Архитектура

Glamour. It's hard to define yet most know it when they see it. Today, glamour may still invoke the sophistication and refinement of the golden years of Hollywood art deco, but country, industrial and even nature glamour have joined the more traditional modes.

The 21st century has brought glamour and her sisters, decoration and ornamentation back into home design news. Today's most cutting-edge homes embrace design of every kind from every corner of the globe. It's a marriage of disparate styles that finds no contradiction. Glamour is in vogue in homes that are castles (literally) and in one-bedroom rentals at the fringes of downtowns.

Looking at homes recently featured in Metropolitan Home, Glamour, Making It Modern reconsiders them through the following sections:

- concepts: looks at the defining general notions of Modern Glamour, such as sheen and scale,
- objects: examines elements of home decoration which are inherently glamorous,
- rooms: tours homes where everything comes glamorously together.

With a directory of the designers, some of the best in the business, and a list of resources for available products, Glamour, Making It Modern is purely inspirational and absolutely accessible.

Glass protects from sunshine, warmth, noise and radiation. It can be self-cleaning, energy storing, regulating and supporting. Glass can do more than encase and illuminate, it can expressively put on display and so accompanies light on its way in both directions. It is provided every time again, what phenomenal qualitites glass contributes as an architectural building block. Glass primarily offers design options by the various styles of treating its surface. Layering, printing, colouring, marking and etching create in isolation or in combination a wide range of the most diverse appearances, which allow the designer a free hand in the process of applying his ideas. This book introduces notable objects from the areas of private living, public and sacred buildings. With numerous illustrations, portraits are presented of hotels, restaurants and bars, togehter with concincingly designed projects of renowned architects.

This book is filled with some of the glittering highlights of modern domestic architecture from around the globe.

The most versatile, practical and beautiful of all the materials at architects' disposal, glass has the power to re-energize tired and dismal buildings and to breathe life into the designs of the most spectacular new ones

From practical responses to the growing desire for indoor-outdoor living, to the dazzling glass houses that perch in some of the world's most awe-inspiring locations, Glass House showcases the inspirational contribution of glass to the architecture of the modern home, tracing its progress from the first forays of the early modernists right up to the astonishing palaces of today.

Glasshouse Greenhouse fuses together cultures and countries under one glass roof. In their debut book, photographers India Hobson and Magnus Edmondson take you on a worldwide journey through their favourite botanical spaces.

The Haarkon Greenhouse Tour began as a self-initiated adventure in Oxford’s botanic garden four years ago. Since then, Magnus and India have visited countless locations in the UK, Europe, America, Asia and beyond in search of dream glasshouses and greenhouses, capturing dramatic palm houses, tropical hothouses and private potting sheds along the way.

Divided into seven thematic chapters – History, Specimen, Community, Research, Pleasure, Hobbyist and Architecture – the featured spaces in Glasshouse Greenhouse are depicted via a series of photo-essays that draw out the style, plant collections and character of each space.

About the Authors:

Magnus and India are photographers based in Sheffield and together form Haarkon. Alongside photographic commissions Haarkon produce bespoke photography for a variety of uses, with particular focus on natural spaces.

The pair have a talent for story-telling and have built up a healthy client list including the Telegraph, Observer Magazine, Sonos, Ikea, Food 52, made.com, Ally Capellino and JJJJound. Haarkon have also worked with Apple, Bang & Olufsen, IKEA and Urban Outfitters. ELLE Decoration UK featured the Haarkon Greenhouse Tour in their ‘Power of Plants’ issue, and they also sat on the judging panel for the 2018 RHS Photographic Competition.

Contents:

BOUTIQUE
Zara Rome
Max Mara Milan
Hermes Dubai Mali
Hermes Rive Gauche
H&M Home Reflections & Interaction
...
NEW PEOPLE
Placebo Pharmacy
Ahava Beauty Capsule
Ahava Beauty Capsule
CYCLIST SHOP IN ATHENS

DISPLAY
BMW World
Bauscher Trade Fair Stand
Roca Trade Fair Stand at ISH 2011
...
Underwater Design
International KOGEI Triennale
Eletric Dreams

Contents:
Office Building
Commercial Buidling
Traffice Building
Hospital Building
Science and Research Building
Educational Building
Cutural building
Sports Building
Industrial Building

An updated illustrated survey overview highlighting the most outstanding projects by the well-established and renowned Mexican interior and furniture designer Gloria Cortina.

Superbly photographed, this beautifully crafted volume presents Cortina’s most recent interior projects and unique furniture pieces.

Cortina’s design inspirations range from Mayan artifacts to cubism, twentieth-century modernist art and architecture, Mexico’s unique arts and crafts heritage, and natural and archaeological environments.

Her unique approach to design, shaped by the visions of Mexican masters such as Diego Rivera and Luis Barragán, seeks to consolidate European and modernist influences with Mexico’s own arts and crafts heritage in pieces characterized by luxurious materials like tropical wood, stone, textured metal, and rich textiles sourced both locally and worldwide. Her designs are known for mixing Mexican antiquities, bespoke artisan-made pieces, and contemporary artworks and for her exquisitely rendered and sculptural pieces in bronze, obsidian, and quartz.

