Частные дома

From furniture and frames to traditional fabrics and from ceramics and glassware to garden furniture, this new, compact edition of a best-selling classic describes how to create a home that is quintessentially Provencal.

In this volume, we are shown the exteriors of some of the most beautiful houses in Provence, including French designer Edith Mezard's home and British designer Terence Conran's former French residence. Images of gold-hued walls, iron balustrades, leafy terraces, and painted shutters inspire in the reader's mind thoughts of balmy days in the Provencal sunshine. Aromatic lavender in terra-cotta pots and almond trees casting shade over cobbled courtyards evoke the magic of Provence-style living. From plain, rustic-style benches and beds to delicate walnut armchairs and elaborate dressers, all the painted and polished accoutrements of a Provencal home are featured. A section on ceramics and glassware explores the world of the Provencal potter and glassmaker: the materials they use, their techniques, and the distinctive styles of decoration are all described and illustrated in detail. And from tableware to what lies beneath, we trace the exotic history of Provencal textiles and explore a variety of traditional flower-print fabrics and intricate quilted and furnishing textiles.

The final section of the book provides extensive source details for decorating the home in Provencal style.

Thirteen exquisite houses create a portrait of life in one of America’s most exclusive coastal destinations, along the beaches of Martha’s Vineyard and Cape Cod.

Hutker Architects, led by founding principal Mark A. Hutker, has designed more than three hundred houses along the New England shore. A member of the close community on Martha’s Vineyard since his arrival in 1985, Hutker has become an expert at interpreting the ideal lifestyles of his clients within the respected traditions and restrictive codes of the beautiful but fragile environment.

In their design and construction, these houses honor the vernacular traditions of craft and indigenous materials, are deeply respectful of the cherished landscape, and demonstrate a lively range of solutions to building on the bluffs and dunes that line the shores of the Vineyard and Cape Cod. A working organic farm fulfills a family’s dream of simpler values; a luxurious renovation saves the best of an antique shingle cottage while transforming it for contemporary family life and a raised structure clad in naturally weathered boards combines the legacy of midcentury regional modern architecture with Cape Cod’s maritime tradition.

The firm is committed to the principle “Build once, well,” looking to the historic architecture of the region and the inherited experience of its carpenters and craftspeople as inspiration for contemporary design. The result is an architecture that is at once adaptable and livable, yet enduring, efficient, inevitable, and appropriate.

The houses sit lightly on the land, deferring to their surroundings, often built as a series of modest pavilions linked by passages or grouped to enclose an outdoor space. Creative design solutions — a light-filled gallery running the full length of a house, a continuous wall of sliding glass doors — make houses both open to views, but protective in a storm. Specially commissioned photography captures the craftsmanship and the settings of the houses, from dramatic bluffs overlooking the sea to secluded coves and rolling meadows filled with wildflowers, creating a unique portrait of Cape Cod and Martha’s Vineyard.

Gill Heriz presents another inspirational collection of women's sheds and other small spaces

In A Woman’s Huts and Hideaways, Gill Heriz presents an inspirational collection of stunning small spaces. Each place has its own story, a reason for being, whether it’s somewhere to escape, to create, to work, or just a place to “be”. By the Waterside, Ivy has built a mud hut near the River Willamett in Portland, Oregon — a place to “inspire and educate and share with her community.” In the Countryside Monica’s Cabin on the Hill is a writing retreat and provides a place for women who need time away from busy lives. A purpose-built shed in an Urban garden serves as studio for illustrator and artist, Martha. Hidden away, in an enchanting wilderness in Suffolk, UK, is Janet and Sue’s Secret Garden. Here, there are three sheds: an old summerhouse full of light; a hide nestled in the bushes for watching the local wildlife; and a renovated wagon used as a base for recording their wildlife observations. From yurts to Airstreams, beach huts to bothies, the huts and hideaways have one thing in common — they are all inspirational spaces created by women, for women.

