of painting from throughout history, this important volume is sure to become a classic cherished by art lovers around the world.  Iconic works in the Met include: Sargent's Madame X, Velazquez Juan de Pareja, Brueghel The Harvesters, Van Gogh Cypresses; Rembrandt Aristotle and Bust of Homer; Pollock Autumn Rhythm; Emanuel Leutz George Washington Crossing the Delaware; El Greco View of Toledo; Caravaggio Musicians; Vermeer Young Woman with Water Pitcher; Monet Water Lilies; Picasso Seated Harlequin.

About the Authors:

A scholar, author, and lecturer specializing in European art, Kathryn Calley Galitz works at The Metropolitan Museum of Art, New York, where she has been both an educator and a curator of major international exhibitions. 

Thomas P. Campbell is the director and CEO of The Metropolitan Museum of Art.

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A fresh and unconventional approach to exploring 6,000 years of art history through 800 masterpieces from The Metropolitan Museum of Art

Featuring more than 800 artworks from the collection of The Metropolitan Museum of Art, New York, this groundbreaking book — organized by thematic keywords — draws upon The Met's online Heilbrunn Timeline of Art History — offering fresh, unconventional ways of engaging with visual culture.

Discover how artists see the world and inspire each other with common themes and sensibilities, materials and techniques. Flowers, for example, have been seen in art for millennia — from Tutankhamun to the Dutch Golden Age, from Van Gogh's still lifes to Georgia O'Keeffe's monumental close-ups. Seen side by side, Art = reveals new connections between artists of different times and places, offering a fresh perspective on beloved works.

Beyond the wealth of 1,000 illustrations arranged by theme, dive deeper into art history with 160 engaging and enlightening essays written by experts at the museum, to create your own personal tour through this unsurpassed collection.

A foldout, detachable timeline offering further perspective is also included.

About the Author: 

The Metropolitan Museum of Art in New York is one of the most important cultural institutions in the world and hosts more than six million visitors each year, with many millions more accessing its collection online. The museum's director Max Hollein contributes the foreword to Art =, while essays are written by the museum's curatorial staff and other art experts.

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- An innovative approach that offers an inclusive, 21st-century definition of what ‘art' equals
- A greater range of artworks from The Met's collection than is shown in any other ‘highlights' publication
- Authoritative texts written by experts, including many of The Met's world-renowned curatorial specialists
- Includes content drawn from the multi-award-winning Heilbrunn Timeline of Art History
- Published to coincide with The Met's 150th-anniversary celebrations in 2020
- An essential reference book for everyone interested in fine art, archaeology, anthropology, fashion, design, and photography from around the world
- Beautiful package and ingenious design

The Galleria Borghese brings together an extraordinary collection of ancient and modern sculpture within a beautifully decorated villa. This volume, dedicated to modern sculpture (Late Renaissance to Baroque to Neoclassical), marks the start of a new general catalogue of the collection.

The introduction narrates the history of the collection, from its creation by Cardinal Scipione Borghese in the 17th century to its sale to the Italian Republic at the end of the 19th century. The entries are full of chronological details, new attributions, information on restorations and account for the different historical settings thanks to an accurate study of the inventory records of the villa. They include world-famous masterpieces by Algardi, Bernini and Canova among others. The sale to Napoleon of many of its Antique works of art (now in the Louvre) was key to the Borghese's commission of works of ancient inspiration, the analysis of which animates the pages of another section, based on the concepts of copy and remake.

The catalogue closes with a section on restoration, that gives an account of the fundamental role of 16- to 18th-century sculptors in the maintenance and transformation of the archaeological collection in relation to the villa's display requirements.

Text in Italian.

About the Authors:

Anna Coliva is considered to be among the foremost experts on the history and works of the Galleria Borghese, of which she was for a long time director (1991-2020). Her specialist studies concern in particular Roman and Emilian Mannerism and the 17th century, with particular reference to Bolognese painting and Roman patronage. She has dedicated essays and monographic works to Bernini and Caravaggio. Vittoria Brunetti received her doctorate at the Scuola Normale Superiore of Pisa. She studies Roman Baroque sculpture between 17th and 18th centuries, with a particular focus in portraiture and collecting.

