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LA County Museum of Art (Editor), Philadelphia Museum of Art (Editor)
ID: 5293
Издательство: Hatje Cantz

Pierre-Auguste Renoir (1841–1919) is so heavily associated with Impressionist painting that his last creative period has frequently been ignored. This publication devotes itself to precisely these last three creative and innovative decades, in which Renoir abandoned Impressionism.

He dedicated himself during this period to cheerful subjects such as bathers, domestic idylls, and landscapes that were influenced by both classical mythology and his move to the south ofFrance. His fluid brushstrokes and masterful use of color were much admired by the up-and-coming modernist avant-garde.

More than three hundred color illustrations graphically demonstrate the influence Renoir had on younger artists such as Bonnard, Matisse, and Picasso, as well as the ways they examined his work.

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Nina Zimmer, Kunstmuseum Basel
ID: 8004
Издательство: Hatje Cantz

Pierre-Auguste Renoir (1841–1919) is so closely associated with Impressionist painting that the surprising diversity of his early work is frequently forgotten. His most important model during these early years was the artist’s mistress, Lise Tréhot, with whom he had a relationship between 1865 and 1872. After posing for a large group of prominent early works, including Woman in a Garden and En été (both 1868), Lise turned her back on the Bohemian lifestyle in favor of a bourgeois marriage. The paintings created between 1864 and the end of the following decade show the broad spectrum of Renoir’s art and the development of his artistic vocabulary, including the Impressionist phase. This is the first extensive examination of the painter’s early oeuvre and the strong influence of his close friendships with other artists, such as Éd0uard Manet, Claude Monet, Frédéric Bazille, and Alfred Sisley.

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Gilles Néret
ID: 13179
Издательство: Taschen

La Vie en Rose. The most comprehensive retrospective of Renoir’s work

Often misunderstood, Pierre-Auguste Renoir remains one of history’s most-loved painters — undoubtedly because his work exudes such warmth, tenderness, and good cheer. Gathering brilliant reproductions and sketches, as well as photos and a complete chronology illustrating his life and work, this is the essential work of reference on Renoir.

Pierre-Auguste Renoir’s (1841–1919) timelessly charming paintings still reflect our ideals of happiness, love, and beauty. Derived from our large-format volume, the most comprehensive retrospective of his work published to date, this compact edition examines the personal history and motivation behind the legend. Though he began by painting landscapes in the Impressionist style, Renoir found his true affinity in portraits, after which he abandoned the Impressionists altogether. Though often misunderstood, Renoir remains one of history’s most well-loved painters — undoubtedly because his works exude such warmth, tenderness, and good spirit.

In an incisive text tracing the artist’s career and stylistic evolution, Gilles Néret shows how Renoir reinvented the painted female form, with his everyday goddesses and their plump forms, rounded hips and breasts. Renoir’s later phase, marked by his return to the simple pleasure of the female nude in his baigneuses series, was his most innovative and stylistically influential, and would inspire such masters as Matisse and Picasso.

With a complete chronology, bibliography, photos, sketches, and brilliant reproductions, this is the essential work of reference on this enduring master artist.

The author:

Gilles Néret (1933–2005) was an art historian, journalist, writer, and museum correspondent. He organized several art retrospectives in Japan and founded the SEIBU Museum and the Wildenstein Gallery in Tokyo. He directed art reviews such as L'Œil and Connaissance des Arts and received the Élie Faure Prize in 1981 for his publications. His TASCHEN titles include Salvador Dalí: The PaintingsMatisse, and Erotica Universalis.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

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Grant Gibson
ID: 3936
Издательство: Laurence King Publishing

250 illustrations

The restaurant boom of the past two decades has been a breeding-ground for arresting graphic design. At the top end of the market a restaurant’s menu, matchbooks, business cards, signage and napkins are as important to the brand and image as its interiors. Lower down the scale, where design budgets tend to be tighter, they become absolutely vital. When you don’t have the money for endless revamps of your interior how else do you differentiate yourself in a crowded market? It’s here that graphic design takes the strain, regularly setting the entire tone of a restaurant. This book celebrates the unsung heroes of restaurant graphics and illustrates the best examples of their craft from around the world, from agencies such as Pentagram, Bruce Mau, Lippa Pearce, Frost, North and Cake Design.

