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'In Dreams. Scenes from the Archive' adds to our understanding of Dennis Hopper’s personal vision as an artist by tracing the threads of Hopper’s life through photography, and connecting his roles as an actor, husband, father, and photographer.

'In Dreams' eschews Hopper’s iconic stand-alone images and instead looks to distill the archive into a connected set of photographs that offer new impressions and stories. Themes emerge, visual rhymes are made, and characters come and go while the reader is invited along for the journey. Hopper’s photographic output was especially concentrated in the ‘60s, a period in which his film career had cooled off. During these years Hopper’s primary creative outlet was his photography. The Nikon camera his wife Brooke Hayward gifted him hung so prominently around his neck that friends jokingly called him ‘the tourist.’

While 'In Dreams', which references Roy Orbison’s song by the same name made famous in Blue Velvet, includes appearances by famous faces, they are intimately intertwined with Hopper’s peripatetic life and his everyday use of the camera. Hopper was very much an insider — at ease with celebrities and artists of his day — but this new conversation with his archive shows that, like many photographers, Hopper was also distinctly an outsider. Famous himself, but also an observer: it’s this unique duality that allowed Hopper to view the world in his unique way.

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Пролистать книгу Dennis Hopper: In Dreams: Scenes from the Archive

Shot by Shot is the world’s go-to directing book, now newly updated for a special 25th Anniversary edition! The first edition sold over 250,000 copies, making it one of the bestselling books on film directing of all time. Aspiring directors, cinematographers, editors, and producers, many of whom are now working professionals, learned the craft of visual storytelling from Shot by Shot, the most complete source for preplanning the look of a movie.

The book contains over 800 photos and illustrations and is by far the most comprehensive look at shot design in print, containing storyboards from movies such as Citizen Kane, Blade Runner, Dead-pool, and Moonrise Kingdom. Also introduced is the concept of A, I, and L patterns as a way to simplify the hundreds of staging choices facing a director in every scene.

Shot by Shot uniquely blends story analysis with compositional strategies, citing examples then illustrated with the storyboards used for the actual films. Throughout the book, various visual approaches to short scenes are shown, exposing the directing processes of our most celebrated auteurs ― including a meticulous, lavishly illustrated analysis of Steven Spielberg’s scene design for Empire of the Sun.

About the Author:

Steven D. Katz is an award-winning writer, producer, and director. His work has appeared on Sat-urday Night Live and in many cable and theatrically released films, such as Clear and Present Dan-ger, for which he completed the first full digital previsualization of a motion picture. He has taught workshops at the American Film Institute, Sundance Film Festival, Parsons School of Design, Danish Film Institute, School for Visual Arts (in New York), and Shanghai University, among many others.

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Пролистать книгу Film Directing: Shot by Shot - Visualizing from Concept to Screen на Google Books.

Composing shots with your camera is one thing.

Making your video rock through editing is another. This one-of-a-kind book is your must-have cheat sheet for making the cuts that editors use to create memorable movies. Fantastic for filmmakers, students, moviegoers, or anyone who wants to discover how cuts affect the viewer and the movie’s story. YouTube filmmakers: This book will juice up your creations!

Film Editing makes the invisible art of editing visible by using 600 colorful frames from popular, recent films. The frames, accompanied by brisk descriptions, are perfect for readers who like to gaze as well as those who prefer to graze. Written by an editor and the author of Cut by Cut, this picture dictionary of cuts shows you how filmed frames are edited together to craft movies that zing audiences with their pacing, character connections, and enduring stories.

About the Author:

Chandler has been nominated twice for a Cable Emmy for comedy editing. Gael has edited every type of genre on every medium: film, tape, and digital; and has trained hundreds of professionals and students to put their best cut forward. She has written a handful of feature screenplays, one of which won the Scriptwriters Networks' Producers Outreach Program contest. Her first book was Cut by Cut: How to Edit Your Film or Video. Additionally, she has created numerous online courses on a variety of subjects, including editing.

Into the Night. All you need to know about Film Noir

Explore the dark and brooding elegance of Film Noir with this essential handbook to the genre, exploring key noir themes and their most representative movies. Copiously illustrated with film stills as well as original posters, the book also lists TASCHEN’s top 50 noir classics. A must for amateurs and aficionados alike.