_Iconographic apparatus with high quality images, mainly taken by Luciano Romano.
_Analysis of pieces that have never before been catalogued.
_Unpublished archival research.
_New attributions of several artworks.

Hokusai’s beloved series of woodblock prints is now available in a stunning new format that honours the Japanese bookmaking tradition and illuminates the artist’s radiant colours and exquisite lines.

Hokusai’s series depicting Mount Fuji is widely considered to be the pinnacle of his career. This beautiful boxed accordion-fold edition comprises the full set of forty-six prints (the original thirty-six and ten more that were completed later) and features a luxurious silken binding along with a separate explanatory booklet. The book and booklet are packaged in an elegant slipcase. Devoted entirely to landscapes, Hokusai’s series shows Mount Fuji from various viewpoints, framed in different ways. An indefatigable traveler who was passionate about nature, Hokusai explored every vantage point and season at the volcano. He presented it both as a solitary and majestic snow-capped peak and as a smaller object on a distant horizon. Hokusai also portrayed the mountain as an element in Japanese daily life and as an imposing force of nature that can be peaceful and beneficent, or ferocious and unforgiving. These impeccably reproduced prints invite readers to examine Hokusai’s virtuosic use of color and composition, his talent for contrasting perspectives, and his interest in the dueling roles of man and nature. An exquisite objet d’art, this volume is the perfect vehicle for appreciating Hokusai’s crowning achievement in all its lasting and subtle beauty.

About the Author:

Amelie Balcou is a French art historian specializing in East Asian art and Japanese woodblock prints.

Founded in 1852, the V&A has acquired Japanese objects from its earliest years and played a significant role in bringing the art of Japan to the attention of designers, manufacturers and the British public.

This tradition continues to the present day and in this new book some of the world’s leading researchers in this field bring their attention to the V&A’s unparalleled collection. Ten chapters focus on subjects such as the effects of Buddhism on the country’s arts and culture; the samurai; the highly aestheticized tea ceremony, which has been a notable feature of Japanese culture from the Medieval period up to the present day; Ukiyo-e and the graphic arts (prints, illustrated books, paintings and screens from the Edo period); exchanges with the West and imperialism, right up to modern and contemporary crafts and design including manga and high-tech design.

About the Author:

Gregory Irvine is Senior Curator in the V&A's Asian Department, where he specializes in Japanese metalwork.

A large collection of animals that appear in ukiyo-e prints from the Edo Period, from pets to rare animals!

Following the global hits Something Wicked from Japan and Once more unto the breach comes the third title in the Ukiyo-e Masterpieces Series! This time, read and understand the world of ukiyo-e from the perspective of animals.

In ukiyo-e, many animals that interact with humans are depicted. Beginning with cats, dogs, and rabbits, we move on to ferocious tigers and elephants, imported camels, peacocks, and parrots, and even to fantastical beasts. This book introduces numerous charming works through interesting chapters such as “Pets of the Edo Period,” “Working Animals,” “Rare Animals” and more.

Featuring 140 gorgeous works by famous ukiyo-artists including Utamaro, Hiroshige, Hokusai, Kunisada, Kuniyoshi, Yoshitoshi and others, depicting cute, funny, and at times suspicious animals.
Those who like Japanese culture will love this book! And of course it’s also great for animal lovers, too. The customs of the Edo Period, when humans and animals lived side-by-side, are now vividly brought back to life.

About the Author:

Ei Nakau is a member of the executive board of the International ukiyo-e Society, ukiyo-e collector, abstract artist and businessman from Kobe, Japan.

The stained glass collection of the Victoria and Albert Museum is the largest in the world, making it possible to chart the development of the art in detail from the middle of the twelfth century to about 1550.

One hundred colour plates, and selected details, show the collection to full advantage, while commentaries on each of the pieces will reconstruct the original context of the panels, explain the imagery and give details of further reading thus also providing an indispensable introduction to the subject. The text will touch on the techniques of stained glass, the major centres and monuments and the themes depicted in the pieces illustrated. Taken together, images and text illuminate a golden age of stained glass production.

This book offers a privileged journey through the geography and history of Italian and international figurative culture kept at the Pinacoteca di Brera, Milan, with works spanning a chronological period from the 13th to the 20th centuries. The Pinacoteca, born within the Enlightenment culture as a testimony to the progress of the human spirit, remains today a dynamic and lively instrument of civilisation. The book reconstructs the patronage and provenance of the paintings and the way in which they were received; it specifies their technical data, as well as introducing comments and in-depth studies.

