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Vintage Fashion is the ultimate guide to the most exemplary women's clothing from the turn of the twentieth century through the end of the 1980s. Along with a detailed, authoritative text, this gorgeous book offers more than 250 outstanding full-color photographs showcasing the quality fabrics, innovative techniques, silhouettes, shapes, and exquisite workmanship that are testimony to enduring and influential styles.

Each chapter focuses on a specific decade and is a rich survey of each era, placing the evolution of women's fashion in a cultural context. The most important designers and signature looks are discussed in detail and emphasized through beautiful illustrations, photographs, and fabric swatches. Finally, each chapter ends with a Key Looks feature that offers an at-a-glance view of the important shapes, colors, and details that defined each era.

Vintage Fashion concludes with a shopping guide, which not only offers tips on where to buy vintage pieces, but also how to care for them, and glossaries on fashion terms and the century's most collectable and important designers. The definitive word on the most influential designers and looks of the twentieth century, this book is an invaluable resource for lovers of fashion and vintage clothing as well as a source of inspiration for designers and those looking to spice up their personal style.

Decade by decade, the lavishly illustrated "Vintage Handbags" recounts over 100 years of shoe history, from Elsa Schiaparelli's mesh bags for Whiting & Davis in the 1920s through the Hermes Kelly bag in the 1950s to the Fendi Baguette of the 1990s. Accompanied by archive images, fashion photography and specially commissioned photographs of period pieces, the most collectible and beautiful handbags are showcased. An invaluable reference as well as a visual delight of times past, the book explores the key designers, technical developments and cultural influences that shaped handbag design, revealing exquisite and groundbreaking work from such luminaries as Salvatore Ferragamo, Coco Chanel, Hermes, Fendi, Bonnie Cashin and Judith Leiber.

Contents:
Foreword TBC; Introduction; 1900-19: The Birth of the Bag; 1920s: Flapper Styles; 1930s: Decoration & Surrealism; 1940s: Utility Bags; 1950s: Structure & Decorum; 1960s: The Swinging Sixties; 1970s: Free Independence; 1980s: The Power Decade; 1990s to Now: Future Collectibles; Vintage Shopping Guide; Sources & Sites; Glossary of Designers; Index.

A visual journey through the fashion knitwear of the decades, "Vintage Knitwear" takes a close look at the key periods, significant styles, iconoclastic designers and cultural influences in fashion knitwear. Organized chronologically, this book enables the reader to identify the unique constructions, innovative finishes and technical developments that determine the most influential knitwear designs of the decades of the twentieth century. Individual pieces that epitomize the defining characteristic of each designer or epoch are analyzed in detail.

Contents:

Foreword TBC; Introduction; 1900-19: From Combinations to Cardigans; 1920s: Jazz and the Jumper Craze; 1930s: Art Deco and the Moderne; 1940s: Knitting for All; 1950s: Fully Fashioned; 1960s: Op, Pop and Psychedelia; 1970s: Back to Nature; 1980s: The Designer Decade and Subverting the Stitch; 1990s to Now: Future Collectibles; Vintage Shopping Guide; Sources & Sites; Glossary of Designers; Index.

From 1920s French knickers to 1950s pin-up brassieres, these fabulous vintage pieces chart the progression of lingerie over the last 120 years. The book covers a range of fascinating garments, including 1890s corsets, 1940s garter belts and basques, 1950s New Look girdles, brassieres, knickers and much more.

The book includes 30 fully annotated working patterns alongside drawings, photographs and practical advice on any feature or alteration necessary for making up the garments.

For any costume designer working on stage or screen, the historically accurate patterns are an essential for capturing the classic shapes of any period. Fashion students and historians will find the period details and historical background of each garment an invaluable resource. Whether you need to construct a historically accurate period garment or simply wish to channel your inner 1950s starlet, this is the book for you.

Classic workwear, sports and military clothing

Curated by connoisseurs of vintage clothing, The Vintage Showroom is a vast collection of rare 20th-century pieces that fashion designers and stylists pay to view, using the cut and detailing of individual garments as inspiration for their own work. Offering one-of-a-kind access, Vintage Menswear now makes this unique resource available in book form.

Featuring 130 of the most influential examples of 20th-century and earlier European, American and Asian utilitarian tailoring and design, the book is divided into three sections of sportswear, militaria and workwear, covering everything from 1940s flying jackets and polar exploration suits to vintage French denims. Stunning full-page bleeds and front and back views showcase ground-breaking designs in concept, shape and cut.

