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From Pucci's psychedelic patterns to Iuter's skate-inspired prints: how Italian designers have led innovations in textiles throughout the 20th century

The dynamic geometrical patterns of Emilio Pucci; the dazzling trompe-l'oeil effects of Roberta di Camerino; the pop sensibilities of Gianni Versace and Franco Moschino; the bold street-style prints of Iuter and Sunnei--these and countless other innovations have made Italian design a leading force in the history of 20th-century textiles.

This volume documents the history of Italian textiles from the beginning of the 20th century through to the present day, exploring their evolution in relation to the dominant styles of various periods. This is a history deeply interwoven with the birth of the totemic "Made in Italy'' concept, as textiles have significantly contributed to Italy's international reputation as a bastion of high-quality fashion and design. Numerous Italian artists, fashion designers, product designers and companies have pioneered and popularized a vast range of manufacturing processes that incorporate local fabrics and innovative techniques.

Featuring sumptuous illustrations of finished fabrics, preparatory drawings and photographs, Italian Textiles compiles the country's most notable design coups. Among the thematic sections in the book are those dedicated to scarfs, skirts, shirts, ties, wallpapers, tablecloths and various other fabricated objects.

Designers include: Fede Cheti, Enrico Coveri, Roberta di Camerino, Dolce & Gabbana, Salvatore Ferragamo, Lucio Fontana, Piero Fornasetti, Mariano Fortuny, Gucci, Iuter, Franco Moschino, Bruno Munari, Gio Ponti, Prada, Emilio Pucci, Ken Scott, Ettore Sottsass, Sunnei, Valentino and Versace.

Known as the gardener of fashion, Ken Scott designed large-scale flowers that blossomed on fabrics and whole outfits and have recently been rediscovered in Gucci’s Epilogue collection.

The American fashion designer Ken Scott was a masterful creator of fabrics, mapping out flowers with romanticism and multiplying them as he transformed them into something that stood out and reflected his eclectic personality.

Born in Fort Wayne, Indiana, Scott moved to Milan in the 1950s, where he pioneered many colorful patterned fabrics and collections and founded the Falconetto brand. Known for bright floral patterns with peonies, roses, poppies, sunflowers, petunias, and asters, Scott followed a maximalist design philosophy when it came to his vibrant line. In the 1960s, he is said to have been one of the first designers to showcase calf-length skirts in his collection, while in 1970s he rose to fame because of his floral-printed suits for both men and women and unisex catwalks.

They called him “the fashion gardener,” but he was so many things: a gifted painter, an experimental restaurateur, an ingenious textile artist, and one of the most brilliant design savants of the twentieth century.

Edited together with the Ken Scott Foundation, including an interview with Alessandro Michele, this book provides an in-depth exploration of his archives and thoroughly reflects his imagination for everything from loungewear and luggage to silk scarves and swimsuits, all joyfully splashed with his colors, sunflowers, poppies, petunias, and peonies.

About the Author:

Shahidha Bari is professor of fashion cultures and histories at London College of Fashion. Federico Chiara is a journalist and Culture Editor at Vogue Italia. Pierre Léonforte is a journalist based in Paris and Milan, regular contributor to Vanity Fair France and Marie Claire Maison. Renata Molho is a journalist, essayist and former fashion critic for the newspaper Il Sole 24 Ore. Isa Tutino is a journalist and essayist who directed Casa Vogue and contributes to publications such as L’Espresso and Corriere della Sera. Photographs by Guido Taroni.

This is the essential book on living and entertaining with elegant linens-for every day and special occasions. 

Offering both visual inspiration and practical information, Linens is the ultimate guide to living and entertaining with fine linens. Credited with reviving the art of couture linens for everyday use, Jane Scott Hodges's contributions to the world of fine linens have made her a favourite of house and home magazines. As the founder and owner of couture fine linens company Leontine Linens, she has spent the past two decades studying, collecting, and innovating the world of fine linens. 

