Сборники работ

Adolphe Sylvain (1920-1991) stopped off in Tahiti in 1946 and, enchanted by the beautiful landscape, welcoming people, and a certain island beauty who called herself Tehani, decided to stay. He settled in and eventually married his hypnotic lover, working as a correspondent for magazines such as Paris Match, Life, and National Geographic. Drawn by an irrepressible desire to capture his surroundings and to share this lost, unknown world with those outside of it, he dedicated himself to photographing the island's many delights. Like Rousseau and Gauguin before him, he was captive to the people and places of a land so radically different from his own and chose it as his principal subject matter. Sylvain's rich, skilled black-and-white images are like visions of an earthly paradise, peopled with half-clad women wearing flowers in their hair, the sun reflecting off of their glowing skin. His images, capturing the timeless beauty of Tahiti, are a testament to the island's powerful magnetism. After Sylvain's death, his widow Jeanine-Tehani had a dream that a European embarked upon her island country and that she gave to this person all of her husband's photos to be made into a book. In a storybook twist of fate, it just so happened that Tehani's dream became a reality when photographer Gian Paolo Barbieri- born on the same day and hour as Sylvain- stopped off for a visit a few years later. He was mesmerized by Sylvain's photographs and eagerly gathered together his work to take back to Europe. Thus was born Tahiti, woven together by the strands of destiny and the vision of an impassioned photographer. Tahiti begins with a preface by Barbieri and an introduction by biographer, journalist, and longtime friend of Sylvain, Jean Lacouture, followed by Sylvain's best works, including landscapes, portraits, and images of celebrities visiting the island (such as Brigitte Bardot, Marlon Brando, and Charles de Gaulle). With these luscious, sensual images as evidence, it's not hard to see why Sylvain was enraptured by Tahiti's exotic, ethereal atmosphere, nor why he felt the need to photograph it. Sylvain's work has not met the success it deserves until now, as fate finally brings his photographs to the world with this retrospective tribute.

‘I received an email telling me it was over. I didn’t know how to respond. It was as if it wasn’t meant for me. It ended with the words: "Take Care of Yourself". I took this recommendation literally. I asked a hundred and two women, chosen for their profession, to interpret the letter in their professional capacity. To analyse it, provide a commentary on it, act it, dance it, sing it. Dissect it. Squeeze it dry. Understand for me. Answer for me. It was a way to take the time to break up. At my own pace. A way to take care of myself.’

This superbly designed book accompanied Sophie Calle’s exhibition in the French pavilion at the Venice Biennale 2007. It comprises three books – one main volume, two smaller inside that – and four accompanying DVDs

Includes 107 interpretations by a range of successful female professionals, from leading actors and dancers to physicists, psychoanalysts and lawyers.

About the Author:

Sophie Calle (born 1953) is an internationally renowned artist whose controversial works often fuse conceptual art and Oulipo-like constraints, investigatory methods and the plundering of autobiography. Her work has been shown at the Museum of Modern Art, New York, the Whitney Museum of American Art, the Carnegie Museum of Art, the Museum of Fine Arts, Boston, the Hayward Gallery and the Museum of Contemporary Art, Chicago, among others. She lives and works in Paris.

Andrey Tarkovsky was the most important Russian filmmaker of the post-war era, and one of the world’s most renowned cinematic geniuses.

Tarkovsky’s films are characterized by metaphysical themes, extended takes, an absence of conventional dramatic structure and plot, and a dream-like, visionary style of cinematography. They achieve a spiritual intensity and transcendent beauty that many consider being without parallel.

He directed the first five of his seven films – Ivan’s Childhood, Andrei Rublev, Solaris, Mirror and Stalker – in the Soviet Union, but in 1982 defected to Italy, where he made Nostalgia. His final film, The Sacrifice, was produced in Sweden in 1985.

This book presents extended sequences of stills from each of the films alongside synopses and cast and crew listings. It includes reflections on Tarkovsky’s work from fellow artists and writers including Jean-Paul Sartre and Ingmar Bergman, for whom Tarkovsky was ‘the greatest, the one who invented a new language.’

Extracts from Tarkovsky’s own writings and diaries offer a wealth of insights into his poetic and philosophical views on cinematography, which he described as ‘sculpting in time'. The book also reproduces many personal Polaroid photographs that confirm the extraordinarily poetic vision of a great artist who died aged only 54, but who remains a potent influence on artists and filmmakers today.

