Книги о дизайне полиграфии

A complete and thorough overview of different production and finishing techniques and how to make the most of them.

Printing Design for Graphic Designers is a reference book that showcases design projects from all over the world and focuses on the processes that were used to print them. The book opens with a thorough introduction of printing history, from the primitive seal rolls used in Mesopotamia more than 5,000 years ago to today's digital technology.

The projects are structured according to their printing specifications, which include cutting and folding, printing and varnishing, UV ink, thermography printing, thermochromic ink, screen printing, abrasive ink, solid colour-gold/silver ink, embossing and debossing and foil stamping. In recent years, with the help of new software tools, designers have incorporated printing finishes into their work. The result is incredibly sophisticated and daring effects applied to a wide variety of items, from business cards to record sleeves, books, posters and art. Printing Design for Graphic Designers is a wonderful journey into distinctive design and surprising creativity and will serve as a remarkable source of inspiration for graphic design and printing sector professionals.

About the Author:

Design 360° is one of the major Asian design magazines. It is dedicated to introducing international advanced design concepts, original works, outstanding designers and prestigious design institutes. It covers graphic, industrial, fashion, illustration and digital, design, among many other related topics. It is an informative source for students in art and design academies, professional designers, and design lovers who take great interest in international design trend. It has built up a bridge between the design industry in China and that of the rest of the world.

Printmaking is a practical and comprehensive guide to printmaking techniques with clear step-by-step illustrations. This fully updated second edition contains new images throughout, including improved process shots and examples of the latest work from contemporary printmakers.

There are expanded chapters on digital and mixed media processes, as well as a brand new ‘Print & Make’ chapter, which explores the opportunities for creative expression within the many processes available to print makers. For example, this edition includes a new, detailed section on Japanese moku hanga woodblock printing while the more traditional techniques of relief, intaglio, collograph, lithography, screen printing and monoprint have also been refreshed.

The addition of new images showing a broader range of subject matter, include more contemporary prints and international artists. Each technique is explored from the development of the printing or digital matrix, through the different stages of creation to image output. Guidance on how to set up a print studio, sections on troubleshooting techniques and the inclusion of up-to-date lists of suppliers, workshops and galleries make this an essential volume for beginner and experienced printmakers alike.

Special attention is given to safe practices, addressing the important concern for health and safety.  Step-by-step illustrations provide an enhanced visual reference – either photographic or diagrams for clarity – and the authors have supplied more information on safer and more sustainable practices. Since nontoxic alternatives are a rapidly growing and ever-evolving landscape, Printmaking 2^nd Edition presents products and practices that are accessible worldwide.

About the Authors:

Bill Fick is Visiting Assistant Professor in the Art Department at Duke University and the director of Supergraphic, a printmaking studio in Durham, North Carolina. He is also an internationally known printmaker.

Beth Grabowski is a print artist and the Zachary Taylor Smith Distinguished Term Professor of Art at the University of North Carolina at Chapel Hill in the USA. She is past president of SGC International (2012–2014), the professional organization for print artists, educators and printmaking enthusiasts. Her work has been exhibited internationally.

Deftly crafted dissectable female wax models take centre-stage in this disquieting volume for fans of the macabre, the ghoulish and medical history

Beneath the original Venetian glass and rosewood case at La Specola in Florence lies Clemente Susini’s Anatomical Venus (c. 1790), a perfect object whose luxuriously bizarre existence challenges belief. It – or, better, she – was conceived as a means to teach human anatomy without the need for constant dissection, which was messy, ethically fraught and subject to quick decay. This life-sized wax woman is adorned with glass eyes and human hair and can be dismembered into dozens of parts revealing, at the final remove, a tranquil foetus curled in her womb. Sister models soon appeared throughout Europe, where they not only instructed the specialist students but also delighted the general public.

