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This volume, while illustrating visually the more important of the works he produced between 1970 and 1990, tends to focus chiefly on the ones constructed over the last fifteen years which have earned him the international standing he enjoys today. The new Ferrari headquarters at Maranello, the “bubble” buildings for Nardini, the Armani stores in Singapore, Hong Kong and Milan, a new commercial building in Turin and the new seat of regional government in Piedmont, the Peace Center in Jaffa commissioned by Shimon Peres and Yasir Arafat, the new Conference Centre in Rome, the Twin Towers in Vienna and the shopping malls in Salzburg and Hanover are just some of the works realized in these years, culminating in the new Milan Trade Fair, the largest in Europe and a symbol of the city’s revival, inaugurated just a few months ago. The volume shows the works and projects he has produced at a feverish pace, arranging them in the form of a story told in acrylics and including sketches, drawings, structural details and photographic reportages, along with a series of short, exclusive interviews with some of the clients who have played an important part in Fuksas’s work in recent years, from Giorgio Armani to Walter Veltroni and the Nardini family.
Melding rational forms with poetry, Mathieu Lehanneur has become a rising star of a new generation of designers.
In only a short period of time the French designer Mathieu Lehanneur has established himself as a rising star of the global design community. He creates breakthrough work at the nexus of design and the human body, bionic structures, geometric forms, and both the rational and irrational sides of science. Lehanneur shapes aesthetic objects that provide astounding insight into the complexity of organic systems as well as cleverly address and comment on social issues.
This first monograph is a cutting-edge collection of Mathieu Lehanneur’s creative explorations in the areas of interior design, product design, and art. The featured work includes filtration systems of interior air by plants, a recuperative sleeping space based on physiological studies of sleeping disorders, workshop rooms for children at the Centre Pompidou, ceramic jars created from population data provided by the UN, and the stunning redesign of the chancel of a Romanesque church that is as modern as it is timeless.
The book includes an extensive conversation with the designer by Hans Ulrich Obrist as well as texts by the Museum of Modern Art’s Paola Antonelli and Ross Lovegrove, and others illuminate the incomparable visual language that make Mathieu Lehanneur one of the most celebrated and sought-after designers working today.
170 colour and 40 b/w illustrations
Founded in Delfi in 1984 as a collective for public housing design, the Mecanoo studio has developed into one of the most significant entities on both the Dutch and international architecture scene having created numerous projects in the fields of culture, higher education and urban planning. Under the guidance of partners Francine Houben, Henk Doll, Michel Tombal and Aart Fransen, Mecanoo has developed a personal revision of the modernist approach to architecture applying experimental design and urbanistic innovations to their projects.
The book examines 24 of their most important buildings and projects divided into four critical themes - The Redefinition of Living, Functional Hybrids, Tectonic Multiplicity, New Territories - which illustrate Mecanoo’s contribution to the creation of new types of collective residences that are geared towards integrating functions other than those of mere living within the home; their use of different structural forms and materials; public spaces, functional integration and the inclusion of elements of landscape as new relational territories.
As one of the most important contemporary architects, Richard Meier (b. 1934) is a key figure in TASCHEN's Basic Architecture Series. His brilliant career ranges from elegant family homes to dazzling institutional buildings like the Barcelona Museum of Contemporary Art. This work gives an insight into the development of his œuvre starting with the early designs and culminating with his latest buildings, exploring his combination of precisely calculated proportions and high quality materials, resulting in exquisite structures and light flooded spaces.
Посмотреть русскоязычное издание книги Meier - Мейер
About the Series:
Every book in TASCHEN's Basic Architecture Series features:
Ever since his self-proclamation as part of the "New York Five," Richard Meier has risen through one top commission after another to the dizzy heights of architectural stardom.
From Madison Square Garden to Shenzhen, China, his sleek, luminously white modernism has created some of the most high-profile and distinctive buildings of the 20th and 21st centuries. Meier's portfolio is as varied as it is illustrious. He has worked with Roman treasures (Ara Pacis Museum), seaside resorts (Jesolo Lido Village), civic centers (San Jose City Hall), and private clients in the Hamptons. On each project, Meier's hallmarks are careful grid plans and expansive use of white surfacing and glass. The buildings are as much beacons of brilliance from the exterior as they are temples to clarity and purpose inside.
This introductory book traces Meier's complete career to explore the making of a cult architect. With abundant images, we take in all his most famous projects, such as the Getty Center in Los Angeles, as well as his most recent works such as the OCT Shenzhen Clubhouse in Shenzhen, China; and the Burda Collection Museum in Baden-Baden, Germany.
About the series:
Each book in TASCHEN’s Basic Architecture series features:
- an introduction to the life and work of the architect
- the major works in chronological order
- information about the clients, architectural preconditions as well as construction problems and resolutions
- a list of all the selected works and a map indicating the locations of the best and most famous buildings
- approximately 120 illustrations (photographs, sketches, drafts, and plans)
The work of Erich Mendelsohn (1887-1953) is extraordinarily open-minded in its attitude to material and planning, as a result of his completely original form of architectural thinking. Mendelsohn`s genius lay in the fact that he was not influenced by his predecessors; rather, his imagination sprung from an entirely personal place, refusing to borrow from any existing artistic forms or styles. He became famous with the Einsteinturm in Potsdam (the supreme masterpiece of architectural expressionism, one of the most heretical and revolutionary works in history), the Hat Factory in Luckenwalde, and the Schocken Department Store in Stuttgart. To this day, Mendelsohn`s methods remain stimulating and provocative and his work begs to be (re)discovered.
