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The definitive visual guide to the cityscapes and buildings of the most celebrated and influential anime movies

The influence of anime, one of Japan’s most successful cultural exports, has been felt across cinema, literature, comic books and videogames for decades, yet the artwork behind the genre remains somewhat enigmatic, particularly in the pre-digital period before the early 2000s. A genuine behind-the-scenes journey into the original background paintings, storyboards and early drafts of the industry’s most revered directors and illustrators, Anime Architecture presents the otherworldly buildings and megacities of these visionaries as celebrations of – and lessons for – the near future.

Includes exclusive material from:

AKIRA, 1988
Patlabor: The Movie, 1989
Patlabor 2: The Movie, 1993
Ghost in the Shell, 1995
Metropolis, 2001
Innocence, 2004
Tekkonkinkreet, 2006
Rebuild of Evangelion, 2007, 2009

Contents List:

Introduction • 1. The Multilayered Landscape • 2. Tokyo Scale: The Endless Megacity • 3. Special Effect City • Biographical Information

About the Author:

Stefan Riekeles is a curator based in Berlin. He has been the Artistic Director of the Japan Media Arts Festival Dortmund, and curated the 2011 exhibition ‘Proto Anime Cut’. He served as the Programme Director of the International Symposium on Electronic Art 2010 and curated exhibitions for transmediale festival for art and digital culture Berlin. He holds an MA in Culture Studies and Audio Communication Science from the Humboldt University and the Technical University in Berlin.

This stunningly illustrated book examines the history of poster design and its relation to the arts and broader culture

The poster is a versatile marketing tool widely used from the 19th century to today for everything from political events to movies. A good poster has many layers, it goes beyond advertising and makes statements about style, history, fashion, and taste at the time. It is these layers that can turn a poster into a work of art. This book showcases 480 posters by more than 200 artists and designers and tells a comprehensive history of the poster. The book includes art nouveau, Bauhaus, pop art, and contemporary posters from preeminent artists such as Alphonse Mucha, Egon Schiele, Pablo Picasso, and Andy Warhol and from noted designers ranging from Lucian Bernhard and A.M. Cassadre to Saul Bass, Tadanori Yokoo, and Stefan Sagmeister. The book also introduces many other leading poster designers whose names are less well-known. Contemporary advertisements for Calvin Klein, United Colors of Benetton, and Coachella are also explored. By tracing the history of the poster, this book shows social developments throughout the world and illuminates how art styles have changed over time.

About the Author:

Jurgen Doring is Head of the Department of Graphics and Posters at the Museum für Kunst und Gewerbe in Hamburg, Germany.

This full-sized album of Saturday Evening Post covers captures everyday events and historic moments in American history.

Although technically Norman Rockwell was an academic painter, he had the eye of a photographer and, as he became a mature artist, he used this eye to give us a picture of America that was familiar — astonishingly so — and at the same time unique. Rockwell best expressed this vision of America in his justly famous cover illustrations for magazines like The Saturday Evening Post. 332 of these cover paintings, from beloved classics like “Marbles Champion” to lesser-known gems like “Feeding Time,” are reproduced in stunning full-colour in this large-format volume, which is sure to be treasured by art lovers everywhere.

Christopher Finch’s books include the bestsellers Norman Rockwell’s America, The Art of Walt Disney, and Rainbow, a biography of Judy Garland, which was turned into a motion picture for NBC television. His other books have dealt with various aspects of contemporary painting and popular culture.

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Norman Rockwell's best-loved works, collected in a handsome clothbound volume

Norman Rockwell gave us a picture of America that was familiar – astonishingly so – and at the same time unique, because only he could bring it to life with such authority.

Rockwell best expressed this vision of America in his justly famous cover illustrations for the Saturday Evening Post, painted between 1916 and 1963. All of his Post covers are reproduced in splendid full colour in this oversized volume, with commentaries by Christopher Finch, the noted writer on art and popular culture.

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Пролистать книгу Norman Rockwell 332 Magazine Covers на Google Books

This unashamed visual feast celebrates the best designed and illustrated picturebooks from around the world over the past one hundred years.

Each book is a creation of genius and inventiveness, and their design and illustration represent such diverse trends as the Russian Constructivists, Italian Futurists and Postwar Neo-romantics. They are also mirrors of their times reflecting social concerns from a child's and family's perspectives throughout the twentieth and into the twenty-first century.

Fearlessly confronting the frontiers between a child's picturebook and art, this is a collection of books that anyone with an interest in design, illustration or simply children's literature should know about.