The Anatomical Venus is a celebration of these female wax models and reveals their evolution from wax effigy to fetish figure and the embodiment of the uncanny. Today, these images trouble the edges of our neat categorical divides between life and death, science and religion, body and soul, effigy and ecstasy, spectacle and education, kitsch and fine art. Skilfully written by a curator of the macabre, the beautiful and the spiritual, this is a meticulously illustrated survey of these anatomical odalisques and the cultural and artistic intersection they inhabit.

A beautiful visual history book of fantasy art from Romanticism and steampunk to modern illustrations from novels.

Art has always been one of the most vivid ways to express people's imagination. Fantasy art illustrates the full range of human fears and dreams, from mythology, the Bible, and the artist's own original and exciting stories.

This book describes the history of fantasy art from Romanticism in the 18th century to the modern era by exploring the masterpieces of fantasy artists; William Blake, John Martin, Albert Robida, Jules Gabriel Verne, H.G. Welles and more. It also shows illustrations from science fiction and fantasy novels such as Mary Shelley's Frankenstein, poems and stories by Edgar Allan Poe, mystery novels by Agatha Christie, and more contemporary fantasy novelists such as J.R.R. Tolkien and Michael Ende.

This book illustrates the remarkable transition of fantasy art that occurred in the 19th century when steampunk was introduced to the fantasy art world. Steampunk was unique because it was a fantasy-based style that was inspired by a real event, the Industrial Revolution. Today, the influence of steampunk can be seen everywhere, from legendary films by Walt Disney and Hayao Miyazaki's Studio Ghibli. This book will surely satisfy all lovers of fantasy art and literature.

About the Author:

Hiroshi Unno was born in 1939 in Tokyo. Unno writes on art, cinema, music, urbanism, novels, flower arranging and more. Unno recent titles released by PIE International - Avant-Garde Graphics in Russia, Harry Clarke, William Morris: Master of Modern Design, The World of Mucha, A Thousand and One Nights - have gained recognition worldwide.

Packed with illustrative examples by renowned international artists and paper folders, we are introduced to different folding techniques for constructing books such as kirigami, leporello and the Turkish map fold while a wealth of practical easy-to-follow folding templates and diagrams motivate us to try them ourselves. Here you will find useful tools at the service of your imagination, as well as detailed explanations of the methods and creative processes of sixty working artists and creators from all over the world.

With more than one hundred models, many of them previously unpublished, the book is a synthesis of classic origami and kirigami folds and arrangements of folds used for creating unusual books and booklets without binding, as well as the folding and cutting techniques that made them possible.

About the Author:

Born in Paris, Charles Trebbi is an urban architect, designer, artist and writer. A Renaissance man who specializes in the infinite possibilities of folding, cutting and assembling using paper, cardboard, textiles and even wood and metal, he creates his own art books, which are often inspired often by urban spaces and architecture, and produces completely original structures with pop-up and cutting techniques.

Printing may be the most frequently used way of turning a creative idea into an actual product. In this book, we dig deep into the world of print, exploring the four major printing methods including stencil printing, planographic printing, intaglio printing and relief printing. With working mechanism of print techniques explained, printing and plate-making process revealed and interactions with printers presented, readers are given a chance to know the essence of print comprehensively. Over 90 well-selected printed works are featured in this book.

 - This book begins with a chapter entitled "A Three-Party Interview". The interweaving strands of dialogue offer readers an engaging reading experience.
 - The chapter of "Significant Moments in The History of Printing" highlights important advances in the history of printing, featuring, in chronological order, 18 printing methods.
 - The last section is divided into four chapters. Each of the four easy-to-understand chapters describes one printing method, illustrating its features and principles: how the printing plate is made, and how the printing process proceeds.
 - Over 90 well-selected printed works are featured in this book. Most printing examples include a detailed description of the printing method, substrate, and inks.

