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In this limited edition, French makeup legend, beauty mogul, and esteemed photographer François Nars unveils his long-awaited collection of more than 300 new photographs — dramatic and provocative portraits of creative figures of all ages that capture the beauty and essence of each persona.

Persona reveals an extraordinary production of cinematic, avant-garde portraits of an exclusive list of contemporary creative icons. The celebrities, artists, designers, musicians, and actors featured include Tilda Swinton, Naomi Campbell, Kyle MacLachlan, Sharon Stone, Bella Hadid, Isabelle Adjani, Cindy Sherman, Mikhail Baryshnikov, Marina Abramovic, Liv Tyler, Christian Lacroix, Tadao Ando, and Marianne Faithfull.

Nars has never sought to hide the imperfections and oddities that give faces their personality, but rather to accentuate them in dramatic and surprising ways — think bold, dark, painstakingly crafted eyes offset by clear, almost bare skin. The arresting images in this volume, shot in color against a rich black background with dramatic lighting, explore themes of provocation, sharp humor, and unconventional beauty, always with an edgy dose of glamour.

This undoubtedly unique and gorgeous volume, printed using specialty inks to produce images in ultrarich vibrant colors with high gloss, is a true collector’s item for style, culture, and photography enthusiasts alike.

About the Author:

François Nars, makeup artist and founder of the luxe makeup brand NARS Cosmetics, launched his eponymous line with 12 cult-favorite lipsticks in 1994 and is the author of six books showcasing his photographic work.

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Пролистать книгу Persona: Francois Nars

Internationally-revered German fashion photographer Peter Lindbergh revolutionized his metier with iconic images of the 1980s supermodels. From his beginnings, he has sought to capture the personality, character, and identity of fashion models, not just the glitter and glamour. In 1997 he presented his seminal book Images of Women comprising his work of the 1980s and 1990s.

As a sequel, Lindbergh now presents Images of Women II featuring the highlights of his work created between 2005 and 2014: fashion photographs, nudes, and portraits of today's actresses and models such as Milla Jovovich, Isabella Rossellini, Monica Bellucci, Jamie King, Emmanuelle Seigner, Tilda Swinton, Kate Moss, Elisa Sednaoui, Jessica Chastain, Hye Jung Lee -- and the occasional man, such as Hollywood grand seigneur Kirk Douglas.

Internationally-revered German fashion photographer Peter Lindbergh revolutionized his metier with iconic images of the 1980s supermodels. From his beginnings, he has sought to capture the personality, character, and identity of fashion models, not just the glitter and glamour. In 1997 he presented his seminal book Images of Women comprising his work of the 1980s and 1990s.

As a sequel, Lindbergh now presents Images of Women II featuring the highlights of his work created between 2005 and 2014: fashion photographs, nudes, and portraits of today's actresses and models such as Milla Jovovich, Isabella Rossellini, Monica Bellucci, Jamie King, Emmanuelle Seigner, Tilda Swinton, Kate Moss, Elisa Sednaoui, Jessica Chastain, Hye Jung Lee -- and the occasional man, such as Hollywood grand seigneur Kirk Douglas.

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Peter Lindbergh’s secret to success was his sensitive interaction with models. Images of Women, vol. II (2005–2014) is both fashion and portrait photography starring Monica Bellucci, Juliette Binoche, Charlotte Rampling, Tilda Swinton and many more. Now available in a reduced-size hardcover edition.

Schirmer/Mosel. Book design: Juan Gatti. With texts by Peter Handke, Werner Spies and Wim Wenders. 312 pages, 327 ill. including 161 Novatone plates. Size: 19.5 x 29 cm, hardcover. Englisch/French/German edition.

The Lindbergh Lens. The photographer who altered the landscape of fashion photography

Peter Lindbergh’s seminal compendium, now published in a special anniversary edition. Through collaborations with the most venerated names in fashion, Lindbergh created new narratives with his humanist approach. This book features more than 300 images, many previously unpublished, and an adapted interview with Lindbergh.

