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An updated and expanded edition, covering the past five years of the Met Costume Institute’s exhibitions and galas through the lens of Vogue

The Metropolitan Museum of Art Costume Institute’s annual fashion exhibition is the most prestigious of its kind, featuring subjects that both reflect the zeitgeist and contribute to its creation. Each exhibition — from 2005’s Chanel to 2011’s Alexander McQueen: Savage Beauty and 2012’s Schiaparelli and Prada: Impossible Conversations — creates a provocative and engaging narrative drawing hundreds of thousands of visitors. This updated edition includes material from 2015’s China: Through the Looking Glass, 2018’s Heavenly Bodies: Fashion and the Catholic Imagination (the most visited exhibition in the museum’s history), and 2019’s Camp: Notes on Fashion. The show’s opening-night gala, produced in collaboration with Vogue magazine, is regularly referred to as the party of the year, and draws a glamorous A-list crowd, drawing an unrivaled mix of Hollywood fashion. This updated edition of Vogue and the Metropolitan Museum of Art Costume Institute once again invites you into the stunning spectacle that comes when fashion and art meet at The Met.

About the Authors:

Hamish Bowles is the international editor at large of Vogue and has worked for more than two decades at the magazine, where he has written extensively on style and contemporary culture. Chloe Malle is a freelance writer and Vogue contributing editor.

‘Any woman can wear shoes and handbags: it’s not a question of how tall you are, how skinny you are, how blonde or blue-eyed or tanned or whatever.’ 
Marc Jacobs

Carolyn Asome reveals the fashion accessory that can make any woman feel fabulous – from the myriad surrealist creations of Karl Lagerfeld at Chanel to Prada’s democratic nylon backpack, from the exclusive Hermés Birkin bag to individual vintage gems, the handbag is fashion’s most inventive accessory. 

No shock, then, that the handbag market today is worth more than a hundred billion dollars. From each season’s must-have to five-figure rarities, the handbag symbolizes the inexplicable power of fashion desire. Vogue Essentials: Handbags explores all the greatest hits in a collection that any fashion devotee will covet.

Published simultaneously with Vogue Essentials: Little Black Dress. This irresistible new series from Conran Octopus and British Vogue explores the key pieces in a stylish woman’s wardrobe and features photographs from Vogue‘s peerless archive of more than a million pictures.

‘Lingerie is what comes nearest to a woman’s heart and naturally, it gives her more real and intimate satisfaction than any other part of her wardrobe.’ – Vogue, 1918

Images of lingerie have been showcased in British Vogue since its launch in 1916. They demonstrate more than just changing fashion; they serve as a commentary on ideas of propriety, the progress of female emancipation and technological advancements as well as ever-changing ideals of the female silhouette and concepts of beauty.

Divided into categories of Action, Pretty, Curvy and Boudoir, Vogue Essentials: Lingerie explores the evolution of lingerie over the 100 years of Vogue‘s history, commenting on changing fashions, influence on popular culture, the psychology of lingerie and its role as a liberator, accompanied by more than 100 images from the British Vogue archive.

Published simultaneously with Vogue Essentials: Heels. This irresistible series from Conran Octopus and British Vogue explores the key pieces in a stylish woman’s wardrobe and features photographs from Vogue‘s peerless archive of more than a million pictures.

‘From silk slips to bondage bras and Kate Moss’ barely-there vest top – the evolution of lingerie over 100 years of Vogue’s history is revealed in a stunning new book.’ – Mail Online

‘One is never over-dressed or under-dressed with a Little Black Dress’
Karl Lagerfeld

Ninety years after Vogue dubbed Coco Chanel’s simple short black ‘Ford’ dress ‘the frock that all the world will wear’, Chloe Fox celebrates the best LBDs in Vogue Essentials: Little Black Dress. From the bold, dramatic designs of Zandra Rhodes to the eye-catching LBDs by Vivienne Westwood, from the pared-down simplicity of Calvin Klein’s shift dresses to an asymmetric shoulder evening gown by Versace, Vogue Essentials: Little Black Dress celebrates the very best of the LBD.

Published simultaneously with Vogue Essentials: Handbags. This irresistible new series from Conran Octopus and British Vogue explores the key pieces in a stylish woman’s wardrobe and features photographs from Vogue‘s peerless archive of more than a million pictures.

In Vogue: The Shoe, Harriet Quick has curated more than 300 fabulous images from a century of British Vogue, featuring remarkable styles that range from the humble clog to exquisite hand-embroidered haute couture stilettoes via fetishistic cuissardes and outrageous statement heels.

Contains some of the best fashion photography available, including shots from Vogue's peerless archive of fashion images by the likes of Hoyningen-Huene, Irving Penn, Corinne Day, Norman Parkinson, Arthur Elgort and Nick Knight.