Paper：Woodgrained Paper （Cover） Wood-free Hi-smooth Bit-coated Paper （Inner sheets）
Craft：Debossing／Screen Printing

This highly sought-after volume detailing one of the most influential magazines of the twentieth century is now back in print at a newly affordable price. In 1950, Fleur Cowles established what would become one of the most important and talked about magazines ever created. Critically lauded for its sharp mix of clothes, literature, art, travel, decor, theater, and humor, Flair made publishing history with its combination of eclectic editorial content and lavish production quality. Recalled as "the first magazine that became an art form," The Best of Flair is a compilation of the magazine’s best content as chosen by the woman who created it. Along with its distinctive production values, Flair also features interviews and contributions from some of the most noted artists and celebrities of the past fifty years, including Lucian Freud, Jean Cocteau, Tallulah Bankhead, Saul Steinberg, Salvador Dalí, Simone de Beauvoir, Walker Evans, James Michener, Ogden Nash, Gypsy Rose Lee, Clare Boothe Luce, George Bernard Shaw, John O’Hara, Margaret Mead, and Tennessee Williams. Now, more than ten years after this book was first published by Rizzoli, and more than fifty years after the magazine ceased publication, this facsimile edition offers the same ingenious bookmaking of its predecessor, including multiple gatefolds with die-cuts, booklets, and accordion folder leaflets.

About the Author:

Fleur Cowles (1908–2009) was an American artist, editor, and writer best known for her pioneering and influential work at Flair. Dominick Dunne (1925–2009) was an American writer and investigative journalist best known for his contributions to Vanity Fair magazine as well as his true crime novels.

An incisive and startling international review of the evolution of dentistry from the Bronze Age to the present day, presented in a beautifully crafted book of cult appeal book

This achingly jawdropping book follows the evolution of dentistry throughout the world from the Bronze Age to the present day, presenting captivating and grim illustrations of the tools and techniques of dentistry through the ages. Organized chronologically, The Smile Stealers interleaves beautiful and gruesome technical illustrations and paintings from the Wellcome Collection’s unique archive of material from Europe, America and the Far East with seven authoritative and eloquent themed articles from medical historian Richard Barnett. A comprehensive review of the development of the trade and discipline of dentistry, it covers topics as diverse as the very first dentures (produced by the Etruscans in the seventh century bce); the smile revolution in 18th-century portraiture; and the role of dentistry in forensic science – all in one beautifully illustrated volume.

Extending the cult of the medically macabre begun by its predecessors The Sick Rose and Crucial Interventions, The Smile Stealers is guaranteed to appeal to lovers of the horrific and the beautiful alike as it probes the growth of dentistry – from pulling out bad teeth to reconstructing jaws, and from painful action to pain-free interventions and the pursuit of the perfect smile.

Uncovered is an oral history of the stories behind the most ground-breaking and controversial magazine covers ever published, as told by the people who created them. 

Compiled by industry veteran Ian Birch, Uncovered gathers together the insights of the magazine world’s most important figures, including high-profile editors, creative directors, photographers, artists and cover stars. 

Featuring compelling and shocking covers from Vogue, Life, Esquire, The New Yorker, i-D, The Face, Private Eye, Time, Rolling Stone and many more, covering issues as varied as the civil rights movement and Vietnam war to the Trump presidency and Brexit debate, this is a unique social document celebrating and chronicling the art of magazine design.

The book is a timeless art form, one that is as alive today as ever before, and artists continue to explore and explode the boundaries of what a book is and can be. In this beautiful collection, you will experience close-up various aspects of hand-crafted books: covers, bindings, scrolls, folded and origami structures and books made from found objects. You will find richly illustrated and calligraphed pages as well as books created from a variety of printed processes. Ingenuity and creativity abounds in this carefully curated collection of both historically important and modern works.

If you pick up a copy of this week's "Heat" magazine in 30 years time, think how funny it will seem. Our obsession with B list celebrities' private lives, weight loss and reality TV shows, will become ridiculous in the light of tomorrow's trends. Magazines, as ephemeral snapshots of a moment in history, can tell us much about the way society and culture work.

This collection of magazine covers draws upon archival material from the late nineteenth century to the present day, and from a broad international spectrum of publications. An emphasis on post-war culture is supplemented by a fascinating record of earlier publications, providing an insight into the popular literature and culture of the last 100 years.

