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“My new book, Profiles, is a collection of portraits taken over the last six to eight years, including exceptional profiles of creatives in the arts and cinema, plus meaningful images of family and friends. The images originate from editorial assignments and personal sittings, and are a reflection on my fascination with the person and their innate beauty and character.”
— Marc Hom
 
Originally from Copenhagen, Denmark, MARC HOM has made an indelible mark in the world of fashion photography and is now one of the leading portrait photographers living today. He is known for his timeless and classic portraits of some of the most creative, influential, and notable individuals of our time. Amongst his subjects are Robert Redford, Johnny Depp, Alicia Vikander, Angelina Jolie, Christopher Walken, Brie Larson, Kate Winslet, Julian Schnabel, Wiz Khalifa, Iggy Pop, Matthew McConaughey, Ben Affleck, Michelle Obama, Quentin Tarantino, David Beckham, Royal families, and politicians, for such leading publications as W Magazine, Vanity Fair, GQ, German Vogue, Esquire, and Harper’s Bazaar. His first book, Portraits, was published in 2006. He lives in Brooklyn Heights with his wife Marie-Louise and their two small children.

• A stunning array of colour and black & white portraits of some of the most charismatic figures of contemporary culture
• Renowned photographer Marc Hom captures the essence of each of his personality “profiles” in a singular magical moment of candid vulnerability and vivid beauty
• This dazzling compendium is destined to become a classic for any modern photography book collection
• Exhibitions and book signings to be announced soon
• Also available as Collector's Editions. Limited Edition of 100 copies. “Exceptional profiles of creatives in the arts and cinema”

Photographer, costume designer, avid diarist - Cecil Beaton was also a 'romantic royalist' whose glittering photographs of Queen Elizabeth II became among the most widely published portraits of the twentieth century. This fascinating book explores Beaton's long relationship with the Queen and the royal family and describes how his royal portraits shaped the monarchy's public image from the 1930s to the late 1960s. It is a celebration of Beaton, the enduring flair of his portraits, and the myriad sources of inspiration that resulted in photographs so powerful that they moulded the world's perception of a princess, monarch and mother.

In Radiant Identities, photographer Jock Sturges explores issues of youth and the liberation of body and spirit.

These unforgettable images are made from his own circle of acquaintances and family; the settings are their homes and stretches of naturist beaches in France and Northern California. In superb reproductions, Sturges evokes the classical spirit of Old Master paintings and late-nineteenth-century photographic tableaux, while probing concepts of emergent sexuality and psychological intimacy. Radiant Identities is the second volume in Sturges's ongoing work. Physically and psychically revealing, these deeply felt images are gloriously natural and wonderfully compelling. Elizabeth Beverly's introductory essay, drawn in part from conversations with Sturges's subjects, adds a new dimension to the photographs.

These personal reflections shed light on the unique collaborative process by which Sturges's remarkable photographs are made. In the book's afterword, noted photography critic A.D. Coleman places Sturges in the context of current debates surrounding censorship in the arts, and discusses the themes of innocence and sexuality in the photographs.

Photographic master Elliott Erwitt has created many noteworthy portraits of womankind over the years.

Regarding Women is Elliott Erwitt’s evocative personal tribute to female strength, intelligence, and beauty. Conveying respect, admiration, and sometimes awe, these photographs portray all the complex elements that make up the feminine nature, whether formidable and tenacious, or occasionally capricious and coy. Through capturing their many varied facets, Erwitt shares his insights into how all kinds of women make their way in — not to mention their mark on — the world. The archival material spans several generations, with many images not previously published or rarely seen before. In these pages, readers will find romance and glamour, touches of sensuality as well as much affection, and those disarming flashes of candid everyday humor that are so quintessentially Erwitt.

 - From everyday settings to movie stars on the town, Erwitt presents his homage to women across the globe
 - Another compelling addition to any collection of Erwitt’s work
 - An ideal gift for women — and their admirers!
 - On April 23rd, 2015 Elliott Erwitt will receive the 2015 Sony World Photography Award for Outstanding Contribution to Photography

In this book, photographer Henk van Cauwenbergh introduces us to the marvelous worlds of matador Jean-Baptiste Jalabert (France) and prima ballerina Francesca Docli (Italy). The public's favourite 'Juan Bautista', born in Arles, France and ballet dancer Francesca Dolci, a flamboyant member of the Les Ballets de Monte Carlo are the representatives par excellence of a world in which sports and art seamlessly melt together. Follow both top athletes/performers during their daily preparations, become a privileged witness to the particular rituals preceding each performance and be a spectator of a dazzling sham fight at the Mediterranean!

About the Author:

Henk van Cauwenbergh is an internationally renowned portrait and fashion photographer. In 2006, he published his first book Le Matin in which he portrays 100 women, of nineteen different countries, during their morning ritual.