In addition, the rich illustrative apparatus leads to continuous comparisons and new explorations.

_Through 100 masterpieces chosen from among the over 2000 works housed in the Pinacoteca di Brera, this volume offers an exciting journey through the history of pictorial art between the 13th and 20th centuries
_The selection, edited by Asia Graziano and with descriptions by Rosella Lauber, is an opportunity to admire masterpieces that have been celebrated and recognised as such for centuries, together with works that have been received adequate critical and historical attention, but which are, today more than ever, worthy of great attention
_Includes the work of Lega, Segantini, Gaetano Previati, Boccioni, Carrà, Morandi, De Pisis, Mafai, Guttuso, and Picasso, plus many more

About the Authors:

Rossella Lauber is a professor of Modern Art History at the School of Specialization of the University of Udine. Her studies on collecting and artists such as Michelangelo, Raphael, Giorgione, Titian, and Mantegna have been translated into several languages. 

Asia Graziano is an art historian and author for publishing houses and art magazines. She has collaborated with important Italian museums and institutions including MAMBO – Museum of Modern Art of Bologna and UNESCO Italy. Among her most recent publications is Artemisia Eccentrica (2024).

Visit the world’s most comprehensive and compelling museum in a single book – the ultimate gallery in your own home

Housing the finest art collection ever assembled, this classic format of Phaidon’s bestselling The Art Museum offers the ultimate museum experience without the boundaries of space and time. The rooms and galleries that live within this volume display more than 1,600 artworks, expertly selected from the original collection, including paintings, sculpture, textiles, photographs, installations, performances, videos, prints, ceramics, manuscripts, metalwork, and jewelwork.

The artworks included were carefully selected by a team of 28 curators, critics, art historians and artists who contributed their expertise to create this revolutionary 'virtual' museum. These experts came from such institutions as: the Metropolitan Museum of Art, New York; The British Museum, London; the Museum of Fine Art, Boston; the J. Paul Getty Museum, Malibu; the University of California, Berkley; LaTrobe University, Melbourne; the School of African and Oriental Studies, University of London; and the Courtauld Institute of Art, London.

Works originate from the Palaeolithic era to the present and come from all around the globe and include both iconic and lesser-known pieces. This extraordinary book takes the reader on a tour around the world and through the ages, presenting the finest examples of human creativity within its covers – a dream museum without the boundaries of walls.

About the Authors:

Twenty-eight curators, critics, art historians, and artists contributed their expertise to create this art-lover's ideal museum. They come from such institutions as: The Metropolitan Museum of Art, New York; the British Museum, London; the Museum of Fine Arts, Boston; the J. Paul Getty Museum, Malibu; the University of California, Berkeley; La Trobe University, Melbourne; the School of African and Oriental Studies, University of London; and The Courtauld Institute of Art, London.

Drawing on his unique experience at the helm of three major British art institutions, Charles Saumarez Smith traces how art museums across the world have changed over the past eighty years

How have art museums changed in the past century? Where are they headed in the future? Charles Saumarez Smith is uniquely qualified to answer these questions, having been at the helm of three major British institutions over the course of his career.

His story starts with the Museum of Modern Art in New York, one of the first to focus squarely on the art of the present. When it opened in 1939, MoMA’s boldly modernist building represented a stark riposte to the neoclassicism of most earlier museums. From there, Saumarez Smith embarks on an odyssey to explore forty-one other museums across the globe, including Tate Modern in London, the Getty Center in Los Angeles, the Benesse House Museum on the Japanese island of Naoshima, and the Centre Pompidou in Paris – as well as the Pompidou’s new Shanghai branch, which opened in 2019.

In each case, Saumarez Smith casts an acute eye on the ways in which the experience of art is shaped by the nature of the buildings that house it and the organizing principles by which it is displayed. He traces a radical shift from a belief that museums can and should instruct and educate, to the idea that museums should be more about contemplation, spectacle and individual experience.

A compelling examination of the art museum from a renowned director, this sweeping book explores how the architecture, vision, funding, and public role of art museums across the world have transformed – and considers their future in a new era of pandemic and uncertainty.

