Архитектура

The area around your home is your haven, your sanctuary, your refuge from the noise and irritation of traffic, eyesores, and nosy neighbors. Or at least it could be if there was some sort of barrier between your front yard and the sidewalk, or if you didn't have to stare at the back of the neighbors' garage when you want to relax on your patio.

Landscaping for Privacy brims with creative ideas for minimizing or even eliminating the nuisances that intrude on your personal outdoor space. Scores of real-world examples show you how to keep the outside world at bay by strategically placing buffers (such as berms or groups of small trees), barriers (such as fences), and screens (arbors or hedges, for example) around your property. And the helpful plant lists tell you precisely which varieties to choose in order to enhance your sense of seclusion.

If you've ever felt frustrated by the lack of privacy whenever you step outside your home, this inspiring book will steer you toward an achievable solution.

Small yards often pose large problems for home gardeners. Adding too many plants and other elements leads to a crowded, chaotic look, but it is also easy to plan for too little, which can make even a small space seem sparse and under-planted.

Landscaping Solutions for Small Spaces provides detailed designs for common garden situations. Each design features both “hardscaping” and landscaping ideas, including detailed plans that show the number and types of plants for each design. Plant recommendations cover all hardiness zones. Some designs address problems with the site, such as a small front yard or a sloping yard; others deal with requirements imposed by the gardener, such as a garden that requires a minimal amount of maintenance or one that will be enjoyed mainly at night. In addition to the designs themselves, a building-techniques section helps turn the plans into reality.

- 10 custom designs for small gardens, each addressing a specific gardening problem
- Detailed planting schemes that make the most of gardening space
- Hardscaping solutions to hide ugly views, deal with sloping lots, create outdoor living areas, and more
- Plant recommendations for all regions of the country
- Planting and building techniques to help make the designs a reality

Stonescaping is one of today's most popular outdoor landscaping design trends. Homeowners can find a one-stop combined landscape design and project book with Landscaping with Stone, 2nd Edition, updated with all new photographs. The first section provides readers with a framework for incorporating stone in their yard designs, including a look at the different types of stone used in landscapes, sources of inspiration, and ways to think about stone in relation to other outdoor elements. The second part of the book provides readers with tips on working with stone, from transporting to cutting and setting.

 - More than 335 full-color photographs and 40 full-color illustrations bring the designs to life

 - Complete guide to stonescaping: the most popular trend in home landscaping

 - Hundreds of inspirational photographs showing stonescaped yards

 - Basic stoneworking techniques shown in instructional illustrations

 - Step-by-step instructions for completing the most popular stonescape projects, including patios, walls, and rock gardens

 - Resource guide, index, and glossary

The great English country house tradition reached its apotheosis in the nineteenth century. Designed by all the most eminent architects of the age, houses constructed during this period were larger, more elaborate, and more lavishly furnished than ever before, and they became famous throughout Europe and America for their luxury, technological innovation, and convenience of plan.

Michael Hall's survey draws on the vast archive of the great British magazine Country Life to present the fullest visual record yet published of the Victorian-era country house in England and Wales. It ranges from the High Gothic of Tyntes?eld to Ferdinand Rothschild's ?amboyantly French Waddesdon Manor and Philip Webb's Arts and Crafts interiors at Standen. These remarkable photographs are in many cases the only record of the great houses in their heyday; those such as Wrest Park, Thoresby Hall, and Hewell Grange were all sold in the twentieth century and their magni?cent furniture and priceless artwork and collections dispersed. Houses that have survived with their interiors intact but are little known or rarely accessible to the public also feature prominently, such as Flintham Hall and the Earl of Harrowby's Sandon Hall.

