Книги по шитью и вышивке

This book faces the topic of patterns formally in an exhaustive presentation of all kinds of skirts and trousers. The book, divided into 8 clear chapters, starts with an in-depth study on measuring and body-shaping and then on fabric technology and sartorial terminology. It describes a wide range of skirts and trousers, both for women and men, from basic to elaborated ones. This title is addressed to fashion students and professionals.

Fashion Patternmaking Techniques is presented in a very clear thematic structure offering an extensive overview of the subject and it is very good illustration guidance making it a handy tool. In comparison with other titles in the market, this one covers patterns both for men and women.

About the Authors:

Antonio Donnanno began his career in his family's tailoring shop. After majoring in history and philosophy, he focused on teaching costume history and patternmaking techniques. In 1982, he founded the prestigious Euromode School Italia in Bergamo, which soon expanded abroad. He has written dozens of books on fashion and has his own consulting firm, which focuses on patternmaking and business.

Elisabetta Kuky Drudi has planned and organised fashion shows and collections on an international level. She is also author of several bestsellers. Currently she designs for various international fashion houses.

Although there are several books on felt, this is the first one that concentrates on felt fashions - in the broadest sense - with felt techniques and patterns for construction.

From simple corsages through hats and scarves to jackets and full-length coats, this is an essential book for those already working in felt or fashion who want to make more of felted textiles. The author takes you through the techniques of feltmaking but goes on to show you how to embellish and colour the felt - including using velvets and silks and ruching methods - and then construct garments and accessories from it.

The book covers: how to make basic felt; embellishing felt; corsages; earrings and other jewellery; scarves; nuno felt techniques; hat-making; felt sleeveless top; felt skirt; felt jacket, including nuno felt jacket; and, felt coat.

With clear instructions, construction patterns and stunning images of felted fashions from a range of felters, this is a great book on a subject growing in popularity (word count: 25,000). It features a range of techniques and patterns for making felted fashion items. It also covers things from felt corsages, scarves and hats to felt jackets and coats. It also features strong use of colour and embellishment - silks and velvet - in the felt.

As makers, we tend to learn different stitches over time without thinking much about how they relate to one another. But when Natalie Chanin and her Alabama Chanin and The School of Making teams began to look at needlework closely, they realized all stitches are based on geometric grid systems ― and by using grids as guides, they could make learning stitches, even seemingly elaborate ones, as easy as child’s play.

In The Geometry of Hand-Sewing Chanin presents their breakthrough method, featuring illustrated instructions (for both right- and left-handed stitchers) for more than 100 stitches ― from the most basic straight and chain to the more fanciful feather and herringbone; photos of both right and wrong sides; and guidelines for modifying stitches to increase one’s repertoire further. To simplify learning, the book also includes two plastic stitching cards die-cut with the grids on which every stitch in the book is based. These reusable cards can be stitched through for practicing (just as children use lacing cards to learn to tie shoes) or used as stencils for transferring grids to fabric.

About the Author:

Natalie Chanin is the founder and creative director of Alabama Chanin and author of Alabama Stitch Book, Alabama Studio Style, Alabama Studio Sewing + Design, and Alabama Studio Sewing Patterns.

Brighten your life with a splash of hand-made style by turning everyday items into something beautiful with these 40 inspiring projects for the home.

Be inspired by master maker, Willow Crossley who will show you how to bring a touch of hand-made magic to your home by transforming everyday items into something beautiful with over 40 inspiring projects.

Make floral napkin rings, seasonal wreaths, Christmas baubles and vintage-fabric bunting to decorate your home. Learn how to create pictures from buttons and redesign your own pinboard with fabulous ribbons. Turn grain sacks into cushions and pillows, block print napkins and heart-shaped lavender bags, or make fabric-twisted bracelets, silk-trimmed straw hats and simple linen aprons. Fashion your own fabric-covered books, make bath salts infused with lavender and decorate coat hangers with fabric scraps.