Whether it’s Double Indemnity, Kiss Me Deadly, or The Big Sleep, roam a screen world of dark and brooding elegance with this essential handbook to Film Noir. From private eyes and perfect crimes to corrupt cops and doomed affairs, editors Paul Duncan and Jürgen Müller examine noir’s key themes and their most representative movies from 1940 to 1960.

Copiously illustrated with film stills as well as original posters, this book offers page after page of noir’s masterful visual compositions while exploring the narrative paradigms of this cryptic, compelling, and evolving genre. If that weren’t enough to tickle your cinematic appetite, the volume concludes with TASCHEN’s top 50 pick of noir classics.

Brimming with the enigmatic dames, desperate gangsters, and psycho killers that continue to cast a long and captivating shadow over cinema, this is a must-have handbook for noir aficionados and amateurs alike.

The authors:

Film producer, critic and historian Alain Silver is the author of 20 books on cinematic topics, including The Noir Style, LA Noir, the Film Noir Reader series, and Steve McQueen, Frank Sinatra, and Katharine Hepburn for TASCHEN's Icon Series. His audio commentaries on classic film noir DVDs include Call Northside 777 and Double Indemnity. A member of the Directors Guild of America, the Screen Actors Guild, and the Writers Guild of America, he graduated from UCLA with degrees in film production and critical studies.

James Ursini has co-written eleven books with Alain Silver, including their Film Noir Reader series, which established them as two of the foremost authorities on film noir. Ursini has also written for various film magazines and supplied the commentary for numerous classic film noir DVDs. He has a doctorate in motion pictures studies and lectures on filmmaking in the Los Angeles area.

The editors:

Paul Duncan is a film historian whose TASCHEN books include The James Bond Archives, The Charlie Chaplin Archives, The Godfather Family Album, Taxi Driver, Film Noir, and Horror Cinema, as well as publications on film directors, film genres, movie stars, and film posters.

Jürgen Müller holds the chair of Early Modern and Modern Art History at the Technical University of Dresden. He studied art history at the universities of Bochum, Münster, Pisa, Paris and Amsterdam, and has worked as an art critic and curated numerous exhibitions. He is also the editor for TASCHEN’s movies by decade series.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

Back in the USSR. 250 film posters capture the cultural energy of the pre-Stalin era

At the intersection of the visual, graphic, and cinematic arts, film posters are a unique and thrilling record of a particular cultural Zeitgeist. This book brings together 250 posters from the Soviet Union of the 1920s and early 1930s to explore the energy and invention of this period, before Soviet Realism became the official art doctrine.

Drawn from the private collection of connoisseur Susan Pack, the selection includes the work of 27 different artists. From bold figuration to architectural elements, each artist displays a distinct style and aesthetic, as much as they collectively eschew the glamour of Hollywood for more stark, striking, even challenging images, often marked by unusual angles, dynamic compositions, and startling close-ups.

About the Author:

Susan Pack graduated from Princeton in 1973. For 10 years she worked in advertising, latterly as senior copywriter at Saatchi & Saatchi in New York. She began collecting rare advertising posters in the 1970s, in due course acquiring one of the world’s foremost collections of avant-garde Russian film posters.

Film Production Management 101 and Patz’s previous Surviving Production were quickly adopted as the essential road map to the business and logistics of on-the-job film and television production since 1997.

Originally developed from practical tools Patz created for her film and television production career, this new edition has undergone a comprehensive update to address the shifting balance between digital and film technologies and to pave the way as we progress further into the digital age.

The book includes everything from budgeting, to managing the production office, to script revisions, to cost reporting, to copyright, to publicity, and much, much more. With Patz’ penchant for sharing knowledge and her knack for communicating concepts, Film Production Management 101 continues to be the book you have to have open on your desk for every prep, shoot, and wrap day. The more than 50 useful forms and checklists which are included (and downloadable) will save you time, money, and headaches, working like a pro right from day one.

