Архитектура

The definitive book on the legendary decorator Billy Baldwin, known as the "Dean of American Decorating," famous for his classical taste, streamlined modernism, and brilliant use of colour.

In the tradition of Rizzoli’s Albert Hadley and David Hicks, this is the first fully illustrated account of the career of Billy Baldwin (1903–1983), one of the most important decorators of the twentieth century, whose work has influenced contemporary designers from Bunny Williams to Jeffrey Bilhuber. A native of Baltimore, Baldwin’s work caught the eye of eminent New York decorator Ruby Ross Wood. She invited him to join her firm, saying his work stood out "like a beacon of light in the boredom of the houses around it." Baldwin’s style was a revelation - simultaneously classical and modernist, tailored and clean, yet dramatically colored, and above all American. An enemy of clutter and conspicuous wealth, he favored natural materials and comfortable furniture.

The drama in his rooms often came from color, as seen in the dark brown lacquered walls of Cole Porter’s library or the scarlet cotton print that covered Diana Vreeland’s apartment. Immensely charming, Baldwin was a popular addition to the high society of New York. His clients included Bill and Deeda Blair, Babe and Bill Paley, and Jacqueline Kennedy Onassis.

With a foreword by Baldwin’s former student Albert Hadley, and enriched by never-before-published transcripts of four 1974 lectures that Baldwin gave at the Cooper-Hewitt, this is an important book for anyone interested in interior design.

This book is an extraordinary collection of exciting and diverse architectural sustainable projects. Monsa explores the critical line between how we built and the natural environment with a combination of sustainable star architects and heretofore unknown practitioners. Basically, sustainable design means being smart about how we use the energy, water and construction materials in order to be successful in comfort and without being unnecessarily harmful with the environment and, of course, the contem-porary view of modern architecture.

The process of creating good sustainable architec-ture is about thinking better buildings that are easier on the environment, with green materials, less expensive over the long term and more enjoyable to use.

Green & Sustainable teaches us that when the creative processes are used in combination with social, cultural and environmental systems, modern architecture meets without hesitation the artistic and sensible necessities of present days without compromising the requirements of our future generations. A perfect read and an essential reference for anyone interested in how the architecture and design aesthetic connects with environmental sustainability.

Birdhouses of the World offers readers a curated collection of beautiful, whimsical, stop-you-in-your-tracks amazing birdhouses created by designers and bird lovers around the world.

Bird expert and author Anne Schmauss provides a brief history of birdhouses and lists the kinds of birds that inhabit them, as well as the types of structures that attract various species. Most important in her selection for this book is the “wow” factor: These birdhouses are spectacular in their creativity, ingenuity, and sheer originality. With styles ranging from sleek modern to elaborate Victorian, they are as varied as human houses.

Illustrating the wide-ranging designs found throughout the world, and even including the birdhouse of filmmaker George Lucas, this book is a captivating look at the creativity than can result when a functional structure is infused with a love of birds.

About the Author

Anne Schmauss is owner of the store Wild Birds Unlimited and a columnist for the Santa Fe New Mexican. She coauthored For the Birds: A Month by Month Guide to Attracting Birds to Your Backyard with her sisters. She lives in New Mexico.

Building Bound to the Ground. A visual exploration of earth-bound architecture

Building is one of the very few endeavours that are physically connected to the surface of the earth, fixed and enduring. Nevertheless, for centuries, especially in the West, we have considered ourselves separate and above nature, drifting away, defining our own systems and order, and using the ground as nothing more than a passive foundation. Other times we sought connection, drawing on nature for ritual and religion, fortified protection, and ecological balance.

This global compendium of nearly 1,400 pages brings architecture back in harmony with Earth’s surface. For years, Bjarne Mastenbroek and his architectural firm, SeARCH, have delved into the relationship architecture has, had, and will have with its surroundings, seeing buildings as landscapes that fit into their site without dominating or disturbing it. For Dig It!, they have dug deep into the history of building culture and brought to light fascinating examples of this philosophy — some well known, some previously overlooked.

