Искусство

Masterpieces of Western Art traces the history of painting from medieval times to the present day. But unlike conventional publications, that merely illustrate a few essentials, this work places 900 paintings taken from every era squarely in the foreground.

The ten chapters each feature an introductory essay profiling the age and the achievements of the major artists, and then present selected works accompanied by searching commentaries. The reader is guided through the techniques and motifs of the artists, and familiarised with the spirit and background concerns of the age. Artist to artist, era to era, century to century, Masterpieces of Western Art adds up to an authoritative history - it is for browsing, too, where the reader can make new discoveries or meet old friends on every page.

This imaginary museum of eight centuries of masterpieces by over 500 artists is a place to explore, to acquire a richer understanding of art - a reliable history, a handbook, as entertaining as it is instructive.

Henri de Toulouse-Lautrec's paintings and prints focused on the theater, dance halls, cafés, and even brothels of late-19th-century Paris. Brimming with emotion and atmosphere, his works were characterized by a distinctive and masterly handling of line. This volume illuminates the unique place Toulouse-Lautrec came to occupy in French art during his short lifetime of 37 years.

Jan Vermeer's mysterious and poetic paintings - with their luminous power and their simple, studied, everyday scenes - continue to fascinate us. This volume reproduces all of Vermeer's known works, including Saint Praxedis, which had only recently been validated by scholars as an important early work of the artist at the time of the book's original publication.

Is a watch ever a work of art? Is a watchmaker ever an artist?

To answer these questions and many more, Michael Clerizo spent months listening to eleven of the world’s most renowned watchmakers. In mansions, villas, shops and ateliers of all sizes these extraordinary individuals told their stories.

We hear of lives mastering the skills of mechanical watchmaking, and crowned with the success of finding others willing to buy and treasure their work. These men also speak fervently of their common goal: ensuring that the mechanical watch continues to thrive in a world dominated by disposable quartz watches.

The book’s many photographs offer a retrospective exhibition of the watches of George Daniels, Svend Andersen, Vincent Calabrese, Philippe Dufour, Antoine Preziuso, Franck Muller, Aniceto Jiménez Pita, Alain Silberstein, Marco Lang, Vianney Halter and Roger Smith.

In addition, twenty other remarkable watchmakers and workshops from Switzerland, Austria, Germany, Holland, Finland, Ireland and Hungary are introduced and illustrated. Also included are a technical glossary, suggestions for further reading, and a list of specialist websites and magazines.

About the Author:

Michael Clerizo is noted for his in-depth analysis of bespoke luxury products for the Financial Times, the Wall Street Journal, the Robb Report and specialist watch and other magazines.

The book intends to show the main stages of drawing history from the beginning of 20th century, with particular regard to European development. Through a large selection of images, the reader is introduced to the knowledge of the most important artistic schools which used drawing as part of their preparation and training for young artists. The reader is also introduced to fundamental graphic techniques and of the classifications that define thevaried areas and types of drawing.

290 color ills

The history of Impressionism, including its forerunners, the great masters, and the representatives of Neo-Impressionism and Pointillism, is closely traced in this publication by exploring the Wallraf’s unparalleled collection.

The Wallraf-Richartz-Museum & Fondation Corboud—“Wallraf” for short—is Cologne’s oldest museum and one of Germany’s great picture galleries, boasting one of the most important accumulations of Western art—from the Middle Ages through to the early twentieth century—in Germany. In fact, the museum’s collection of Impressionist paintings is the largest in the country, not least because of the Fondation Corboud’s contributions, which in 2001 became part of the Wallraf when they were donated by the Swiss collector Gérard J. Corboud.

The Impressionist treasures among the Wallraf’s collection are presented here for the first time in a splendid, richly-illustrated volume. Monet, Renoir, Sisley, and the works of many other great masters are the focus of this book, providing a feast for the eyes on a tour of the history of art from 1874 through to 1926.

The book delineates the evolution of photography from its invention until the 21st century, through the main figures who have done the history of this modern art. The appearance of photography have led to a revelation in the art and culture's world. From Stieglitz to Beaton, from Baron de Mayer to Mapplethorpe, from Capa to Rodchenko, through Doisneau, Cartier Bresson and Berengo Gardin.