Contents List:

Essay by Andrej Tarkovsky Jr: The Closed Time • A Tarkovsky Biography • An Introduction to the Films by H. J. Schlegel • Essays on Tarkovsky • Private Photos and Polaroids: Russia

About the Author:

Andrey A. Tarkovsky is the son of filmmaker Andrei Tarkovsky.
Hans-Joachim Schlegel is a film historian and the editor and translator of the writings of Sergei Eisenstein and Andrei Tarkovsky.

List of Contributors:

Lothar Schirmer, Hans-Joachim Schlegel, Jean-Paul Sartre, Sven Nykvist, Erland Josephson, Ingmar Bergman, Chingiz Aitmatov, Aleksandr Sokurov

70 colour and duotone plates

Originally the catalogue to one of Robert Mapplethorpe’s last retrospective exhibitions, this book gives a complete survey of Mapplethorpe’s œuvre. It includes his best portraits, male and female nudes, and still lifes.

- The ultimate record of the work of a world-class photographer
- Capturing the iconic, candid, and unguarded moments of the famous and the notorious

Terry O'Neill is one of the world's most celebrated and collected photographers. No one has captured the frontline of fame so broadly - and for so long. For more than 50 years, he has photographed rock stars and presidents, royals and movie stars, at work, at play, and in private. He pioneered backstage reportage photography with the likes of Frank Sinatra, David Bowie, Sir Elton John and Chuck Berry and his work comprises a vital chronicle of rock and roll history. Now, for the first time, an exhaustive cataloguing of his archive conducted over the last three years has revisited more than 2 million negatives and has unearthed unseen images that escaped the eye over a career spanning 53 years.

Similarly, his use of 35mm cameras on film sets and the early pop music shows of the 60s opened up a new visual art form using photojournalism, to revolutionise formal portraiture. His work captured the iconic, candid, and unguarded moments of the famous and the notorious - from Ava Gardner to Amy Winehouse, from Churchill to Nelson Mandela, from the earliest photographs of young emerging bands such as the Beatles and the Rolling Stones to her Majesty the Queen at Buckingham Palace. O' Neill spent more than 30 years photographing Frank Sinatra, amassing a unique archive of more than 3,000 Sinatra negatives. Add to that the magazine covers, album sleeves, film posters and fashion shoots of 1,000 stars, and Terry O'Neill - comprises the most compelling and epic catalogue of the age of celebrity.

Terry O'Neill has worked for the most prestigious magazines in the world including Time, Newsweek, Stern, Bunte, Figaro, The Sunday Times, Vanity Fair, People, Parade, Vogue and many others. And his award launched to showcase the work of young emerging photographers is now one of the most highly prized global competitions in art. The Royal Society of Arts has honoured him with the rare Centenary Medal for his lifetime achievement. Only a dozen have ever been awarded in recognition of 'outstanding contributions to the art and science of photography.'

"Sex? What else? Why have my pants got a hole in the front?" Welcome to Terryworld, the land restraint forgot

Who took 1970s porn esthetic and made it fashion chic? Terry Richardson. Who made the trailer park trendy and the tractor hat de rigueur? Richardson again. Who’s equally at home in Vogue, Harper’s Bazaar, Purple and Vice? Our boy Terry. Who uses his fashion money to fund an X-rated website? Yes, Richardson. And who can’t resist getting his clothes off and jumping in front of his own lens? Well, that would be Terry Richardson as well.

Porn stars, supermodels, transsexuals, hillbillies, friends, pets, and celebrities all do for his lens what they’ll do for no other. And if anyone ever wonders why they did it, just blame it on Terryworld, where taboos are null and void, and fashion finds sex a perfect fit.

This edition’s special Panic Cover is reversible to a realistic-looking academic book to keep the real contents hidden from your annoying boss or even help you impress an attractive onlooker!!!

The editor:

Dian Hanson was born in Seattle in 1951. For 25 years she produced various men’s magazines, including Puritan, Juggs and Leg Show, before becoming TASCHEN's sexy book editor in 2001. Her many books for TASCHEN include The New Erotic Photography Vol. 2 and Robert Crumb: Sketchbooks 1982-2011. She lives in Los Angeles.

This first full-career monograph, featuring two decades of iconic fashion and celebrity editorial photographs, reveals the enormous influence and impact that Richardson has made on contemporary style, culture, and photography. 

Since Terry Richardson first rose to prominence in the 1990s, he was shocked and intrigued the world with his singular view and signature style of bold lighting, hypersexualized styling, and striking, off-kilter glamour. From glossy, high-end fashion photographs to raw in-studio portraits, Richardson’s work has had an unmistakable impact on contemporary visual culture. 