About the Author:

Martin Salisbury is a lecturer in illustration and a freelance illustrator. He designed and leads the UK's first Masters program in children's book illustration at Anglia Ruskin University. He is the author of Illustrating Children's Books (Quarto/A&C Black), a practical guide to illustration.

Fine Lines. 100 illustrators to remember

Drawn from TASCHEN’s Illustration Now! series, this go-to catalogue brings together 100 of the most successful and important illustrators around the globe. With featured artists including Istvan Banyai, Gary Baseman, Seymour Chwast, Paul Davis, Brad Holland, Mirko Ilić, Anita Kunz, and Christoph Niemann, the international overview provides an invigorating record of the dynamism and diversity of the illustration scene.

Each illustrator is featured with a self-portrait, samples from their portfolio, and a succinct description by Steven Heller, with a supplementary list of selected exhibitions and publications. In his introduction, Steven Heller describes the dynamic realm of illustration today and the challenging process of selection within this highly competitive and ever-moving genre.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

The book is a collection of 100 posters designed between 1967 and 2017 by one of the world-renowned Italian graphic designers, Armando Milani.

Foreword by Francesco Dondina and Pierre Restany

About the Author:

Armando Milani New York 1984, who conceived and designed this book, is president of AGI / Italy (Alliance Graphique International) and president of Milani Design, with offices in Milan and South of France where he organizes lectures and seminars on graphic design. In 1992 he produced the book “Double Life” sense of humor and creativity of 80 AGI designers with the introduction of Paul Rand, and in 2000 the book “50 Poems of Lawrence Ferlinghetti and 50 Images of Armando Milani”. In 2003 he designed a poster “War/Peace” for the United Nations diffused in all the world. In 2015 he designed the book “No Words Posters” a collection of works of 80 international graphic designers. 

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Пролистать книгу 100 Posters: From the Eye to the Heart

This book is not only about illustration, though it does contain illustrations — lots of them. But there’s more. This book examines the profession of illustrator, from the vexing subject of money to the question of the right workplace.

How do you get commissions? How do you negotiate successfully? What’s a fair price? How do you handle the everyday routines involved in illustration work?

It explains concepts such as usage rights, collecting societies and social security insurance for artists. And, of course, it presents a wide variety of illustration techniques. In short, it makes an effort to enlighten, be useful and answer as many questions as possible. Its author does so, on the one hand, by offering more than twenty really useful tips for budding illustrators — for example, how to stop the fear that a blank page often inspires — and, on the other, by presenting the twenty-five most important illustration techniques in a practical way that awakens the reader’s desire to learn more. As a parallel narrative accompanying the humorous texts, there are images by very different illustrators who work with a wide variety of techniques and styles.

These pictures are diverse yet easy to compare, because they all show the same thing: a bird.

About the Author:

Felix Scheinberger, born in Frankfurt in 1969, is one of the most innovative illustrators of the young generation.

A visual feast of 400 dazzling images, this is a comprehensive survey of the genre over the last century

The book also offers an overview of the development of fashion, as seen through the eyes of the greatest illustrators of the day. Early in the century, fashion illustration reflected new, liberating currents in art and culture, such as the exoticism of the Ballets Russes, while the postwar period saw inspiration from the great Parisian couturiers. After the dominance of the celebrity fashion photographer in the 60s, a new generation of illustrators emerged, embracing the medium of the computer, while many returned to more traditional techniques.

About the Author:

Cally Blackman is a writer and lecturer with degrees in Fashion Design and History of Art, and an MA in History of Dress from the Courtauld Institute of Art, London. She teaches on the BA Fashion History and Theory course at Central Sain t Martins College. Her previous publications include Costume: From 1500 to the Present Day (2003) and The 20s and 30s: Flappers and Vamps (2000).

In this era of Vinyl revival, celebrate some of the greatest covers of the last 70 years, such as the Beatles’ ‘Sergeant Pepper’s Lonely Hearts Club Band’ or Pink Floyd’s ‘Dark Side of the Moon’, alongside entertaining and informative text. 

This great little book will make an ideal gift for any music aficionado or art and design enthusiast.

The world of contemporary mapmaking is brought up-to-date in this revised and expanded edition of a best-selling book.

Maps help us understand and navigate the world. In our age of satellite navigation systems and Google Maps, personal interpretations of the geography around us are becoming even more relevant. A Map of the World is a compelling collection of work by a new generation of original and sought-after designers, illustrators, and mapmakers.

