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This book has chapters on the Origins of Art Nouveau, Art Nouveau at the 1900 Universal Exposition in Paris, Major Artists and a Bibliography
This book presents the latest developments in the field of architecture as it has been reshaped by the use of digital technologies. The last few years, technological developments in both hardware and software have enabled the realization of ideas that until now were only presented as theories, and have also opened new and unexpected areas of experimentation. The new digital technologies are influencing every stage of the creative process from the initial exploration of ideas to the construction of the final work and its interaction with the user. These developments are presented in four chapters, each one including detailed presentation of the most important relevant projects and general theoretical-technical information.
Presents playground design ideas by featuring playgrounds from around the world which provide both entertaining environments and aesthetically pleasing public spaces while also assuring that safety requirements are met.
This book shows the full creative potential of the computer. Packed both with practical applications and new concepts, it demonstrates that computers do not simply perform old tasks more efficiently, but enable us to generate whole new worlds. Robin Baker shows how the computer is potentially the firmest bridge ever built between the two cultures of art and science: once simply a tool for handling abstract symbols, it has engendered - with the advent of VDU technology - the electronic image, and with it a new form of expression. Initially, paint systems and 2-D and 3-D drafting programmes simply transferred traditional methods onto the screen; now our entire visual landscape - from architecture and interior design to film and graphics, from fashion and jewellery to printmaking and industrial design - is being transformed.
Virtual Reality allows 'solid' objects to be viewed from within; shape grammar gives architects the opportunity to recreate any building in an infinite range of forms; neural networks make computers 'see' like humans; rapid prototyping creates an immediate physical model of an electronic design; genetic algorithms provide instant 'generations' of design forms with controlled or uncontrolled mutations; hyperpublishing produces 'personal' magazines or books, created by electronic 'agents' responding to individual needs. Some of these incredible concepts are now actively being used; others lie in the near future. All of them give us a greater capacity for "Designing the Future" than ever before. For the vast audience in the fine and applied arts, in business, in education and in the home for whom the computer has become indispensable, this is essential reading.
We tend to view the activity of playing as a non-serious pursuit - kids' stuff - with neither transcendence nor goal. We should remember, however, how much we ourselves learned during our earliest years while playing. Playing and learning are crucial for a child's development; and providing good play opportunities is a way to directly contribute to achieving this fundamental goal in the first stages of life. Not only do children release energy and develop motor skills, balance and coordination through play, but they also forge their personalities through social activities while stimulating creativity, the capacity to reason and language skills. Through play, children create custom-made realities and experiences. They learn to resolve problematic situations, confront new challenges and set their sights on new goals, all of which foments their capacity to organize, plan and make decisions. Play activities, therefore, are invaluable "dress rehearsals" for their future lives.
Koolhaas’s Countryside. An urgent exploration of a long-neglected realm and its sublime beauty
The rural, remote, and wild territories we call “countryside”, or the 98% of the earth’s surface not occupied by cities, make up the front line where today’s most powerful forces—climate and ecological devastation, migration, tech, demographic lurches — are playing out. Increasingly under a ‘Cartesian’ regime — gridded, mechanized, and optimized for maximal production — these sites are changing beyond recognition. In his latest publication, Rem Koolhaas explores the rapid and often hidden transformations underway across the Earth’s vast non-urban areas.
Countryside, A Report gathers travelogue essays exploring territories marked by global forces and experimentation at the edge of our consciousness: a test site near Fukushima, where the robots that will maintain Japan’s infrastructure and agriculture are tested; a greenhouse city in the Netherlands that may be the origin for the cosmology of today’s countryside; the rapidly thawing permafrost of Central Siberia, a region wrestling with the possibility of relocation; refugees populating dying villages in the German countryside and intersecting with climate change activists; habituated mountain gorillas confronting humans on ‘their’ territory in Uganda; the American Midwest, where industrial-scale farming operations are coming to grips with regenerative agriculture; and Chinese villages transformed into all-in-one factory, e-commerce stores, and fulfillment centers.
This book is the official companion to the Guggenheim Museum exhibition Countryside, The Future. The exhibition and book mark a new area of investigation for architect and urbanist Rem Koolhaas, who launched his career with two city-centric entities: The Office for Metropolitan Architecture (1975) and Delirious New York (1978). It’s designed by Irma Boom, who drew inspiration for the book’s pocket-sized concept, as well as its innovative typography and layout, from her research in the Vatican library.
The book brings together collaborative research by AMO, Koolhaas, and students at the Harvard Graduate School of Design; the Central Academy of Fine Arts, Beijing; Wageningen University in the Netherlands; and the University of Nairobi. Contributors also include Samir Bantal, Janna Bystrykh, Troy Conrad Therrien, Lenora Ditzler, Clemens Driessen, Alexandra Kharitonova, Keigo Kobayashi, Niklas Maak, Etta Madete, Federico Martelli, Ingo Niermann, Dr. Linda Nkatha Gichuyia, Kayoko Ota, Stephan Petermann, and Anne M. Schneider.