Providing over 300 lavishly illustrated pages of rare, must-see designs, Vintage Menswear is the essential choice of 20th-century vintage tailoring and detailing and an inspirational resource for students and menswear fashion designers and stylists.

Featuring over 25 swimming costumes, two-piece garments and bikinis from 1880 to 1970, these fabulous and historically accurate patterns chart the progression of swimwear over the last 130 years, including garments for women, men and children.

The fully annotated patterns are accompanied by photographs and practical advice on any techniques or alterations necessary for making up the garments. The book also features two projects with step-by-step instructions.

Fashion students and historians will find the period details and historical background of each garment an invaluable resource, while the patterns are perfect for any costume designer working for stage or screen.
Over 25 stunning and historically accurate patterns for retro swimwear, from 1880 to 1970.

The power of the classic tee. With the addition of just a few letters or an image the simple T-shirt can become a personal billboard

What started as the standard issue undershirt of the U.S. military, by the mid-1970s had evolved into a means of self-expression and individualism. Musical taste, political slant, favorite TV show or movie, vacation destination and brand preference — it's all on a tee.

From DIY to the mass market, the printed T-shirts has been embraced by fashion designers and artists, street culture and brand-building corporations. Yet its basic form and function are unchanged. This quintessentially American item — best teamed with a pair of blue jeans — remains the simplest and most direct way of broadcasting our ideals and allegiances, sense of humor and cultural passions.

Selected from the collection of Patrick and Marc Guetta, owners of World of Vintage T-Shirts on Melrose Avenue in Los Angeles, this book assembles over 650 stone-cold classics of the genre. Drawn primarily from the golden era of the 1970s and 1980s, these vintage T-shirts are not merely nostalgic artifacts; they represent an historical record of political, popular and corporate thought in America. Vintage T-Shirts documents the most striking variations on this infinitely versatile garment. With an introduction on the history of the T-shirt in American popular culture by Alison A. Nieder, Vintage T-Shirts is an essential work of reference for anyone interested in pop culture, fashion, or graphic design.

Authors:
Patrick & Marc Guetta's World of Vintage T-Shirts store on Melrose Avenue has been Hollywood's top source of vintage Ts for over a decade, catering to celebrities, tourists and Los Angeles' fashion obsessed. Patrick Guetta, worked with major movie studios in creating licensed apparel company Too Cute!, is now working on launching his own characters called Junglenuts.

Alison A. Nieder has worked in fashion since 1985, in retail, apparel production, and as a fashion business journalist. She is executive editor of California Apparel News, a fashion trade publication covering the West Coast apparel and textile industries.

The Sneaker as (Hyper)Object. Nike and Virgil Abloh reinvigorate 10 icons of sneaker history

In 2016, sportswear manufacturer Nike and fashion designer Virgil Abloh joined forces to create a sneaker collection celebrating 10 of the Oregon-based company’s most iconic shoes. With their project The Ten — which reimagines icons like Air Jordan 1, Air Max 90, Air Force 1, and Air Presto, among others — they reinvigorated sneaker culture.

Virgil Abloh’s new designs offer deep insights into engineering ingenuity and burst with cultural cachet. Drawing on the genius of the original shoe using lettering, ironic labels, collage, and sculpting techniques, Abloh plays with language and sculptural elements to construct new meaning. Inspired by the wit of Dadaism, architectural theory, and avant-garde happenings, he analyzes what makes each shoe iconic and deconstructs it into an artistic assemblage, making each shoe into a piece of industrial design, a readymade sculpture, and a wearable all at once.

Icons traces Abloh’s investigative, creative process through documentation of the prototypes, original text messages from Abloh to Nike designers, and treasures from the Nike archives. We find Swooshes sliced away from Air Jordans and reapplied with tape or thread, Abloh’s typical text fragments in quotation marks on Air Force 1, and All Stars cut into pieces. We take a look behind the scenes and witness Abloh’s DIY approach, which gives each model in the Off-White^TM c/o Nike collection its own unique touch.

The book documents Abloh’s cooperative way of working and reaffirms the power of print. For its design Nike and Abloh partnered with the acclaimed London-based design studio Zak Group. Together they conceived a two-part compendium, equal parts catalog and conceptual toolbox. The first part of the book presents a visual culture of sneakers while a lexicon in the second part defines the key people, places, objects, ideas, materials, and scenes from which the project grew. Texts by Nike’s Nicholas Schonberger, writer Troy Patterson, curator and historian Glenn Adamson, and Virgil Abloh himself frame the collaborative work within fashion and design history. A foreword by Hiroshi Fujiwara places the project within the historical continuum of Nike collaborators.