It was on a Malibu beach in 1988 that Peter Lindbergh shot the White Shirts series, images now known the world over. Simple yet seminal, the photographs introduced us to Linda Evangelista, Christy Turlington, Rachel Williams, Karen Alexander, Tatjana Patitz, and Estelle Lefébure. This marked the beginning of an era that redefined beauty, and Lindbergh would go on to alter the landscape of fashion photography for the decades that followed.

This edition gathers more than 300 images from forty years of Lindbergh’s career. It traces the German photographer’s cinematic inflections and humanist approach, which produced images at once seductive and introspective.

In 1980 Rei Kawakubo asked Lindbergh to shoot a Commes des Garçons campaign, one of his earlier forays into commercial photography. Kawakubo gave him carte blanche. The following years brought forth collaborations with the most venerated names in fashion and resulted in a relationship of mutual reverence; Lindbergh’s respect for some of the greatest designers of our time is palpable in his portraits. Among those photographed are Azzedine Alaïa, Giorgio Armani, Alber Elbaz, John Galliano, Jean Paul Gaultier, Karl Lagerfeld, Thierry Mugler, Yves Saint Laurent, Jil Sander, and Yohji Yamamoto.

Widely considered a pioneer in his field, Lindbergh shirked the industry standards of beauty and instead celebrated the essence and individuality of his subjects. He was pivotal to the rise of models such as Kate Moss, Naomi Campbell, Linda Evangelista, Cindy Crawford, Mariacarla Boscono, Lara Stone, Claudia Schiffer, Amber Valletta, Nadja Auermann, and Kristen McMenamy.

Lindbergh’s reach also extended across Hollywood and beyond: Cate Blanchett, Charlotte Rampling, Richard Gere, Isabelle Huppert, Nicole Kidman, Madonna, Brad Pitt, Catherine Deneuve, and Jeanne Moreau all appear in his works. From the picture chosen by Anna Wintour as the cover of her first Vogue issue to the legendary shot of Tina Turner on the Eiffel Tower, it is never the clothes, celebrity, or glamour that takes center stage in a Lindbergh photograph. Each picture conveys the humanity of its subject with a serene melancholy that is uniquely and unmistakably Lindbergh.

From the outset of his career, Lindbergh was well-known in the contemporary art world, where his photographs were exhibited in galleries long before they appeared in magazines. This edition features an updated introduction adapted from an interview in 2016, allowing a glimpse behind Lindbergh’s lens, where the photographer recounts his early collaborations, the tenuous relationship between commercial and fine art, and the power of storytelling.

The photographer and author:

Peter Lindbergh (1944–2019) was a master of his craft who made his mark in the halls of photography history, with such credits as shooting the first American Vogue cover under Editor-in-Chief Anna Wintour, bringing together for the first time a group of young women who would become the ’90s supermodels, and numerous exhibitions at renowned institutions including Victoria & Albert Museum in London and Centre Pompidou in Paris, as well as in solo exhibitions at Hamburger Bahnhof, the Berlin Museum for Contemporary Art, Bunkamura Museum of Art in Tokyo, the Pushkin Museum of Fine Arts in Moscow, and Kunstpalast in Düsseldorf.

About the series:

TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program — now more compact, friendly in price, and still realized with the same commitment to impeccable production.

The Lindbergh Touch. Intimate images of some of the world’s most fascinating actresses, by a master of his craft

“What is merely beautiful has always bored me. I’m interested in what is powerful and real.” — Peter Lindbergh

With such credits as shooting the first American Vogue cover under Editor-in-Chief Anna Wintour, bringing together for the first time a group of young women who would become the ’90s supermodels, and numerous solo exhibitions at world-renowned institutions including the Pushkin Museum in Moscow, the Ullens Center for Contemporary Art in Beijing, and the Gagosian in London, Peter Lindbergh is a master of his craft who has made his mark in the halls of photography history.