Reissued with a luxurious real cloth cover, this is essential reading for fashionistas everywhere.

Includes a foreword written by Alexandra Shulman, former editor-in-chief of British Vogue.

'Whatever the style, shoes have a message to be heard, and nowhere is it clearer than in this collection of some of the best fashion images of their age.' - Alexandra Shulman

About the Author:

Harriet Quick is an award-winning journalist, editor and author. She is a Contributing Editor to British Vogue and previously Fashion Features Director (2000-12) and Editor of Frank magazine (1998-2000) Harriet has worked in the fashion and design arena for 20 years. She won the prestigious Vogue Writing Talent Award and the Guardian/Jackie Moore Award and now contributes to a wealth of global titles including Vogue in the UK and China, Modern Weekly, WSJ Magazine, Love, Modern Weekly, the Financial Times and Wallpaper*. Harriet is the author of Catwalking: A History of the Fashion Model (Hamlyn 1996), Richard Prince (Sadie Coles Gallery 2003) and contributed to Sample (Phaidon 2006) and London Uprising (Phaidon 2017). Harriet works as editor-at-large for Lane Crawford and copywriter for brands including Chanel, Holland & Holland, Ochre and Manhattan Loft Corporation.

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Пролистать книгу Vogue The Shoe на Google Books.

A dream book of empowering and fantastical fashion narratives — from Brothers Grimm to futuristic scenarios — told in Vogue’s inimitable style

Lavishly illustrated, Vogue: Fantasy & Fashion celebrates the magazine’s strong and deeply rooted tradition of storytelling through magical, narrative portfolios. Fashion’s greatest power is its ability to make people dream; to create new worlds. Whether falling down a rabbit hole, conquering new, digital frontiers, or exploring the limits of surrealism, the heroines who feature in photographs by great talents like Annie Leibovitz, Steven Meisel, Irving Penn, and Steven Klein are writing their own tales, defining their own destinies.

Featuring well-known images as well as unexpected gems from the archive, Vogue: Fantasy & Fashion documents fashion at its most magical and affirms its transformative power.

About the Author: 

Vogue, founded in 1892, defines the culture of fashion and always leads readers to what will happen next.

Vogue: The Editor’s Eye celebrates the pivotal role the fashion editor has played in shaping America’s sense of style since the magazine’s launch 120 years ago.

Drawing on Vogue’s exceptional archive, this book focuses on the work of eight of the magazine’s legendary fashion editors (including Polly Mellen, Babs Simpson, and Grace Coddington) who collaborated with photographers, stylists, and designers to create the images that have had an indelible impact on the fashion world and beyond.

Featuring the work of world-renowned photographers such as Richard Avedon, Irving Penn, and Annie Leibovitz and model/muses, including Marilyn Monroe, Verushka, and Linda Evangelista, The Editor’s Eye is a lavishly illustrated look at the visionary editors whose works continue to reverberate in the culture today.

The definitive collection of W’s most iconic and boundary-pushing photographic stories, published over the magazine’s fifty-year history.

Since its founding in 1972, W has worked with the world’s best photographers and writers, celebrating their most ambitious and creative work. The stories in this book offer a knowing, insider’s peek into the top echelons of the world of style over the past 50 years.

Historic and boundary-breaking stories include “One for the Ages,” by Steven Klein, in which the model Amber Valletta is seen aging over the course of a century; hallucinatory photographs by Tim Walker of Tilda Swinton bringing to life eccentric historical characters; an art project by the artist Richard Prince, in which he both comments on and appropriates celebrity imagery; exclusive shoots of pop culture icons like Dolly Parton; playful series of fabulous faux advertising campaigns shattering the sacrosanct lines between advertising and editorial by Steven Meisel; daring covers that perfectly capture the era of the supermodel including Naomi, Kate, Cindy, Linda, Christy, and Gisele; revealing portraits of the most original and creative personalities that includes fashion designers, film directors, artists, interior designers, and musicians; and 1970s party coverage in the early, halcyon days of W.

This book will appeal to those with a great appreciation for art, fashion, design, interiors, music, and culture.

About the Author:

Sara Moonves is the editor-in-chief of W.

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Пролистать книгу W Magazine: 50 Years / 50 Stories

The first publication devoted to the textile designs of one of the twentieth century’s greatest artists, showcasing a rarely discussed aspect of the Pop Art superstar’s career

Andy Warhol (1928–1987), a giant of twentieth century art, is known to most people for his iconic images of soup cans, Coke bottles, and Marilyn Monroe. Before his meteoric rise to fame in the early 1960s as a Pop Art superstar, Warhol was a highly successful commercial artist in New York.