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Mia Gröndahl, Tristan Manco
ID: 9552
Издательство: Thames & Hudson

The Egyptian Revolution that began on 25 January 2011 immediately gave rise to a wave of popular political and social expression in the form of graffiti and street art that were almost unknown under the old regime.

Mia Gröndahl has followed and documented the rapidly changing graffiti art of the new Egypt from its beginnings, and here in more than 430 colour images celebrates the imagination, skill, humour and political will of the young artists and activists who have claimed the walls of Cairo and other Egyptian cities as their canvas.

From the simplest hand-written messages, through stencils and martyr portraits, to the elaborate murals of Mohamed Mahmoud Street, the messages on the walls are presented in sections punctuated by interviews with some of the individual artists whose work has broken fresh ground
• Revolution & Freedom,
• Egyptian & Proud,
• Cross & Crescent,
• Martyrs & Heroes

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Bustos Rey
ID: 14962
Издательство: Design Studio Press

The human body is a challenging subject to depict because of its intricate complexity and movement. “To do it well requires an in-depth knowledge of anatomy and an awareness of what lies beneath all parts of the body, for the greatest figurative art gives the impression that there is a living skeleton inside the body,” notes artist and veteran art educator Rey Bustos. With Rey’s Anatomy: Figurative Art Lessons from the Classroom, Bustos provides essential anatomical information, detailed studies, and valuable drawing tutorials to equip artists with a basic understanding of the skeletal structure and muscle system of the human body.

Having taught figure drawing for 30 years, he presents complex concepts in a remarkably accessible manner, referencing works from the Old Masters to demonstrate how an artist can take the same anatomical knowledge and express it in diverse and personal ways and, with study and practice, portray the human form without being hindered by the process or the intellect. Rey’s Anatomy explores anatomy first, followed by daily drawing exercises to help refine one’s figurative work, while featuring the extraordinary work of his students throughout the book ― alongside his own ― a testament to how his lessons have benefited generations of artists.

About the Author:

Rey Bustos is one of the country's preeminent artistic-anatomy teachers. He graduated with honors from the prestigious ArtCenter College of Design in 1989, and has been teaching figure drawing, composition, and 2D and 3D anatomy ever since. Bustos currently teaches at ArtCenter College of Design in Pasadena, CA, Los Angeles Academy of Figurative Art, and Kline Academy of Art in Culver City, CA and conducts online classes for Computer Graphics Masters Academy (CGMA), New Masters Academy and Gnomon School of Visual Effects.

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By Andre Gregory, John Lahr, Mike Nichols, Twyla Tharp, and Mitsuko Uchida Photographer Richard Avedon
ID: 7624
Издательство: Abrams

"We all perform. It's what we do for each other all the time, deliberately or unintentionally. It's a way of telling about ourselves in the hope of being recognized as what we'd like to be."
 - Richard Avedon, 1974

The preeminent stars and artists of the performing arts from the second half of the 20th century offered their greatest gifts - and, sometimes, their inner lives - to Richard Avedon. More than 200 are portrayed in Performance, many in photographs that have been rarely or never seen before. Of course, the great stars light the way: Hepburn and Chaplin, Monroe and Garland, Brando and Sinatra. But here too are the actors and comedians, pop stars and divas, musicians and dancers, artists in all mediums with public lives that were essentially performances, who stand at the pinnacle of our cultural achievement.

The celebrated author and critic John Lahr offers an elegant assessment of Avedon’s achievement. Four supremely talented artists from the performing arts - Mike Nichols, André Gregory, Mitsuko Uchida, and Twyla Tharp - contribute lively and moving memoirs about their collaborations with Avedon.

About the Authors: 

John Lahr is Senior Drama Critic of The New Yorker. In 2002, he was the first drama critic ever to win a Tony Award. 

Mike Nichols is an American Emmy Award, Academy Award, Grammy Award, and Tony Award-winning stage and film director, writer, and producer. André Gregory is an American director and actor. His best-known film appearance was as the title character in My Dinner with Andre

Mitsuko Uchida is a classical pianist, renowned for her recordings of Mozart, Beethoven, and Schubert. 

Twyla Tharp is a leading American dancer and choreographer.