The industry quickly became enamored with his almost anti-fashion photography, capturing the zeitgeist and the spirit of his subjects rather than pursuing today’s search for perfection, which he considers inhuman.

Handpicked from 37,000 unreleased photos from his groundbreaking 2017 Pirelli calendar shoot, Lindbergh offers an intimate insight into a pool of extraordinary talent: Nicole Kidman, Julianne Moore, Alicia Vikander, Charlotte Rampling, Dame Helen Mirren, Jessica Chastain, Kate Winslet, Léa Seydoux, Lupita Nyong’o, Penélope Cruz, Robin Wright, Rooney Mara, Uma Thurman, and Zhang Ziyi.

His message is simple. These intimate images represent a different kind of beauty, far away from society’s obsession with youth and perfection; one which is concerned with individuality, the courage to be yourself, and your very own sensibility.

The photographer:

Peter Lindbergh (1944–2019) was a master of his craft who made his mark in the halls of photography history, with such credits as shooting the first American Vogue cover under Editor-in-Chief Anna Wintour, bringing together for the first time a group of young women who would become the ’90s supermodels, and numerous exhibitions at renowned institutions including Victoria & Albert Museum in London and Centre Pompidou in Paris, as well as in solo exhibitions at Hamburger Bahnhof, the Berlin Museum for Contemporary Art, Bunkamura Museum of Art in Tokyo, the Pushkin Museum of Fine Arts in Moscow, and Kunstpalast in Düsseldorf.

A retrospective on the work of Spanish photographer Miguel Trillo (Jimena de la Frontera, Cádiz, 1953). His work can be described as a photo-documentary, (though his first works are clearly experimental). His encounters with his subjects are almost always accidental, capturing their daily and habitual contexts. Since the beginning of the 80s, Miguel Trillo has depicted anonymous protagonists from what was known as the "Movement" in Madrid and has documented the evolution of urban "tribes", (Mods, Punks, Goths (Death-rockers), Rappers, Head Bangers...) over the last 3 decades all over the world. His photographs depict adolescents and young adults searching for and asserting their identities through clothing, attitude, and behaviour, reflecting the contradictions of a society that has played with experimentation and profound transformation.

Эта динамичная, вдохновляющая и всеобъемлющая книга по технике профессионального освещения рассказывает об увлекательных и новаторских работах фотографов со всего мира, объясняя систему постановки света, которая занимает крайне важное место в процессе достижения успеха.

Книга охватывает портретную съемку, моду и гламур. Она является уникальным источником информации и вдохновения, как для проницательного любителя, так и для уже состоявшегося фотографа-профессионала.

Объясняет постановку освещения при съемках лучших мировых фотографий. Каждая фотография снабжена детальными схемами постановки освещения: трехмерной и двумерной с видом сверху.

Включает указатель фотографов – отличный справочник для художественных редакторов и дизайнеров.

The phenomenally successful "Photographing People" owed its success to its inspiring and comprehensive showcase of professional lighting techniques featuring exciting and innovative work from photographers around the world. Now available in a revised and updated paperback edition, it covers the genres of portraits, fashion and glamour photography with depth and clarity. Although a vast range and diversity of work is on display, the key element in each shot is the lighting. For every featured photograph, the lighting setup is illustrated by helpful 3D diagrams, along with expert explanations and advice on potential problems that might arise, alongside suggested solutions. This book is therefore a unique source of information and inspiration for the keen amateur and the established professional alike.

In Physique, Peter Kuhnst traces the history of the nude athlete in photography through distinct historical eras.

He begins in the mid-19th century with images from the early years of photography and proceeds to the 'moving' nude as exemplified by Eadweard Muybridge and the painterly photography of Pictorialism. In the second section, covering the first half of the 20th century, Kuhnst focuses on European Naturalism and the creative images of nudes in sport by photographers representing the New Objectivity.

The rise of Nazism was accompanied by a tendency toward a heroic view of the nude in photography, which was influenced in part by Italian Futurism; Leni Riefenstahl was a primary exponent of this movement.