This much-anticipated monograph is the first to cover Richardson’s complete career to date. It chronicles more than twenty years of photographs, advertising campaigns, and editorial work, revealing the evolution of Richardson’s style, an unexpected mix of glamour and rawness. 

This two-volume set, which is separated into Richardson’s fashion photography and celebrity portraiture, features more than 600 photographs and includes early, rarely seen magazine work from now-defunct publications; iconic and influential work for magazines such as Vogue, Harper’s Bazaar, The Face, i-D, Vice, and Interview; advertising work for brands such as Gucci, Yves Saint Laurent, Chloé, and A.P.C.; and very intimate studio portraits. 

This compilation is an intriguing look at the mark Richardson’s work has made on fashion, photography, and pop culture, and it captures his edgy, provocative style in a book that is as unusual and unforgettable as the photographer himself.

About the Author:

Terry Richardson is an iconic American fashion, portrait, and documentary photographer.

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Пролистать книгу  Terry Richardson: Volumes 1 & 2: Portraits and Fashion

Who took 1970’s porn esthetic and made it fashion chic? Terry Richardson. Who made the trailer park trendy and the tractor hat de rigueur? Richardson again. Who’s equally at home in Vogue, Harper’s Bazaar, Purple and Vice? Our boy Terry. Who uses his fashion money to fund an X-rated website? Yes, Richardson. And who can’t resist getting his clothes off and jumping in front of his own lens? Well, that would be Terry Richardson as well.

Porn stars, supermodels, transsexuals, hillbillies, friends, pets, and celebrities all do for his lens what they’ll do for no other. And if anyone ever wonders why they did it, just blame it on Terryworld, where taboos are null and void, and fashion finds sex a perfect fit.

Includes over 70 new photographs not featured in the original edition

In the persona of André S. Solidor, veteran photographer Elliott Erwitt plunges deeply into the kookier excesses of contemporary photography.

Connotation, denotation, “relevance,” André S. Solidor has covered all the bases. Solidor’s “best masterpiece to date” features an “exuberantly eclectic” selection of topics — smoking fish heads, pneumatic mannequins in incongruous poses, not to mention some “up-close and personal” shots of Solidor himself. Plus for all you postmodernist groupies out there, there’s context and commentary galore. Did we mention the gratuitous nudity?

 - A satirical spoof of contemporary art photography
 - The perfect gift for all bewildered by art that means too much and gives too little

The Ballad of Sexual Dependency is a visual diary chronicling the struggle for intimacy and understanding between friends and lovers collectively described by Nan Goldin as her "tribe." Her work describes a world that is visceral and seething with life. As Goldin writes: "Real memory, which these pictures trigger, is an invocation of the colour, smell, sound, and physical presence, the density and flavour of life."

The origins, history, and prospects of big game in Africa

Researched, photographed, and compiled over 20 years, Peter Beard's End of the Game tells the tale of the enterprisers, explorers, missionaries, and big-game hunters whose quests for adventure and "progress" were to change the face of Africa in the 20th century. This landmark volume is assembled from hundreds of historical photographs and writings, starting with the building of the Mombasa Railroad ("The Lunatic Line") and the opening-up of darkest Africa. The stories behind the heroic figures in Beard's work - Theodore Roosevelt, Frederick Courtney Selous, Karen Blixen (Isak Dinesen), Denys Finch-Hatton (the romantic hero of Out of Africa), Philip Percival, J. A. Hunter, Ernest Hemingway, and J. H. Patterson (who became famous as the relentless hunter of the "Man-Eating Lions of Tsavo") - are all contextualized by Beard's own photographs of the enormous region. Shot in the 1960s and '70s in the Tsavo lowlands during the elephant-habitat crisis and then in Uganda parks, Beard's studies of elephant and hippo population dynamics document the inevitable overpopulation and starvation of tens of thousands of elephants and rhinos.

Originally published in 1965 and updated in 1977, this classic is resurrected by TASCHEN with rich duotone reproduction and a new foreword by internationally renowned travel and fiction writer Paul Theroux. Touching on themes such as distance from nature, density and stress, loss of common sense, and global emergencies, this seminal picture history of eastern Africa in the first half of the 20th century shows us the origins of the wildlife crisis on the continent, a phenomenon which bears a remarkable resemblance to the overpopulation and climate crises we face today.

A kind of master of ceremonies to the British Empire, fashion and society photographer Cecil Beaton depicted the high and low of the century with his signature elegance and panache: the British Royal family, the nobility, the London bohemian, and the New York underground. This volume, a comprehensive survey of his work, is now available again in a hardcover edition.