Книги про современное искусство

‘I received an email telling me it was over. I didn’t know how to respond. It was as if it wasn’t meant for me. It ended with the words: "Take Care of Yourself". I took this recommendation literally. I asked a hundred and two women, chosen for their profession, to interpret the letter in their professional capacity. To analyse it, provide a commentary on it, act it, dance it, sing it. Dissect it. Squeeze it dry. Understand for me. Answer for me. It was a way to take the time to break up. At my own pace. A way to take care of myself.’

This superbly designed book accompanied Sophie Calle’s exhibition in the French pavilion at the Venice Biennale 2007. It comprises three books – one main volume, two smaller inside that – and four accompanying DVDs

Includes 107 interpretations by a range of successful female professionals, from leading actors and dancers to physicists, psychoanalysts and lawyers.

About the Author:

Sophie Calle (born 1953) is an internationally renowned artist whose controversial works often fuse conceptual art and Oulipo-like constraints, investigatory methods and the plundering of autobiography. Her work has been shown at the Museum of Modern Art, New York, the Whitney Museum of American Art, the Carnegie Museum of Art, the Museum of Fine Arts, Boston, the Hayward Gallery and the Museum of Contemporary Art, Chicago, among others. She lives and works in Paris.

Today, the most clever brand communication is self-promulgating.

Anyone currently working in brand communication is facing fundamental yet compelling challenges. In an age in which we are flooded with information, consumers are becoming more critical and discerning. They are deploying ever finer filters so that only the most relevant pieces of information ever reach them. Because of this development, traditional brand and advertising messages are far less likely to be seen.

Taken by Surprise is a collection of communication measures that are sophisticated and relevant enough to overcome these hurdles. They include limited special edition products and signature collaborations between brands, artists, and designers such as those between Julian Schnabel and Maybach, Issey Miyake and Dyson, Sagmeister and Levi’s, Olafur Eliasson and BMW, Jonathan Meese and Staehlemuehle, Terry Richardson and Colette as well as other innovative work by the likes of Damien Hirst, Red Hot Chili Peppers bassist Flea, David Lynch, Geoff McFetridge, and Pharrell Williams.

110 илл.

Современное искусство не существует без концепции, его эстетическая сторона порой даже уходит на второй план, уступая место идее. Художник Таня Баданина один из самых по­настоящему современных и актуальных авторов, многогранная философия ее произведений не нарушила эстетики образа. Примиряя смысл с формой, все, что ни делает Татьяна, воссоздает ли картину неба, рисует ли рай, любое творчество уподобляет акту божественного творения. В книге о Тане Баданиной – инсталляции, живопись, опыты конструирования одежды, современные жанры и вечные темы. Механизм познания рая и счастья творить откроется каждому читателю.

An accessible A-Z guide to the art of the 20th-century

The 20th Century Art Book was hailed upon its release as an exciting celebration of the myriad forms assumed by art over the last century.

Complementing the phenomenally successful Art Book, and most recently The American Art Book, it presents a new and original way of bringing art alive. Covering the truly international nature of the modern art scene, it encompasses established, iconic works of art and the classics of the future. 500 artists are showcased in alphabetical order, each represented by a full-page colour plate of a definitive work and an incisive text which sheds light on both image and creator.

This book is above all easy to use: cross-references help the reader make connections between artists; there is a jargon-free glossary of artistic terms and movements; and an international directory of museums and galleries lists the works on public view.
Ideal for those approaching the subject for the first time, it is a fun and unintimidating look at the ever-expanding boundaries of art.

This book presents work by a group of the world’s most esteemed young contemporary artists and designers in a medium they’ve previously not explored–retro 3D.

Since he was a kid, artist, designer, and vinyl toy impresario Tristan Eaton has been obsessed with the nostalgic look of 3D imagery. In The 3D Art Book, he parlays this fascination into a carefully curated selection of over 100 works by established and up-and-coming contemporary artists, expertly rendered as 3D images which can be viewed with red and blue glasses (included in the book). Many of the pieces, by artists respected within the designer toy, street art, Pop Surrealist, graffiti, graphic design, and streetwear communities, were created specifically for this project.

