Сборники работ по искусству

The power and magnitude of his lifes work are vividly conveyed by this thorough evaluation written by Hugh Davies, director of the La Jolla Museum of Contemporary Art, and art historian Sally Yard. Born in Dublin, as a teenager Bacon moved to London, where he worked as an interior designer and taught himself to paint. Responding to influences as diverse as Michelangelo and the photographer Muybridge, he has created a motion-filled style uniquely his own. Fascinated by the challenge of capturing what he calls "the mysteries of appearance," Bacon confronts us with emotional images that demand an emotional response.

Francis Bacon and the Masters presents more than twenty of the artist’s paintings, the majority coming from the extraordinary collection assembled by Bacon’s patrons, Robert and Lisa Sainsbury, over the course of the artist’s lifetime and now in the Sainsbury Centre for Visual Arts, University of East Anglia, Norwich.

Along with other landmark paintings from the Tate Collection and other major public and private collections, these are placed in the context of masterpieces from the Hermitage Museum in St Petersburg: Egyptian mummy masks, Roman and Renaissance sculpture, and a number of the museum’s most famous paintings such as Rembrandt’s Portrait of an Old Man, Matisse’s Nymph and Satyr and Picasso’s A Young Lady. These remarkable works, brought together for a ground-breaking exhibition at the Hermitage and the Sainsbury Centre for Visual Arts, are given further context by items and photographs from Bacon’s own studio archive, now in Dublin.

The exhibition is guest curated in both venues by Dr Thierry Morel, and co-curated by Amanda Geitner and Calvin Winner from SCVA. The contributing authors are Dr Thierry Morel, Professor Paul Joannides (Cambridge University), Amanda Geitner (SCVA), Calvin Winner (SCVA) and Margarita Cappock (Dublin City Gallery The Hugh Lane).

Francis Bacon (1909-1992) was one of the great figurative painters of the twentieth century.

This book, newly available in paperback, provides a thorough account of the life and work of this complex and conflicted artist, whose paintings retain their visceral impact and relevance today. Essays by international scholars provide new insights into Bacon's art and life, and some fifty art works from every decade of his career from the pensive and shocking works of the 1940's to the exuberantly coloured and visceral large paintings of the 1970s and 80's show Bacon' unique representations of the human body through his mastery of paint.

Over 150 additional illustrations portray his studio, friends and lovers, and reveal the diversity of his source materials, from Velázquez to the motion photos of Eadweard Muybridge.

The exhibition and the catalog will show for the first time in Spain a selection of around 80 paintings and drawings by the Czech artist, all from the Centre Georges Pompidou, and documents from the collection of Pierre Brulle, a leading expert on Kupka, who was considered the first painter to explore the concept of abstract act. The splendid collection of works from the Centre Georges Pompidou, mostly donated by the artist's widow in 1963, shows very clearly the development of Kupka's art from his early Symbolist paintings to his final years. Frantisek Kupka (1871-1957) began his artistic career at the Academy of Fine Arts in Prague, where he learned an academic style. Later on, in Vienna, he began to take an interest in Symbolism and allegorical art. After moving to Paris in 1896, Kupka worked as a press and advertising illustrator while at the same time making contact with the early avant-garde movements such as Fauvism and Cubism, though maintaining his independence and his own personal language. His interest in Futurist writings meant that around 1910 his work started to become increasingly abstract, with the idea of reflecting movement and studying the effects of colour and the relationship between music and painting. This led to the publication of the book La Creation dans les arts plastiques in 1913. Despite his links to the "isms" of the period, Kupka always felt himself to be a lone experimenter.

Frida Kahlo - painter of pictures expressing the burdens that weighed upon her soul

The Mexican artist Frida Kahlo (1907-1954) is one of the most important 20th-century painters, and one of the few Latin American artists to have achieved a global reputation. In 1983 her work was declared the property of the Mexican state.

Kahlo was one of the daughters of an immigrant German photographer and a Mexican woman of Indian origin. Her life and work were more inextricably interwoven than in almost any other artist's case. Two events in her life were of crucial importance. When she was eighteen, a bus accident put her in hospital for a year with a smashed spinal column and fractured pelvis. It was in her sick bed that she first started to paint. Then, aged twenty-one, she married the world-famous Mexican mural artist Diego Rivera. She was to suffer the effects of the accident her whole life long, and was particularly pained by her inability to have children.

Kahlo's arresting pictures, most of them small format self-portraits, express the burdens that weighed upon her soul: her unbearable physical pain, the grief that Rivera's occasional affairs prompted, the sorrow her childlessness caused her, her homesickness when living abroad and her longing to feel that she had put down roots, profound loneliness. But they also declare her passionate love for her husband, her pronounced sensuousness, and her unwavering survival instinct.