From African churches chiseled from rock and Chinese villages dug into terrains to Parisian housing vibrantly overgrown and a villa built into the cliffs of Capri (famously featured in the film Le Mépris starring Brigitte Bardot), this book dissects structures from the past millennia. Part atlas, part encyclopedia, it highlights traditional vernacular practices, reconsiders all-time favorites, and celebrates contemporary examples across the globe. Designed by Mevis & Van Deursen, the extensive collection features analytical drawings from SeARCH and photo essays by Iwan Baan.

Dig It! acknowledges an effort to reconnect architecture and landscape and merge building with ground. Separated into six chapters (or “strategies”) — Bury, Embed, Absorb, Spiral, Carve, and Mimic — this remarkable survey reveals humanity’s connection to the earth through building culture: clever and utterly relevant for the challenges that we have and will face in both urban and natural environments.

The author:

The work of Bjarne Mastenbroek is characterised by a continuous exploration into the intimate and reciprocal relationship between architecture and site. As a Dutch architect, Mastenbroek is well aware of the scarcity of land and believes strongly in using this resource more intelligently in order to give 'nature' more space to survive. Since founding the pratice SeARCH in 2002, Mastenbroek has witnessed and actively pushed for a more site-specific or connected approach to architecture to overtake a modernist approach to building.

The photographer:

After studying photography at the Royal Academy of Arts in The Hague, Iwan Baan followed his interest in documentary photography, before narrowing his focus to record how humans interact within their built environment, like in his work on informal communities, such as his images of the Torre David in Caracas – a series that won Baan the Golden Lion for Best Installation at the 2012 Venice Architecture Biennale. His work has been exhibited in the Museum of Modern art, the Architectural Association in London, the AIA New York Chapter, and appears frequently on the pages of architecture, design and lifestyle publications all over the world.

The designers:

Founded by Armand Mevis and Linda van Deursen in 1987, Amsterdam-based graphic design studio Mevis & Van Deursen is largely recognized for innovative design work in the cultural sector including the identity of the Stedelijk Museum, collaborations with fashion duo Victor & Rolf, and numerous publications on architecture and design. Imparting a vision of graphic design as an active part of the message their educational engagements include the Gerrit Rietveld Academy, Werkplaats Typografie, and Yale School of Art.

The contributing authors:

Esther Mecredy

SeARCH, Architecture and Urban Planning

Black and white décor is at once dramatic and understated, modern and classic, apparent in the work of iconic designers such as Dorothy Draper and Madeleine Castaing but just as present in design today. And the inspiration is all around us — from nature (a zebra’s stripes, tree trunks rising from drifts of snow) to old Hollywood movies and fashion to black-and-white photography and patterns we encounter in our everyday lives (crossword puzzles and the pages of our favorite novels). 

In Black and White (and a Bit in Between), acclaimed interior designer Celerie Kemble trades in her signature vivid palette for this iconic aesthetic, highlighting the black and white work of design stars and peers, including Bunny Williams, Thomas O’Brien, Mary McDonald, Victoria Hagan, Mark Hampton, Delphine Krakoff, Brad Ford, Philip Gorrivan, Carrier and Co., and Miles Redd, and welcoming you into more than 100 spaces in every imaginable aesthetic. Woven throughout are her witty observations and expert advice on choosing the best paints and finishes, adding patterns and accessories, building an entire room scheme based on inspiration found in nature, collecting black and white objects, and even choosing the perfect accent colors. 

With more than 350 gorgeous color photographs, this is a vividly photographed celebration of a timeless scheme, infused with inspirational tips, glimpses into showstopping homes, and proof that a limited palette is anything but.

About the Author:

Celerie Kemble is a principal in Kemble Interiors, a design firm cofounded by her mother, Mimi McMakin. Celerie has been featured in almost every major design magazine and has been listed for more than ten years in House Beautiful’s annual “Top Designers” list. She was chosen by Elle Decor as a top female designer in their first “Women in Design” issue. In 2010 she was selected by Benjamin Moore to appear as a home design expert in a national advertising campaign and she has been featured by J.Crew as a trendsetter and tastemaker.