About the Author:

Deborah S. Patz has been a filmmaker on award-winning productions since the mid-1980s, primarily as a production manager and coordinator, and then as production executive. She has worked with Lucasfilm, IMAX, MCA/Universal, Alliance/Atlantis, Nelvana, BBC, CBC, the Disney Channel, and the list goes on. A peek at her filmography includes L5: First City in Space, Mission to MIR, William Shatner's TekWar, Alfred Hitchcock Presents, Ewoks & Droids, Maniac Mansion, The Magician's House, and The Big Comfy Couch, to name a few. Her first book, Surviving Production (on coordination) was published by MWP in 1997, and was then incorporated into this, her second book, which was published in 2002 and remains on sale around the world.

Cinema is both an art form and a unique social and media institution: while moving pictures provide hours of pleasure and entertainment, they also deserve serious intellectual consideration. Film: A Critical Introduction, Fourth Edition is the perfect starter text for students of film studies and general readers who love movies, but who may not possess all the tools necessary for analyzing films and creating interpretive arguments.

This updated and expanded version illustrates film concepts in context and in-depth, addressing techniques and terminology used in both film production and criticism. With reference to 450 new and existing images, the authors discuss contemporary films and film studies scholarship, as well as recent developments in film production and exhibition, such as digital technologies and new modes of screen media. Key revisions to the fourth edition of the text were specifically made to emphasize on helping students translate their ideas about film into written analysis and criticism. The material helps readers to understand film techniques and terminology, highlights research skills and rhetorical strategies enabling students to build comprehensive, thoughtful interpretations of films in discussion and writing.

About the Authors:

Maria Pramaggiore is Professor of Media Studies and Dean of Graduate Studies at Maynooth University in Co. Kildare, Ireland. Her publications explore topics in gender and sexuality, documentary, Irish film, and animal studies.

Tom Wallis has taught film and media studies at North Carolina State University and University College Dublin. He is part of the Communications team at the University of North Carolina System Office and serves on the Selection Committee for Full Frame Documentary Film Festival in Durham, North Carolina.

Guillermo del Toro is a complete and intimate study of the life and work of one of modern cinema's most truly unique directors, whose distinct aesthetic and imagination are unmatched in contemporary film.

Widely regarded as one of the most imaginative directors working in cinema today, Guillermo del Toro has built up a body of work that has enthralled movie fans with its dark beauty and edge-of-the-seat set pieces.

In this book, acclaimed author Ian Nathan charts the progression of a career that has produced some of contemporary cinema’s most revered scenes and idiosyncratic characters. This detailed examination looks at how the strands of del Toro’s career have woven together to create one of modern cinema’s most ground-breaking bodies of work.

Delving deep into del Toro's psyche, the book starts by examining his beginnings in Mexico, the creative but isolated child surrounded by ornate catholicism and monster magazines, filming stop motion battles between his toys on a Super-8 film camera. 

It follows him to film school, where we learn of his influences, from Kafka to Bunuel, and explores his 1993 debut Cronos, the independent horror debut which draws on the religious and occult themes which would recur throughout del Toro's work.

It goes on to cover his development as a director with 1997's Mimic, his blockbuster success with the Hellboy films and goes on to study the films which have cemented his status as a legendary auteur, Oscar award winners Pan's Labrynth and The Shape of Water, as well as his sci-fi masterpiece Pacific Rim, as well as looking at his exciting upcoming projects Nightmare Alley and Pinocchio.

An enlightening look into the mind of an auteur blessed with a singular creative vision, Guillermo del Toro analyses the processes, themes and narratives that have come to be recognised as distinctly del Toro, from practical effects to an obsession with folklore and paganism. It looks into the narrative techniques, stylistic flourishes and creative decisions which have made him a true master of modern cinema.

Presented in a slipcase with 8-page gatefold section, with scores of illuminating photographs of the director at work on set as well as iconic stills from his films and examples of his influences, this stunning package will delight all Guillermo del Toro devotees and movie lovers in general.

Unauthorised and Unofficial.

About the Author:

Ian Nathan, who lives and works in London, is one of the UK’s best-known film writers. He is the author of nine previous books, including Alien Vault, the best-selling history of Ridley Scott’s masterpiece, Terminator Vault, Tarantino, Tim Burton, The Coen Brothers and Anything You Can Imagine: Peter Jackson and the Making of Middle-earth. He is the former editor and executive editor of Empire, the world’s biggest movie magazine, where he remains a contributing editor. He also regularly contributes to The Times, The Independent, The Mail on Sunday, Cahiers Du Cinema and the Discovering Film documentary series on Sky Arts. 