The authors:
AMO is the think tank of the Office for Metropolitan Architecture (OMA), co-founded by Rem Koolhaas in 1999. Applying architectural thinking to domains beyond building, AMO has worked with Prada, the European Union, Universal Studios, Amsterdam’s Schiphol airport, Condé Nast, Harvard University, and the Hermitage. It has produced exhibitions, including Expansion and Neglect (2005) and When Attitudes Become Form: Bern 1969/Venice 2013 (2013) at the Venice Biennale; The Gulf (2006), Cronocaos (2010), Public Works (2012), and Elements of Architecture (2014) at the Venice Architecture Biennale; and Serial Classics and Portable Classics (both 2015) at Fondazione Prada, Milan and Venice, respectively.
Rem Koolhaas is a co-founder of the Office for Metropolitan Architecture. Having worked as a journalist and scriptwriter before becoming an architect, in 1978 he published Delirious New York. His 1996 book S,M,L,XL summarized the work of OMA and established connections between contemporary society and architecture. Among many international awards, he has received the Pritzker Prize (2000) and the Praemium Imperiale (2003). He directed the 2014 Venice Architecture Biennale, coinciding with the first publication of Elements of Architecture.
The designer:
Irma Boom is a graphic designer specialized in making books. Since founding Irma Boom Office in 1990, she has worked with the likes of Chanel, the United Nations, OMA/Rem Koolhaas, Fondazione Prada, Pirelli, and Rijksmuseum Amsterdam. She received the Gutenberg Prize and the Johannes Vermeer Prize, the Dutch state prize for the arts, among others. Her work is in a permanent collection of the Design and Architecture Department of the Museum of Modern Art in New York. Since 1992, Boom is a Senior Critic at Yale University in the USA.
Architect and professor of architecture Richard Horden, a former partner of Norman Foster, is the pioneer of small-scale structures constructed with the most advanced materials and techniques available. Fusing high-tech engineering with industrial-design methods, he and his research students in Munich have created an innovative range of revolutionary buildings in a broad variety of settings.
From the Ski Haus (delivered to the Alps by helicopter and used by mountaineering and rescue teams) and Antarctic living modules to the Micro Compact home, a fully self-contained pre-fab home that fits into a 2.65 m 2 cube, these structures are designed for their adaptability to our changing planet, lifestyles and basic human needs.
Richard Horden's projects draw on technologies from the nautical and aviation industries, as well as natural forms, to make small buildings that are not only highly functional but kind to the environment.
Oenophiles rejoice You'll be delighted and probably find everything you've ever dreamed of in this beautifully photographed volume. Granted, precious few of us can afford the incredible wine cellars featured, but thanks to THE MOST BEAUTIFUL WINE CELLARS IN THE WORLD we can visit. I hasten to add they're not only beautiful but their selections are impeccable.
Our visits, which include 60 wine cellars in Europe, North America, Lebanon and China, are arranged chronologically beginning with the older cellars and moving forward in history until we are amazed by a virtual wine cellar.
Opening with an Introduction that holds a description of the ideal cellar and focuses on temperature, humidity, lighting, vibration, etc. we are eager for our first stop which is Marques de Riscal, Elciego, Spain. Surrounded by gorgeous mountains and founded in 1858 it is the oldest cellar featured. Many may be surprised to see the eye-popping architecture designed by the one and only Frank Gehry Using the former Marques de Riscal cellar as the basis for his design he created a phenomenal structure over it. With a titanium exterior he incorporated the Marques de Riscal's colors - pink for the wine, gold for the mesh that covers the bottles, and silver for the bottleneck capsules. This complex includes a hotel, a restaurant, a business center and a health spa, which offers vinotherapy treatments.
A bit of heaven I'd be willing to stay for a long while but it is on to Thiessen Wijnkoopers, where the oldest parts of the subterranean cellars date to the 14th century and once formed part of the city's defenses. Next? France's Chateau Margaux where one of the best wines in the world is produced. And our travels have only begun.
Every one of the 240 pages is a feast for both mind and eye. There are 300 stunning color photographs, the majority of which are full page. Visions to dream on
Each of the cellars stands alone in its history, beauty, and originality. To have them all presented in this lush volume is a treasure.
Highly recommended.
- Gail Cooke
Ce livre présente un grand nombre de motifs sculptés sur bois utilisés dans l’architecture et le mobilier : panneaux, portes, frontons, boiseries, etc.
Все книги серии Motifs Ornementaux
Motifs Ornementaux. L’œuvre de Bérain: Ornemaniste du Roy
Motifs ornementaux: Architecture et sculpture. Volume 2 pierre
Motifs Ornementaux: Elements d'Architecture
Motifs ornementaux: Balcons et balustrades
Motifs Ornementaux: Motifs et decors du XIX
Motifs Ornementaux: Profils et Frises
Motifs Ornementaux: Profils et Moulures
Motifs Ornementaux: Profils et Tournages
Ce livre présente un grand nombre de motifs sculptés sur pierre utilisés dans l’architecture : chapiteaux, frises, rosaces, cartouches, plafonds, cheminées, etc.