The included works range from otherworldly paintings by Eric White, Ron English, and James Jean, to graffiti pieces by Dr. Revolt, Claw Money, and HAZE, intricate designs by Tokidoki, 10Deep, and Mishka NYC, cartoonish characters by Jon Burgerman, Miss Van, and Gary Baseman, as well as pieces by heavyweights D*Face, Todd Schorr, and Shepard Fairey. Each image comes jumping to life when viewed with 3D glasses. Eaton’s introduction documents his personal history as an appreciator and creator of 3D art, while an essay by cultural critic Carlo McCormick focuses on stereoscopic 3D’s rise to pop prominence in 1950s America.

Exploring the most exciting art spots worldwide, The Art Escapes Atlas invites the reader to delve into surprising new frontiers in culture travel. From homes of artists like Georgia O’Keeffe and Frida Kahlo to hidden treasures in a forest or desert, the book is a collection of precious locations for art outside the museums.

A manual of the not-to-be-missed getaways for art lovers across the world, The Art Escapes Atlas will show the most captivating art, culture and design scenes for those who don’t want to waste any time, and always make the most out of a cultural trip.

About the Author:

Grace Banks is a London-born editor and journalist who specializes in culture and current affairs. She writes for The Guardian, The New York Times, Interview, Elle, VICE, i-D, Mr Porter, Wallpaper*, Forbes.com, Al Jazeera, and others. She is the former editor of Sleek Magazine.

Discover the compelling story of the evolution of contemporary art, its state today, and where it’s headed, through a sample of ten artworks created by ten artists over a span of fifteen years

Written in an engaging, straightforward style by prominent art historian Matthew Israel, this book presents ten outstanding examples of contemporary art, each with significant historical or cultural relevance to contemporary art’s big picture. Drawn from the fields of photography, painting, performance, installation, video, film, and public art, the works featured here combine to create a bigger picture of the state of contemporary art today.

From Andreas Gursky's large-scale colour photograph “Rhine II” to Kara Walker's acclaimed installation in the Domino Sugar Factory in Brooklyn, each work is carefully explored within the larger perspective of its social and artistic milieu.

Articulate and insightful, this book offers readers the ability to consider each work in-depth, while also providing an easily digestible foundation from which to study the often challenging but continually fascinating world of 21st-century art.

From the girl next door to sexy switch-blade sisters, the pin-up girls depicted in this collection of works by 15 of today's best artists boldly display the full spectrum of the genre.

Through masterful use of color and media, both traditional and digital, these artists from around the world capture the female form in ways that remain true to their forefathers (Gil Elvgren, Alberto Vargas, etc.) but also to their own contemporary styles. To dig deeper into the process, each artist's section includes a statement that unveils his or her inspiration and techniques.

Themes in the 280+ works included here are vast and cover everything from action, horror, and 70s cinema to mythology, comic books, science fiction, and fantasy. So, whether you're into zombies, angels, latex, burlesque, or pop-culture, there is fresh, modern pin-up art for everyone.

Коллекция Петера и Ирене Людвиг одной из первых в мире объединила в своем составе современные друг другу американское и советское искусство. В этом каталоге, изданном к одноименной выставке в Мартин-Гропиус-Бау, организованной к 30-летнему юбилею падения «железного занавеса», впервые сопоставлены живописные произведения из собрания Людвига, которые были созданы по разные стороны стены, разделявшей два лагеря. Это сопоставление показывает, как художники эпохи «холодной войны» реагировали на политические и эстетические вызовы времени и отражали разные представления о свободе человека и общества.

В книге собрано около 150 работ таких художников, как Энди Уорхол, Илья Кабаков, Джаспер Джонс, Эрик Булатов, Джо Бэр, Виктор Пивоваров, Ли Лозано, Иван Чуйков, Джексон Поллок, Наталья Нестерова, Элен Франкенталер.