The author:

Born in Rockford, Illinois, Virgil Abloh is a multi-hyphenate creative that often rejects classification on creativity. He operates in the realms of Art, Design, and Culture in conjunction with advocacy, mentoring, and philanthropy in the spaces he occupies. After earning a degree in Civil Engineering from the University of Wisconsin-Madison, he completed a master’s degree in Architecture at the Illinois Institute of Technology (IIT), Chicago. At IIT, while studying a Bauhaus design curriculum devised by Mies van der Rohe, Abloh began to craft the principles of his broader art practice. The Museum of Contemporary Art Chicago presented a major traveling survey of Abloh’s work in summer 2019 — one of the highest attended exhibitions in the museum’s history. Currently, Abloh is the Chief Creative Director and founder of Off-White™️ and Men’s Artistic Director at Louis Vuitton, amongst other endeavors.

Showcasing twenty-five years of iconic art, fashion, and design content from renowned New York–based publication Visionaire.

A publishing experiment that began in 1991, Visionaire has taken the shape of everything from a leather-bound portfolio to 12-inch vinyl records to a collection of dolls. With intimate reflections by contributors, a prized collection of nearly 450 images selected from sixty-five issues produced by an astounding cast of artists, photographers, and designers, this book delivers a rich panorama of two decades of media and fashion revolution from the perspective of independent publishing. Original commentary by cofounders Cecilia Dean and James Kaliardos provides unprecedented access to a pivotal New York scene and the creative life behind Visionaire as it shaped the fashion zeitgeist, propelling emerging voices and exceptional content while challenging the limits of print media. This volume is an essential piece of contemporary fashion and media history that traces the shape of things to come. 

Visionaire contributors include photographers Bruce Weber, Inez & Vinoodh, Mario Sorrenti, Mert and Marcus, Steven Klein, and Steven Meisel; artists Alex Katz, John Baldessari, KAWS, Marina Abramovic, and Yoko Ono; designers Karl Lagerfeld, Rei Kawakubo, and Riccardo Tisci; pop icons Bjork, David Bowie, Kate Moss, Lady Gaga, and Miley Cyrus; and many more. Art and fashion connoisseurs and anyone interested in media, design, and culture will find this landmark volume indispensable.

About the Authors:

Cecilia Dean and James Kaliardos are the co-founders of Visionaire and VisionaireFILM. Pierre Alexandre de Looz is an architect and writer.

Vivienne Westwood is a global icon whose career has successfully spanned three decades from the early days of punk to the establishment of her own fashion house. Published to accompany the hugely popular Vivienne Westwood exhibition at the V&A, this book is the first in-depth Vivienne Westwood retrospective. It studies her work as a groundbreaking fashion designer and celebrates her visual impact and iconic profile worldwide.

 Punk chic. The designer who shook up British fashion

Delving deep into the archives of the magazine, i-D offers a unique insight into the world of iconic fashion designer Vivienne Westwood. This book revisits interviews and features from the early punk beginnings of her career in the 1980s to today, documenting her instigation of the crinoline craze, her thoughts on how fashion can make a difference, and her journey to becoming one of Britain’s most original and influential designers. Vivienne’s appeal continues to gain momentum with the years, and today she is as much loved by new fashion fans discovering her for the first time as those who have followed her career since the start.

Packed into 120 pages is biographical and personal information as well as imagery from over 30 years of i-D’s history with images from photographers including Juergen Teller, Nick Knight, and Chen Man plus interviews with Caroline Baker, Caryn Franklin, Ben Reardon, and Terry Jones.

The editor:
Founder and Creative Director of i-D magazine, Terry Jones started his fashion career in the 1970s as art director of Vanity Fair and Vogue UK. Since 1977 his Instant Design studio has produced catalogues, campaigns, exhibitions and books, including TASCHEN's Smile i-D, Fashion Now 1, Fashion Now 2 and Soul i-D. 

Vivienne Westwood is one of the icons of our age. Fashion designer, activist, co-creator of punk, global brand and grandmother; a true living legend. Her career has successfully spanned five decades and her work has influenced millions of people across the world.

For the first and only time, Vivienne Westwood has written a personal memoir, collaborating with award-winning biographer Ian Kelly, to describe the events, people and ideas that have shaped her extraordinary life. Told in all its glamour and glory, and with her unique voice, unexpected perspective and passionate honesty, this is her story.