This volume will present Cortina’s blend of Old World sophistication and Mexican flair, which has affirmed her position as an arbiter of taste among the country’s elite; her aesthetic reflects the cosmopolitan nature of contemporary life in Mexico. Cortina’s recent projects range from Cabo San Lucas vacation homes for tech and finance giants to a new penthouse suite at the Sebastian resort in Vail, Colorado, luxury apartments in New York, and monumental homes in Mexico City.

About the Author:

Gloria Cortina was born and raised in Mexico City and studied at Parsons School of Design in New York. After a period of working with architect David Ling in New York, she returned to Mexico to work for the architect Ricardo Legorreta, later joining forces with others to launch the avant-garde firm A5 Arquitectura. In 2009 she established her own studio. Sean Kelly is a British, New York-based gallerist, contemporary art dealer, and owner of the Sean Kelly Gallery, New York. Jay Merrick is an architecture critic of The Independent and a regular essayist for the Architects Journal. He also contributes to leading magazines such as Blueprint, ArtReview and the periodical London Magazine.

The creative revival of public space.

Going Public showcases the creative revival of public space in our urban and rural landscapes. The book’s compelling selection of formal and informal interventions, reclamations, and architecture illustrates the current scope and interest in refashioning and repurposing our built environment for public use. The objectives of the featured examples are as diverse as the projects themselves and range from inspiring communication and community experience to devising new means of gathering in and connecting to nature.

Ranging from bold to subtle and from temporary to permanent, the architecture and urban design featured in Going Public offers inspiring and surprising interpretations of our public surroundings and natural landscapes.

The architecture of the last several decades was shaped by the need for individual representation and demarcation. Today, a growing counter-movement is focusing on the development of public space as a means to get people together in order to exchange ideas or share experiences. Going Public showcases this creative revival of public space in our urban and rural landscapes. The book’s compelling selection of formal and informal interventions, reclamations, and architecture illustrates the current scope and interest in refashioning and repurposing our built environment for public use. The objectives of the featured examples are as diverse as the projects themselves and range from inspiring communication and community experience to devising new means of gathering in and connecting to nature.

As the industrial age has evolved into the information age, our cities have developed new potential. In the past, churches and marketplaces were the focus of our social lives. Today, however, different types of community centers are being established. In addition to presenting the transformation of existing public squares, parks, and waterfronts that address this shift, Going Public includes original projects such as community gardens, outdoor movie theaters, temporary installations, and other cultural venues. It also features innovative solutions for ubiquitous features of urban life such as benches and pavilions.

In addition, Going Public presents work that leads us out of our cities and into the countryside. Contemporary versions of observation towers, viewing platforms, and self-guided trails use public space differently than their more traditional counterparts.

Ranging from bold to subtle and from temporary to permanent, the architecture and urban design featured in Going Public offers inspiring and surprising interpretations of our public surroundings and natural landscapes.

Dr. MacKenzie’s Golf Architecture was a monumental book for its time, a timeless book on golf architecture and a must for any student of the field or serious player. MacKenzie was an outdoorsman, a military man, and a doctor of medicine, whose hobby of golf architecture got the best of him. He ultimately abandoned his medical career to pursue golf course architecture and we must be thankful for that. He fully understood the nuances of the game but his genius was borne from his astute analysis of the nature of the course, its purpose and place in golf. One of the elemental distinctions he made was between strategic hazards (primarily sand bunkers, as he abhorred water as a penalty) and random hazards, as were commonly found on Scottish links—most notably at his beloved St. Andrews.

The penal school of architecture was in vogue during much of MacKenzie’s life but he would have none of it. His conception of a perfect course had to do with surrounding the player, frequently challenging him, but ultimately enabling him the freedom to play, to enjoy his day at golf. MacKenzie felt too many golfers looked on hazards “as a means of punishing a bad shot, when their real object is to make the game interesting.” When his masterpiece, Augusta National Golf Club opened there were only 23 bunkers, barely more than one per hole. “Hazards should be placed with an object, and none should be made which has not some influence on the line of play...” While he is in complete agreement with John L. Low’s 1903 comment in Concerning Golf that no hazard is unfair wherever it is placed, MacKenzie avows “a hazard placed in the exact position where a player would naturally go is frequently the most interesting situation, as then a special effort is needed to get over or avoid it.”

In one of the lectures that constitute this volume, MacKenzie identifies thirteen quintessential traits of the best golf architecture—the thirteen commandments for the zealous. Some are elementary: the next tee should be nearby the last green and in a direction away from following players; every hole should be of a different character and every course should have four par-threes, a couple of drive-and-pitch holes, but mostly substantial par-fours. Many qualities are more complicated: “The course should be so arranged so that the long handicap player, or even the absolute beginner, should be able to enjoy his round in spite of the fact that he is piling up a big score.” Besides ranking as one of the finest volumes on golf architecture, this book is valuable for the good course management it teaches, especially to those neophytes. Golfers must use their minds and act with authority; after all, this is war. MacKenzie was a military specialist in camouflaging earthworks; it was that peculiar skill that shaped his concepts for strategic bunkering.