Spectacular color photographs provide a fascinating look at some of the most celebrated houses of the period, from A. W. N. Pugin's Scarisbrick Hall and William Burges's Cardiff Castle to J. F. Bentley's Carlton Towers and J. D. Crace's astonishing interiors at Longleat. This chronologically arranged survey of Victorian houses spans the decades from the 1830s to the 1890s and includes not only new houses, but also historic county seats that have been in families for generations and were given major renovations or additions in this era. With over 150 superb color and black-and-white photographs specially selected to highlight the century's most signi?cant houses and their architects and an authoritative commentary by Michael Hall, this book provides a thorough overview of a major period in British architectural history.

• A stunning selection of textiles, chosen not just for their elegance and beauty, but also for their relevance to the history of textile design; each one is representative of the design movements of its time; features specially commissioned new photography
• Includes a fascinating, in-depth account of how and why these pieces were made; this is the first book on textiles to examine aesthetic design is combined with serious archival research into the history of textile production, from design to manufacture and marketing
• Published to coincide with an exhibition at the Francesca Galloway Gallery

Late Eighteenth & Early Nineteenth Century Textiles presents a selection of pieces chosen for their beauty, their elegance and their relevance to the history of textile design. The focus is on furnishing textiles that illustrate the tremendous shift in taste from the restrained Neo-Classical style of the late 18th century to the imperialistic, utterly luxurious fashions of the Napoleonic era and beyond.

Europe and America experienced rapid changes in interior decoration throughout the 19th century, due in part to the radical social changes wrought by the Industrial Revolution. Flamboyant nouveau riche taste flourished throughout the western world, encompassing spirited revivals of Medieval, Renaissance, Baroque, Rococo and Islamic styles and designs by talented figures such as Owen Jones, Eugène Viollet-le-Duc, Christopher Dresser and William Morris.

One of the earliest textiles featured is the Verdures du Vatican, designed by Jean-Demosthene Dugourc for King Carlos IV of Spain in 1799. Elsewhere there is a brocaded silk and metal satin rosette and medallion chair seat cover by Grand Frères for Cartier et Fils, 1808-15, the design of which was re-woven for Jacqueline Kennedy's 1962 refurbishment of the White House. The book features many more pieces of great beauty and extremely high quality.

Two British designs relate to the Aesthetic movement: the first, Hatton, is silk tissue with a beautiful design depicting prunus blossom and small insects, designed by Bruce Talbert, a central figure of the Aesthetic movement; the second is a hand block printed wallpaper designed by Christopher Dresser, with stylised flowers and trailing plants, inspired by Japanese decorative artwork. Also featured is Vineyard, a cotton and wool weave designed by Edmund Hunter, which was displayed at the 1903 Arts & Crafts Exhibition.

Along with its companion volume Twentieth Century Textiles, this landmark publication offers an extraordinary opportunity to appreciate the evolution of textile design and technique across almost 200 years through a stunning selection of pieces rarely on public view.

Contents:
006 Park Tower Gransky
016 Marco Polo Residential Tower
022 Wohngarten Sensengasse
...
350 Carte Verona
356 Residential Building C
362 Index

American architect John Lautner (1911-1994) is responsible for some of the most original buildings of the space age and, indeed, the 20th century. The residences he designed in the Los Angeles area, including the Chemosphere House and the Silvertop, are synonymous with the hopes and dreams of an entire era. Characterized by sweeping rooflines, glass-paneled walls, and steel beams, his buildings displayed a combination of fantasy and minimalism, often integrating water and incorporating surrounding landscapes. Lautner always placed great importance on the relationship between humans, space, and nature.

About the Series:
Every book in TASCHEN's Basic Architecture Series features:

• approximately 120 images, including photographs, sketches, drawings, and floor plans
• introductory essays exploring the architect's life and work, touching on family and background as well as collaborations with other architects
• the most important works presented in chronological order, with descriptions of client and/or architect wishes as well as construction problems and resolutions
• an appendix including a list of complete or selected works, biography, bibliography, and a map indicating the locations of the architect's most famous buildings

Space-Age Architecture. Back to the future with the visionary West Coast architect

With his geometric structures perched upon the hillsides, beaches, and deserts of California, John Lautner is responsible for some of the most original buildings of the 20th century. This introductory book surveys his key works and his iconic aesthetic in an age of space-age technology, economic growth, and affluence.