In more than 2,000 issues, British Vogue magazine has acted as a cultural barometer, putting fashion in the context of the larger world in which we live – how we dress, how we entertain, what we eat, listen to, watch, who leads us, excites us and inspires us. The century’s most talented photographers, illustrators and artists have contributed to it. In Lee Miller it had, unexpectedly, its own war photographer; in Norman Parkinson, Cecil Beaton, David Bailey, Snowdon and Mario Testino the greatest portrait and fashion photographers of their generation; and in Beaton and Irving Penn two giants of twentieth-century photography.

From 1892, American Vogue chronicled the life of beautiful people – their clothes, parties, houses and habits – and the magazine was exported for intrigued British readers. In 1916, when the First World War made transatlantic shipments impossible, its proprietor, Condé Nast, authorised a British edition. It was an immediate success, and over the following ten decades of uninterrupted publication continued to mirror its times – the austerity and optimism that followed two world wars, the ‘Swinging London’ scene of the sixties, the radical seventies, the image-conscious eighties – and in its second century remains at the cutting edge of photography and design.

Decade by decade, Vogue 100: A Century of Style celebrates the greatest moments in fashion, beauty and portrait photography. Illustrated throughout with well-known images, as well as the less familiar and recently rediscovered, the book focuses on the faces that shaped the cultural landscape: from Matisse to Bacon, Freud and Hirst, from Dietrich to Paltrow, from Fred Astaire to David Beckham, from Lady Diana Cooper to Lady Diana Spencer. It features the fashion designers who defined the century – Dior, Galliano, Balenciaga, Saint Laurent, McQueen – and explores more broadly the changing form of the twentieth-century woman.

In more than 2,000 issues, British Vogue magazine has acted as a cultural barometer, putting fashion in the context of the larger world in which we live – how we dress, how we entertain, what we eat, listen to, watch, who leads us, excites us and inspires us.

The century’s most talented photographers, illustrators and artists have contributed to it. In Lee Miller it had, unexpectedly, its own war photographer; in Norman Parkinson, Cecil Beaton, David Bailey, Snowdon and Mario Testino the greatest portrait and fashion photographers of their generation; and in Beaton and Irving Penn two giants of twentieth-century photography.

From 1892, American Vogue chronicled the life of beautiful people – their clothes, parties, houses and habits – and the magazine was exported for intrigued British readers. In 1916, when the First World War made transatlantic shipments impossible, its proprietor, Condé Nast, authorised a British edition. It was an immediate success, and over the following ten decades of uninterrupted publication continued to mirror its times – the austerity and optimism that followed two world wars, the ‘Swinging London’ scene of the sixties, the radical seventies, the image-conscious eighties – and in its second century remains at the cutting edge of photography and design.

Decade by decade, Vogue 100: A Century of Style celebrates the greatest moments in fashion, beauty and portrait photography. Illustrated throughout with well - known images, as well as the less familiar and recently rediscovered, the book focuses on the faces that shaped the cultural landscape: from Matisse to Bacon, Freud and Hirst, from Dietrich to Paltrow, from Fred Astaire to David Beckham, from Lady Diana Cooper to Lady Diana Spencer.
It features the fashion designers who defined the century – Dior, Galliano, Balenciaga, Saint Laurent, McQueen – and explores more broadly the changing form of the twentieth-century woman.

British Vogue is turning one hundred. The glossy magazine has always reflected styles ― and well beyond the area of fashion.

On the occasion of its centennial, this luxury volume provides a fascinating survey of a century of British cultural history with the help of spectacular images. The ranks of photographers who have lent this glamorous kaleidoscope its unique character since the first issue in September 1916 include David Bailey, Cecil Beaton, Lee Miller, Irving Penn, Lord Snowdon, and Mario Testino.

The book focuses on faces that have become icons: artists such as Francis Bacon, Lucian Freud, Damien Hirst, and Henri Matisse; stars ranging from Rudolph Valentino and Marlene Dietrich to Gwyneth Paltrow and David Beckham; and prominent women such as Lady Diana Cooper or Lady Diana Spencer. The volume naturally also features the fashion designers who defined the century ― Coco Chanel, Alexander McQueen, and Yves Saint Laurent among them ― and reflects the ever-changing female silhouette.

Exhibition: National Portrait Gallery, London 11.2.–22.5.2016 | Manchester Art Gallery 24.6.–30.10.2016