The third section identifies a number of different photographic styles devoted to tradition, to rebellious protest and to provocative gags, and examines the aesthetic works of such American photographers as Robert Mapplethorpe, Herb Ritts, Bruce Weber and Annie Leibovitz.

Undress for history, please. The complete Pirelli retrospective

The notoriously exclusive Pirelli Calendar, featuring glamorous shots of beautiful women, was first published in 1964. Reserved for important clients and VIPs, the calendar has since grown into a legend of its own, showcasing the beauty of models such as Alessandra Ambrosio, Gisele Bündchen, Naomi Campbell, Laetitia Casta, Cindy Crawford, Penélope Cruz, Milla Jovovich, Heidi Klum, Angela Lindvall, Sophia Loren, and Kate Moss.

In celebration of the 50th anniversary of the now-legendary institution that is the Pirelli Calendar, TASCHEN brings you a retrospective volume reproducing the complete calendars, photographed by Richard Avedon, Peter Beard, Patrick Demarchelier, Nick Knight, Karl Lagerfeld, Inez van Lamsweerde and Vinoodh Matadin, Annie Leibovitz, Peter Lindbergh, Sarah Moon, Uwe Ommer, Terry Richardson, Herb Ritts, Mario Sorrenti, Bert Stern, Mario Testino, Bruce Weber, and many more.

Bonus features include rarely and never-before-seen behind-the-scenes images of the shoots, the unpublished 1963 calendar, and a selection of "censored" images deemed too risqué by the editors of the time. With an introduction by Philippe Daverio and an interview with art directors Derek Forsyth and Martyn Walsh.

The author

Born in 1949, Philippe Daverio is a writer, art dealer and art historian. Between 1993 and 1997, he was Head of Culture for the City of Milan, and is currently Director of the Museum of the Milan Duomo. He has inaugurated four modern art galleries, and written for a number of different publications including Vogue, People, Panorama, and Liberal. Since March 2008 he has also directed the magazine Art e Dossier. He leads courses in History of Design at the Politecnico di Milano and is Professor of Sociology of Art at the University of Palermo.

Diego Uchitel has long revered the Polaroid for its dreamlike color and depth, and over the course of his 25-year career, he has continually sought to conjure these qualities in his fashion and celebrity photography. Uchitel used polaroid film from 1982 to 2006, until the digital camera became an unavoidable replacement. this volume is his loving homage to the medium that helped define his style - a selection of his favorite images, both commercial and personal, of models, fashion designers and celebrities such as Jessica Alba, Gabriel Byrne, Sofia Coppola, Diane von Furstenberg, Lazaro Hernandez of Proenza Schouler, Jack McCollough, Julianne Moore and Sting, as well as landscape photographs. Polaroids is awash with the tonal warmth and artifact feel of polaroid film, from its splendid design to the photographs themselves, which are reproduced in their original (and current) condition, with traces of tape and little signs of wear and tear around their edges. the book is bound in linen with a tip-on image.

Diego Uchitel grew up in Buenos Aires, Argentina, where as a boy he often photographed his physician father’s patients. He moved to Los Angeles just after high school to pursue a career in film and enrolled at UCLA Film School, but soon realized that photography was closer to his heart. Uchitel’s photographs have been featured in Elle, Vanity Fair, Harper’s Bazaar, German and Spanish Vogue, Vogue Hommes, The New York Times Sunday Magazine, D, Surface, Premiere, Citizen K and Rolling Stone. His advertising clients include Bergdorf Goodman, Saks Fifth Avenue, Victoria’s Secret, Diane von Furstenberg, Anthropologie, Graff, Avon, Neiman Marcus, Olay, Warner Brothers, Nike, Levi’s and Microsoft.

Assouline presents the autobiography of Giancarlo Giammetti, Valentino s trusted business partner for fifty years.