This work showcases specific regions, characterizes local scenes, generates moods, and tells stories beyond sheer navigation. From accurate and surprisingly detailed representations to personal, naïve, and modernistic interpretations, the featured projects in this updated version range from maps and atlases inspired by classic forms to cartographic experiments and editorial illustrations.

About the Author:

Antonis Antoniou is fascinated by the ways in which material things can be brought to life through immaterial visualizations. He grew up in Cyprus, where he was interested in colors and forms from an early age. When not obsessively designing maps and lists, he makes his living as an architect

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Contemporary maps in line with the zeitgeist by today’s most original and sought-after designers, illustrators, and mapmakers.

Maps help us understand and navigate the world. For centuries, maps have become better, more refined, and more precise — there are no blind spots anymore. While Google Maps and GPS systems have become our tools of choice for navigation, contemporary maps have evolved into platforms for cutting-edge illustration, experimental data visualization, and personal visual storytelling.

A Map of the World is a compelling collection of work by a new generation of original and sought-after designers, illustrators, and mapmakers. This work showcases specific regions, characterizes local scenes, generates moods, and tells stories beyond sheer navigation. From accurate and surprisingly detailed representations to personal, naïve, and modernistic interpretations, the featured projects from around the world range from maps and atlases inspired by classic forms to cartographic experiments and editorial illustrations.

Drawing a map means understanding our world a bit better. For centuries, we have used the tools of cartography to represent both our immediate surroundings and the world at large — and to convey them to others. On the one hand, maps are used to illustrate areal relationships, including distances, dimensions, and topographies. On the other, maps can also serve as projection screens for a variety of display formats, such as illustration, data visualization, and visual storytelling. In our age of satellite navigation systems and Google Maps, personal interpretations of the world around us are becoming more relevant. Publications, the tourism industry, and other commercial parties are using these contemporary, personal maps to showcase specific regions, to characterize local scenes, to generate moods, and to tell stories beyond sheer navigation.

A new generation of designers, illustrators, and mapmakers are currently discovering their passion for various forms of illustrative cartography. A Map of the World is a compelling collection of their work — from accurate and surprisingly detailed representations to personal, naïve, and modernistic interpretations. The featured projects from around the world range from maps and atlases inspired by classic forms to cartographic experiments and editorial illustrations.

Soviet propaganda against the demon drink: the latest in Fuel's Russian pop culture series

From the acclaimed authors of the Russian Criminal Tattoo Encyclopaedias and Soviet Space Dogs comes Alcohol, a glorious and exhaustive collection of previously unpublished Soviet anti-alcohol posters. The book includes examples from the 1960s through to the 1980s but focuses on posters produced during Mikhail Gorbachev's campaign initiated in 1985. These posters attempted to sober up Soviet citizens by forcing them to confront the issues associated with excessive alcohol consumption. This government-led urgency allowed the poster designers to present the anti-alcohol message in the most graphic terms: they depicted drunks literally trapped inside the bottle or being strangled by "the green snake." Their protagonists are paralytic freeloaders and shirkers who always neglect their families, drive under the influence, produce substandard work, are smashed when pregnant and present a constant danger to fellow citizens.

A two-part essay by renowned cultural historian Alexei Plutser-Sarno attempts to explain, from a Russian perspective, the reasons behind this phenomenon.

Explore the phenomenon of Alice in Wonderland, which has captivated readers from Walt Disney to Tim Burton for over 150 years

Lewis Carroll's Alice in Wonderland is a cultural phenomenon. First published in 1865, it has never been out of print and has been translated into 170 languages. But why does it have such enduring and universal appeal for both adults and children?

Beginning by plunging the reader into the spectacular new wonderland of acclaimed illustrator Kristjana J. Williams, Alice: Curiouser and Curiouser goes on to explore how Lewis Carroll’s celebrated Alice books have fueled creative minds for over 150 years. This unique publication takes us on a journey whose scope ranges from art, literature, theatre and film through science and technology to fashion and politics, encouraging us to ask whether we should all try to be more like Alice.

About the Authors: 

Kate Bailey is senior curator of design and scenography, and Simon Sladen is senior curator of modern and contemporary performance, in the theatre and performance department at the V&A. Kristjana S. Williams is an Icelandic-born illustrator based in London. She has won numerous awards and has over 16,000 followers on Instagram.