The late Matt Wrbican, former chief archivist of the Warhol Museum in Pittsburgh, once said “there are very few stories left to tell about Warhol, but textiles is one of them”. This is the first book devoted to the commercial textile designs of this leading figure in the history of art. With stunning new photography throughout, including unpublished images of newly discovered textiles, the book sheds new light on a previously undocumented but important aspect of Warhol’s oeuvre.

Featuring over 30 different textiles, from ice cream sundaes to acrobatic clowns, Warhol: The Textiles offers a unique record of the beginnings of one of the twentieth century’s greatest artists.

About the Author:

Geoffrey Rayner and Richard Chamberlain are independent gallery owners, researchers, curators, and authors. 

With nearly two million followers on social media, the go-to street style authority  —known as “The People’s Paparazzi” — Watching New York’s first book highlights the best in NYC street fashion.

Watching New York is an A-Z visual exploration capturing the best street style New York City has to offer. Dubbed the “The People’s Paparazzi,” Johnny Cirillo has been making a name for himself with his candid shots of everyday people walking the streets of NYC— from Williamsburg to Soho — and capturing their creative, one-of-a-kind looks on his popular Instagram and TikTok accounts @watchingnewyork, where he has amassed millions of dedicated followers.

The book is a continuation of Johnny’s mission of highlighting the best, quirkiest, and most authentic looks and the incredibly creative minds behind them. A combination of Humans of New York meets The Sartorialist, Watching New York includes new and old photos and is organized by look or style from A to Z (from accessories to zebra stripes) with a heavy emphasis on interviews and quotes appearing throughout to showcase the people who make NYC the fashion capital of the world.

About the Author:

Johnny Cirillo was born in Jackson Heights, Queens, in 1980 to a father who delivered UPS packages in the Garment District of Manhattan and a very creative stay-at-home mom. During high school on Long Island, he developed a passion for photography when his mom gave him his first 35mm and shared with him some of her black-and-white work from the sixties. Film and photography became an obsession. He rolled his own film, built his own darkroom, and bugged every one of his friends to sit for him as he explored all facets of the medium.

Around the world, dandies embrace style while respecting their local cultural traditions. Dandyism transcends fashion — it is a committed way of life. An international survey of the global dandy community from the creators of I am Dandy.

From America to Africa to Asia, dandyism is a way of life. It is fashion in the best sense, self-esteem through style. And, in every country, it takes a unique form as dandies draw on the local context and fashion culture to shape their looks. We are Dandy throws open the doors of the wardrobe and explores the dandy as a global phenomenon. With texts as witty as the subjects are stylish, the book pokes between the folds to let us know these exceptional individuals. For them, their dandy fashion is more than a trend or a phase — it is who they are, the outer expression of their inner selves. Photographs and profiles paired with clever histories reveal what it takes to look your best around the world. We are Dandy unfolds with a foreword by the illustrious Dita Von Teese that conveys the authenticity of these aesthetes, their passions, and their bravely curated philosophies.

Nathaniel „Natty“ Adams has been involved with the historical and contemporary Dandy phenomenon for many years — it even informs his own wardrobe. A research grant-aided the studied journalist in travelling around the world and into the eclectic homes of various Dandies.

New York is more than the current home of filmmaker and photographer, Rose Callahan; the city is also the site and start of her involvement with the Dandy. In 2008, she created the blog The Dandy Portraits, where she documents the many facets of the modern gentleman. Shortly afterwards, she met Natty Adams and the idea for I am Dandy was born.

The first monograph on the Japanese streetwear brand Whiz Limited, this book showcases the last 20 years of the brand’s design and collaborations with streetwear’s most iconic players.  

Whiz Limited is a Japanese streetwear brand estab-lished in 2000 by Hiroaki Shitano. With a following in Japan as well as Hong Kong and mainland China, Shitano has become something of a cult figure, as one of the new generation of streetwear designers influ-enced by Hiroshi Fujiwara.

Consisting originally of handmade, printed tees, the label has since expanded to include a complete range of streetwear infused with an eccentric Japanese flair. Shitano was raised in the entertainment district of Shinjuku, and this is reflected in the clothing’s distinctly downtown urban vibe and predominantly dark color palette.

Chronicling the history of the brand, alongside some of Whiz’s most prolific projects to date, this book features beautiful, newly shot photographs of a long list of collaborations with streetwear icons, including Hiroshi Fujiwara/Fragment, Mastermind, Stüssy, A Bathing Ape®, Bristol, Bountyhunter, M&M, Kappa, New Era, Disney, Hello Kitty, G-Shock, Peanuts, Porter, The North Face, Marmot, First Down, and the estate of Keith Haring.