Everything is simple to make, and you won't need any expert sewing or crafting skills, just a little patience and the desire to work some magic.

Known as the gardener of fashion, Ken Scott designed large-scale flowers that blossomed on fabrics and whole outfits and have recently been rediscovered in Gucci’s Epilogue collection.

The American fashion designer Ken Scott was a masterful creator of fabrics, mapping out flowers with romanticism and multiplying them as he transformed them into something that stood out and reflected his eclectic personality.

Born in Fort Wayne, Indiana, Scott moved to Milan in the 1950s, where he pioneered many colorful patterned fabrics and collections and founded the Falconetto brand. Known for bright floral patterns with peonies, roses, poppies, sunflowers, petunias, and asters, Scott followed a maximalist design philosophy when it came to his vibrant line. In the 1960s, he is said to have been one of the first designers to showcase calf-length skirts in his collection, while in 1970s he rose to fame because of his floral-printed suits for both men and women and unisex catwalks.

They called him “the fashion gardener,” but he was so many things: a gifted painter, an experimental restaurateur, an ingenious textile artist, and one of the most brilliant design savants of the twentieth century.

Edited together with the Ken Scott Foundation, including an interview with Alessandro Michele, this book provides an in-depth exploration of his archives and thoroughly reflects his imagination for everything from loungewear and luggage to silk scarves and swimsuits, all joyfully splashed with his colors, sunflowers, poppies, petunias, and peonies.

About the Author:

Shahidha Bari is professor of fashion cultures and histories at London College of Fashion. Federico Chiara is a journalist and Culture Editor at Vogue Italia. Pierre Léonforte is a journalist based in Paris and Milan, regular contributor to Vanity Fair France and Marie Claire Maison. Renata Molho is a journalist, essayist and former fashion critic for the newspaper Il Sole 24 Ore. Isa Tutino is a journalist and essayist who directed Casa Vogue and contributes to publications such as L’Espresso and Corriere della Sera. Photographs by Guido Taroni.

A lavish survey of the Khalili Collection’s world-renowned holdings of traditional Japanese kimono, from the Edo period to the 20th century.

The Khalili Collection of kimonos comprises over 200 garments spanning 300 years of Japanese textile artistry. The form of the T-shaped, straight-seamed, front-wrapping kimono has changed very little over the centuries, yet the collection reveals an astonishing variety of designs. The garments presented here convey the remarkable creativity of designers who produced works of art that would enfold the wearer. The enormous range of patterns were executed in a complex combination of techniques, with some garments requiring the expert skills of a number of different artisans.

The Khalili Collection includes formal, semi-formal and informal kimono, underkimono and jackets, worn by women, men and children. Represented are the sophisticated garments of the samurai elite and the affluent merchant classes of the Edo period (1603– 1868), the shifting styles and new colour palette of Meiji-period dress (1868–1912) and particularly the bold and dazzling kimono of the Taisho- (1912–26) and early Sho-wa (1926–89) eras, which utilized innovative techniques and drew fresh inspiration from both past traditions and the modern world.

Here, an international team of authors examine the art and evolution of the kimono in the historical context of the 17th to the 20th centuries, under the editorship of Anna Jackson, Keeper of the Asian Department at the Victoria and Albert Museum, London.

Contents List:

Introduction • I. Edo (1603–1868) • II. Meiji (1868–1912) • III. Taisho/Showa (1912–1989)

About the Author:

Anna Jackson is Keeper of the Asian department at the Victoria and Albert Museum, and Honorary Curator of the Khalili Collection.

The official 70th-anniversary publication by Marimekko, celebrating the classic design collaborations, pattern designs and vibrant textiles from the much-loved Finnish lifestyle design house

In 1951, Marimekko, Finnish for ‘Mary’s Dress’, held its first fashion show at a hotel in Helsinki. By 1960, Jacqueline Kennedy was wearing Marimekko on the cover of Sports Illustrated. Marimekko: The Art of Printmaking celebrates seventy years of the much-loved Finnish brand's joyful, liberatory approach to dressing and living, featuring over 100 of its most iconic prints, a multitude of colour-ways and a wealth of archival and brand-new imagery.