Contents List:

Introduction • 1. The Pre-War Museum • 2. The Modern Museum • 3. The Post-Modern Museum • 4. Museums for the New Millennium • 5. The Museum Re-invented • Conclusion

About the Author:

Charles Saumarez Smith was Director of the UK’s National Portrait Gallery 1994–2002, Director of the National Gallery 2002–2007 and Secretary and Chief Executive of the Royal Academy 2007–2018. He is the author of East London; The Company of Artists: The Origins of the Royal Academy of Arts in London; and The National Gallery: A Short History, among other titles.

From the Palazzo Vecchio to the Forte Belvedere, through the Uffizi, the Vasari Corridor, the Pitti Palace, and the Boboli Gardens, Florence is honeycombed with a series of public art collections that is unparalleled in Europe for its size and for the variety and value of its holdings. Taken all together, the museums of Florence are one of the wonders of the world, for the spiritual values that they embody as much as for the works they contain.

The painting collections in the state museums of Florence are unequalled for their quality, historical significance, and for the sheer number of works; never before have they been presented in a publication of such splendid technical quality. Thus the reader can trace the various phases and great moments of Florentine painting, including lesser known works of the seventeenth century; can appreciate the presence of masterpieces from other, perhaps unknown, schools; and can examine details different from the standard ones consecrated by tradition.

Text in English and Italian.

About the Author:

Mina Gregori is an italian art historian, member of the 'Accademia dei Lincei', emeritus professor of Modern Art History at University of Florence. A disciple of Roberto Longhi. She graduated from Bologna University and she continued her university career in Florence, gaining a Master's. Among her studies, translated all over the world, are essays and monographs about Northern Italy paintings from the fifteenth century to the seventeenth century, including those by Caravaggio on whom she is considered a world-class expert. She has curated more than 100 exhibitions in Italy and around the world.

An exclusive look into the preparations behind the Naples in Paris exhibition at the Louvre, beautifully captured by the renowned photographer Robert Polidori.

From June 2023 to January 2024, the Musée du Louvre in Paris welcomed sixty major masterpieces from the Museo di Capodimonte, on loan for the exhibition Naples in Paris: The Louvre Hosts the Museo di Capodimonte. The former Italian royal palace, which once served as a hunting lodge for Bourbon monarchs, is now one of the largest museums in Italy holding one of the continent’s most important collections of Italian paintings, drawings, and sculptures. Among the artworks featured are the famously enigmatic Antea by Parmigianino, a poignant painting of the Crucifixion by Masaccio, The Transfiguration of Christ by Giovanni Bellini, and preparatory cartoons by Raphael and Michelangelo.

On the occasion of this historic artistic exchange, acclaimed photographer Robert Polidori was granted exclusive access to the preparations of the exhibition in the Louvre’s prestigious Grand Galerie. Known for his unique images of architecture and interiors, Polidori exquisitely captures the process and inner workings of the arrival, set-up, and display of the artworks. Part photography monograph, part art history book, this unique publication reveals the hidden workings behind one of the most significant collaborative efforts among major museums in recent years.

About the Author:

Robert Polidori is one of the world’s most acclaimed architecture, interiors, and documentary photographers. His work is exhibited in numerous museums such as the Metropolitan Museum of Art in New York and the Victoria & Albert Museum in London.

Laurence des Cars is the president-director of the Louvre.

Sébastien Allard is the director of the Department of Paintings at the Louvre and the curator of the Naples in Paris exhibition.
 

The definitive and debut publication of the Qatar-based ARAK Collection – home to over 4000 works by artists from Sub-Saharan Africa.

The book features artworks from more than 100 artists in the collection. It serves as an essential framing text for the ARAK Collection and provides a much needed perspective on contemporary art from the continent. Through the ARAK Collection, one is able to gain a dynamic, collective vision of Africa.

Arranged according to the selectively identified themes of Abstraction, Portraiture, and Place, each with an accompanying contextual essay by art critic and cultural theorist Ashraf Jamal, the publication also features short, informative texts on each artist written by Jamal, curator and researcher Nneoma Angela Okorie, and art historian and writer Barnabas Ticha Muvhuti.