Divided into themed chapters, the book will present fashion and women's magazines, such as "Vogue", "Cosmopolitan", and "Harper's Bazaar"; news publications - from the era-defining photo-journalism of "Life" and "Time", through "The Economist", to more contentious titles, such as "Paris Match"; and from music magazines from the mainstream - "Rolling Stone", the "NME" - to the underground punk publications of the 1970s, such as "Sniffing Glue" and "Oz".

Each chapter will be accompanied by an introductory text covering the history and context of each magazine type, with extended captions throughout. Individual covers are presented in terms of their importance to their historical and visual context; in addition, the book will explore the importance of titles and publishing houses, such as Conde Nast, as a whole, and their influence on culture.

Over 1,000 journal pages presented in one beautiful full-color book

Journals offer their makers a safe place to dream, doodle, rant, and reinvent themselves. They offer viewers rich, visual inspiration. There is a fascination with these revealing and often beautiful pages of self-exploration and personal expression. Journals offer a tantalizing, voyeuristic view of an interior life. Journaling has seeped into popular culture in a big way and this collection provides a wide array of ideas, techniques and themes to inspire and inform mixed media and journaling enthusiasts.

This is the first book to offer examples of over 1000 journal pages in one eye-catching, visual format. Artists can embrace and experiment with this medium and will benefit from this rich collection.

Eye-catching black-and-white ornaments and designs, selected from rare, turn-of-the-century printers' catalogs, depict a rich treasury of black-and-white subjects — from ornate frames, scrollwork, and headpieces to banners, wreaths, and a vast array of charming figurative illustrations. Splendid source of immediately usable art will delight and inspire artists, designers, and hobbyists.

The Crown Jewel of Comics. The DC universe as never seen before

In 1935, DC Comics founder Major Malcolm Wheeler-Nicholson published New Fun No. 1 — the first comic book with all-new original material — at a time when comic books were mere repositories for the castoffs of the newspaper strips. What was initially considered to be disposable media for children was well on its way to becoming the mythology of our time — the 20th century’s answer to Atlas or Zorro.

More than 40,000 comic books later, TASCHEN has produced the single most comprehensive book on DC Comics. More than 2,000 images — covers and interiors, original illustrations, photographs, film stills, and collectibles — are reproduced using the latest technology to bring the story lines, the characters, and their creators to vibrant life as they’ve never been seen before. Telling the tales behind the tomes is 38-year DC veteran Paul Levitz, whose in-depth essays trace the company’s history, from its pulp origins through to the future of digital publishing, alongside year-by-year timelines and biographies of DC legends.

The original XL edition of 75 Years of DC Comics was winner of the 2011 Eisner Comic Industry Award for Best Comics-Related Book of the Year. This new edition brings you all the same DC glory in a more compact format.

Middle Eastern literature and poetry, including Arabian Nights and Rubaiyat of Omar Khayyam, has captured the imaginations of European people with its mysterious atmosphere and tales of exotic lands. 

From the 18th to the early 20th century, various European editions of these stories were published that included imaginative illustrations by notable European illustrators such as Kai Nielsen, Edmund Dulac, and others. (mostly Japanese text, some English as supplementary) 

This book is a visual art collection of the world featured in such European illustrations and introduces the ancient Islamic manuscripts and art on which the illustrations are based. Islamic book design, ornaments, and costumes of the time are also featured, giving readers a broad sense of the Islamic culture that has so inspired European artists. 

This collection offers a unique introduction to the beauty of Islamic art and culture and is sure to become a treasured book for Islamic art lovers, too.

About the Author:

Hiroshi Unno was born in 1939 in Tokyo. Unno writes on art, cinema, music, urbanism, novels, flower arranging and more. Unno recent titles released by PIE International - Avant-Garde Graphics in Russia, The Art of Fantasy, Sci-fi and Steampunk, Harry Clarke, William Morris: Master of Modern Design, The World of Mucha - have gained recognition worldwide.