Delving into the bold, creative world of Marimekko, this is essential reading for any lover of print and pattern.

About the Authors:

Marimekko is a Finnish lifestyle and design house, celebrated worldwide for its lively, original prints and products.

Laird Borelli-Persson is Archive Editor at Vogue.com and author of seven books, including Fashion Illustration Now and Fashion Illustration Next, both published by Thames & Hudson.

At its very essence, textile art is about mark-making. As an artist would use a pencil, an embroiderer or quilter can use stitch to make marks on fabric – a fundamental creative act. The making of marks often starts and underpins the entire design process, and a textile artwork is usually made up of repeated stitched marks.

This fascinating book shows how marks can be used in textile work, both simple and complex, and explores the crossover between stitch and drawing. Author Helen Parrott is well known for her strongly graphic textile art, which uses marks to stunning visual effect.

The book is divided into the types of marks that can be made on fabric, varying in complexity, arrangement and ‘feel’ – single, grouped, massed, regular, irregular, calligraphic, permanent, transient, and so on. It covers both hand and machine stitch, which make very different types of mark and between them offer limitless potential for mark-making, used both separately and together. It aims to help you take inspiration from the world around you to create marks, develop your own mark-making skills and strengthen your personal creative voice, and is an essential book for any textile artist.

If you want to sew your own clothes but are put off by the idea of cutting out pattern pieces covered with dotted lines and symbols, this is the book for you. Using Rosie Martin’s innovative method, you begin with nothing but a rectangle, circle or triangle of fabric and some basic body measurements.

Next, follow the detailed step-by-step photographs and diagrams to complete your garment. You’ll need a sewing machine, but no special equipment or expensive fabrics. With plenty of variations suggested, you can play with the designs to make garments exactly the way you want them.

About the Author:

Rosie Martin is the director of creative fashion label DIY Couture, which showcases her signature method of explaining sewing with colourful, visual instructions. Rosie also runs clothes-making workshops in London. She has also styled and made costumes for music videos on both sides of the Atlantic and is the author of DIY Couture: Create Your Own Fashion Collection.

Pattern Cutting for Menswear is a comprehensive guide to cutting patterns, from basic skills to advanced techniques. With over twenty complete patterns, including new jacket and trouser styles, this revised edition features all the elements that made the first edition so successful, as well as additional sections on the leg stride relationship in the development of certain trouser styles, fabric properties and their effect on cut and drape, fitting techniques for structured jackets, and the latest information on pattern CAD-based technologies. The step-by-step approach, complete with scaled diagrams and technical flats, fashion illustrations and photographs of toiles, enables the reader to cut patterns with confidence.

About the Author:

Gareth Kershaw is Associate Lecturer at the School of Fashion and Textiles at RMIT University, Melbourne. Previously he was a Senior Lecturer within the Department of Apparel, Manchester Metropolitan University, and he has given classes and workshops on menswear design internationally. 

This innovative and breathtakingly detailed book from the V&A's fashion collections presents dress patterns, construction details, embroidery and making instructions for fifteen garments and accessories from a seventeenth-century woman's wardrobe. Book One in this exciting new series includes waistcoats and bodices, a mantle, gloves and a hat. Full step-by-step drawings of the construction sequence are given for each garment to enable the reader to accurately reconstruct them. There are scale patterns of each garment and scale diagrams for making linen and metal thread laces, silk braids and embroidery designs. Multiple photographs of the objects, close-up construction details and the groundbreaking use of x-ray photography reveal the hidden elements of the clothes, the precise number of layers and the stitches used inside. This new series will be essential reading for art historians, stage designers, museum curators, teachers of fashion and costume.