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Author Maria Stavrinaki, Photographs by Hélène Binet and Thomas Lannes
ID: 15975
Издательство: Rizzoli

This lavishly illustrated volume documents the first public presentation of a recent monumental sculpture by Richard Serra, one of the most significant artists of his generation.

Richard Serra has produced large-scale sculptures for architectural, urban, and landscape settings spanning the globe. This volume, published to coincide with a 2021–22 exhibition at Gagosian Le Bourget in Paris, presents a recent sculpture by the artist: Transmitter (2020). Made of weatherproof steel, Transmitter is monumental in scale, measuring approximately 4 meters in height and 18 meters in width and length. Here, immersive installation views of the sculpture within the vast exhibition space of Gagosian Le Bourget in Paris are accompanied by plate photography of fourteen recent works on paper by the artist. A new text by art historian Maria Stavrinaki (in English and French) reads Serra’s long sculptural practice through three formal, temporal, and political moments.

Richard Serra was born in 1938 in San Francisco, and lives and works in New York. His work is held in major museum collections around the world. Since 1983, Gagosian has presented thirty-seven exhibitions of Serra’s work in the United States and Europe.

About the Authors:

Maria Stavrinaki is Associate Professor of Art History and Theory at the Université Paris I, Panthéon-Sorbonne. She has worked extensively on the art of the 20th century and is particularly interested in questions of time and history in modernity, working at the crossroads of artist practices and discourses, the construction of the human sciences, and political questions. Her most recent book is Saisis par la préhistoire: Enquête sur l’art et le temps des modernes (2019), translated into English by Zone Books (Transfixed by Prehistory: An Inquiry into Modern Art and Time, 2022).  She co-curated the exhibition Préhistoire: Une énigme moderne at the Centre Pompidou, Paris (2019), and is currently preparing an exhibition on art in the atomic age for the Musée d’Art Moderne de Paris (2024).

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Klaus Honnef
ID: 13387
Издательство: Taschen

Realism vs. Abstraction. A colorful exploration of the life and work of Gerhard Richter

Meet Gerhard Richter, the German artist who redefined painting. Between abstract works and photography-based paintings, Richter pushes the medium’s boundaries and reminds us of its urgency and importance in a world overwhelmed by digital images. This introduction to one of the greatest artists of our time explores his entire career.

An encounter with Gerhard Richter, the German artist who widened horizons in the relationship between painting and reality. From early photographic paintings, along with his famous RAF cycle, to late abstract paintings, experiencing Richter’s work always offers us the unexpected and unseen. Where he once set out to liberate the medium from ideological ballast, today, faced with the overwhelming presence of digital images, he shows us the unsurpassed impact and intensity of painting. A definitive introduction to one of the greatest artists of our time spanning not only his entire career, but also 50 years of cultural, economic, and political events.

The author:

Klaus Honnef was honorary professor of photography theory at the Kassel Art Academy. He was one of the organizers of documenta 5 and documenta 6 in Kassel, and has been the curator of more than 500 exhibitions in Germany and abroad. He has written numerous books, including TASCHEN’s Contemporary Art, Andy Warhol, and Pop Art.

About the series:

Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. 

Each book in TASCHEN’s Basic Art series features:
- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

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Rachel Church
ID: 8361
Издательство: V&A Victoria Albert Museum

Rings are perhaps the most common and yet the most evocative pieces of jewellery. Worn as a sign of love or as a fashion accessory, to mark weddings, remember the dead, or show religious faith, the unbroken circle, decorated or elegantly unadorned, holds a multitude of meanings for every wearer.

From simple medieval hoops worn to ward off disease to the glamorous rocks worn by Hollywood starlets, to the stunning works of art created by contemporary artist jewellers, this book offers a beautifully illustrated introduction to rings.

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Peter Bolke, Rolf Enoch
ID: 9059
Издательство: Edel

The history of jazz, which began at the start of the 20th century, is the story of artists who developed their music especially in big cities like New Orleans, Chicago or New York. The roads of jazz are marked by great names and they present different styles; they do not end in America but reach every continent.

6 CDs present the music of different jazz styles, from classic New Orleans jazz, swing and bebop up to cool and West Coast jazz. The recordings of creative innovators or of jazz musicians who were typical at a certain time demonstrate the development of the music.

