Репортажная фотография

VICE’s irreverence and determination not to kowtow to advertisers has led to an aesthetic that began simply as unique but has grown into a culture that has defined an entire epoch of underground photography. Whether it’s ex-cons showing how to make a shiv-proof vest out of National Geographics or the homeless garbage eaters in Bangladesh posing for a hipster fashion shoot, VICE is never satisfied with simply presenting a well-composed photograph. There’s always a story and that is precisely why VICE photography is as respected as it is imitated.

The book will be divided into five parts. "Vice Photographers" will juxtapose the work of established names (see above) against up-and-comers like Jamie Warren, Jerry Hsu and Patrick O’Dell. After interviews with and portfolios from seven of each group, we’ll turn to "Vice’s Photojournalism" highlights. These images will be culled both from the magazine’s editorial content over the years and from the photo issues VICE has put out annually since April 2001. The third section will be "Vice Fashion," which includes shoots like "Anna Wintour, You’re Wrong" wherein VICE featured overweight women in seductive poses, or the "Sex Issue’s" fashion shoot that had every well-dressed model fornicating with the next. The final two sections are a collage of previously published VICE favorites and new stuff discovered since the last photo issue.

The result is an eye-popping anthology that beautifully illustrates the best of recent alternative photography from around the world.

The vivid voices that speak from these pages are not those of historians or scholars. They are the voices of ordinary men and women who experienced - and helped to win - the most devastating war in history, in which between 50 and 60 million lives were lost.

Focusing on the citizens of four towns - Luverne, Minnesota; Sacramento, California; Waterbury, Connecticut; Mobile, Alabama; - The War follows more than forty people from 1941 to 1945. Woven largely from their memories, the compelling, unflinching narrative unfolds month by bloody month, with the outcome always in doubt. All the iconic events are here, from Pearl Harbor to the liberation of the concentration camps - but we also move among prisoners of war and Japanese American internees, defense workers and schoolchildren, and families who struggled simply to stay together while their men were shipped off to Europe, the Pacific, and North Africa.

Enriched by maps and hundreds of photographs, including many never published before, this is an intimate, profoundly affecting chronicle of the war that shaped our world.

For more than 100 years, National Geographic has set the standard for nature, culture, and wildlife photography. In Through the Lens, 250 spectacular images - some famous, others rarely seen - are gathered in one lavish, newly formatted volume.

Through the Lens is divided into geographical regions with a special section devoted to space exploration. Each geographical section features an outstanding array of photographs that exemplifies the area’s unique people, wildlife, archaeology, culture, architecture, and environment, accompanied by brief but informative captions. From Barry Bishop’s heroic Mount Everest climb in the 1950s to the glorious wildlife of Asia and Africa, from ancient Maya culture to the Afghan woman found 17 years after her piercing green eyes captivated the world, these are some of the finest and most important photographs ever taken.

Featuring master photographers from the late 1800s to today, including Frans Lanting, David Doubilet, David Alan Harvey, Jodi Cobb, William Albert Allard, Nick Nichols, and Annie Griffiths Belt, Through the Lens is an extraordinary photographic celebration of some of the greatest the world has to offer.

The history of Time - from its inception to its iconic status today - recounted by its world-famous editors, art directors, and stellar cast of contributors.

Time is a fascinating look at the history of the world's most influential newsweekly. The complete compendium is illustrated with hundreds of covers and archival photographs, featuring the work of the twentieth century's most respected journalists, editors, and photographers - from Eddie Adams, Neil Leifer, Dirck Halstead, and David Hume Kennerly, to David Burnett, Gregory Heisler, Matt Mahurin, James Nachtwey, and Diana Walker, who together won more major photo awards for Time than all other publications combined.

This volume explores Time's documentation of seminal moments in history, including the moon landing, the Kennedy assassination, Vietnam, the Gulf War, and September 11th. It investigates the reasons behind Time's "Man of the Year," transitions in design, the creation of the symbolic red frame, the important designers and illustrators, the covering of both hot and soft news, as well as the magazine's changeover to the 21st century and the creation of Time's international editions.