Masters of Science Fiction and Fantasy Art profiles and celebrates the work of today’s leading practitioners of art of the fantastic, as well as a handful of gifted newcomers from around the globe. The range and impact of their work is both inspiring and far-reaching. These 28 masters have created images for television, movies, gaming, museum exhibits, theme park rides, and every area of publishing. Some of the artists featured only employ traditional painting techniques, while others use only digital methods, and many more blend the mediums to create their fantastical images. Each artist discusses his/her influences and techniques as well as offering tips to beginning artists. Science Fiction Grandmaster and Hugo Award-winning author Joe Haldeman contributes a foreword. Artists, science fiction fans, and art collectors will appreciate the outstanding artwork featured here.

Featured artists include:

—Brom
—Jim Burns
—Kinuko Y. Craft
—Dan Dos Santos
—Bob Eggleton
—Donato Giancola
—Rebecca Guay
—James Gurney
—Gregory Manchess
—Stephan Martiniere
—Terese Nielsen
—John Picacio
—Greg Spalenka
—Shaun Tan
—Charles Vess

MATCHIBAKO: Japanese Matchbox Art of the 20s and 30s depicts Japan’s swift transformation into an industrial empire in the early 20th century, as illustrated in the infinitesimal advertisements on matchboxes from the period. In an uncertain society and its changing leisure market, matches joined cigarettes in Western-style hotels and cafes, and in sushi bars next door. Patrons might be found in Western dress or traditional kimono, debating Marx or the latest silent film, but all saw themselves reflected in the new graphism.

Although most were anonymously designed, these tiny remainders alternately show the influence of Cubism and the Bauhaus in illustration and English type, and retain conventional wood block fonts and right-to-left Japanese text. This little book is a delightful collection of images from the other side of the globe.

Completely illustrated in color

In architectural education, the study of materials and the study of design are often treated as separate areas of discourse, when in reality the two are utterly intertwined. The choice of construction materials affects the look and feel of built form, while inspired design sense injects life into a building's ingredients. This book is aimed at students of architecture and young practising architects. Through its detailed descriptions of glass, concrete, wood, metals and plastics - covering their unique properties, histories and various forms - the book lays the educational foundation for any aspiring architect. Each section features 10-12 case studies, including plans, sections, elevations and details, together with colour photographs illustrating the inspired and widely varied ways in which these materials can be applied. Among the case studies are works by Steven Holl, Shigeru Ban, Rural Studio, Campo Baeza, Arets and many others.

The extraordinary significance of the painter and sculptor Henri Matisse in the history of modern art, but also his influence, was no less decisive than that of his main rival, Pablo Picasso. In fact, Matisse's stylistic liberation actually goes one step further in the pursuit of his own personal goal — the perfect synthesis of line and color — by which he sought revolutionary approaches to the great tradition of French painting by drawing upon its classical aspects. For those who wish to know more about this lodestar of modern art and follow the adventurous path of his creative career, this publication is surely the most comprehensive and informative source available. Lavishly illustrated, its authoritative commentaries trace the artist's search for balance, purity and serenity, from the chromatic brilliance of his Fauve period, through his travels, the Orient, geometric synthesis (it was he who introduced Picasso to African art by giving him his first mask), and the odalisques to the final triumph when, at the age of eigthy, he invented his gouache cut-outs that culminated in his illustrations for Jazz and allowed him to achieve his goal of sculpting in paint just as a sculptor works in stone. Matisse is widely acknowledged as an artist whose canvases are extremely difficult to reproduce in print. With this in mind, each work presented here has been painstakingly compared with the respective original, in close collaboration with the artist's grandson, Claude Duthuit. The bard of color deserves no less.

The Fauvist. Brilliant colour, simple forms, and purity of expression are the hallmarks of  Matisse's work

Henri Matisse (1869-1954) is known not only as one of the most important French painters of the 20th century but also as co-founder and leading exponent of Fauvism. His work reflects an ongoing quest for the expressive power of pure, brilliant colours and simple forms; as a result, the realistic presentation of nature often retires to a secondary position.

For Matisse, color did not serve as a tool for the expression of subjective feelings, but rather became the equivalent of light itself: it functioned as a pure medium in the creation of an autonomous pictorial space: "Out of my fruitful work with discovered tones there must emerge a vital colour harmony, a harmony that is analogous to a musical composition."

As a creative artist, Matisse was not only a painter but also experimented with other materials: he produced glass windows and theater designs and created significant sculptures in bronze, ceramic and clay. In old age, confined to a wheelchair, he created collages with coloured paper, glue, and scissors: his famed gouache cut-outs.

