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The essential packaging design resource, now with more patterns than ever!

For more than two decades, The Packaging Designer's Book of Patterns has served as an indispensable source of ideas and practical solutions for a wide range of packaging design challenges.

This Fourth Edition offers more than 600 patterns and structural designs - more than any other book - all drawn to scale and ready to be traced, scanned, or photocopied. Online access to the patterns in digital format allows readers to immediately use any pattern in the most common software programs, including Adobe Photoshop and Illustrator. Every pattern has been test-constructed to verify dimensional accuracy. The patterns can be scaled to suit particular specifications - many are easily converted to alternate uses - and most details are easily customizable.

Features of this Fourth Edition include:

- More than 55 new patterns added to this edition - over 600 patterns in all
- A broad array of patterns for folding cartons, trays, tubes, sleeves, wraps, folders, rigid boxes, corrugated containers, and point-of-purchase displays
- Proven, scalable patterns that save hours of research and trial-and-error design
- Packaging patterns that are based on the use of 100% recyclable materials
- Includes access to a password protected website that contains all 600+ patterns in digital form for immediate use

Comprehensive and up to date, The Packaging Designer's Book of Patterns, Fourth Edition enables packaging, display, and graphic designers and students to achieve project-specific design objectives with precision and confidence.

A long-awaited survey of more than fifty years of art jewelry from the Padua School covering its work from 1950 to the present
Works by master goldsmiths Mario Pinton, Francesco Pavan and Giampaolo Babetto and other artists together add up to the distinctive, typically Paduan look in art jewelry

The Padua School originated from the Istituto Pietro Selvatico in Padua. The distinctive features of this jewelry are the use of gold reminiscent of the goldsmith's art in antiquity and a modern and abstract formal expression within the group. Mario Pinton, who brought the goldsmith movement international recognition and acclaim in the 1950s and '60s, is credited with founding the experimental goldsmith movement in Padua. Francesco Pavan has enlarged the scope of the Padua School with his kinetic and geometric formal idiom.
The breakthrough on the international jewelry scene took place in the late 1960s with Giampaolo Babetto, under whose support the geometric and Minimalist tendency was most pronounced. Other distinguished artists in jewelry such as Graziano Visintin, Renzo Pasquale, Annamaria Zanella, Stefano Marchetti and Giovanni Corvaya continued along these lines or went their own highly individual ways by experimenting with the use of new materials including plastic. The work of these creative artists is beautifully displayed through color photographs, which serve to highlight their great talent.

The catalogues of the Paris Salons from the turn of the century provide a unique archive of illustrations of the decorative arts at a pivotal time in their development. These volumes contain over 5,500 illustrations of items of jewellery by leading designers such as Boucheron, Chaumet and Lalique. The pictures have been sourced and re-photographed from the original and often rare catalogues. They have been rearranged alphabetically by artist-designer thus providing an indispensable and practical reference for this seminal twenty-year period. They are a unique source for identification and authentication, and an invaluable key both to design ideas and the jewellery of the period.

The catalogues of the Paris Salons from the turn of the century provide a unique archive of illustrations of the decorative arts at a pivotal time in their development. These volumes contain over 5,500 illustrations of items of jewellery by leading designers such as Boucheron, Chaumet and Lalique. The pictures have been sourced and re-photographed from the original and often rare catalogues. They have been rearranged alphabetically by artist-designer thus providing an indispensable and practical reference for this seminal twenty-year period. They are a unique source for identification and authentication and an invaluable key both to design ideas and the jewellery of the period.

Home of haute couture and the world’s leading fashion houses, Paris and its inhabitants represent sophistication and refinement to the rest of the world. In the city’s elegant neighborhoods, debonair Parisian men continue to participate in a centuries-long tradition of sartorial craftsmanship and quality.

The Parisian Gentleman is like a dream shopping excursion to the leading men’s style-makers, from hidden ateliers and little-known studios to internationally renowned labels such as shirtmakers Charvet, shoemakers Berluti, and the recently revived trunk makers Moynat. The stories behind each house, and the creative minds and artisans who give each brand its unique identity, bring the clothes alive, capturing an unceasing dedication to quality in an era overrun with new, mass-produced trends.

Author Hugo Jacomet’s portraits of these often-inaccessible marques (or brands) are intimate and illuminating, thanks to his personal connections to many of the leading figures associated with each. His text is accompanied by beautifully shot photographs of the designers, studios, garments, and locations, the majority of which were taken exclusively for this book.

The Perfume Companion is a beautifully illustrated compendium of almost 500 recommended scents, designed to help you pick out your next favourite fragrance.

Perfumes have the power to evoke treasured memories, make us feel fabulous and help us express our best self. But with so many out there, how do you choose something new? When the scents in the perfume shop are merging into one aromatic haze, how do you remain focused? And if your favourite scent goes out of stock, how do you replace it? The Perfume Companion is here to help. Sarah McCartney and Samantha Scriven deliver a host of scents for you to try – including bargain finds and luxury treasures, iconic stalwarts and indie newcomers, the lightest florals and the deepest leathers. 

