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Morgan Falconer
ID: 9541
Издательство: Thames & Hudson

This is the perfect guidebook for all artlovers who visit or live in New York, and an essential reference book for anyone interested in the history of art.

Its unique approach draws on the cream of New York’s museums and galleries to create an easily navigable, narrative history of art and allows you to locate your favourite artist or style of art in any museum and follow it throughout the museums of New York.

Do you like, say, French art? This book will show you where to find it in New York, from great masterpieces of the genre on show in world-famous institutions to hidden gems housed in galleries off the beaten track.

Visit the Metropolitan Museum to take in Nicolas Poussin, Jacques-Louis David and Courbet; move on to the Frick Collection to see works by the Rococo painters Boucher and Fragonard, or take off to the Dahesh Museum, the only American institution devoted to the academic tradition in the 19th and 20th centuries.

The Art Guide also features concise histories and critical analyses of many important artists as well as key movements, showing you where to see, for example, Jackson Pollock’s iconic works and pinpointing his former New York homes and haunts.

• ‘Short tour’ and ‘also see’ sections allow you to trace your favourite period or style throughout the museums and galleries of New York
• ‘Artist in focus’ sections present a full tour of New York’s holdings of iconic artists
• Extensive reference sections and city maps enable you to use the book as an illustrated guide to every one of New York’s museums and galleries
• Individual chapters guide the reader through a thematic, narrative history of art
• Expert commentary on the movements and artists throughout

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David Bradford (Author), Barry Wells (Photographer)
ID: 1280
Издательство: Daab

David Bradford is a photographer and New York City taxi driver, who epitomizes the concept of carrying a camera during regular day-to-day activities. Bradford mainly shoots while he’s working, capturing the essence of New York City in all its human, architectural and climatic diversity. In his second book, he presents a selection of his passengers, which sat down at his backseat. The result is a collection that captures the breadth of humanity - the whole world of people - that can pass through the back seat of a New York City taxi.

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Mark Daly, Peter Dazeley
ID: 12554
Издательство: Frances Lincoln

From Tower Bridge to Battersea Power Station, Big Ben to the Old Bailey, embark on a thrilling tour of the hidden interiors of some of London's most iconic buildings. 

Celebrated photographer Peter Dazeley takes you deep into the boiler room of the city's infrastructure, into the changing rooms of our greatest temples of sport, into the heart of the Establishment, and behind the scenes at the most opulent buildings in the Square Mile. Photographs of these extraordinary buildings – some derelict, but many still working – are accompanied by the story of how each of these places was created, how they are used, and what they reveal about the currents of power flowing through the city. 

See a glimpse of London behind closed doors with this unique guide to the city's buildings, revised and updated for 2017 to include the royal palaces of Hampton Court, the Tower of London and the Inigo Jones Banqueting Hall at Palace of Whitehall, and the Royal Courts of Justice, Supreme Court and Bow Street Magistrates Court.

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Horst Hamann
ID: 2401
Издательство: teNeues

These portraits of New Yorkers are remarkable for their diversity, but also for the common humanity that binds them all. Photographer Horst Hamann asked New Yorkers - an adventurous but generally skeptical bunch - to come off the street and be photographed with their eyes closed. The resulting work is a profile of human characteristics and emotions. We see anxiety in some photographs, and bravura in others. Because their eyes are closed - as if dreaming - we somehow get closer to their true nature, and by extension, to our own.

Horst Hamann has become famous during the last twenty years for his panoramic photography. His internationally
acclaimed and widely exhibited photographs of New York and Paris have been published by teNeues in the best-selling New York Vertical and Paris Vertical. Born in Germany, he is now based in New York.

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Christian Brandstätter, Andreas J. Hirsch, Hans-Michael Koetzle
ID: 13392
Издательство: Taschen

City of Dreams. A visual journey through Vienna’s dazzling history

Explore a city of architectural splendor, ubiquitous history, and incomparable heritage of art, design, and music. This collection brings together hundreds of photographs from the last 175 years to trace the history of Vienna; from imperial city to modern metropolis, from major landmarks to tucked-away treasures, and from the flowering of the fin de siècle to the Cold War.

Vienna combines drama and elegance like no other. For centuries the heart of the Austro-Hungarian Empire, the stately city on the Danube, has been defined by vast palaces and imperial grandeur—but behind the Baroque opulence, Vienna is also a place of genteel coffee house culture, epicurean tradition, and a heritage of both delicate and daring music, art, and design, from Johann Strauss to Egon Schiele, from Gustav Mahler to Josef Hoffmann.

This volume is a treasure trove of photography from the last 175 years, following the evolution of Vienna from imperial capital to modern metropolis. Like a visual walk through time and cityscape, hundreds of carefully curated pictures trace the developments in Vienna’s built environment and the cultural and historical trends they reflect, whether the urban Gesamtkunstwerk of the 19th-century Ringstrasse or the experiments of “Red Vienna” in the 1920s, when the city had a social democrat government for the first time.