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Пролистать книгу Guillermo del Toro: The Iconic Filmmaker and his Work на Google Books.

Newly updated and revised, How to Shoot Video That Doesn’t Suck is a quick and easy guide that will make your video better instantly — whether you read it cover to cover or just skim a few chapters. It’s about the language of video and how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making — which work just as well when shooting a two-year-old’s birthday party on your phone. Written by Steve Stockman, the director of the award-winning feature Two Weeks, plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn’t Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience. In other words, how to shoot video people will want to watch.

Here’s how to think in shots — how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of video production: framing, lighting, sound (use an external mic), editing, special effects (turn them off!), and gives advice on shooting a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you’ve learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Steve’s website (stevestockman.com) provides video examples to illustrate different production ideas, techniques, and situations, and his latest thoughts on all things video.

About the Author:

Steve Stockman is a director, producer, and writer of films, television shows, and commercials. He made the feature film Two Weeks (2007) starring Sally Field, Ben Chaplin, and Tom Cavanagh. Every summer he mentors aspiring filmmakers and teaches video-making at Summer Stars Camp. He lives with his family in Los Angeles.

Industrial Light & Magic Presents: Making Solo: A Star Wars Story is an eyewitness account of the film’s production from visual effects supervisor and coproducer Rob Bredow. The book gives readers an intimate glimpse into the journey that Solo took from pre-production, production, and post-production, fully documenting how this film came to the big screen.

Making Solo gives a chronological overview of how this multiple-Academy-Award-winning visual effects company created new worlds, aliens, droids, and vehicles for a galaxy far, far away, including insights into how the train heist on Vandor, L3-37, the Kessel Run, and the reimagined Millennium Falcon were brought to life. A must-have for Star Wars fans, this authorized, all-access book will be an indispensable work for all movie fans and devotees of popular culture.

About the Authors:

Rob Bredow is the SVP, executive creative director, and head of Industrial Light & Magic, responsible for the company’s overall creative strategy and global operations. He was the visual effects supervisor and coproducer on Solo: A Star Wars Story, where he served as a creative partner to the filmmakers throughout the entire production process. Bredow joined Lucasfilm in 2014 as vice president of New Media and head of Lucasfilm’s Advanced Development Group. Previously, he was CTO and visual effects supervisor at Sony Pictures Imageworks.  

Ron Howard is the cofounder of Imagine Entertainment and a director, producer, and actor who has won two Academy Awards, four Emmys, a Grammy, and two Golden Globes. He additionally received the National Medal of Arts as well as two stars on the Hollywood Walk of Fame. In additional to Solo: A Star Wars Story, he has directed A Beautiful Mind, The Da Vinci Code, Apollo 13, and other award-winning films.  

Keep up with the ever-expanding Marvel Universe with the new edition of DK's best-selling Marvel Encyclopedia. Discover the essential facts about Marvel Comics' timeless characters: mighty heroes such as Captain America, Spider-Man, Black Widow, and Iron Man, and malevolent villains like Thanos, Galactus, Loki, and Kingpin.

Featuring an introduction by Marvel Comics supremo Stan Lee, this definitive Who's Who of Marvel comic books reveals vital info and secret histories of more than 1200 classic and brand new Marvel characters, and provides the lowdown on recent key events including Civil War 2, Secret Empire, and Infinity Countdown.

From iconic teams such as the Avengers, X-Men, and Guardians of the Galaxy, and fan favourites Black Panther, Deadpool, and Captain Marvel, to rising stars Amadeus Cho, Squirrel Girl, and the Exiles, every significant Marvel character is showcased with the latest comic artwork. Meticulously researched, expertly written, and stunningly illustrated, the Marvel Encyclopedia boasts newly commissioned cover art by one of Marvel's hottest up-and-coming talents.

This unique, in-depth, and accessible encyclopedia is an indispensable guide to Marvel Comics, and a great Marvel gift that devoted fans and newcomers alike will return to time and again.