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Robert Gober
ID: 3957
Издательство: Steidl Verlag

500 colour plates

This book is the first complete listing of Robert Gober’s sculptures and installations made between 1979 to 2007. It comprises around 250 catalogued works, all with large-format illustrations. Comprehensive descriptions are rounded out with the artist’s commentary on individual works, as well as technical information on how they were produced and the history behind them.

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Robert Palmer, Peter Guralnick
ID: 3960
Издательство: Steidl Verlag

Rock ’n’ Roll 39-59 explores a pivotal period in contemporary history, retracing the early years of rock ’n’ roll in the U.S. and the landmark events that added up to a major cultural transformation. From the boogie-woogie craze in the years following 1939 to the events of the late fifties that marked the end of the first golden age of rock ’n’ roll, this extensive publication sets the phenomenon within a broad context of social, cultural, and artistic change.

The book chronicles this key cultural phenomenon in modern American history with the reproduction of priceless period posters, records, and rare objects, and extensive photographs and film stills. It captures the mood of the time, the spirit of freedom, and rebellion that were at the heart of the rock ’n’ roll explosion in the mid-1950s and also presents the bloodline of the musical melting-pot which was at the core of movement. Focusing on the different musical styles that influenced rock ’n’ roll–boogie-woogie, blues, gospel, big band jazz, country music, and most of all rhythm and blues - it is brought to life with pictures recalling the key places, events, artists, producers, and people behind the scenes that made rock ’n’ roll what it was and the vibrant heritage that remains today.

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Gary Graff, Daniel Durchholz
ID: 8482
Издательство: Rockport

It's perhaps the relative modernity of rock 'n' roll that makes the genre a minefield of myths and legends accepted as truth. History hasn't had time to dissect the bunk. Until now.

Discover the real stories behind rock's biggest crocks, how they came to be but why they have persisted. Did Cass Elliott really asphyxiate herself with a ham sandwich? Did the Beatles spark a spliff in Buckingham? Did Willie Nelson do the same in the White House? Did Keith Richards get a complete "oil change" at a Swiss clinic in 1973 to pass a drug test necessary to embark on an American tour with the Stones?

Then there's the freaky (did Michael Jackson own the remains of the Elephant Man?), the quasi-medical (Rod Stewart and that stomach pump?), the culinary (did Alice Cooper and Ozzy Osbourne really do all those things to bats, chickens, etc. onstage?), and the apocryphal (did Robert Johnson sell his soul to the Prince of Darkness in exchange for mastery of the blues?).

In all, more than 50 enduring lies are examined, explained, and debunked.

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Lynn Goldsmith
ID: 5860
Издательство: Abrams

Lynn Goldsmith’s vast body of work testifies to her passion for rock and roll. Beginning in the late 1960s, she plunged into the scene working at Electra Records making promotional films. She worked with Joshua White, of the famed Joshua Light Show, creating Video Magnification at rock concerts and went on to become the first director of Late night network Television's ABC In-Concert series. Besides directing, she managed bands and then launched her own music career as Will Powers with the help of established artists like Steve Winwood, Sting, and Todd Rundgren, among others, all the while taking brilliant photographs. Equally at home in the photo studio and shooting reportage, she compiled an unparalleled portfolio of hard-to-get images. Whether the subject be punk, alternative, commercial pop, or the rarified world of the superstars of rock, Goldsmith has a vast range of rare and unusual photographs.

Rock and Roll is a collection of her best work, accompanied by quotes from many of her subjects provided especially for this book. It includes three gatefolds with rock-mosaics made up of thousands of her photographs of the Rolling Stones, Bruce Springsteen and Kiss.

The introduction is by Iggy Pop, formerly of the Stooges, the godfather of punk.

Lynn Goldsmith’s work has appeared on and between the covers of Life, Newsweek, Time, Rolling Stone, Sports Illustrated, People and many other magazines. Among her ten books are PhotoDiary, NY Times Bestseller New Kids, Springsteen: Access All Areas, and Flower. A director as well as a photographer, Goldsmith was the youngest member ever to be inducted into the Director’s Guild of America. She lives in New York City and Aspen, Colorado

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