An irrepressible innovator, Avedon has consistently defied conventional expectations about what a portrait is supposed to look like..." - Maria Morris Hambourg and Mia Fineman For over 50 years, Richard Avedon (b. 1923) has captured the creative genius of our time with dazzling insight and incomparable style. Spanning the artist's entire career, from the late 1940s through his most recent work, Richard Avedon Portraits offers a superb selection of his photographic portraits. With uncompromising directness, Avedon portrayed his subjects against a white background, with no extraneous details to distract from the essential specificity of face, gaze, dress, and gesture. This challenging innovation, coupled with the artist's intense interest in his subjects and mastery of his craft, resulted in mesmerizing portraits — among them Truman Capote, Willem de Kooning, Samuel Beckett, Francis Bacon, and Marilyn Monroe, as well as the uncelebrated Americans of his project, "In the American West" that rival the greatest works in the portrait tradition. Richard Avedon Portraits is published to accompany a major exhibition at The Metropolitan Museum of Art, New York. With its innovative accordion-style design and superb reproductions, the book is a virtual stand-alone mini-exhibition in its own right.

About the Author:

Richard Avedon is one of the most influential photographers of the second half of the 20th century. His portrait work comprises an authoritative record of our era. His many books have set a standard for photographic publishing. As a staff photographer for Harper's Bazaar and later for Vogue, Avedon redefined what a fashion photograph is. In 1992 he was named the first staff photographer in the history of The New Yorker. Maria Morris Hambourg is Curator in Charge of the Department of Photographs at The Metropolitan Museum of Art, New York. She has written and contributed to many books on the history of photography. Mia Fineman is a Research Assistant in the Department of Photographs at The Metropolitan Museum.

Performance, von der Richard Avedon Foundation zusammengestellt, ist Avedons Hommage an alle Spielarten der darstellenden Kunste. Avedon liebte das Theater und war vom Buhnengeschehen seiner Zeit ebenso fasziniert wie von dessen Protagonisten. Alles, was in dieser schillernden Szene in den vergangenen 50 Jahren Rang und Namen hatte, landete fruher oder spater in seinem Studio: Judy Garland und Chaplin, Horowitz und Bernstein, die Beatles und Bob Dylan, Marlon Brando und Frank Sinatra, Martha Graham, Rudolf Nurejew, Merce Cunningham …

"We all perform. It's what we do for each other all the time, deliberately or unintentionally. It's a way of telling about ourselves in the hope of being recognized as what we'd like to be."
 - Richard Avedon, 1974

The preeminent stars and artists of the performing arts from the second half of the 20th century offered their greatest gifts - and, sometimes, their inner lives - to Richard Avedon. More than 200 are portrayed in Performance, many in photographs that have been rarely or never seen before. Of course, the great stars light the way: Hepburn and Chaplin, Monroe and Garland, Brando and Sinatra. But here too are the actors and comedians, pop stars and divas, musicians and dancers, artists in all mediums with public lives that were essentially performances, who stand at the pinnacle of our cultural achievement.

The celebrated author and critic John Lahr offers an elegant assessment of Avedon’s achievement. Four supremely talented artists from the performing arts - Mike Nichols, André Gregory, Mitsuko Uchida, and Twyla Tharp - contribute lively and moving memoirs about their collaborations with Avedon.

"We all perform. It's what we do for each other all the time, deliberately or unintentionally. It's a way of telling about ourselves in the hope of being recognized as what we'd like to be."
 - Richard Avedon, 1974

The preeminent stars and artists of the performing arts from the second half of the 20th century offered their greatest gifts - and, sometimes, their inner lives - to Richard Avedon. More than 200 are portrayed in Performance, many in photographs that have been rarely or never seen before. Of course, the great stars light the way: Hepburn and Chaplin, Monroe and Garland, Brando and Sinatra. But here too are the actors and comedians, pop stars and divas, musicians and dancers, artists in all mediums with public lives that were essentially performances, who stand at the pinnacle of our cultural achievement.

The celebrated author and critic John Lahr offers an elegant assessment of Avedon’s achievement. Four supremely talented artists from the performing arts - Mike Nichols, André Gregory, Mitsuko Uchida, and Twyla Tharp - contribute lively and moving memoirs about their collaborations with Avedon.

About the Authors: 

John Lahr is Senior Drama Critic of The New Yorker. In 2002, he was the first drama critic ever to win a Tony Award. 

Mike Nichols is an American Emmy Award, Academy Award, Grammy Award, and Tony Award-winning stage and film director, writer, and producer. André Gregory is an American director and actor. His best-known film appearance was as the title character in My Dinner with Andre. 

Mitsuko Uchida is a classical pianist, renowned for her recordings of Mozart, Beethoven, and Schubert. 

Twyla Tharp is a leading American dancer and choreographer.

American photographer Richard Avedon (1923–2004) received widespread acclaim for his images in which he captured stars with their “masks dropped” and their true colors revealed. He was also notorious for the pitiless way in which he created these moments. For example, he told two great animal lovers, the Duke and Duchess of Windsor, that his taxi had run over a dog on the way to the photoshoot - and in that second he caught their horrified reaction on film. This attitude, however, was not reserved merely for the rich and famous. Through his legendary project In the American West, hundreds of his uncompromising portraits of common people became photographic icons.

This large-format publication presents over one hundred of his most beautiful classic images.