Around the world in 1424 days: the epic voyage behind the making of the book 1000 Families

Part travel journal, part scrapbook, this unique book traces the four-year, 250,000-km journey of photographer Uwe Ommer during the making of TASCHEN’s 1000 Families. Called a “family album of planet earth,” 1000 Families is a vast collection of portraits taken by Ommer in over 130 countries in all corners of the world. Naturally, a voyage of such epic proportions bears its fair share of anecdotes, adventures, mishaps, and souvenirs, and Transit traces the experience via stories and images. From closed borders and broken bridges to late rainy seasons, curious customs officers, thieves, coups d’état, raging fevers, and a far from “unbreakable” Land Rover, Ommer found truth in the maxim “just about everything that can go wrong, will.” This amusing and original compilation paints a vivid picture of what it’s like to travel to the most remote corners of the globe for four years, meeting countless people and observing the great cultural and social similarities and differences that mark the human race.

About the photographer:
Uwe Ommer became fascinated with photography at a young age and in 1962 moved to Paris, where he initially worked as a photographer’s assistant. Within a few years, he opened his own photography studio, primarily shooting fashion and advertising photos. Quickly gaining respect for his work in Paris, Ommer began showing in local galleries and eventually published his first book, Photoedition Uwe Ommer, in 1979, a collection of personal and advertising works. In the following years, he would publish five more books of his photographs. In 2002, Uwe Ommer was awarded an Honorary Fellowship to the Royal Photographic Society for the impact of his lifetime of work. His other books for TASCHEN include Black Ladies, Asian Ladies, Transit, and 1000 Families.

Living somewhere as renowned for rain and ridiculous property prices as England, it is hardly difficult to see why Sarah, her husband and their son though becoming olive growers in Italy would be a good idea. Following on from the TV programme showing Sarah's idea becoming reality, this book follows the family's move from the very germ of the idea through finding a house, building up their business and learning about the local community. The strong streak of practicality running through the book urges the reader to think such a move through very carefully; everything from deciding whether you are the right sort of person to tackle such a dramatic change of lifestyle, to finance and even recipes using produce from Sarah's new garden is covered.

The entire story of jazz from its earliest days in New Orleans to the 1970s and beyond told through archival material from Verve, the genres most important label.

Verve signed practically every major jazz artist of the 1950s and 1960s and is home to some of the greatest music ever recorded. Charlie Parker, Count Basie, Billie Holiday, Dizzy Gillespie, Oscar Peterson, and Ella Fitzgerald all released records through Verve. This superb new volume presents some of the rarest records and unseen ephemera from the label that helped define the world of jazz. Hundreds of the best examples of iconic seven-inch, ten-inch, and twelve-inch records appear, along with publicity reports, news clippings, posters, telegrams, and programmes.

The ultimate music guide, the book includes features on key artists and key albums as well as insightful timelines that connect Verve with wider musical history. Looking beyond the music scene, the book discusses segregation in America, the missions to take jazz to Europe and the world, the clubs, the places, and the people who made Verve great and jazz cool.

Commentary from the biggest names in jazz today, including some of Verves own artists, complements the text. 1,200 illustrations in color and black and white.

For years, Ron Galella, “the godfather of U.S. paparazzi culture,” has provided the world a glimpse into the off-limits world of celebrity. With Viva l’Italia!, a deeper and more probing Galella emerges. He sets out to find his own Italian roots, and in so doing, takes us on viaggio as he combs his vast archive for images of Italian and Italian-American actors, artists, and fashion designers, along with a wide range of other cultural icons.

Galella’s tour begins in Rome’s famed Cinecittà where Federico Fellini relaxes between takes on a film set. It was Fellini who proclaimed, “paparazzi are bandits of images,” coining the word with his character Señor Paparazzo in La Dolce Vita. As he continues on, Galella presents us with rare portraits of Italy’s most famous sons and daughters, including Isabella Rossellini, Silvana Mangano, Marlon Brando, Monica Bellucci, Carla Bruni, and Sophia Loren. Never one to shy away from bad boys, he even includes the “Dapper Don,” John Gotti, emerging from federal court in Manhattan.

The appeal and power of Galella’s beautiful photography is complimented by extemporaneous quotes he has amassed over a half-century of travel and celebrity encounters. “You look Italian,” quipped Anna Magnani as Ron captured her in Rome, during the filming of The Secret of Santa Vittoria, with Virna Lisi and Anthony Quinn.