This book also features an impressive archive of the brand’s iconic sneaker designs, boasting collabora-tions with heavy hitters like mita sneakers, Adidas, New Balance, Asics, Puma, Reebok, Mizuno, Converse, and Ugg, making it a must-have for sneak-erheads and lovers of streetwear style alike.

About the Author:

Hiroaki Shitano is a designer based in Tokyo and the founder of Whiz.

The world’s leading authorities on fashion and design celebrate the 60th anniversary of YSL’s first runway presentation with a lexicon that includes many images from the designer’s extraordinary archives.

Yves Saint Laurent (1936–2008) is credited with reviving French haute couture in the 1960s, with making ready-to-wear reputable, and with using non-European cultural references. In addition to the kaleidoscope of images in this book, a coterie of tastemakers have supplied listings that encompass YSL’s style inspirations (C is for Costumes, as exemplified by the Russian theme of the famed autumn-winter 1976–77 collection; T is for Tuxedo, which the designer initially referenced with his 1965 “Le Smoking”) and important facets of his life (J is for Jardin Majorelle, the garden of the couturier’s paradisiacal retreat in Marrakech; R is for Rive Gauche, the bohemian, chic neighborhood of Paris where the YSL boutique is situated and also the name of the house’s famous perfume launched in 1970). This distillation and celebration of the designer’s life reveals the inner world of a twentieth-century master. 

About the Authors:

Martina Mondadori is the founder of Cabana magazine. Stephan Janson is a fashion designer.

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Пролистать книгу YSL Lexicon: An ABC of the Fashion, Life, and Inspirations of Yves Saint Laurent

‘YSL: The initials evoke allure and sophistication, and this brilliant illustrated portrait of the iconic designer has both’ Tatler

Yves Saint Laurent is a name synonymous with style, elegance and high fashion. When he came on the scene at Dior and then started his own line, he quickly changed the way people regarded haute couture and the world of fashion itself. He revolutionized women’s evening wear when he introduced Le Smoking, a woman’s tuxedo, and made couture accessible to a younger generation.

Yves Saint Laurent is Roxanne Lowit’s personal photographic history of Saint Laurent, the man and the fashion, from 1978, the year she first met him, to the last show he gave in 2002. With contributions from YSL’s muses and admirers, including Catherine Deneuve, Betty Catroux, Lucie de la Falaise, Pat Cleveland and Valerie Steele, this book represents the backstage experience at YSL’s shows as Lowit experienced them herself. Whether surrounded by beautiful models or peeking at the catwalk from the wings, every moment was a magnificent photo opportunity. Lowit shares magical moments of YSL with the world – intimate, social, absorbed in fashion – and creates a unique portrait of this towering figure of postwar couture.

Contents List:

Introduction • The Photographs, interspersed contributions from YSL’s muses and admirers.

About the Author:

Roxanne Lowit is a New York-based fashion photographer who started taking pictures in the 1970s. Her photographs have appeared in many magazines, including Vogue, Vanity Fair, Elle, V Magazine and Glamour, and she has worked on numerous advertising campaigns for, among others, Dior, Barney’s and Vivienne Westwood. Pierre Bergé was Yves Saint Laurent’s partner and co-founder of Yves Saint Laurent Couture House.

An unforgettable journey through art history with Yves Saint Laurent as a guide

From the ancient world to pop art, Yves Saint Laurent regularly took inspiration from art history as he combined colours, carved out new forms and rethought the structure of garments in order to create his own masterpieces.

Juxtaposing his creations with art works from the collections of five major Paris institutions – the Musée d’Orsay, the Louvre, the Centre Pompidou, the Musée d’Art Moderne de Paris and the Musée National Picasso – this book explores the couturier’s homages to the masters of art and his never-ending quest for new means of aesthetic expression. Androgynous silhouettes and Proustian gowns stand alongside the elegance of Impressionism; a feathered coat responds to Jackson Pollock’s drip paintings; flowing silhouettes merge with a mural by Raoul Dufy; Lucio Fontana’s neon lights make metallic fabrics sparkle; and bold appliqué motifs echo The Dance by Henri Matisse. This is an unforgettable journey through art history with Yves Saint Laurent as a guide.

About the Authors:

Mouna Mekouar is an art critic and independent curator based in Paris, France. She was associate curator of Simple Shapes at Centre Pompidou-Metz (2014) and was curator at the Palais de Tokyo, Paris, from 2012 to 2014. Stefan Janson is a fashion designer and co-curator of Yves Saint Laurent at the Museums. Madison Cox is director of the Saint Laurent Museums in Paris and in Marrakech, and president of the Pierre Bergé-Yves Saint Laurent Foundation.