With his geometric structures perched upon the hillsides, beaches, and deserts of California, John Lautner (1911–1994) was behind some of the most striking and innovative architectural designs in mid-20th-century America.

This introductory book brings together the most important of Lautner’s projects to explore his
his ingenious use of modern building materials and his bold stylistic repertoire of sweeping rooflines, glass-paneled walls, and steel beams. From commercial buildings to such iconic homes as the Chemosphere, we look at Lautner’s sensitivity to a building’s surroundings and his unique capacity to integrate structures into the Californian landscape. With several of Lautner’s houses now labeled Los Angeles Historic-Cultural Monuments, we’ll also consider the architect’s cultural legacy, as much as his pioneering of a visual paradigm of 1950s optimism, economic growth, and space-age adventure.

The author:

Barbara-Ann Campbell-Lange studied architecture in London, New York, and Cambridge. She is a director of the Campbell-Lange Workshop and lectures at the Royal College of Art.

The editor:

Peter Gössel runs an agency for museum and exhibition design. He has published TASCHEN monographs on Julius Shulman, R. M. Schindler, John Lautner, and Richard Neutra, as well as several titles in the Basic Architecture series.

About the series:

Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. 

Each book in TASCHEN’s Basic Architecture series features:

- an introduction to the life and work of the architect
- the major works in chronological order
- information about the clients, architectural preconditions as well as construction problems and resolutions
- a list of all the selected works and a map indicating the locations of the best and most famous buildings
- approximately 120 illustrations (photographs, sketches, drafts, and plans)

Anyone who enjoys entertaining is sure to be inspired by these objects of charm and history, which bring elegance and finesse to any table.

Among the list of items profiled in the book are numerous types of plates (from country stoneware to fine bone china), stemware (from fine crystal aperitif glasses to hand cut ruby quartz goblets), flatware (knives, spoons and forks of every shape, material and purpose), as well as serving platters, soup tureens, serving trays, chafing dishes, egg cups, napkin holders and more. Inès Heugel delves into the history behind each item. She expounds on detailing and craftsmanship, popular designs and proper uses. All the major historic manufacturers, styles and brands are covered.

Also included is a chapter on table ornaments — from centrepieces to candelabra — that round out any well-laid table. Christian Sarramon's atmospheric photographs show each piece in a contemporary setting, and delightful reproductions of vintage engravings and lithographs adorn the margins, giving the book the feel of an old-time almanack. Laying the Elegant Table is the perfect gift and an ideal addition to your own collection.

Born Charles-Edouard Jeanneret, Le Corbusier (1887-1965) adopted his famous pseudonym after publishing his ideas in the review L'Esprit Nouveau in 1920. The few buildings he was able to design during the 1920s, when he also spent much of his time painting and writing, brought him to the forefront of modern architecture, though it was not until after World War II that his epoch-making buildings were constructed, such as the Unité d'Habitation apartment complex in Marseilles, and the chapel of Notre Dame du Haut in Ronchamp.

About the Series:
Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

In his numerous writings, Le Corbusier remained uncharacteristically silent about his early career. This text examines his nascent years as a designer and architect, focusing on the period from 1907 to 1922 - the year he changed his name from Charles Edouard Jeanneret and established his identity as Le Corbusier.

The contributors to the book offer an account of Le Corbusier's formative years and the cultural, intellectual and artistic concerns that absorbed him as a young artist in Switzerland and Paris. From 1907 to 1922 Jeanneret learned the art and craft of architecture and design, and defined his own image as an artist.

The volume discusses the cultural climate of his Swiss hometown, La Chaux-de-Fonds; his early mentors, friends and clients; his educational pursuits, including his self-designed Grand Tour; and his first successes as an architect and designer.

More than 350 illustrations - including architectural drawings and models, watercolours, sketches, photographs and furniture - show the wide range of young Le Corbusier's work and illuminate the principal themes and issues of his formative years.