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Посмотреть книгу Seventeenth-Century Women's Dress Patterns: Book Two

Book Two in the V&A's groundbreaking series presents 17 patterns for garments and accessories from a seventeenth-century woman's wardrobe. It includes patterns for a loose gown, a jacket, a pair of stays and a boned bodice, ivory and wooden busks, shoes, a hat, a stomacher, linen bands and supporters, a bag and a knife case. It also features a description of the stay-making process. Full step-by-step drawings of the construction sequence are given for each garment to enable the reader to accurately reconstruct them. There are scale patterns and diagrams for making linen and metal thread laces and embroidery designs. Multiple photographs of the objects, close-up construction details and X-ray photography reveal the hidden elements of the clothes, the precise number of layers and the stitches used inside.

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Посмотреть книгу Seventeenth-Century Women's Dress Patterns: Book One

An essential book for any textile artist looking to expand their repertoire into two- and three-dimensional work. Leading textile artist, teacher and examiner Jean Draper takes you through the entire process from designing through construction to embellishment with mixed media.

This beautiful but very practical book includes diagrams, detailed drawings and stitch information to guide the reader through the techniques, which include hand and machine embroidery. It covers Design, including recording information for translation into stitch (with lots of drawing tips); Choice of Threads, including some unusual threads and costumizing them; Constructing with Thread, everything from knotted forms, with decorative threads, grids and stacks, and coiled structures; Stitches in Thin Air, constructing with stitch alone using moulds and soluble fabric; Using Mixed Media in Stitched Structures, such as paper, sticks, wire and plastics; Adding Structure to an Existing Fabric; Three- Dimensional Fabric Structures.

Working in two and three-dimensions is a growing genre of textile art and this incorporates a fresh approach and great design advice.

A lavish look at the art of Taroni’s silk and fashion textiles, which have been found in the haute couture fashions of the world’s leading designers, from Dior to Schiaparelli.

This book was created with eight different colored covers with silk finishing. Customers will be shipped any of the eight different colors at random.

A book about fashion, this volume tells the story of the elegant luxury fabrics of Taroni, who since 1880 have produced fabrics of the highest quality, combining craftsmanship, technology, creativity, and experimentation along the way. A detailed account of the company’s history is accompanied by lush images as well as interviews and texts from leading creative figures such as Gianfranco Ferré, Roberto Capucci, Alber Elbaz, and other top fashion designers who have worked with Taroni. A virtuous example of Made in Italy where the synergy between technical research and creative work leads to excellent results exported all over the world.

About the Author:

Margherita Rosina is an expert on both early and contemporary textiles, with a focus on the 1900s and the growing fashion industry; she has held the post of director of Museo Studio del Tessuto della Fondazione Antonio Ratti, Cernobbio. Enrica Morini teaches Contemporary Fashion at the IULM University (Milan). She has curated exhibitions for and collaborated with the Fondazione Gianfranco Ferré and Fondazione Ratti.

Technical Drawing for Fashion explains how to create a technical fashion drawing using a simple and straightforward step-by-step method. This second edition includes more information on rendering drawings by hand and using a computer, and a brand new section on knitwear.

The main part of the book presents over 600 technical drawings of garment types, styles and construction details, the basic key shapes of which are shown alongside a specially created and photographed calico toile. This unique presentation illustrates the relationship between the three-dimensional garment and the two-dimensional drawing, allowing readers to really understand how to render technical drawings

About the Author:

Basia Szkutnicka is a successful freelance writer, design consultant, educator and creative, specializing in womenswear, footwear, forecasting, colour, range planning and technical drawing. She has lectured all over the world on design process, was a course director at the London College of Fashion for 15 years, and is now head of the MA in Fashion at Hong Kong University.

Contents:

Technical Drawing for Fashion, second edition – Table of Contents

Downloads & extras:

Technical Drawing for Fashion Test

Technical Drawing for Fashion Answer Key

Technical Drawing for Fashion Exercises

Technical Drawing for Fashion Web Resources

Technical Drawing for Fashion Template Intros

Figure Templates 1

Figure Templates 2 – Teen and Plus Size

Sleeves Template