In her engaging Southern way, she introduces us to the art of beautifully made linens and shows how easy it is to use them to personalize your home and change looks and moods without redecorating. Whether your style is classic or modern, quirky or quiet, linens are uniquely adaptable to the way you live and decorate and the surest way to put your unique stamp on your home. 

Throughout, the book also offers liberal doses of the author's expert advice and savvy insight on use and care, as well as contributions from leading decorators and home stylists. Replete with beautiful linen-filled rooms detailing countless interpretations of applique, embroidery, and monograms-and the myriad weaves and colours to explore-Linens opens up the possibilities of a world of decorating and a fresh look at entertaining.

About the Authors:

Founder of Leontine Linens, Jane Scott Hodges has revived the art of couture linens for the home. Hodges deftly explores fine linens' everyday use and care, and their importance and relevance to today's artful lifestyle. A celebrated tastemaker, prolific designer, and author, Charlotte Moss most recently wrote the successful Charlotte Moss: A Visual Life.

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The fourth volume in Thames & Hudsons celebrated series cataloguing the al-Sabah collection, this book features a unique collection of carpets and textile fragments from the pre-Islamic and early Islamic world.

The Sasanian fragments fill a substantial gap in the early history of pile carpets, dating from the second to the eighth century ad, and make a valuable contribution of the understanding of local artistic traditions. The second half of the book is devoted to post-Sasanian and Sogdian silks dating from the sixth to the tenth century. A wave of these beautiful textiles has reached the West since the turn of the 21st century, and here they are divided into variants featuring birds, mammals and mythological creatures, which retain their glowing colours and lively charm.

An essential book for any textile artist looking to expand their repertoire into two- and three-dimensional work. Leading textile artist, teacher and examiner Jean Draper takes you through the entire process from designing through construction to embellishment with mixed media.

This beautiful but very practical book includes diagrams, detailed drawings and stitch information to guide the reader through the techniques, which include hand and machine embroidery. It covers Design, including recording information for translation into stitch (with lots of drawing tips); Choice of Threads, including some unusual threads and costumizing them; Constructing with Thread, everything from knotted forms, with decorative threads, grids and stacks, and coiled structures; Stitches in Thin Air, constructing with stitch alone using moulds and soluble fabric; Using Mixed Media in Stitched Structures, such as paper, sticks, wire and plastics; Adding Structure to an Existing Fabric; Three- Dimensional Fabric Structures.

Working in two and three-dimensions is a growing genre of textile art and this incorporates a fresh approach and great design advice.

A lavish look at the art of Taroni’s silk and fashion textiles, which have been found in the haute couture fashions of the world’s leading designers, from Dior to Schiaparelli.

This book was created with eight different colored covers with silk finishing. Customers will be shipped any of the eight different colors at random.

A book about fashion, this volume tells the story of the elegant luxury fabrics of Taroni, who since 1880 have produced fabrics of the highest quality, combining craftsmanship, technology, creativity, and experimentation along the way. A detailed account of the company’s history is accompanied by lush images as well as interviews and texts from leading creative figures such as Gianfranco Ferré, Roberto Capucci, Alber Elbaz, and other top fashion designers who have worked with Taroni. A virtuous example of Made in Italy where the synergy between technical research and creative work leads to excellent results exported all over the world.

About the Author:

Margherita Rosina is an expert on both early and contemporary textiles, with a focus on the 1900s and the growing fashion industry; she has held the post of director of Museo Studio del Tessuto della Fondazione Antonio Ratti, Cernobbio. Enrica Morini teaches Contemporary Fashion at the IULM University (Milan). She has curated exhibitions for and collaborated with the Fondazione Gianfranco Ferré and Fondazione Ratti.

An intimate look at the ethos of one of today’s most exciting designers, and the people and places that have shaped her maximalist English country aesthetic.

British interior designer Flora Soames founded her eponymous firm in 2009 and launched an acclaimed collection of fabrics and wallpapers in 2019. Informed by her background in art and furniture, her style exudes the traditional charm of English country homes while incorporating modern, original touches that are comfortable and design-led. This embrace of old and new — along with Soames’s passion for collecting, heritage, color, and pattern — has resulted in an impressive portfolio of projects in the UK and beyond.