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The Peter and Irene Ludwig Collection was one of the first in the world to bring together works of US and Soviet art in the time period when they originated. Occasioned by the 30th anniversary of the opening of the iron curtain, in this book, which accompanies the eponymous exhibition at the Gropius Bau, works contained in the Ludwig Collection from both sides of the East-West conflict are compared for the first time. In this dialogue, it becomes apparent how Cold War era artists responded to the political and aesthetic issues of their age and negotiated concepts of individual and social freedom. The volume features some 150 works, including ones by Andy Warhol, Ilya Kabakov, Jackson Pollock, Erik Bulatov, Lee Lozano, Natalya Nesterova, and Helen Frankenthaler.

In the Spring of 2008 and following the model from the previously realized cycle dedicated to John Cage, the Casa Encendida presents The Limits of Composition?, a cycle dedicated to what is known as North American Minimalism in which reunites some of the most innovative contemporary compositors: Ferry Riley, Alvin Lucier, Alvin Curran, Gordon Mumma y Christian Wolf,, together with the work of Cornelius Cardew. During one week, from the hands of these illustrious followers of the "Cagian" exposition, one was able to enjoy his compositions and interpretations, as well as share his reflections on the future of music and a look at what is presently projected over his respective trajectories.As an object apart this publication includes a CD that takes a selection of the recordings realized during the concerts, an unique soundtrack filled with the same natural air of the music which protaganized this cycle. The CD is a complete summary of all the works presented in the concerts, as well as biographical outline of the composers and interpreters of which accompanied the distinct journies

The work of Catalan artist Eulàlia Valldosera links to the human body and the representation through conceptual pieces. Her installations formed by objects, cinematic devices, and projected images in the space surround the spectator and produce nearly a magical effect. The retrospective, which the Reina Sofia Museum dedicates to the artist, allows to look over and to get to know her initial works, barely shown previously, that include drawings, photography or single-channel videos. Besides, Valldosera will present the work Alma Mater, a monumental multichannel installation created especially for this show. The exhibition was followed by two publications. One of them The Navel of the World covers a wide selection of images, texts and documentation of the works produced in 1990 and 1991 by Eulalia Valldosera under the common rubric of The Navel of the World , and its structure is defined by the artist's notebooks with her memos, and completed with her conversation with Chantal Maillard.

How many times have you heard the term 'curate' in the past few years? But what exactly does it mean?

Curating has been a key concept both in and outside the art world in the past few years, with the remit of what a curator does having changed and expanded with each new exhibition or biennale.
With an emphasis on the ‘now’ and the most recent exhibitions, this book examines the variety and richness of curating practices today, from public commissions by Art Angel to experimental projects such as the 'Ghetto Biennale' in Haiti or the Rhizome digital archive.

Each highly illustrated case study is structured around an interview with the curator responsible for the show. The text both tells the story of the show’s making and fills in background information about the curator’s work.

About the Authors:

Natasha Hoare is Curator at Witte de With Center for Contemporary Art. She holds an MA in Curating from Chelsea College of Art and Design, London; and a BA in English Literature from Edinburgh University. Prior to joining Witte de With she worked as Assistant Curator for the Visual Arts Section of the Marrakech Biennale 5 (2014) and for On Geometry and Speculation, a parallel project for the Marrakech Biennale 4 (2012). She has previously worked as Studio Manager for artist Mark Wallinger and Special Projects Manager for artist Shezad Dawood. Natasha regularly contributes to Ibraaz, ExtraExtra, Elephant Magazine, The Gourmand, and Saatchi publications.

Steampunk — a grafting of Victorian aesthetic and punk rock attitude onto various forms of science-fiction culture — is a phenomenon that has come to influence film, literature, art, music, fashion, and more.