The bold and distinctive imagery in the adverts produced by the artists of the Art Nouveau period is a delight to behold and is now yours to recreate in this beautiful new book. Printed on high-quality paper, there are 45 classic posters by the likes of Chéret, Toulouse-Lautrec and Mucha for you to colour, with suggestions on how to start the colouring. This book will give you many hours of pleasure and calm, taking you on an enjoyable journey where the satisfaction of creating stunning artworks is mixed with rediscovering the joy of colouring. You can use a wide variety of pens: from gel and pencil, to pigment and crayons, from ballpoint and rollerball to highlighters, although it’s best to avoid the heavy felt pens. Each page is perforated near the spine of the book, so you can tear out and frame or simply place your wonderful creation on the walls of your home, perhaps even send them as a gift to your loved ones. Bring the Ink to life!

About the Author:

Daisy Seal is a talented, thoughtful writer of gift, celebration and puzzle books. She has long observed the intimate connections between the natural world around us and our search for the enduring spirit of humankind. Previous publications include "Inspirations", "Reflections", "Be Calm," and "Friendship".

Sound Art. An unprecedented collection of artists’ record covers from the 1950s to today

Art history acquires a new rhythm in this unique anthology of artists’ record covers from the 1950s to today. More than 500 covers trace the interaction of music and visual art through modernism, Pop Art, conceptual practice, and beyond. Featured covers include Salvador Dalí’s skewered butterfly for Jackie Gleason and Damien Hirst’s symbolic skull for the Hours.

Since the dawn of modernism, visual and music production have had a particularly intimate relationship. From Luigi Russolo’s 1913 Futurist manifesto L’Arte dei Rumori (The Art of Noise) to Marcel Duchamp’s 1925 double-sided discs Rotoreliefs, the 20th century saw ever more fertile exchange between sounds and shapes, marks and melodies, and different fields of composition and performance.

In Francesco Spampinato’s unique anthology of artists’ record covers, we discover the rhythm of this particular cultural history. The book presents 500 covers and records by visual artists from the 1950s through to today, exploring how modernism, Pop Art, Conceptual Art, postmodernism, and various forms of contemporary art practice have all informed this collateral field of visual production and supported the mass distribution of music with defining imagery that swiftly and suggestively evokes an aural encounter.

Along the way, we find Jean-Michel Basquiat’s urban hieroglyphs for his own Tartown record label, Banksy’s stenciled graffiti for Blur, Damien Hirst’s symbolic skull for the Hours, and a skewered Salvador Dalí butterfly on Jackie Gleason’s Lonesome Echo. There are insightful analyses and fact sheets alongside the covers listing the artist, performer, album name, label, year of release, and information on the original artwork. Interviews with Tauba Auerbach, Shepard Fairey, Kim Gordon, Christian Marclay, Albert Oehlen, and Raymond Pettibon add personal accounts on the collaborative relationship between artists and musicians.

The author:

Francesco Spampinato is a writer and historian of contemporary art and visual culture currently doing his PhD at the Sorbonne Nouvelle in Paris. He lectures on art, design, and media and was also Adjunct Professor of Contemporary Art History and Theory, and Performance Art at Rhode Island School of Design in Providence, U.S., from 2011 to 2015. In 2015 he authored Come Together: The Rise of Cooperative Art and Design (Princeton Architectural Press) and Can You Hear Me? Music Labels by Visual Artists (Onomatopee).

The editor:

Julius Wiedemann studied graphic design and marketing and was an art editor for newspapers and design magazines in Tokyo before joining TASCHEN in 2001. His titles include the Illustration Now! and Record Covers series, as well as the infographics collection and books about advertising and visual culture.

Like a well-made playlist, the album covers in this volume combine to create a portrait of cool and culture desired by art, music, and record lovers alike.

Art Sleeves is a time capsule of visual art and music culture as shown through the most important record covers designed by visual artists and graphic designers in the past forty years. This tightly curated collection of covers chosen includes works with significant cultural impact as well as collaborations that themselves created cultural fascination.

The eclectic roster of visual artist-musician collaborations presented spans art and musical genres as well as generations, including Ryan McGinley for Sigur Rós, Kara Walker for Arto Lindsay, Peter Saville for Joy Division, Barbara Kruger for Growing Up Skipper, Jeff Koons for Lady Gaga, Tauba Auerbach for Glasser, and Stanley Donwood for Radiohead, to name a few. From postmodernist paintings and minimalism to collage and photography, as well as New Wave, emo, pop, and punk, the albums chosen present a bright and rich visual and cultural history.

This inspiring volume celebrates this long creative tradition of visual artist-musician collaborations and, just like a perfect album, it will be treasured by art, music, and record lovers alike.

About the Author:

DB Burkeman is a creative director, art consultant, author, and influential DJ. Born and raised in London, he lives in Brooklyn, New York, with his wife and two children.