MacKenzie’s simple formula for a good golf course is twofold: it must never become monotonous; and the best course construction is “almost entirely due to utilization of natural features to the fullest extent and to the construction of artificial ones indistinguishable from nature.” He was also one of the earliest proponents of hazards to putting, designing unique greens such as the seventeenth at Augusta where the vertical halves slope in opposite directions, or the fifth with its backward tiering. He wanted the route to the green to be generous, never lined with ball-gobbling rough or ponds, but he could also be audacious when given property with substantially different terrain, as on the Monterey Peninsula for Cypress Point. Wisely there, the green movement is more tempered due to the high risk factor of many other shots, and perhaps the distracting drama of the surrounds. Admirers of the art of Mackenzie in the U. S. should also view Ohio State University GC, the University of Michigan GC and Crystal Downs CC, Green Hills CC (CA ), Pasatiempo GC, Northwood GC and Stockton G & CC.

While totally serious and eminently important, this book is far from a chore to read. Although a stern, physically imposing Scot, MacKenzie liked a joke, even if at possibly his own expense. One of two rival green shapers admitted he could never quite achieve the subtle contours of the other, and asked his secret.

This assemblage of beautiful essays and photos looks at the science and art of golf architecture through many different perspectives. Some of the most knowledgeable voices on the topic of golf-course design, including award-winning architects, past presidents of the American Society of Golf Course Architects, and golf magazine editors express their viewpoints on the subject. Among the variety of issues discussed are the placement of hazards, the effects of technology, restoration versus renovation, and the importance of the rhythm of the course. In the first of four volumes, an essay contributed by Tom Doak, the founder and principal of Renaissance Golf Design, explores the meaning of what a golf architect does and is. Doak discusses the extensive use of mathematics required to evaluate variables in the landscape. An essay contributed by Bill Amick, who designed more than seventy-five courses in eight countries, presents the topic of how designs lend to the affordability of membership. In order to achieve cost-efficiency, golf architects must employ a sharp mind and good business sense. Paired with professionalism, golf architects must also have the soul of an artist and a passion for the game. Inspired by the work of Alister Mackenzie, Todd Eckenrode, the U.S. Public Links 1998 Medalist, addresses his affinity for slopes, contours, and a variety of tee shots. Thomas McBroom, who won Golf Digest's award for top course in 2002, includes an essay regarding the dramatic effects of bedrock, and how the traditional obstacles can be utilized for beauty, character, and strategy. Despite the importance of ingenuity, the spirit of creativity remains an important asset.

About the Author

Paul Daley is the author of Links Golf: The Inside Story, which was the second-place winner for the USGA's Golf Book of the Year Award. He is a member of several organizations, including the U.S.-based Tillinghast Association, the Golf Society of Australia, Australian Golf Writers Association, and the Australian Society of Authors. He is also the managing director of Full Swing Golf Publishing. Pelican has also published volumes two and four of Daley's Golf Architecture: A Worldwide Perspective. A member of the National Golf Club in Melbourne, Australia, Daley plays from a handicap of seven.

An excellent combination of sport, art, and intelligence, golf architecture holds an allure for admirers of courses worldwide.

The complicated process of creating such deceptively simple landscapes has been dissected by the top names in the field. This collection of essays, written by an international array of experts, delves into the complex issues involved in every detail of design. The design of a course is dependent on what elements the designer deems most important. An essay contributed by Jamie Dawson, founder of Enviro Links Design, presents the topic of strategic design interest. This architect takes into account how topography, vegetation, drainage, and fairway routing can contribute to the environmental well-being of a course. Natural landscape is also a concern for Jay Morrish, who was voted golf architect of the year in 1996. He prefers a more literary approach to his design. He likens the detailed craftsmanship of his courses to the careful precision of a poet. Each element must support the other in a beautiful arrangement of natural landscape and manufactured course. Although nature is a large part of any outdoor sports arena, it is often the technological advancements that make the golf course's design sustainable. Karl F. Grohs and Rainer Preissmann, the founding principals of Deutsche Golf Consult, present the topic of improving older courses by updating the existing designs, materials, and buildings to combine the traditional beauty with modern comforts and accessibility. Ronald Fream, an architect with experience in sixty countries, discusses the development of the craft-course design from St. Andrews to the educational and technological advancements that allow new courses to be cost-effective.

About the Author
Paul Daley is the author of Links Golf: The Inside Story, which was the second-place winner for the USGA's Golf Book of the Year Award. He is a member of several organizations, including the U.S.-based Tillinghast Association, the Golf Society of Australia, Australian Golf Writers Association, and the Australian Society of Authors. He is also the managing director of Full Swing Golf Publishing. Pelican has previously published the first two volumes of Daley's Golf Architecture: A Worldwide Perspective. Daley, a member of the National Golf Club in Melbourne, Australia, plays from a handicap of seven.