With insider information about how perfumes are really made, discover hundreds of new fragrances and find the scents to share your own memories with. This is the perfect companion for your scented adventures.

About the Authors:

Sarah McCartney is the founder and perfumer at 4160Tuesdays, an independent perfumery in west London. For fourteen years, she wrote for the Lush Times, the in-house newspaper at Lush Fresh Handmade Cosmetics. In 2010 she wrote a novel, The Scent of Possibility, then started to make the fragrances she’d described in her book. Sarah’s fragrances have been nominated for three Fragrance Foundation Awards, and she has won the Eau MG Readers Award for Best Indie Fragrance House, and Best Indie Fragrance. 

Samantha Scriven founded the blog iscentyouaday in 2013 and has twice been a finalist in the UK Fragrance Foundation Jasmine Awards. She is a Senior Contributor for award winning perfume site ÇaFleureBon and has contributed to The Scented Letter magazine for The Perfume Society. She works as a freelancer in the perfume industry and lives in South Wales with her husband, sons and cats.

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Пролистать книгу The Perfume Companion: The Definitive Guide to Choosing Your Next Scent на Google Books

The Phaidon Archive of Graphic Design features 500 graphic designs including newspapers, magazines, posters, advertisements, typefaces, logos, corporate design, record covers and moving graphics from around the world, which have set a benchmark for excellence and innovation.

The dividers that come with this 'book in a box' allow you to define how you want to organise, whether it is chronologically, alphabetically, by designer or by subject.

Compiled and researched by experts, and illustrated with up to six images per entry, including rarely seen historical and contextual material, The Phaidon Archive of Graphic Design is the ultimate reference guide for the design professional and enthusiast alike. Designed with exceptional production details and rich with information, this book also becomes an object that appeals to the creativity and imagination of the reader.

Born of the traditions of fine art and printing, graphic design is a form of visual communication that seeks to inform, identify or promote through the combination of word and image. But unlike the written word or a work of art, a graphic design operates exclusively in the context in which it will be seen, and mediates between the wishes of the client and the expectations of the public. Moreover, a graphic work is created for mass reproduction.

The field of graphic design, as we know it today, has its roots in two developments: the invention of the printing press in the fifteenth century and the Industrial Revolution of the eighteenth and nineteenth centuries, both of which contributed to the process of graphic reproduction. Today, trade, commerce, communications and culture continue to feed the need for graphic design, and technological developments – most notably the computer – are constantly broadening its possibilities. Of all the arts, graphic design comes closest to our contemporary daily life, as we interact with graphic design on an almost continuous basis.

Five hundred graphic designs created since the advent of mechanical reproduction, are showcased in this archive – from the Gutenberg Bible and Nuremberg Chronicles of the fifteenth century, to the cutting edge magazines, posters and ephemera of today. It is the authoritative selection of newspapers, magazines, advertisements, typefaces, logos, corporate design, record and CD covers and moving graphics from around the world, which have created a benchmark for excellence and innovation

A bible of contemporary illustration, this is a comprehensive survey of new and exciting work from across the globe that will appeal to experts and newcomers alike.

Compiled by award-winning designer Angus Hyland, The Picture Book presents a broad spectrum of styles, techniques and subject matter representative of current trends and innovations to create a stunning compendium of work. Each artist's work is accompanied by a self-portrait and a short, illuminating profile exploring their inspirations and their approach both to illustration and to their career.

An original story on a unique Pink Pearl, popular from the Victorian Age to the 1920s, which now lives a renaissance, thanks to new designs and a new fashion.
This beautifully illustrated book sets out to tell the story of a collection of about 30,000 pearls, with no rival anywhere in the world, and that of the rediscovery of these pearls.
The pink pearl of the Caribbean is produced by a very beautiful shellfish, the queen conch.
The collector is Sue Hendrickson, a professional diver and a sort of female Indiana Jones, who has spent much of her life collecting pearls found by the people who fish this conch, all over the Caribbean. They gather it for its flesh, which is very good to eat, and, on average, one in every 10,000 shells contains a pearl. This collection has been sold to a Swiss dealer in stones and gems, who has successfully begun to make contemporary jewelry incorporating the pink pearls. The book sets out to tell her story, and that of the rediscovery of these pearls, while giving a professional nudge in the right direction to this “new” gem. A book that gives a professional nudge in the right direction to this “new” gem. Professionals and fans of jewelry will find it an entertaining read and a valuable resource.