A stunning journey through the world's most dramatic and inspiring black architecture - now in a cool, compact new format

In this sleek, stylish and easy-to-use new size, Black: Architecture in Monochrome highlights the exquisite elegance of black in the built world through more than 150 structures. From ancient churches to contemporary skyscrapers, Black demonstrates how hues from ebony to onyx have been beloved by architects for centuries. Insightful texts paired with striking photography bring to life these captivating buildings including works by Mies van der Rohe, Philip Johnson, David Adjaye, Jean Nouvel, Peter Marino, and Steven Holl.

About the Author:

Stella Paul was educator-in-charge (exhibitions and communications) and senior manager of the Interpretative Audio Program (Digital Media) at the Metropolitan Museum of Art, New York. She established the Smithsonian Institution's Southern California Center for the Archives of American Art, and has worked as a curator at LACMA.

Is blacksmithing a lost art? Not according to this master craftsman. It might be one of the world's most ancient crafts, but it remains an exciting and essential one today. Percy W. Blandford presents twenty-four different projects: some are for novices, requiring only a few tools, improvised equipment, and a single propane torch; others call for the skill and equipment of an experienced smith.

Projects include:
- Punches and chisels
- Traditional candlestick
- Door latches and bolts
- Garden tools
- Weather vanes
- Fences and railings
- Tables
- Wheelbarrow
... and many more! A book of ideas and suggestions, rather than an instruction manual on blacksmithing techniques, this volume features eighty detailed figures and diagrams. It also includes lists of materials, step-by-step instructions, and suggestions for variations in design.

Yet controversy and conflict seethed around the Palace from its very start, thanks to two strong-minded women: Sarah, the wilful first Duchess of Marlborough, who wanted a home fit for a hero, and Queen Anne, who envisaged a glorious monument to England herself and a palace to rival Versailles.

As a palace and monument, Blenheim is spectacularly successful. It is one of the finest examples of English Baroque architecture, decorated and furnished to an equally lavish standard, housing works of art from all over Europe. Blenheim, which attracts around half a million visitors from all over the world each year, is one of Britain's most magnificent houses as George III enviously remarked 'we have nothing to equal this.' But the real story of Blenheim lies with the Spencer-Churchill family, who have lived in it for the past 300 years, and theirs is a story as turbulent, fascinating and momentous as the conflicts that surrounded its origins.

The first book about Blenheim ever written by one of the Spencer-Churchill family, Blenheim and the Churchill Family is filled with anecdotes, gossip, and intrigue, tracing the story of a glamorous dynasty from 1700 to modern times. This is the inside story, pieced together from the family archives, showing how the personalities of each Duke and Duchess influenced the progress of the great house through the centuries.

In his most personal book to date, William Yeoward reveals his passion for color, his inspirations and the 'stories' behind his unique use of color as he takes you on a journey through a dazzling array of beautiful homes.

Known for his chic and stylish color combinations, William Yeoward reveals his color secrets, starting with the classic combination of blue and white — there are cobalt silk sofas, sapphire armchairs, aquamarine patterned ceramics, and indigo plush pillows, all combined to evoke a sense of luxury, in William's trademark style. The unique color stories in the book include red, white, and blue in a villa in France, a comfortable coastal retreat with hints of pink, taking you through to lavender and amethyst in the country and the city, soft grey studies in living rooms and table settings, a blazing ochre red contemporary cottage, an orange rustic barn dinner, and a red and steel outdoor kitchen. This is William’s fourth book and is the first one to focus on his passion for color and the sumptuous interiors that can be created by focusing on details and by layering opulent textures, prints, and proportions.

About the Author:

William Yeoward has a worldwide reputation for his trademark table settings and stunning ranges of tableware and collections for the home. He has shops in London and New York and lectures on design throughout the United States, and his work is featured regularly in magazines such as Town and Country and Elle Décor (for whom he is a contributing editor). His previous books include William Yeoward on Entertaining, The Perfect Host and William Yeoward At Home. The author is based between London and Gloucestershire.

