Книги по дизайну иллюстраций и постеров

A quarter of a century after its initial publication, and with more than a million copies in print worldwide, Brian Froud and Alan Lee’s Faeries is a certified fantasy classic. Now, Froud and Lee return to their most enduring and beloved work in this deluxe anniversary edition. This ultimate collector’s book features eight new pieces of art by Froud and Lee with the original pencil drawings and watercolors.

More than just a reissue, this deluxe revised and updated edition contains essays from both Froud and Lee on the continuing influence of Faeries. There is also a foreword by bestselling author Jane Yolen.

A few years ago, when Laird Borrelli’s bestselling Fashion Illustration Now was published, few commentators predicted the great renaissance in illustration that has now taken place.
Now, fuelled by the book’s publication, illustration is booming as never before.

Fashion Illustration Next focuses on the most innovative and exciting of the newly established names and a host of stars in the making, showing the highly distinctive styles of more than
40 international illustrators from 15 countries. It represents work not only from the world’s most influential fashion and style magazines, but also includes unpublished work either specially commissioned for Fashion Illustration Next or drawn from the artists’ own collections.

Complete with a self-portrait by each artist to accompany biographies and contact details, the result is one of the most irresistible and indispensable fashion publications of recent years.

This book charts contemporary illustration’s rich history: the rampant idealism of the 1960s, the bleak realism of the 1970s, the over-blown consumerism of the 1980s, the digital explosion of the 1990s, followed by the increasing diversification of illustration in the early twenty-first century.

The book explores the contexts in which the discipline has operated and looks historically, sociologically, politically and culturally at the key factors at play across each decade, whilst artworks by key illustrators bring the decade to life.

Contemporary illustration’s impact and influence on design and popular culture are investigated through introductory essays and profiles of leading practitioners, illustrated with examples of their finest work.
About the Author

Lawrence Zeegen is an illustrator, educator and writer. He has worked as an illustrator since graduating from The Royal College of Art in 1989. He is Dean of the School of Design at the London College of Communication, and he lectures and speaks at conferences around the world.

Caroline Roberts is a journalist who writes mainly about the graphic arts. She was the founder of Grafik magazine.

Contents:

Foreword Introduction: What is Illustration?
Chapter 1 The 1960s: An Era of Utopian Idealism
Chapter 2 The 1970s: A Decade of Discontent
Chapter 3 The 1980s: The Designer Decade
Chapter 4 The 1990s: The Digital Dawn
Chapter 5 The 2000s: A New Wave
Chapter 6: Where Next?
Further Reading – Books
Further Viewing – Digital
Further Info – Organisations
Contacts – Illustrators and Contributors
Index
Acknowledgements

If you are full of ideas for fashion design but not confident when it comes to drawing figures it can be difficult to present your concepts on paper. This book provides the answer with a wide range of figure templates: figures in movement, figures from a variety of angles, full-length poses, three-quarter length poses, back views and front-on poses for men, women and children. The figures may be copied or photocopied and enlarged from the book or used as a guide to develop your own poses. There are tips on improving your fashion illustration skills plus sections on anatomy, figure proportions, fashion figure proportions and suitable art materials. Figure Templates for Fashion Illustration is a useful tool, not only for fashion students but also students without an art background on multi-disciplinary courses, as well as those who simply want to improve their basic drawing skills.

The 70's gave the world "Star Wars, Grease", "The Godfather", "Mad Max", "Alien", "Taxi Driver", "Texas Chainsaw Massacure", "Halloween", "Rocky" and a very blood thirsty shark who changed human perception of sharks for decades to come named "Jaws". These films along with other greats fill this book. Roger Moore also took over from Connery as James Bond and Clint Eastwood made a heap of Westerns. Find them here as well.

The 1980s was a decade in which filmmakers pulled put all the stops to dazzle audiences and make them jump out of their seats. And just as they marked the development of the special effects technology that sparked a wave of blockbuster films, the Eighties also saw the advent of the cutting edge computer techniques used by graphic artists in the promotional posters for these unforgettable films. It was the decade when filmmakers finally had the technology to transfer their visions to the screen, challenging graphic artists and illustrators to catch up, and many of its most enduring images are represented in this volume: the glow behind the lenses of Arnold Schwarzenegger's gargoyle-framed sunglasses that characterized the monolithic menace of "The Terminator"; the sarcastically simple crossed-out cartoon ghost that enticed audiences into the theaters to see "Ghostbusters"; the silhouette of the mysterious, domino-clad stranger that haunts the unbalanced mind of "Mozart in Amadeus"; the wisp of cigarette smoke that bisects the image of Sean Young's stoic face on the poster for "Blade Runner"; and many more.