About the Author:

Gill Heriz is an artist and writer who was once an interior designer, and has a passion for architecture and design. She is also self-confessedly nosy, and loves nothing more than exploring other people’s houses. Her interest in women’s sheds, was first sparked by some fine examples in her local area, and now extends across the world. Her current shed is a studio built from old flint, where she can work, create, and relax. The author is based in Suffolk, UK. Nicolette Hallett went from painting at art school to photography college, and a 30-year career in commercial photography. She prefers observational photography, and has photographed everything from stone masons to stately homes. She has an "off the peg" shed, which is her painting studio in summer. The photographer is based in Suffolk, UK

Every woman deserves a shed of her own, somewhere to retreat to for some quiet time, to create or grow, to write or paint, or just to contemplate the view. Gill Heriz has interviewed over 70 different women, and Nicolette Hallett has photographed their sheds inside and out, to collect together this unique insight into why women have sheds, and what they do in them.

There are sheds for puppet-makers, sculptors, and writers, as well as farmers, furniture-makers, and woodcutters. There are sheds that can be lived in, sheds that are full to the rafters, and sheds that are simply sheds, with the usual collection of gardening tools, lawnmowers, and seed packets. Virginia Woolf once argued that, for women, writing fiction required “a room of one’s own.” These women have taken that premise a step further — to the end of the backyard — to find their own very personal space.

About the Author:

Gill Heriz is an artist and writer who was once an interior designer, and has a passion for architecture and design. She is also self-confessedly nosy, and loves nothing more than exploring other people’s houses. Her interest in women’s sheds, was first sparked by some fine examples in her local area, and now extends across the world. Her current shed is a studio built from old flint, where she can work, create, and relax. The author is based in Suffolk, UK. Nicolette Hallett went from painting at art school to photography college, and a 30-year career in commercial photography. She prefers observational photography, and has photographed everything from stone masons to stately homes. She has an "off the peg" shed, which is her painting studio in summer. The photographer is based in Suffolk, UK

Filled with beautiful photographs and informative essays, this volume presents the genius of A. Quincy Jones, whose collaborative nature provides a timely example for today’s architects.

While the architect A. Quincy Jones is most recognized for his glamorous homes for Los Angeles’s cultural elite, he was equally dedicated to postwar Southern California’s rapidly expanding middle class. As this fascinating book reveals, Jones and his collaborators were truly ahead of their time. Their vision of creating affordable, aesthetically pleasing structures prefigured the advent of several important architectural trends, such as sustainable building designs, maximization of available space, and sensitive site planning. Filled with images by noted photographer Jason Schmidt, as well as period photographs by Julius Shulman and others, this volume looks at every aspect of Jones’s career. Original drawings, models, and furniture designs from the architect’s personal archives illustrate a wide variety of projects featuring the hallmarks of Jones’s style: soaring interior spaces, the blurring of indoors and out, laminated timber construction, angled walls, and innovative use of concrete, redwood, and glass.

Essays explore Jones’s quintessentially collaborative nature as he consulted with other noted architects, landscapers, interior designers, developers, and city planners to create buildings of lasting beauty and importance.

From the founders of General Store, Abode is a collection of Serena Mitnik-Miller and Mason St. Peter's effortlessly cool, quintessentially California interiors, and a look at how to re-create that style anywhere.

The yearning for a life of pared-down purity has built to a roar, and Serena Mitnik-Miller and Mason St. Peter — the husband-and-wife owners of General Store, one of California’s most talked-about shops — are at the forefront. In Abode: Thoughtful Living with Less, these tastemakers make a graceful case for living better no matter your budget or abilities, guiding you to create a space this is simple and true. Their time-tested methods create interiors that maximize openness, strip a building back to its bones, and amplify natural light, evoking unpretentious tranquility. The blueprint for their signature aesthetic is all here: the embrace of elemental materials, curation of handcrafted objects, and collection of furnishings from eras when craftsmanship was king. This edit of Mitnik-Miller and St. Peter’s greatest collaborations will take you through their breathtaking rooms, masterpieces of warm minimalism.

Abode is a glimpse into the couple’s process and a guide to manifesting your own beautiful interiors.