Through these remarkable photographs, we discover not only the great landmarks and lesser-known corners of Vienna, but also the ubiquity and the tumult of its history. We see the cultural blossoming of the fin de siècle, when radical innovators such as Gustav Klimt, Egon Schiele, Adolf Loos, and Sigmund Freud turned Vienna into a “laboratory of modernity”; the clashes of 1934; the ascent of Nazi dictatorship; and the horrors writ by the Holocaust in what was once one of the most populous and multi-ethnic cities on earth. More recently, fascinating postwar photographs explore the Vienna of the Third Man, at once a city in ruins and a hub for spies. The book closes with the most recent pictures, celebrating the emergence of today’s Vienna — one of the most attractive cities in Europe, in which rich history once again coexists with international flair and vibrant contemporary culture.

The authors:

Christian Brandstätter, born 1943, founded Brandstätter Verlag in 1982. He is the author and designer of numerous illustrated books, including groundbreaking publications on Vienna around 1900, including Gustav Klimt und die Frauen (1994), Design der Wiener Werkstätte (2003), and Wien 1900: Kunst Design Architektur Mode (2018), as well as on Austrian photographic history.

Andreas J. Hirsch, born 1961 in Vienna, is an author, curator and artistic photographer. His writings include books on Pablo Picasso, Tina Modotti, Friedensreich Hundertwasser and H.R. Giger. From 2009 to 2014, he was curator at the KunstHausWien and organized exhibitions on Henri Cartier-Bresson, Linda McCartney and H.R. Giger, among others.

Hans-Michael Koetzle, born 1953, is a Munich-based freelance author and journalist, focusing mainly on history and the aesthetics of photography. He has published numerous books on photography, including Die Zeitschrift twen (1995), Photo Icons (2001), Das Lexikon der Fotografen (2002), René Burri (2004), Photographers A-Z (2011) and Dr. Paul Wolff & Tritschler (2019).

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Edited by Silvia Lucchini and Stefano Lucchini, Text by Alyce Aldige
ID: 12828
Издательство: Universe

A delightful collection of vintage and antique postcards of New York. This book presents a rare collection of more than 100 of the best vintage New York City postcards, providing a snapshot of how much the Big Apple has changed — and how much has remained recognizably the same. 

During the early years of the twentieth century, postcard photographers traveled the length and breadth of Manhattan snapping images and documenting landmarks and important new architectural masterpieces, such as the Singer Building (1908), the Metropolitan Life Insurance Company Tower (1909), and the Woolworth Building (1913) — each of which succeeded the other as the world’s tallest building at the time of their respective completion. 

Also celebrated were the engineering feats of the Brooklyn Bridge and the elevated trains and early subway, as well as popular amusements such as the original Madison Square Garden and the Hippodrome, which occupied an entire city block at Longacre Square—since renamed Times Square. Scenic views of the city from a distance were equally popular — and in fact led to the coining of the word "skyline" in 1896. 

This charming keepsake volume is the perfect souvenir for architecture and history buffs and makes a wonderful gift.

About the Authors

Silvia and Stefano Lucchini are collectors based in Milan and New York whose unsurpassed collection of antique postcards inspired this book. Alyce Aldige currently resides in Milan, where she works as a writer, translator, and English teacher.

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Reinhard Kaiser
ID: 5581
Издательство: Schirmer/Mosel Verlag

'Weegee's New York' ist das New York der 30er und 40er Jahre - eine Stadt, die gekennzeichnet ist von den Spuren der Depression: von Arbeitslosigkeit und Kriminalität, von Armut, Prostitution, Gewaltverbrechen und Gangsterkriegen. Weegee, der schnellste und gewiefteste Photoreporter New Yorks, ist der legendäre Bildchronist dieser Epoche.

Weegee (1899-1968) war so etwas wie der rasende Fotoreporter Amerikas. Oft fuhr er mit quietschenden Reifen und Sirene im falschen Krankenwagen am Tatort vor, und hin und wieder entwickelte er Filmkassetten mit Aufnahmen von Kriminellen illegal in der leeren Fahrerkabine eines rollenden U-Bahn-Zugs. Als Liebling der New Yorker Cops erhielt Weegee 1938 als erster Journalist die Erlaubnis zum Führen eines Polizeifunkgeräts. "Das Polizeihauptquartier war mein Club", notierte er 1961 in seiner Autobiographie Weegee by Weegee: "Ich saß in der Halle in meinem Lieblingssessel, die Kamera griffbereit, und rauchte eine Zigarette. Früher oder später kam hier alles vorbei, was Rang und Namen hatte." Rund 5.000 Bildreportagen sollen hier und auf den Großstadtstraßen entstanden sein -- wobei das Life Magazine Weegee auch schon mal nach der Anzahl der Kugeln entlohnte, die in der jeweils fotografierten Leiche steckten.

Rechtzeitig zum 100. Geburtstag dieses ersten Hofporträtisten der amerikanischen Unterwelt hat der Schirmer/Mosel-Verlag mit Weegee's New York nun einen Klassiker der Dokumentarfotografie neu aufgelegt, der einen faszinierenden Einblick gewährt in dessen Lebenswerk: 335 klug ausgewählte Schwarzweißzeugnisse der dreißiger bis sechziger Jahre zeigen Brände, Unfälle und Morde, Soldaten, Stripperinnen und Artisten -- und werfen als Ganzes nicht zuletzt auch ein ebenso kaltes wie schonungsloses, blendend helles Schlaglicht auf die Schattenseiten der USA.

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