About the Series:
Every book in TASCHEN's Basic Art Series features:

•a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
•approximately 100 color illustrations with explanatory captions
•a concise biography

The author:
Andrea Kettenmann (born in 1959) studied art history in Gießen, Göttingen and Heidelberg before joining the art history department of the University of Hamburg. In 1986 she visited Mexico on a fellowship, and now lives there, working as a freelance art historian. She has now worked on a number of exhibitions and catalogues, including the catalogue for the retrospective on Diego Rivera, Frida Kahlo’s husband, in Detroit.

Pain and passion. The original and intimate art of Mexico’s most famous female painter

The arresting pictures of Frida Kahlo (1907–54) were in many ways expressions of trauma. Through a near-fatal road accident at the age of 18, failing health, a turbulent marriage, miscarriage and childlessness, she transformed the afflictions into revolutionary art.

In literal or metaphorical self-portraiture, Kahlo looks out at the viewer with an audacious glare, rejecting her destiny as a passive victim and rather intertwining expressions of her experience into a hybrid surreal-real language of living: hair, roots, veins, vines, tendrils and fallopian tubes. Many of her works also explore the Communist political ideals which Kahlo shared with her husband Diego Rivera. The artist described her paintings as “the most sincere and real thing that I could do in order to express what I felt inside and outside of myself.”

This book introduces a rich body of Kahlo’s work to explore her unremitting determination as an artist, and her significance as a painter, feminist icon, and a pioneer of Latin American culture.

 About the series

Each book in TASCHEN’s Basic Art series features:

 -  a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
 -  a concise biography
 -  approximately 100 illustrations with explanatory captions

42 selected master works by legendary Mexican painter Frida Kahlo. A special bargain in first-class Schirmer/Mosel quality.

This companion volume to an ambitious retrospective holds a mirror up to the iconic artist whose work so strongly reflected her life.

The life and work of Frida Kahlo were inextricably intertwined. This beautiful monograph celebrates the artist while exploring the lesser-known aspects of her story. Reproductions of Kahlo's paintings are accompanied by a series of illuminating essays that explore the artist’s private writings and the intense public interest in her life, the role of physical and mental suffering in the creative process, and the coded and double meanings hidden in so much of Kahlo’s work. In addition, a photographic essay compiled by her grandniece, Cristina Kahlo, features images from the family’s private collection. As an icon of female strength and suffering, Frida Kahlo has become something of an art world myth. This scholarly yet profoundly moving illustrated tribute to her life and work offers a measured perspective that rises above the noise of celebrity to discover the true artist and the truth of her art.

About the authors:

Peter von Becker is a writer, was head of the cultural section of the Berlin newspaper Der Tagesspiegel and continues to write regularly for this section.
Ingried Brugger is Director of the Bank Austria Kunstforum, Vienna.
Salomon Grimberg is a psychiatrist for children in Dallas and co-editor of the catalogue raisonné of Frida Kahlo's work.
Cristina Kahlo is a photographer in Mexico City and Frida Kahlo's grandniece. She is curator for the photography section of the exhibition in which family-owned photographs will be shown.
Arnaldo Kraus is a physician in Mexico City.
Helga Prignitz-Poda is an art historian and specialist in Latin American studies and lives in Istanbul and Berlin. She is a co-editor of the catalogue raisonné of Frida Kahlo's work and curator of the exhibition.
Francisco Reyes Palma is a historian, critic, and curator of Mexican art in Mexico City.
Florian Steininger is a curator of the Bank Austria Kunstforum, Vienna.
Jeanette Zwingenberger is an art historian in Paris.

This book traces the extraordinary life of an artist whose unforgettable imagery combined cruelty and wit, honesty and insolence, pain and empowerment.

Admired by the Surrealists and photographed by the greatest, Frida Kahlo was most renowned for her self-portraits and unusual still lifes. She learned about suffering at an early age. She contracted polio when she was six and was seriously maimed in a bus accident at the age of eighteen, which led to injuries that affected her for the rest of her life. She had a legendarily turbulent marriage to the great mural painter Diego Rivera, with whom she formed a strong attachment to indigenous Mexican folk art and a deep commitment to Communism.