Through considered editorial decisions and engaging prose, African Art: The ARAK Collection places African art, and indeed the continent itself, at the centre of the world, and demonstrates why the rest of the globe is beginning to shift its focus toward the work of African artists.

About the Authors:

Ashraf Jamal is a Senior Research Associate in the Visual Identities in Art and Design Research Centre, University of Johannesburg. He is the former editor of Art South Africa and Art Africa.
Nneoma Angela Okorie is a curator, writer and researcher currently based in Accra, Ghana. Her curatorial & research practice is centered around exploring new forms of displaying & debating using visual, textual, activations, audio or archival materials.
Barnabas Ticha Muvhuti is a Cape Town-based writer and art historian with research interests in the marginalised Black modern artists-cum-teachers in Zimbabwe and the practices of contemporary artists based on the African continent and its diasporic communities.

Following on the widely read The Future of the Museum: 28 Dialogues, which explored how museums are changing through conversations with today’s generation of museum directors, New York-based author and cultural strategy advisor András Szántó’s new compilation turns its attention to architects. The conclusion of The Future of the Museum was that the “software” of art museums has evolved. Museum leaders are “working to make institutions more open, inclusive, experiential, culturally polyphonic, technologically savvy, attuned to the needs of their communities, and engaged in the defining issues of our time.” It follows that the “hardware” of the art museum must also change. Conversations with a carefully selected group of architects survey current thinking in the field, engaging not only architects who have built some of the world’s most iconic institutions, but also members of an emerging global generation that is destined to leave its mark on the museum of the future.

About the Author: 

András Szántó (*1964, Budapest) advises museums, cultural institutions, and leading brands on cultural strategy. An author and editor, his writings have appeared in the New York Times, Artforum, the Art Newspaper, and many other publications. He has overseen the National Arts Journalism Program at Columbia University and the Global Museum Leaders Colloquium at the Metropolitan Museum of Art. Szántó, who lives in Brooklyn, has been conducting conversations with art-world leaders since the early 1990s, including as a frequent moderator of the Art Basel Conversations series.

An authoritative guide to one of the world's most important collections of African-American art, with works by artists from Romare Bearden to Kehinde Wiley.

The artists featured in Black Refractions, including Kerry James Marshall, Faith Ringgold, Nari Ward, Norman Lewis, Wangechi Mutu, and Lorna Simpson, are drawn from the renowned collection of the Studio Museum in Harlem. Through exhibitions, public programs, artist residencies, and bold acquisitions, this pioneering institution has served as a nexus for artists of African descent locally, nationally, and internationally since its founding in 1968. Rather than aim to construct a single history of "black art," Black Refractions emphasizes a plurality of narratives and approaches, traced through 125 works in all media from the 1930s to the present.

An essay by Connie Choi and entries by Eliza A. Butler, Akili Tommasino, Taylor Aldridge, Larry Ossei Mensah, Daniela Fifi, and other luminaries contextualize the works and provide detailed commentary. A dialogue between Thelma Golden, Connie Choi, and Kellie Jones draws out themes and challenges in collecting and exhibiting modern and contemporary art by artists of African descent. More than a document of a particular institution's trailblazing path, or catalytic role in the development of American appreciation for art of the African diaspora, this volume is a compendium of a vital art tradition.

About the Authors:

Connie H. Choi is the Associate Curator of the Permanent Collection at The Studio Museum in Harlem. Previously, she was Assistant Curator of American Art at the Brooklyn Museum. Thelma Golden has become a driving force in the art world. Since disrupting the status quo with her 1994 exhibition, Black Male: Representations of Masculinity in Contemporary American Art, Golden has continued to create challenging dialogues around art and artists, making her one of the most respected curators in America. Golden took up a new challenge in 2000, joining the Studio Museum in Harlem and becoming executive director and chief curator in 2005. Kellie Jones Dr. Kellie Jones is Associate Professor in Art History and Archaeology and the Institute for Research in African American Studies (IRAAS) at Columbia University. Dr. Jones has received numerous awards for her work and in 2016 she was named a MacArthur Foundation Fellow. She is the author of two books published by Duke University Press, EyeMinded: Living and Writing Contemporary Art and South of Pico: African American Artists in Los Angeles in the 1960s and 1970s (2017).

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