Richard Avedon photographed the faces of politics throughout his career and this book brings together his political portraits for the first time. Juxtaposing images of elite government, media, and labor officials with photographs of countercultural activists, writers and artists, and ordinary citizens caught up in national debates, it explores a five-decade taxonomy of politics and power by one of America’s best-known artists.

The book features Avedon’s extended projects on the civil rights debate in the early 1960s (published in 1964 in Nothing Personal); the American anti-war movement and the war in Vietnam from 1969-1971; portraits of the American power elite in 1976 for his groundbreaking Rolling Stone portfolio The Family; “Exiles: The Kennedy Court at the End of the American Century,” a retrospective homage to the Camelot generation, published in The New Yorker in 1993; and his final photo-essay, “Democracy,” surveying the American state of mind during the politically-fractious time prior to the country’s 2004 presidential election (published posthumously in The New Yorker in 2004).

Among the significant projects of the last years of his life, Richard Avedon (1923–2004) completed a book of his photographs of women. Always transcending categorization - he was both a fashion photographer and known as a “poet of portraiture” - Avedon was interested in seeing how elemental facts of modern life and human existence were reflected in his work. And what could be more elemental than women, who have mesmerized artists across the centuries? Looking at his work in this way, Avedon was able to create an unparalleled view of women in his time, a tumultuous half-century of rapidly changing social mores, cultural ideals, popular styles, and high fashion.

As an artist, he was deeply responsive to nuances of expression, gesture, and comportment, and his photographs unfailingly opened a window to the interior lives of his subjects. These ranged from celebrities (Marilyn Monroe), artists (Maria Callas, Isak Dinesen), and high-fashion models (Suzy Parker, Kate Moss) to women who simply drew his attention. Like the best of art and literature, Avedon's portraits evoke rich lives and complex experiences. An incisive essay by art historian Anne Hollander offers an overview of a half-century of Avedon's images of women.

About the Authors:

Richard Avedon was one of the most celebrated photographers of the 20th century. His portrait work comprises an authoritative record of our era and he redefined the fashion photograph. In 1992, he became the first staff photographer of The New Yorker.
Anne Hollander is the author of several books, including Feeding the Eye, Moving Pictures, and Seeing Through Clothes.

This title offers information that ranges from birth to death and beyond. This book depicts people at some of the most emotional moments of their lives. For more than seven years Anders Ryman traveled the world documenting life cycle rituals. The result is a book that in intimate and stunning pictures portrays more than thirty rituals from all parts of the globe. The rites range from the blessing of the newborn in a small village in Spain to a girl's initiation into womanhood among the Apaches of Arizona; from the Xhosa male initiation ceremony in South Africa to the communion with the dead during Todos Santos in Bolivia; from a woman's first childbirth in Palau to the wedding ceremonies in the Shinto shrines of Tokyo. This book is about the journey through life, about cultural diversity and what unites us all as human beings.

1950s French Riviera: a haven for movie stars who came to the Cannes Film Festival and then stayed on. Away from agents and studio heads, they could relax with their families and spend their days by the pool at the famous Eden Roc, or exploring the tiny sunbaked villages along the coastline. In the evenings there was a glittering choice of events - gala nights, the Sporting d’Ete, or dinner and dancing at Les Ambassadeurs in Cannes. Irish photographer Edward Quinn stepped, by accident, into this international society when visiting a friend in Monte Carlo a few years after the war. He fell in love with the Côte d’Azur and realised he might make his living photographing the stars taking their ease, off the screen.

The stars he photographed are names that are a roll call of cinematic artistocracy: Garbo, Taylor, Brando, Grant, Peck, Bergman, Hayworth, Hepburn, Cooper, Welles, Loren, Lollobrigida, Dietrich…and of course Grace Kelly and Prince Rainier.

Many of these photographs have never been exhibited or published before. They are a record of an age when "star quality" came with a lifestyle to match, when tiaras, ballgowns and dinner jackets were de rigeur every evening: an age of elegance.

156 duotone photographs

The French Riviera of the Fifties was an exciting place with much change in the air. Rock and roll and the bikini, existentialism and the atom bomb. Edward Quinn chronicled a playground that was influenced by international trends, but very much its own universe. On the Riviera every night was a party.

Born in Dublin in 1920, Edward Quinn played Hawaiian guitar in Belfast, then went into the Royal Air Force. He eventually made his way to the Cфte d'Azur, where he photographed world leaders, glamour girls and playboys, as well as figures from the worlds of art, music and literature. His most memorable work included images of an unknown Audrey Hepburn, Grace Kelly's first meeting with Prince Rainier, and a precocious Brigitte Bardot. His exacting eye showcased Picasso, T.S. Eliot, and Gary Cooper. With a polished technique and great patience and charm, Quinn caught some of the post-war Riviera's most memorable moments.

* A tantalizing look at post-war leisure, sure to appeal to photography aficionados and culture buffs alike
* Packaged in a special linen slipcase, and accompanied by an authentic Edward Quinn photo print, signed by his widow Gret Quinn
* A must-have for lovers of Riviera glamour, fifties-style