Das Werk von Frida Kahlo (1907–1954) ist klein. Es umfaßt nur 143 Gemälde, die auch im Format klein sind, selten über 20 x 30 oder 40 x 60 cm hinausgehen. Und dennoch wurden einige ihrer Bilder zu Ikonen des 20. Jahrhunderts: Die gebrochene Säule etwa oder Der verwundete Hirsch. Als »farbiges Band um eine Bombe« bezeichnete André Breton, einer ihrer vielen Bewunderer aus der europäischen Avantgardeszene, die Kunst Frida Kahlos. Exotisch und explosiv, sinnlich und faszinierend vital in ihrer künstlerischen Aussage, spiegeln Kahlos Bilder eine komplexe, oft erschreckende Seelenlandschaft: »meine innere Wirklichkeit «, wie sie selbst sagte. Unsere Monographie zeigt 42 ausgewählte Meisterwerke in voller Größe vierfarbig reproduziert und zusätzlich in den interessantesten Details. »Lesbar« gemacht durch die erklärenden Texte von Helga Prignitz-Poda, erschließt sich Frida Kahlos Kunst den Sinnen wie dem Intellekt und entfaltet den ganzen Reichtum ihrer ungeheuer vielschichtigen Bildsprache. Wir freuen uns, Ihnen das Standardwerk der Kahlo-Spezialistin Helga Prignitz-Poda nun als Sonderausgabe im handlichen Format zum Sonderpreis anbieten zu können.

In Frida Kahlo, legendary figure-head of new Mexican art, life and art match in an unrivalled way. Her vibrant paintings, mostly self-portraits, are a mesmerizing and unsparing testimony to a dramatic life in a tormented body, to an amazing will to survive, and to an outstanding artistic talent. Our bestselling book, now in a low-price reduced-size edition, juxtaposes the paintings with large-size details revealing the beauty and the abysses of Frida Kahlo’s art.

The Mexican painter Frida Kahlo (1907–1954) is one of the most famous artists of all time. However, while much has been written about Kahlo’s striking self-portraits (of which some 80 are known), her still-life paintings (of which 40 or so are documented) have not been subjected to such close scrutiny until now. In this groundbreaking study, noted Kahlo scholar Salomon Grimberg explores in detail and interprets all of the artist’s still lifes, including some that have come to light only recently. Offering provocative new perspectives on Kahlo’s creative process, and revealing how the still lifes reflected her internal reality and complement her self-portraits, this book represents an indispensable contribution to the literature on an enduringly popular artist.

The only complete study of Kahlo’s still lifes, indispensable to understanding the artist, her internal reality and her work
Offers original interpretations by a leading authority on Kahlo
Includes stunning reproductions of every known still life painted by Kahlo, as well as other relevant works and photographs

110 illustrations, 60 in colour

Sublime stillness

Capturing nature's moody splendor

The solitude of man and the bleak beauty of nature are prominent themes in the work of Caspar David Friedrich (1774-1840), the great romantic painter whose importance and influence have often been underestimated. Now widely considered to be the most important German artist of his generation, Friedrich died in obscurity and wasn’t fully appreciated until the early 20th century. An important precursor to the Expressionists, Friedrich once wrote that an artist must “close your bodily eye so that you may see your picture first with the spiritual eye. Then bring to the light of day that which you have seen in the darkness so that it may react upon others from the outside inwards.”

About the Series:
Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

A Frenchman in Tahiti. Gauguin’s search for pristine originality and unadulterated nature

After starting a career as a bank broker, Paul Gauguin (1848–1903) turned to painting only at age twenty-five. After initial successes within the Impressionist circle, he broke with Vincent van Gogh and subsequently - when private difficulties caused him to become restless - embarked on a peripatetic life, wandering first through Europe and finally, in the search for pristine originality and unadulterated nature, to Tahiti.

The paintings created from this time to his death in 1903 brought him posthumous fame. In pictures devoid of any attempt at romantically disguising the life style of the primitive island peoples, Gauguin was able to convey the magical effect that both the landscapes and life of the natives - their body language, charm and beauty - had on him. Wearying of his reputation as a South Sea painter, Gauguin finally determined to return to France, but died of syphilis on the Marquis Islands before his departure.

About the Series:

Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

This dazzling book showcases dozens of Paul Gauguin’s most celebrated works and presents a new consideration of the artist’s relationships.

This vibrant examination of Paul Gauguin’s life and work features more than fifty pieces from the Ny Carlsberg Glyptotek collection in Copenhagen, including paintings, wood carvings, and ceramics along with Oceanic art and Gauguin’s works on paper from the Fine Arts Museums of San Francisco’s permanent collections. Each piece is reproduced in exquisite detail, offering a superb opportunity to enjoy Gauguin’s groundbreaking use of color, line, and form. 

Essays examine Gauguin’s relationships and reveal the struggles, indulgences, awakenings, and betrayals of his personal and professional life. Other essays provide new insights into Gauguin’s travels to the far reaches of the French colonial empire in the Pacific and explore his cultural identity, sexuality, and spirituality. 

Beautifully designed to complement Gauguin’s extraordinary oeuvre, this book offers a refreshing take on an artist whose life and work continue to fascinate to the present day.