A spectacular visual biography of one of the greatest architects of the 20th century.

Le Corbusier (1887-1965) is one of the giants of twentieth-century architecture and design. Born Charles Edouard Jeanneret in La Chaux-de-Fonds, Switzerland, the self-named Le Corbusier was not only the creator of some of the most important and impressive buildings of the last century--Villa Savoye at Poissy, the Chapel of Notre Dame du Haut at Ronchamp, the Parliament Building in Chandigarh, India--he was also an accomplished painter, sculptor, furniture designer, urbanist, and author. His work and social theories continue to be a dominant force in the world of architecture and design, while his elegant bearing, typified by his round black eyeglasses, which are still today a signature look for architects around the world, helped cast him as an heroic figure out of Ayn Rand's novel The Fountainhead.

Drawing on an array of archival material, including sketches, photographs, and correspondences, Le Corbusier Le Grand depicts in roughly chronological order not only the vast and varied output of Le Corbusier, but also the major events, people, and forces that shaped the life of an artist who continues to fascinate those in and outside the architectural world.

About the authors:

Jean-Louis Cohen is undoubtedly France's most authoritative and knowledgeable historian of twentieth-century architecture and urbanism. He divides his time between Paris and New York, where he is the Sheldon H. Solow Professor in the History of Architecture at the Institute of Fine Arts of NYU University.

Tim Benton, a highly regarded Le Corbusier scholar, is a Lecturer in the History of Art, Open University, Milton Keynes, England.

A spectacular visual biography of one of the greatest architects of the 20th century.

Le Corbusier (1887-1965) is one of the giants of twentieth-century architecture and design. Born Charles Edouard Jeanneret in La Chaux-de-Fonds, Switzerland, the self-named Le Corbusier was not only the creator of some of the most important and impressive buildings of the last century--Villa Savoye at Poissy, the Chapel of Notre Dame du Haut at Ronchamp, the Parliament Building in Chandigarh, India--he was also an accomplished painter, sculptor, furniture designer, urbanist, and author. His work and social theories continue to be a dominant force in the world of architecture and design, while his elegant bearing, typified by his round black eyeglasses, which are still today a signature look for architects around the world, helped cast him as an heroic figure out of Ayn Rand's novel The Fountainhead.

Drawing on an array of archival material, including sketches, photographs, and correspondences, Le Corbusier Le Grand depicts in roughly chronological order not only the vast and varied output of Le Corbusier, but also the major events, people, and forces that shaped the life of an artist who continues to fascinate those in and outside the architectural world.

About the authors:

Jean-Louis Cohen is undoubtedly France's most authoritative and knowledgeable historian of twentieth-century architecture and urbanism. He divides his time between Paris and New York, where he is the Sheldon H. Solow Professor in the History of Architecture at the Institute of Fine Arts of NYU University.

Tim Benton, a highly regarded Le Corbusier scholar, is a Lecturer in the History of Art, Open University, Milton Keynes, England.

Born Charles-Edouard Jeanneret, Le Corbusier (1887-1965) adopted his famous pseudonym after publishing his ideas in the review L’Esprit Nouveau in 1920. The few buildings he was able to design during the 1920s, when he also spent much of his time painting and writing, brought him to the forefront of modern architecture, though it wasn’t until after World War II that his epoch-making buildings were constructed, such as the Unité d’Habitation in Marseilles and the Church of Notre Dame du Haut in Ronchamp. 

Посмотреть русскоязычное издание книги Le Corbusier -  Ле Корбюзье

About the Series:

Every book in TASCHEN's Basic Architecture Series features:

• approximately 120 images, including photographs, sketches, drawings, and floor plans
• introductory essays exploring the architect's life and work, touching on family and background as well as collaborations with other architects
• the most important works presented in chronological order, with descriptions of client and/or architect wishes as well as construction problems and resolutions
• an appendix including a list of complete or selected works, biography, bibliography, and a map indicating the locations of the architect's most famous buildings