© 2020 MARVEL

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Пролистать книгу Marvel Encyclopedia New Edition на Google Books.

Master Shots gives filmmakers the techniques they need to execute complex, original shots on any budget. By using powerful master shots and well-executed moves, directors can develop a strong style and stand out from the crowd. Most low-budget movies look low-budget, because the director is forced to compromise at the last minute.

Master Shots gives you so many powerful techniques that you'll be able to respond, even under pressure, and create knock-out shots. Even when the clock is ticking and the light is fading, the techniques in this book can rescue your film, and make every shot look like it cost a fortune.

Each technique is illustrated with samples from great feature films and computer-generated diagrams for absolute clarity

About the Author:

Christopher Kenworthy has worked as a writer, director, and producer for the past ten years. He directed the feature film The Sculptor, which played to sold-out screenings in Australia and received strong reviews. Recent works include sketch comedy for the BBC's Scallywagga, a title sequence for National Geographic Channel, visual effects for 3D World, music videos for Pieces of Eight Records and Elefant Records, and an animated wall projection for The Blue Room Theatre in Perth, Australia. Kenworthy is the author of the best-selling Master Shots, two novels: The Winter Inside and The Quality of Light, and many short stories. Current projects include screenwriting, several directing assignments, and the development of additional Master Shots applications.

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Пролистать книгу Master Shots Vol 1: 100 Advanced Camera Techniques to Get an Expensive Look on Your Low-Budget Movie, 2nd Edition

Dialogue scenes are the most important moments in your film, but most directors get them wrong.

If you block your scenes well, you do more than capture the basic scene; you echo the meaning, emotion, and drama of every moment. That is never more important than with dialogue.

Whatever your budget, there is an exciting way to capture dialogue.

It is a tragedy that so many directors are happy to open a scene with a moving master shot, and then just settle into dull coverage for the dialogue. You can do better than that and Master Shots Vol 2 gives you 100 ways to shoot dynamic dialogue.

About the Author:

Christopher Kenworthy has worked as a writer, director, and producer for the past ten years. He directed the feature film The Sculptor, which played to sold-out screenings in Australia and received strong reviews. Recent works include sketch comedy for the BBC's Scallywagga, a title sequence for National Geographic Channel, visual effects for 3D World, music videos for Pieces of Eight Records and Elefant Records, and an animated wall projection for The Blue Room Theatre in Perth, Australia. Kenworthy is the author of the best-selling Master Shots, two novels: The Winter Inside and The Quality of Light, and many short stories. Current projects include screenwriting, several directing assignments, and the development of additional Master Shots applications.

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Пролистать книгу Master Shots, Vol 2: 100 Ways to Shoot Great Dialogue Scenes

The Master Shots books have garnered critical acclaim throughout the world. In this new volume, Kenworthy gets directors to define their vision in every shot and provides advanced techniques to make a breakthrough film.

About the Author:

Christopher Kenworthy has worked as a writer, director, and producer for the past ten years. He directed the feature film The Sculptor, which played to sold-out screenings in Australia and received strong reviews. Recent works include sketch comedy for the BBC's Scallywagga, a title sequence for National Geographic Channel, visual effects for 3D World, music videos for Pieces of Eight Records and Elefant Records, and an animated wall projection for The Blue Room Theatre in Perth, Australia. Kenworthy is the author of the best-selling Master Shots, two novels: The Winter Inside and The Quality of Light, and many short stories. Current projects include screenwriting, several directing assignments, and the development of additional Master Shots applications.

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Пролистать книгу Master Shots: The Director's Vision: 100 Setups, Scenes and Moves for Your Breakthrough Movie, Vol 3.

Forget high definition or surround sound, this is how to take your enjoyment of film to the next level!

The Movie Kama Sutra offers creative sex positions – including the ‘Potter’s Wheel’ (Ghost), ‘King of the World’ (Titanic) and, for the more sexually experimental, ‘Cable Drop’ (Mission: Impossible) – inspired by the most erotic moments in cinema history.

About the Author

Combining cutting-edge design, illustration and journalism, bi-monthly print magazine Little White Lies is the leading indie magazine on film.