Inspired by the concept of a One Day Box — a place, real or imaginary, where we store fragments of our past that spark a feeling of connection — Soames presents her reflections on the concept of home, and explores the sentiments evoked by certain objects during seminal moments in her life. From personalities and places to beloved objects, Soames shows how our patchwork of memories can energize the process of creating and living in a home. Exquisite photographs of her projects — including her refurbished countryside cottage in Dorset, an architecturally prominent house in the Cotswolds, and her family’s home in North Norfolk — alongside images of vibrant fabrics and wallpaper bring her thoughts and distinctive style to life.

About the Author:

Flora Soames set up her design business in 2009 and launched a range of fabrics and wallpapers a decade later. One of House & Garden’s Top 100, her discerning eye and instinct for channeling both old and new has been formed through a lifetime love of collecting. She lives and works in Dorset, England.

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The catalogues of the Paris Salons at the turn of the 19th to the 20th century provide a unique archive of illustrations of the decorative arts at a pivotal time in their development, the five previous volumes covering Jewellery, Furniture, Ceramics and Glass, and Objets d'Art.

The fabric designers of the Art Nouveau style who exhibited at the Paris Salons produced a remarkable oeuvre in printed and woven fabric, silk, lace, embroidery and tapestry.

Bookbinding was, and still is, a well-established French tradition, and bibliophiles commissioned unique bindings from artist-designers who, at the same time, were also creating and exhibiting non-bound leather goods - handbags, blotters, upholstery.

This volume is probably the most important in the series. Because of wear and tear, practically none of the approximate 1,200 textile and leatherware pieces illustrated have survived outside museum collections or appeared at auction, unlike the items covered by the earlier volumes.

The aim of this beautifully illustrated book is to offer a highly extensive and versatile anthology of pieces, accompanied on one hand by technical and in-depth captions and on the other by a scientifically documented yet concise and absorbing essay.

The whole collection is organised chronologically starting with the fabrics conceived by the artists of the Secessions (Berlin, Munich, Vienna), from Moser to Hoffman and Klimt, and those of Art Nouveau, to then go on to look at the problem of the fabrics with a Deco and Novecento flavour, and the production from the fifties, in European and the USA, with the influences of Informal artistic culture, then through the experiences of Pop Art, Op Art and Kinetic Art, up to the most contemporary successes.

The volume includes biographies of the designers and main manufacturers, a glossary of technical terms, a thematic bibliography and an index of names.

A book for fashion and design lovers detailing Emilio Pucci's creativity beyond fashion, expressed through his interior design projects, rugs, and porcelain.

The brightly colored printed fabrics that twist around in a kaleidoscope created by Emilio Pucci recount an important period of Italian fashion history dating back to the 1960s.

This volume celebrates Emilio Pucci's creativity, which he expressed through his interior design projects, rugs, and porcelain, as well as in his fashion. Pucci's patterns and designs have been used in collaboration with other brands to create designer and collector objects.

Emilio Pucci focused on the creation of rugs that were presented in 1970 at the Museo Nacional de Arte Decorativo in Buenos Aires. The production of exclusive rugs continues upon the request of selected clients, whose houses have been photographed for the book. Currently, Pucci collaborates with Cappellini, Kartell, Bisazza, Illy, and many others on their interior design projects.eation of rugs that were presented at the Museo Nacional de Arte Decorativo in Buenos Aires. The production of exclusive rugs continues upon the request of selected clients, whose houses have been photographed for the book. Currently, Pucci collaborates with Cappellini, Kartell, Bisazza, Illy, and many others on their interior design projects.

About the Author:

Laudomia Pucci graduated in business and economics at LUISS University in Rome. After the death of her father,
Emilio Pucci, in 1992, she became head of the Emilio Pucci company. Suzy Menkes is a British journalist and fashion critic. Angelo Flaccavento is a contributing editor to the Business of Fashion. Piero Lissoni is one of Italy's leading Italian architects and designers, known for his contemporary furniture design.