About the Authors:

Serena Mitnik-Miller and Mason St. Peter founded General Store in 2009, since expanding to three locations in California. 

Serena Mitnik-Miller and Mason St. Peter have a significant and loyal following on Instagram — with more than 250,000 combined personal and store followers — as well as on Facebook and Pinterest. Their extensive media connections and admirers include Dwell, Vogue, Monocle, Refinery 29, C Magazine, T Magazine, Paper, Martha Stewart, and Mother magazine. Their footprint connects them to the art world, architecture, design, home interior, fashion, parenting, and even food media with a recent feature in Bon Appétit. 
  

The work of the acclaimed designer of villas in Spanish, Moorish, Venetian, and Mediterranean style, in all-new color photography.

The go-to architect for the Jazz Age elite of South Florida and beyond, Addison Mizner created a new architectural style and a new lifestyle for the wealthy and socially prominent of Palm Beach--America's preeminent winter resort town of the time. Building mansions, clubs, hotels and apartment houses with a bent toward fantasy and romance, Mizner established a design vocabulary and tradition that to this day influences architects, designers, and builders. Evocative of old Spain, Venice, and the Moorish capitals of Granada and Seville, Mizner's work is a dream realized: courtyards with fountains, trellises with climbing bougainvillea, arched windows, glazed tile floors, spiraling marble columns, expansive interiors with grand proportions.

This book explores Mizner's legacy through the extraordinary houses and other structures he built, including such storied homes as La Guerida, an 11-bedroom Spanish Revival mansion, best known now as the Kennedy Estate -- the place where JFK he composed his Inaugural Address. Known for their beauty, opulence, fantastic detail, as well as the stories of those individuals who have lived or played in them, the houses and buildings of Addison Mizner stand as monuments to grand living and romance made in stone and iron, stucco and tile.

About the Authors:

Beth Dunlop is an Alicia Patterson Fellow writing about the environmental, cultural and architectural consequences of overbuilding. Her newest book, Addison Mizner: Architect of Fantasy and Romance, is the 29th book on architecture and design she has either written or co-written. Most recently she conceived, co-authored and edited the book, Heroes: A Tribute, an homage by the New York artist Doug Meyer to fifty important creative figures who died of AIDS, as well as The Tropical Cottage: At Home in Coconut Grove. She was a Pulitzer-nominated architecture critic for the Miami Herald for more than two decades. From 2011 to 2017 she was editor of Modern Magazine, which was a sister publication to ArtNews and Art in America, and before that, she was editor of HOME Miami, HOME Fort Lauderdale, and the online-only HOME Los Angeles and has contributed widely to prominent design and architecture magazines. A graduate of Vassar College, she divides her time between Miami Beach, Florida and Ipperwash Beach, Ontario. Steven Brooke is a fellow of the American Academy in Rome and winner of the AIA National Institute Honor Award for photography. Based in Miami, he is the photographer for many Rizzoli books, including Historical Houses of Virginia and Miami Deco.

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Пролистать книгу Addison Mizner: Architect of Fantasy and Romance

This is the definitive book on the style, architecture, design, and natural beauty of the Adirondack Great Camps

The Adirondack Great Camps, as well as their furnishings, are some of the most iconic of American architecture and design. Harkening back to nineteenth-century tycoons and continuing today, this style is driven by the call to a simpler life in harmony with these mountains. Approximately forty of these camps both historic and contemporary and their glorious environments represent this celebration of one of America's true regional treasures. An afterword by a curator of The Adirondack Museum highlights the craft tradition of the Great Camps.

The wild beauty and serenity of the Adirondacks have always attracted those who sought a simpler life and a connection to nature. This is a land of spectacular beauty, with iconic elements such as the sugar maple and white birch; bobcat, beaver, and moose; majestic loon and great blue heron. It should come as no surprise then, that the robber barons and business tycoons of the 1800s turned to this leafy haven to escape the urban jungle. They constructed compounds in and around Raquette Lake as rustic getaways, and these grand structures became known as the Great Camps of the Adirondacks.