Some crossed the ocean, some changed their names, some were born in disparate locations as with Dean Martin of Steubenville, Ohio, and Frank Sinatra of Hoboken, New Jersey; but they all brought with them passion born of Italy - love of cinema, music, art, and fashion - as Galella triumphantly proclaims with Viva l’Italia!

Discovered in 2007, nanny-cum-street photographer Vivian Maier has since become a cult figure. 

This volume presents a survey of her candid oeuvre and the first comprehensive biography of this exceptional woman.

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Пролистать книгу Vivian Maier: A Photographer Found на Google Books.

The sensation continues in color: Discovered a few years ago, Vivian Maier’s masterful black & white photographs caused international excitement. 

This hitherto unpublished collection of her color photographs gives proof of her extraordinary sense of color and composition. 

With essays by Joel Meyerowitz, pioneer of American color photography, and critic Colin Westerbeck.

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Пролистать книгу Vivian Maier: The Color Work на Google Books.

A good street photographer must be possessed many talents: an eye for detail, light, and composition; impeccable timing; a populist or humanitarian outlook; and a tireless ability to constantly shoot, shoot, shoot, shoot and never miss a moment. It is hard enough to find these qualities in trained photographers with the benefit of schooling and mentors and a community of fellow artists and aficionados supporting and rewarding their efforts. It is incredibly rare to find it in someone with no formal training and no network of peers.

Yet Vivian Maier is all of these things, a professional nanny, who, from the 1950s until the 1990s, took over 100,000 photographs worldwide — from France to New York City to Chicago and dozens of other countries — and yet showed the results to no one. The photos are amazing both for the breadth of the work and for the high quality of the humorous, moving, beautiful, and raw images of all facets of city life in America’s post-war golden age.

It wasn’t until local historian John Maloof purchased a box of Maier’s negatives from a Chicago auction house and began collecting and championing her marvellous work just a few years ago that any of it saw the light of day. Presented here for the first time in print, Vivian Maier: Street Photographer collects the best of her incredible, unseen body of work.

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Пролистать книгу Vivian Maier: Street Photographer на Google Books.

An amateur street photographer, Vivian Maier worked for forty years as a nanny in Chicago. 

During these years she took over 100,000 pictures, primarily of people and cityscapes, but never shared them with anyone. They were accidently rediscovered by Chicago historian, John Maloof, in 2007. 

He now presents the first comprehensive publication of this unknown photographic talent’s sensational treasure. 

Images © The Helmut Newton Estate / Maconochie Photography

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Пролистать книгу Vivian Maier: Street Photographer на Google Books.

Книга известного фотографа Игоря Мухина посвящена open air фестивалям.

Фотографии, вошедшие в книгу, сделаны автором с период с 2005 по 2016 годы, более чем на двадцати фестивалях, среди которых "Нашествие", "Пустые Холмы", Outline и другие.

"... Моё знакомство с фестивалями open air началось с выездного мастер-класса, приключение и отдых на природе манил, формат мероприятия каждый год напоминал о себе красивейшими сетевыми фотографиями с паутинками на рассвете, с загадочными красивыми людьми с дредами на фоне палаток". Игорь Мухин

".. Распад приличий, спад напряжения, которое не позволяет возникнуть распахнутому в течение рабочей недели и с которым связан досуг людей на фотографиях Мухина, заставляет гадать об их будничных занятиях, об их статусе, который может быть любым, хотя, как правило, кажется маргинальным. Возможно, они работают менеджерами, чиновниками, возможно учеными, продавцами, разнорабочими, программистами, убийцами, ворами и милиционерами; возможно, впрочем, что они не работают совсем, а уик-энд - это состояние, которое не ограничено выходными". Александра Новоженова

Bernadу creates projects to express his keen eye and spirit. Despite his having explored American spaces and cities in Japan and Europe, Bernadу has always maintained his focus on Spain, attentive to the evolution of its landscape and the dйcor of its interiors that is linked to very different worlds. He casts an amusing look at the details that only he is able to see and makes them distinct. His images turn reality into a theatre set. The boundaries between the real and the unlikely become blurred. Beyond Bernadу's vision of the superficial world and his form of satire, one is given a glimpse of his inspired personality on this guided tour of the 20th-century playwrights who have brought the senseless and the ridiculous to the stage, even the grotesque, as embodied in the writings of Cervantes and the paintings of Goya. And behind this cumulus of symbols, there is the depiction of absurdity.