The poster art presented in this volume represents the work of a new generation of graphic artists and designers, equipped for the first time with a brand new technology, in collaboration with visionary filmmakers - from Spielberg to Kurosawa, from Cameron to Ramis, from Foreman to Attenborough - who continually managed to keep our eyes riveted to the screen.

Back in the USSR. 250 film posters capture the cultural energy of the pre-Stalin era

At the intersection of the visual, graphic, and cinematic arts, film posters are a unique and thrilling record of a particular cultural Zeitgeist. This book brings together 250 posters from the pre-Stalin Soviet Union of the 1920s and 1930s to explore the energy and invention of this period before Soviet Realism became the official art doctrine.

Drawn from the private collection of connoisseur Susan Pack, the selection includes the work of 27 different artists. From bold figuration to architectural elements, each artist displays a distinct style and aesthetic, as much as they collectively eschew the glamour of Hollywood for more stark, striking, even challenging images, often marked by unusual angles, dynamic compositions, and startling close-ups.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

Back in the USSR. 250 film posters capture the cultural energy of the pre-Stalin era

At the intersection of the visual, graphic, and cinematic arts, film posters are a unique and thrilling record of a particular cultural Zeitgeist. This book brings together 250 posters from the Soviet Union of the 1920s and early 1930s to explore the energy and invention of this period, before Soviet Realism became the official art doctrine.

Drawn from the private collection of connoisseur Susan Pack, the selection includes the work of 27 different artists. From bold figuration to architectural elements, each artist displays a distinct style and aesthetic, as much as they collectively eschew the glamour of Hollywood for more stark, striking, even challenging images, often marked by unusual angles, dynamic compositions, and startling close-ups.

About the Author:

Susan Pack graduated from Princeton in 1973. For 10 years she worked in advertising, latterly as senior copywriter at Saatchi & Saatchi in New York. She began collecting rare advertising posters in the 1970s, in due course acquiring one of the world’s foremost collections of avant-garde Russian film posters.

‘Every Fit Man Wanted’
‘Beer – A Necessity to the Strength of Britain’
‘Victory is in the Kitchen’
‘Women Versus the Submarine’
‘Men of Hull, Get a Move On’
... such stirring messages – proclamations from the First and the Second World Wars – exhorted citizens to do their bit for the war effort. Today they seem charmingly innocent, quintessentially British, and often very funny. The posters that bear them are a treasury of vintage graphics.

Like the much-loved ‘Keep Calm and Carry On’ poster, these proclamations – specially selected from over 30,000 in the Imperial War Museum’s collections – are just what we need to keep a stiff upper lip and a sense of humour in our own troubled times.

There are no boundaries: today's borders between style, format and content are blurring just as the real and the imagined have been blurred. FRESH is a groundbreaking collection of contemporary illustration from around the world, presenting a wide range of styles and techniques. Hundreds of successful projects from brand-new faces to star illustrators are featured in this series of three books. The presentation of such a broad spectrum of leading protagonists side by side makes FRESH an inspiring read for professional illustrators, artists and anyone with a love for visual language.

"Cutting Edge Illustrations - Object" explores illustration in a sculptural or three-dimensional environment as well as the art of illustrations on products in the form of industrial or fashion design.

There are no boundaries: today's borders between style, format and content are blurring just as the real and the imagined have been blurred. FRESH is a groundbreaking collection of contemporary illustration from around the world, presenting a wide range of styles and techniques. Hundreds of successful projects from brand-new faces to star illustrators are featured in this series of three books. The presentation of such a broad spectrum of leading protagonists side by side makes FRESH an inspiring read for professional illustrators, artists and anyone with a love for visual language.

"Cutting Edge Illustrations - Print" A cutting-edge presentation of personal designs alongside fashion illustration and commercial work produced for books, flyers, brochures, or magazines.

Illustration is back! In an incomparable triumphant march, it conquers print media as well as product design, does not even stop at the doors of private homes, and covers facades, cars, and public buses in all variations possible. Its potential seems to have no limits. Cartoons and street art make their way into museums and the advertising industry. Funny, narrative, aggressive, poetic, or surreal, its effervescence, personal approach, and original charm fill the grey of daily routine with color and joy. These three vibrant volumes present more than 1,400 projects from the fields of object, public, and print. The selection was made by a jury of professional illustrators. FRESH was edited by Slanted, the prize-winning typography magazine and weblog, and realized by its regular graphic designers, the German agency, MAGMA Brand Design. It is a must-have source of inspiration for all creatives and those who want to join their ranks.

The FRESH BOX presents all three volumes of FRESH as the ultimate set for all professional illustrators, design-lovers.