Each Great Camp was more beautiful than the next. The rough-hewn, timber exteriors contrasted the elegant interiors, which included complex stonework and hand-carved furniture. Natural elements such as tree roots, fungi, twigs, and bark, often played an integral part in the décor - the simple yet elegant Adirondack chair has become an international symbol of leisure. Today, approximately 40 Great Camps have survived, including 10 that are National Historic Landmarks. Some are open to the public as landmarks and lodges, while others remain in private hands. These structures echo the greatness of their past and enhance the natural beauty of the region while providing us with a link to our nation's rich history of environmental preservation balanced with economic growth. Just the list of camp names reads like a history of the Adirondacks: Sagamore, Hedges, Pine Knot, Waldheim, The Point, Santanoni, Top Ridge, White Pine, Clear Lake, Prospect Point, Northbrook, Whiteface Lodge, Carolina, Regis/Applejack, Gull Rock, Huntington, Pritz, Three Star, Wononah, Wellscroft, Birch Point, Pinebrook, Hemlock Ledge, North Point, Bluff Point at Raquette Lake, Lake Placid Lodge, Moss Ledge, Wildair, Winnetaska, Boulder Isle, Sekon, Kildare, Uplands, Minnowbrook, Uncas, Covewood, Big Moose Chapel, Potluck, Albedor, and Paownyc.

About the Author

f-Stop Fitzgerald (www.f-stopfitzgerald.com) is a noted photographer whose work has appeared in more than 100 periodicals, including Rolling Stone, GQ, Publishers Weekly, and The Village Voice. His collaboration with Stephen King, Nightmares in the Sky, was a national bestseller. Richard McCaffrey is currently staff photographer for The Providence Phoenix. He is represented by Getty Images and his work appears in numerous national and international books and publications.

Lynn Woods is an award-winning writer who has contributed articles to a variety of regional and national magazines and newspapers, including Travel & Leisure, USA Today, and The Wall Street Journal. She is a frequent contributor to Adirondack Life. Jane Mackintosh is a longtime resident of the Adirondacks and a regular contributor to Adirondack Life. She has also served as a board member of Adirondack Architectural Heritage. Dr. Howard Kirschenbaum was founder of Adirondack Architectural Heritage, the nonprofit historic preservation organization for New York State’s Adirondack Park. AARCH was formed in 1990 with a mission of promoting better public understanding, appreciation, and stewardship of the area’s unique and diverse architectural heritage. Laura Rice is Chief Curator of the
Adirondack Museum.

This new book by Stephen Crafti showcases innovative budget-driven architecture. These new houses, extensive renovations, and kit homes illustrate how dreams can be achieved with restricted funds.

Rather than attempting to fulfil endless wish lists, the architects and designers of these budget-conscious projects first assessed what was needed. Including more than 40 projects from Europe, the United States, Japan, and Australia, this book highlights the fact that strong ideas are often more valuable than unlimited budgets. And in lean times, more people are looking for imaginative solutions that won’t cost the earth.

Features 50 projects from Australia, New Zealand, the US, and Europe.

Пролистать книгу Affordable Architecture: Great Houses on a Budget на Google books

Every generation an extraordinary figure captures the imagination of the design public, allowing us to dream and see what is heretofore impossible. That man of the moment is Alan Faena.

Raised in the restrictive regimes of 1960s Argentina, Alan Faena came of age when the country opened up to the West and Alan transformed himself into the icon of this new spirit, first as the founder of a popular Argentine fashion company, then as the hotelier of the highly sought-after FAENA hotels, in Buenos Aires and Miami. In each of the two cities Alan Faena did not simply build a hotel, but a whole universe of luxury design by working with the best talents of the day: Philippe Starck, Rem Koolhaas, Norman Foster, Damian Hirst, and the film director Baz Luhrmann, among others. The results are immersive dream places, full of color, life, and high design.

In this revealing memoir, profusely illustrated with images of the hotels and Alan's private homes and retreats as well as his famous and beautiful friends, Alan Faena details how his ambition to create beauty was realized with gorgeous interiors and restaurants, lavish gardens and pools, and the very best that can be dreamt of.