A jargon-free introduction to the techniques of contemporary carpet design and creation

It is rare for a practitioner to present their thought processes, inspirations and techniques in a straightforward, no-nonsense, jargon-free way. Deirdre Dyson’s book is a welcome exception.

Dyson’s carpets are both works of art and works of design. They are also examples of superb craftsmanship. And, as this beautiful book reveals, they are also extremely pleasurable.

The book describes her journey from figurative painting into carpet design and carefully explains the thoughts, questions and challenges that occurred along the way, and the techniques required to support them.

The foreword by Professor Sir Christopher Frayling contextualizes Dyson’s award-winning work within discussions about art and design, and then Dyson herself reflects on her long experience of designing exquisite carpets.

The chapter ‘Techniques’ introduces the traditional methods she uses to create these carpets, and how these conventions can be manipulated to create stunning effects. ‘Process’ then explores the steps that lie behind any design. These chapters are followed by Dyson’s collections. Illustrated in full, they demonstrate her love of colour and her range of inspirations.

About the Authors

Lady Dyson met her husband James when both were students at the Byam Shaw School of Art. She has a store on the King’s Road in London, and in 2013 was the winner of ‘Best Studio Artist Design’ at the DOMOTEX Carpet Design Awards.

Professor Sir Christopher Frayling is Professor Emeritus of Cultural History at the Royal College of Art.

This stunning gallery-style volume includes some of the finest examples of contemporary textiles and fiber art being made today. The collection includes wearable art and couture, fashion accessories, soft furnishings and vessels, tapestries, display art, and quilts. A wide variety of techniques are featured, including hand and machine embroidery, decorative stitching, batik, dyeing, fabric painting, appliqué, felt, weaving, and all types of surface decoration. Full-color photography features both full views as well as close-ups that will allow readers to appreciate the finer details of many works.

For the first time ever the highlights of a world renowned private collection are bundled in a book: over 300 tapestries and textile related objects such as hairpins and jewellery are showcased in this beautifully illustrated book. Much of the focus is on Coptic textiles. Coptic art is a term used either for the art of Egypt produced in the early Christian era or for the art produced by the Coptic Christians themselves.

This classic reference book has been reissued in its original full-size format with a fresh new cover design. A mine of information for students and anyone interested in textiles, the book opens with an expert guide to nine fundamental textile techniques, from rug weaving and tapestry to felt and bark cloth. Each is clearly explained, using line drawings and close-up colour details from actual textiles. This shows how many different people from many different traditions have made and decorated cloth through the centuries. From pre-history to the present day, the rich collection of illustrations - drawn from major collecions all over the world - including costumes, period interiors, archive photographs and a huge variety of fabrics.

This glorious book is filled with a wide-ranging history of textiles and 350 superb illustrations drawn from many countries and sources - vestments and costumes, samplers and pictures, great beds and furniture.

The story of embroidery and needlework is discussed within the fascinating context of the history of fabrics, of decorative costume, of interior decoration, of church and state ceremonial, of girls education, of furniture and pastimes. Silk, cotton, linen, and the significance of colours and dyes are also considered. Two interesting chapters reveal the worldwide fascination with influence of Chinese embroidery and Indian textiles.

With a broad account of the artistic achievements of every facet of decorative needlework, the book is rich with the art-historical background encompassing the most magnificent of all embroidery, the mediaeval English vestments so coveted by Popes and Bishops across Europe, to the domestic treasures created in more recent centuries. Baroque, Rococo, neo-classical and other period characteristics are each discussed with reference to works created by children, young girls, and ladies who made furniture coverings destined for posterity. The nineteenth century saw extremes of art and fashion ranging from Berlin woolwork to Art Needlework and the eclectic inspiration represented by William Morris, all leading to simpler modernist styles which evolved over the twentieth century.

The author sets in political and social context the whole panoply of textiles, distinguishing between the magnificent products of professional workshops and the uniquely individual and especially charming amateur embroideries that survive today amongst the most beautiful treasures of the decorative arts.