The Bohemian Modern home is a place where creativity, individuality, and a wild mix of colour and pattern meet in a modern environment.

Whitewashed walls and polished concrete floors are brought to life by vibrant Moroccan rugs and wall hangings; a cosy chair made from wicker suspended from the ceiling, and a veritable jungle of house plants – clustered in pots, hanging from the ceiling or even growing on the walls. The style certainly gives a nod to ’70s chic, with its use of shagpile rugs, Swiss cheese plants, and macramé, but it stands firmly in the present day by boldly contrasting those elements with sleek modern art on the walls and polished concrete worksurfaces.

Emily Henson starts by taking a look at the different facets of the look: pattern and colour, textiles, handmade pieces, living with houseplants, and collections and display. She also offers up styling tricks to use at home and ideas for recycling and reuse. Next, a series of case studies take a closer look at freespirited and creative homes and the people who live in them.

From a restored barn on the coast of Morocco to a former parking garage in the Netherlands that's been converted into a flexible family live/work space, Emily shows that any home can have Bohemian Modern style.

Bohemian Residence delves into the opulence and diversity of urban living across the globe

Urban landscapes offer a multitude of enticing options: from cozy apartments to chic duplexes to historic townhouses. Inhabitants' imaginations and distinct personalities reflect upon the canvas of a home's four walls. From Milan to London, Paris to Beverly Hills, colorful surroundings influence of furniture, accessories, and interior design. Conversations with those who outfit the spaces and with those who live within the sumptuous domiciles paint a narrative of modern materials and classic style.

Bohemian Residence's detailed portraits take readers across the threshold and provide a tantalizing tour. Be it the witty elegance of the French, the boldness of an Italian modernist apartment, or enticing domestic cabinets of curiosity, these metropolitan dwellings illustrate and inspire the lavish possibilities of contemporary city living.

Ce livre présente cent vingt essences de bois d’œuvre choisies parmi les plus disponibles dans le commerce et les plus utilisées. Chaque variété est présentée en couleur avec deux échantillons issus d’un débit sur dosse et sur quartier ; une introduction détaille les caractéristiques de ces deux manières de scier les grumes, et leur influence sur l’aspect du bois. Pour chaque essence sont indiqués le nom usuel, le nom latin ainsi que les appellations anglaises, allemandes, et les noms autochtones des bois étrangers. Une carte permet de visualiser l’origine géographique de l’arbre. La densité, l’aspect (couleur, fil) et les caractéristiques techniques du bois (domaine d’utilisation, réactions au séchage et à l’usinage) sont ensuite brièvement exposées. L’auteur présente également un dessin de la feuille et du fruit de l’arbre, ce qui permet, pour les variétés locales, de reconnaître le bois sur pied.

Sommaire :

Public : Le nombre d’essences illustrées et décrites (120) en fait un livre réservé aux amateurs éclairés ou aux professionnels du bois désireux d’avoir une iconographie de référence pour l’identification.
La prolongation naturelle de ce livre est Bois commerciaux, les résineux, plus spécialisé mais plus poussé sur le plan de la description du bois, de ses qualités technologiques et de ses utilisations.
Les lecteurs voulant se contenter des espèces les plus courantes choisiront le livre 72 essences de bois.
Enfin, Identification des bois, esthétique et singularités présente les photographies de plus de 400 essences, bois commerciaux ou arbres d’ornement.

During the 1950s and ‘60s, with its gleaming new space-age capital Brasilia, Brazil was in the vanguard of architecture and design and its interiors still possess a generous dash of glossy modernity and mid-century chic. This sleek contemporary glamour is combined with the rustic, natural materials that are in such generous supply on the South American continent – rough-hewn stone, exotic dark woods and an abundance of jungly greenery.

From city perches in the urban jungle to country homes amid soaring mountains and beach houses sitting serenely above long, unspoilt beaches, Bold and Bright provides a fascinating glimpse into a selection of real-life Brazilian homes.