About the Author:

Alan Faena came of age in Buenos Aires during the exuberant days after the fall of Argentina's military dictatorship, which propelled him into a successful career as a fashion model then as a fashion designer before going into hotels.

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Пролистать книгу Alan Faena: Alchemy & Creative Collaboration: Architecture, Design, Art

After a successful career in Human Resources, Alexander Cambron started a few years ago with the sale of high-quality residential projects, ready for occupation: exclusive country houses, full of character, in a timeless or contemporary style. His high point is ‘Le Paquebot’, a modernist masterwork by the architect Marcel Leborgne in 1935, which has been transformed by Alexander Cambron and his team into an exuberant villa in which respect for the past and a comfortable contemporary lifestyle go hand in hand.

An XL size book (34 x 27 cm) in which every house is shown at its best.

This is a label that can be applied to many different homes: houses in the countryside, built with reclaimed materials, painstakingly restored farmhouses, grand town houses, a minimally designed villa where antiques and design go hand in hand, a house by the sea, furnished in a contemporary classic style…the list goes on.

In a career that spanned the first half of this century, Philip Trammell Shutze produced over 750 architectural works. Because his production was so large, this first book to examine his buildings concentrates on the more important ones, which as a body represent an architectural achievement of a very high order of refinement, grace, and beauty.

Although Shutze practiced from 1912 to 1968, covering the period of the ascendancy of modernism through its final triumph, he remained a firmly committed classicist, practicing out of an office in Atlanta where he produced an extraordinary body of monumental commercial and institutional buildings and country villas.

After graduating from Georgia Tech, Shutze stayed a year at Columbia University before he won the prestigious Rome Prize in 1915. Travelling to Rome later that year, he became a member of one of the earliest classes of fellows to occupy the recently completed American Academy on the Janiculum overlooking the city. The magnificent palazzo designed by America's most renowned architectural firm, McKim, Mead, and White, did not, however, please the fellows, who found it "too new," and therefore not authentic (Shutze would later devote much attention to techniques for instantly aging building facades).

With the coming of the First World War, Shutze and most of his classmates stayed in Rome as Red Cross volunteers, but when the war was over they returned to the Academy and to their studies. During his five years in Rome, Shutze immersed himself in learning everything he could about the great buildings of the Renaissance and Baroque periods. He painstakingly measured those buildings as well as the monuments of the Roman Empire, committing the smallest of details to paper and to memory.

Returning to the U.S. in 1920, Shutze worked in New York for Mott Schmidt, who designed townhouses for such families as the Astors, Morgans, and Vanderbilts, and he also worked for F. Burrall Hoffman, whose masterpiece is Villa Vizcaya in Miami. Within a few years, though, he returned to Georgia where he remained as the epitome of the "gentleman architect," designing some of the most beautiful buildings ever to grace the American landscape.

Anne Fairfax and Richard Sammons are at the forefront of a movement among architects today who draw inspiration from the wellspring of the classical traditions in architecture. 

They have developed a body of work that reflects and adheres to the long-held theories of proportion and order passed down through many past generations of scholarship and practice. The firm's office also served as the headquarters for Henry Hope Reid's Classical America, the only organization offering an alternative to modernist aesthetics until the establishment of the Institute of Classical Architecture in 1992. 

The twenty-four projects in this volume show the firm's consistent focus on classical architectural beauty, whether the chosen style be Palladian, Tuscan, Mediterranean, Georgian, Adamesque, Neo-classical, British or Dutch Colonial, Colonial Revival, or even East Coast Shingle Style, in all of which Fairfax & Sammons are eminently proficient. 

The projects selected out of the firm's large body of work include country houses located in Connecticut, New York, Virginia, and Florida, including the renovation of townhouses and apartments in New York City — all presented in new color photography.

About the Author:

Mary Miers is Architectural Writer for the London-based journal Country Life. She lives in London and Scotland. Adele Chatfield-Taylor is president of the American Academy in Rome. She lives in New York City.