Beginning with his childhood in Rome under Nazi occupation and his chance meeting at a café with a certain rising fashion designer, Giammetti shares stories from his remarkable life.his beautiful collector s volume features in-depth interviews, recollections from his personal journals, and a curated selection of exclusive images from Giammetti s archive of 50,000 photos, vividly portraying the exciting world of fashion.

ДЖАММЕТТИ GOES PRIVATE: КНИГА ВОСПОМИНАНИЙ О VALENTINO

Джанкарло Джамметти, бизнес-партнер и, как его часто называют, альтер эго дизайнера Валентино Гаравани, собрал в книгу личный фотоархив за последние полвека.

СЛОВО АВТОРА

Мало кто в курсе, но я всю жизнь занимался фотографией и насобирал около 50 тысяч снимков. Недавно я их пересмотрел и понял: в нашей с Валентино жизни была уйма интересного — таким надо делиться. Лучшее я публикую в книге Private: Giancarlo Giammetti.

“My new book, Profiles, is a collection of portraits taken over the last six to eight years, including exceptional profiles of creatives in the arts and cinema, plus meaningful images of family and friends. The images originate from editorial assignments and personal sittings, and are a reflection on my fascination with the person and their innate beauty and character.”
— Marc Hom
 
Originally from Copenhagen, Denmark, MARC HOM has made an indelible mark in the world of fashion photography and is now one of the leading portrait photographers living today. He is known for his timeless and classic portraits of some of the most creative, influential, and notable individuals of our time. Amongst his subjects are Robert Redford, Johnny Depp, Alicia Vikander, Angelina Jolie, Christopher Walken, Brie Larson, Kate Winslet, Julian Schnabel, Wiz Khalifa, Iggy Pop, Matthew McConaughey, Ben Affleck, Michelle Obama, Quentin Tarantino, David Beckham, Royal families, and politicians, for such leading publications as W Magazine, Vanity Fair, GQ, German Vogue, Esquire, and Harper’s Bazaar. His first book, Portraits, was published in 2006. He lives in Brooklyn Heights with his wife Marie-Louise and their two small children.

• A stunning array of colour and black & white portraits of some of the most charismatic figures of contemporary culture
• Renowned photographer Marc Hom captures the essence of each of his personality “profiles” in a singular magical moment of candid vulnerability and vivid beauty
• This dazzling compendium is destined to become a classic for any modern photography book collection
• Exhibitions and book signings to be announced soon
• Also available as Collector's Editions. Limited Edition of 100 copies. “Exceptional profiles of creatives in the arts and cinema”

Photographer, costume designer, avid diarist - Cecil Beaton was also a 'romantic royalist' whose glittering photographs of Queen Elizabeth II became among the most widely published portraits of the twentieth century. This fascinating book explores Beaton's long relationship with the Queen and the royal family and describes how his royal portraits shaped the monarchy's public image from the 1930s to the late 1960s. It is a celebration of Beaton, the enduring flair of his portraits, and the myriad sources of inspiration that resulted in photographs so powerful that they moulded the world's perception of a princess, monarch and mother.

In Radiant Identities, photographer Jock Sturges explores issues of youth and the liberation of body and spirit.

These unforgettable images are made from his own circle of acquaintances and family; the settings are their homes and stretches of naturist beaches in France and Northern California. In superb reproductions, Sturges evokes the classical spirit of Old Master paintings and late-nineteenth-century photographic tableaux, while probing concepts of emergent sexuality and psychological intimacy. Radiant Identities is the second volume in Sturges's ongoing work. Physically and psychically revealing, these deeply felt images are gloriously natural and wonderfully compelling. Elizabeth Beverly's introductory essay, drawn in part from conversations with Sturges's subjects, adds a new dimension to the photographs.

These personal reflections shed light on the unique collaborative process by which Sturges's remarkable photographs are made. In the book's afterword, noted photography critic A.D. Coleman places Sturges in the context of current debates surrounding censorship in the arts, and discusses the themes of innocence and sexuality in the photographs.