The Steampunk Bible is the first compendium about the movement, tracing its roots in the works of Jules Verne and H. G. Wells through its most recent expression in movies such as Sherlock Holmes. Its adherents celebrate the inventor as an artist and hero, re-envisioning and crafting retro technologies including antiquated airships and robots. A burgeoning DIY community has brought a distinctive Victorian-fantasy style to their crafts and art. Steampunk evokes a sense of adventure and discovery, and embraces extinct technologies as a way of talking about the future.

This ultimate manual will appeal to aficionados and novices alike as author Jeff VanderMeer takes the reader on a wild ride through the clockwork corridors of Steampunk history.

Artists breaking new ground, employing masterly techniques and creating work influenced by visual subcultures.

A new breed of contemporary artists is celebrating newfound international recognition for their style and approach to creating art that is sprouting from and largely influenced by visual subcultures. These young artists, many of whom are associated with the widespread movements of Lowbrow Art and Neo-Surrealism, share similarities with the popular art movements of the 1960s and 70s as well as urban art.

The term Lowbrow may sound self-deprecating; rather it represents a distinctive artistic composition and technical approach in which art is produced. The Upset documents this movement and the artists associated with it. Feeding off an array of popular subcultures, they often draw influences from anime, comic books, graffiti and street art as well as character design.

The often figurative and narrative artworks featured here employ classical techniques with great skills to create sculpture, illustration, design and painting with the use of spray cans, sharpies and elaborate colour palettes on canvas. With the evolution of new media, artists are also blending these elements with various disciplines in contemporary visual art.

Many of the artists in The Upset enjoy international fame and are represented in prestigious galleries and museums worldwide. The book also introduces a selection of promising talent who are breaking new ground, making it the perfect source book for those interested in fine art and discovering young artists.

Featured artists: Maike Abetz / Oliver Drescher, Alexone, Grant Barnhart, Gary Baseman, Tilo Baumgartel, Tim Biskup, Mark Bradford, Daniele Buetti, Cailan Burns, Ray Caesar, Miguel Calderon, John Casey, Paul Chatem, The Clayton Brothers, Joe Coleman, John Currin, Brendan Danielsson, Stephan Doitschinoff, Blaise Drummond, Dzine, Ala Ebtekar, Martin Eder, David Ellis, Ron English, Faile, Christian Farner, Rosemarie Fiore, FriendsWithYou, Camille Rose Garcia, Os Gemeos, Michael Genovese, Charles Glaubitz, Benjamin Güdel, Robert Hardgrave, Maya Hayuk, Ryan Heshka, Femke Hiemstra, Cody Hudson, Gisela Insuaste, Rich Jacobs, John John Jesse, Colin Johnson, Mel Kadel, David Kassan, Aya Kato, David Kinsey, Henning Kles, Kozyndan, Susanne Kuehn, Mia Mäkila, Mateo, Elizabeth McGrath, Casey McKee, Jason McLean, Philip Metten, Moki, Brendan Monroe, Heiko Müller, Muntean/Rosenblum, Yoshimoto Nara, Aaron Nather, Anne Faith Nicholls, Jose Parla, Nigel Peake, Raymond Pettibon, Danielle de Picciotto, Anthony Pontius, Pooch, Johan Potma, Jeremy Pruitt, Leopold Rabus, Scott Radke, Rex Ray, Scott Rench, Daniel Richter, Rostarr, Christoph Ruckhaberle, Mark Ryden, Christoph Schmidberger, David Schnell, Sebastian Schrader, Michael Sieben, Michael Slack, Jeff Soto, Fred Stonehouse, David Stoupakis, Swoon, Johannes Tiepelmann, Chris Uphues, Miss Van, Vania | Ivan Zouravliov, Matthias Weischer, Martin Wittfooth and Chet Zar.

Modern Art gives a unique insight into the lives of some of the twentieth century`s most gifted artists, covering a diverse selection of works from the Expressionists and the Cubists to the Pop artists and the Post-Modernists. This superb new book provides the reader with an informative and richly illustrated overview od modern and contemporary art from countries across the world.