About the Series:
Every book in TASCHEN's Basic Architecture Series features:
Michael Graves's career has been one of the most remarkably creative and successful of any American architect practicing today.
His extensive oeuvre includes such renowned projects as the Walt Disney World Dolphin Hotel and the Walt Disney World Swan Hotel in Florida, the San Juan Capistrano Library in California, and the precedent-setting Portland Building in Oregon, as well as designs for his highly popular lines of furniture, home furnishings, and artifacts. Graves's signature aesthetic -- elemental shapes, references to historical forms, and warm colors that often reflect Italian and classical influences-- is recognized worldwide. Presented in this monograph are seventy-one of Graves's built and unbuilt projects of the past five years, generously illustrated with photographs, plans, and Graves's evocative colored sketches.
Featured projects in the United States include the Denver Central Library in Colorado; the Michael C. Carlos Museum at Emory University in Atlanta, with its extraordinary galleries for ancient art; and several private residences, including Graves's own Italianate villa in Princeton, New Jersey. Also included are numerous international commissions, among them De Resident, the Ministry of Culture office building in The Hague; Hotel New York at Euro Disneyland Park Paris; the Hyatt Regency Hotel and Office Building in Fukuoka, Japan; sixteen additional projects in Japan; and others in Germany, the Netherlands, Wales, China, and Israel.
Michael Graves has been at the forefront of architecture and design since he founded his practice in Princeton, New Jersey, in 1964.
Cited by Paul Goldberger, architecture critic for the New Yorker, as "the most truly original voice American architecture has produced in some time," Graves has received many prestigious awards, including the 1999 National Medal of Arts and the 2001 Gold Medal from the American Institute of Architects. This, the fourth volume to document the architect's oeuvre, is a must-have for all architecture enthusiasts. Graves has secured international acclaim and celebrity status for his modern interpretations of traditional and classical architecture and remains one of the profession's most celebrated figures.
Presented in this monograph are over 100 of Graves' built and unbuilt projects of the past eight years, generously illustrated with photographs, plans, and the architect's evocative colored sketches.
Ludwig Mies van der Rohe (1886–1969) was one of the founding fathers of modern architecture. The creator of the Barcelona Pavilion (1929), the Farnsworth House in Plano, Illinois (1945–1951) and the Seagram Building in New York (1954–1958), Mies was one of the founders of a new architectural style. Well known for his motto "less is more," he sought a kind of refined purity in architectural expression that was not seen in the reduced vocabulary of other Bauhaus members. His goal was not simply building for those of modest income but building economically in terms of sustainability, both in a technical and aesthetical way; the use of industrial materials such as steel and glass were the foundation of this approach. Though the extreme reduction of form and material in his work garnered some criticism, over the years many have tried - mostly unsuccessfully - to copy his original and elegant style.
This book explores more than 20 of his projects between 1906 and 1967, from his early work around Berlin to his most important American buildings.
About the Series:
Every book in TASCHEN's Basic Architecture Series features:
- approximately 120 images, including photographs, sketches, drawings, and floor plans
- introductory essays exploring the architect's life and work, touching on family and background as well as collaborations with other architects
- the most important works presented in chronological order, with descriptions of client and/or architect wishes as well as construction problems and resolutions
-an appendix including a list of complete or selected works, biography, bibliography, and a map indicating the locations of the architect's most famous buildings
Ludwig Mies van der Rohe (1886–1969) was one of the founding fathers of modern architecture, and creator of the Barcelona Pavilion (1929), the Farnsworth House in Plano, Illinois (1945–1951) and the Seagram Building in New York (1954–1958). Famed for his motto "less is more," Mies sought a refined purity in architectural expression that was missing from the vocabulary of his Bauhaus peers. He aimed to build for those of modest income while also building economically and sustainably, both in technical and esthetic terms; the use of industrial materials such as steel and glass were the foundation of this approach. Though his stark forms and modern materials provoked some criticism, over the years many have tried—most unsuccessfully—to copy his original and elegant style.
This book explores more than 20 of his projects between 1906 and 1967, from his early work around Berlin to his most important American buildings.
About the Series:
Every book in TASCHEN's Basic Art Series features:
* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography
Ludwig Mies van der Rohe was one of the leading figures of twentieth-century architecture. For architects and many others who are committed to the modernist tradition, he is a pivotal figure. With in-depth, scholarly essays and opulent photographs and plans, this book traces the multifaceted development of his work, including his first Berlin buildings, his villa projects, his work at the Bauhaus in the 1930s, and his American projects of the postwar years.
Less is more. Finding perfection in purity
Famed for his motto less is more, Ludwig Mies van der Rohe (1886 1969) was one of the founding fathers of modern architecture and a hotly-debated tastemaker of twentieth-century aesthetics and urban experience.
Van der Rohe s philosophy was one of underlying truth in pure forms and proportions. With the help of contemporary technological and material developments, he sought a stripped-down purity to architecture, showcased by the likes of the Seagram Building and Farnsworth House. Some spoke out against this stark approach as the precursor to bland, generic cityscapes. Others cite van der Rohe as the ultimate master of an abidingly elegant essence.
This book presents more than 20 of van der Rohe s projects from the period 1906 1967 to introduce his groundbreaking practise and influence in both America and Europe.
About the series:
Each book in TASCHEN’s Basic Architecture series features:
- an introduction to the life and work of the architect
- the major works in chronological order
- information about the clients, architectural preconditions as well as construction problems and resolutions
- a list of all the selected works and a map indicating the locations of the best and most famous buildings
- approximately 120 illustrations (photographs, sketches, drafts, and plans)