About the Series:

Every book in TASCHEN's Basic Art Series features:

- a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
- approximately 100 colour illustrations with explanatory captions
- a concise biography

A color harmony that is analogous to a musical composition

Henri Matisse (1869-1954) is known not only as one of the most important French painters of the 20th century but also as co-founder and leading exponent of Fauvism. His work reflects an ongoing quest for the expressive power of pure, brilliant colors and simple forms; as a result, the realistic presentation of nature often retires to a secondary position.

For Matisse, color did not serve as a tool for the expression of subjective feelings, but rather became the equivalent of light itself: it functioned as a pure medium in the creation of an autonomous pictorial space: "Out of my fruitful work with discovered tones there must emerge a vital color harmony, a harmony that is analogous to a musical composition."

As a creative artist, Matisse was not only a painter, but also experimented with other materials: he produced glass windows and theatre designs and created significant sculptures in bronze, ceramic and clay. In old age, confined to a wheelchair, he created collages with coloured paper, glue, and scissors: his famed gouache cut-outs.

About the Series:

Each book in TASCHEN’s Basic Art Series  features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 colour illustrations with explanatory captions

The author:

Volkmar Essers, born in 1944, studied art history, archaeology, and German in Bonn, Munich and Berlin. In 1972 he earned his doctorate with a work on the sculptor Johann Friedrich Drake. For many years, he has been the curator for the Art Collection of North Rhine-Westphalia, where he organized exhibitions of Paul Klee, Pablo Picasso, Max Ernst, Jackson Pollock and other artists. Essers has also published numerous essays and books on art of the 19th and 20th centuries.

Le Bonheur de Vivre. The vital colors and shapes of a modernist master

The work of Henri Matisse (1869 - 1954) reflects an ongoing belief in the power of brilliant colors and simple forms. Though famed in particular for his paintings, Matisse also worked with drawing, sculpture, lithography, stained glass, and collage, developing his unique cut-out medium when old age left him unable to stand and paint.

Matisse's subjects were often conventional: nudes, portraits, and figures in landscapes, Oriental scenes, and interior views, but in his handling of bold color and fluid draftsmanship, he secured his place as a 20th-century master. It was Matisse's palette that particularly thrilled the modern imagination. With vivid blue, amethyst purple, egg-yolk yellow, and many shades beyond he liberated his work from a meticulous representation of reality and sought instead a vital harmony, often referring to music as an inspiration or analogy for his work.

From vast patterned panels to simple and tender portraits, this book introduces the full reach and creativity of Matisse's career, spanning his early work within the Fauvism movement right through to his latter-year projects such as Jazz and the Chapelle du Rosaire in Vence.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

The search for balance, purity and serenity. An indispensable survey about a lodestar of modern art

The extraordinary significance of the painter and sculptor Henri Matisse in the history of modern art, but also his influence, was no less decisive than that of his main rival, Pablo Picasso. In fact, Matisse's stylistic liberation actually goes one step further in the pursuit of his own personal goal — the perfect synthesis of line and color — by which he sought revolutionary approaches to the great tradition of French painting by drawing upon its classical aspects.

For those who wish to know more about this lodestar of modern art and follow the adventurous path of his creative career, this publication is surely the most comprehensive and informative source available. Lavishly illustrated, its authoritative commentaries trace the artist's search for balance, purity and serenity, from the chromatic brilliance of his Fauve period, through his travels, the Orient, geometric synthesis (it was he who introduced Picasso to African art by giving him his first mask), and the odalisques to the final triumph when, at the age of eighty, he invented his gouache cut-outs that culminated in his illustrations for Jazz and allowed him to achieve his goal of sculpting in paint just as a sculptor works in stone.

Matisse is widely acknowledged as an artist whose canvases are extremely difficult to reproduce in print. With this in mind, each work presented here has been painstakingly compared with the respective original, in close collaboration with the artist's grandson, Claude Duthuit. The bard of color deserves no less.

The author:

Xavier-Gilles Néret is a teacher of Philosophy in the region of Paris. Like his father Gilles Néret he is passionate about philosophy, as well as poetry and art. He has been working on the figures who unite these disciplines, notably Stéphane Mallarmé. He is also interested in less known figures such as the poet Claude Tarnaud or the artists Barnard Saby and Pascal Doury, on which he has published books and articles.