This complete international history of poster design from the Art Nouveau to the present covers all of the significant developments in poster design, and every important type of poster, from wine and war to rock and rebellion. One thousand posters illustrate the work of virtually every significant artist and graphic designer whoever created a memorable poster, including a generous selection of contemporary work. Organized chronologically, with thematic sections devoted to design styles as well as popular history, The Poster is also a visual chronicle of world culture from the late 19th century to the present. Finally, The Poster is an appealing design object in itself, and a terrific way to experience the pleasures of graphic design.

Vintage handkerchiefs have been an unsung source of inspiration for many of the world’s most exciting brands. This volume written by vintage clothing and textiles experts, will appeal to collectors of printed textiles, fashion lovers and designers, and provide a visual feast for anyone with a passion for pattern.

Over 200 beautifully designed handkerchiefs have been selected to reflect the magnificent array of printed designs that emerged between the 1920s and 1950s, a particularly innovative period in handkerchief design that produced small squares exploding with colour and pattern. The book comes complete with a short history of the subject, an analysis of the fabrics used, a detailing of the design characteristics of each decade, information on where to find and collect, and advice on conservation, storage and use.

Organized for inspiration into 11 sections by colour, this is a fresh and covetable volume targeted at fashion professionals, designers, or a new young generation in search of old chic in new chic forms.

About the Author:

Nicky Albrechtsen was a costume designer and stylist and is the director of the vintage archive Vintage Labels Ltd, which sources inspirational clothing and printed textiles for fashion brands worldwide and costume designers in film and television. She is the author of several books, including Scarves (with Fola Solanke), also published by Thames & Hudson.

The first comprehensive exploration of postcards used as propaganda on all sides of the major military and political conflicts of the twentieth century, including World Wars I and II

A Russian Socialist worker raises the red flag. Adoring crowds greet Hitler and Mussolini. Uncle Sam orders Americans to enlist. These images and many more circulated by the millions on postcards intended to change minds and inspire actions around the time of the two World Wars. Whether produced by government propaganda bureaus, opportunistic publishers, aid organizations, or resistance movements, postcards conveyed their messages with striking graphics, pithy slogans, and biting caricatures – and in a uniquely personal format. The more than 350 cards reproduced in full colour in this book advocate for political causes and celebrate war efforts on all sides of the major conflicts of the first half of the twentieth century. The accompanying text shows how a ubiquitous form of communication served increasingly sophisticated campaigns in an age of propaganda, and highlights the postcards collected here as both priceless historical documents and masterworks of graphic design.

The Purple Book is a luxurious compendium of contemporary illustration that explores fantasy, sensuality and the erotic imagination. It highlights visual art and the written word as media for representing human desire’s relationship with the dream-state, make-believe and symbolism.

Much of the work by illustrators exploring these themes is unpublished, personal work, and many works here appear in print for the first time. As well as a treasury of portfolios by 21 of the very best international contemporary illustrators, a series of specially-commissioned works illustrate five classic literary texts that have inspired the themes of The Purple Book. The personalities behind this commissioned work are revealed through interviews with their creators, exploring the imaginative process behind their visual fantasies and how this translates into the final artwork.

The title of the book is inspired by The Yellow Book, the periodical published in the 1890s and initially art directed by Aubrey Beardsley. While the colour yellow represented the daringly salacious in the 1890s, today the colour purple is synonymous with opulence and sensuality.

This macabre tale — part dark fantasy, part Gray’s Anatomy — tells the chilling story of a man driven mad by his search for the truth, with hypnotic and horrifying images.

Philadelphia, the late 1870s. A city of gas lamps, cobblestone streets, and horse-drawn carriages — and home to the controversial surgeon Dr. Spencer Black. The son of a grave robber, young Dr. Black studies at Philadelphia’s esteemed Academy of Medicine, where he develops an unconventional hypothesis: that the mythological beasts of legend and lore — including mermaids, minotaurs, and satyrs — were in fact humanity’s evolutionary ancestors. And beyond that, he wonders: what if there was a way for humanity to reach the fuller potential these ancestors implied?

The Resurrectionist offers two extraordinary books in one. The first part is a fictional biography of Dr. Spencer Black, from his childhood spent exhuming corpses through his medical training, his travels with carnivals, his cruel and crazed experiments, and, finally, his mysterious disappearance. The second part is Black’s magnum opus: The Codex Extinct Animalia, a Gray’s Anatomy for mythological beasts, all rendered in meticulously detailed anatomical illustrations.

About the Author:

Eric was raised in Colorado but lived in several states throughout the U.S. while growing up. He worked as a snow and ice sculptor for nearly ten years, always writing and painting. His love for the arts led him all over the country and eventually to Pietrasanta, Italy where he worked as a marble sculptor. While in Italy, working on anatomy designs of impossible beings, he created the beginnings of what has become The Resurrectionist. Now living in New Jersey with his wife and two children, Eric continues to work as a professional artist.

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Посмотреть ролик о книге The Resurrectionist: The Lost Work and Writings of Dr. Spencer Black: The Lost Work of Dr. Spencer Black