Книги по философии архитектуры

This book is an atlas of images, presenting projects that illustrate the transformations that have occurred in Genoa during the last 10 years. Franz Prati, Director of the Architecture department of the University of Genoa, is the author of this series of original, innovative, and explorative contemporary studies. Genoa can be considered as an advanced Italian architectural laboratory from different points of view. It is a place for occasions and events, whether you consider only the architecture or the town as a whole. Genoa is a platform for current architectural debates for understanding contemporary projects in Italy. This study presents many diverse and unique projects, enriched by conversations and theories. It includes projects by: Franz Prati, Genova Scuelo fi Architettura, Nicola Braghieri, Marco Casamonti, Simona Gabrielli, Giovanni Galli, Manuel Gausa, Masimiliano Giberti, Riccardo Miselli, Pietro Carlo Pellegrini, Gianluca Peluffo, Mose Ricci, Valter Scelsi, and Alessandro Valenti.

Parametric and algorithmic design are two of the fastest emerging, most radical technologies reshaping architecture today. This book presents six independent practices that explore current applications of parametric and algorithmic design techniques in architectural production. If the first generation of digital modeling programs allowed designers to conceive new forms and processes, a new breed of digital techniques is being discussed to control and realize these forms. How are these techniques affecting architectural practice and what potentials do they offer ? This is a compilation of projects from leading practitioners across the fields of parametric and algorithmic design. A compelling, multi-perspective debate on the future of design. Featuring: Mutsuro Sasaki, AGU (Arup), Aranda-Lasch, Michael Meredith (mos), P.art (AKT), Designtoproduction, with a conversation between Sanford Kwinter and Jason Payne.

Фраза, вынесенная в заголовок, была произнесена Ремом Колхасом в 1995 году в его книге S, M, L, XL и с тех пор многократно цитировалась в архитектурной прессе, как правило, совсем не в том смысле, какой имел в виду автор. Само понятие контекста в архитектуре появилось, когда архитектуру начали рассматривать как текст, а это связано (по крайней мере, хронологически) с возникновением архитектурного постмодернизма. Новый текст, утверждали борцы с модернизмом, должен быть вписан в существовавший раньше, по возможности не разрушая его. О том, так ли это, с какими проблемами приходится сталкиваться архитекторам, помимо пресловутого контекста, а также о взгляде на город «сверху» и «снизу», Владимир Паперный побеседовал c Фрэнком Гери, Ричардом Мейером, Сезаром Пели, Чарльзом Гватми, Стивеном Холлом, Рикардо Легорретой, Томом Диксоном, Робертом Вентури и Дениз Скотт-Браун, Вольфом Приксом, Томом Мейном, Антуаном Предоком, Фернандо Ромеро и Ремом Кулхаасом.

Vicente Guallart, pioneer of new media, examines the technological, social and cultural changes in our information society for new urban building. Presenting the last 15 years of his work, this book investigates architecture’s ability to construct systems for inhabitable environments in diverse environmental, social, and economic conditions. He crosses boundaries through collaborations in geology, sociology, engineering, economics, software and interface design. His projects follow a "natural" logic, referring to components originating in nature, as well as to environmental systems. A logic that connects nature with the transformations of urban spaces, social organizations, and the digital world.

Koolhaas’s Countryside. An urgent exploration of a long-neglected realm and its sublime beauty

From animals to robotization, climate change to migration, Rem Koolhaas presents a new collaborative project exploring how countryside everywhere is transforming beyond recognition. The official companion to the highly anticipated exhibition at New York’s Guggenheim Museum, this pocketbook gathers in-depth essays spanning from Fukushima to the Netherlands, Siberia to Uganda — an urgent dispatch from this long-neglected realm, revealing its radical potential for changing everything about how we live.

The rural, remote, and wild territories we call “countryside”, or the 98% of the earth’s surface not occupied by cities, make up the front line where today’s most powerful forces — climate and ecological devastation, migration, tech, demographic lurches — are playing out. Increasingly under a ‘Cartesian’ regime — gridded, mechanized, and optimized for maximal production—these sites are changing beyond recognition. In his latest publication, Rem Koolhaas explores the rapid and often hidden transformations underway across the Earth’s vast non-urban areas.

Countryside, A Report gathers travelogue essays exploring territories marked by global forces and experimentation at the edge of our consciousness: a test site near Fukushima, where the robots that will maintain Japan’s infrastructure and agriculture are tested; a greenhouse city in the Netherlands that may be the origin for the cosmology of today’s countryside; the rapidly thawing permafrost of Central Siberia, a region wrestling with the possibility of relocation; refugees populating dying villages in the German countryside and intersecting with climate change activists; habituated mountain gorillas confronting humans on ‘their’ territory in Uganda; the American Midwest, where industrial-scale farming operations are coming to grips with regenerative agriculture; and Chinese villages transformed into all-in-one factory, e-commerce stores, and fulfillment centers.

This book is the official companion to the Guggenheim Museum exhibition Countryside, The Future. The exhibition and bookmark a new area of investigation for architect and urbanist Rem Koolhaas, who launched his career with two city-centric entities: The Office for Metropolitan Architecture (1975) and Delirious New York (1978). It’s designed by Irma Boom, who drew inspiration for the book’s pocket-sized concept, as well as its innovative typography and layout, from her research in the Vatican library.

The book brings together collaborative research by AMO, Koolhaas, and students at the Harvard Graduate School of Design; the Central Academy of Fine Arts, Beijing; Wageningen University in the Netherlands; and the University of Nairobi. Contributors also include Samir Bantal, Janna Bystrykh, Troy Conrad Therrien, Lenora Ditzler, Clemens Driessen, Alexandra Kharitonova, Keigo Kobayashi, Niklas Maak, Etta Madete, Federico Martelli, Ingo Niermann, Dr. Linda Nkatha Gichuyia, Kayoko Ota, Stephan Petermann, and Anne M. Schneider.

The authors:

AMO is the think tank of the Office for Metropolitan Architecture (OMA), co-founded by Rem Koolhaas in 1999. Applying architectural thinking to domains beyond building, AMO has worked with Prada, the European Union, Universal Studios, Amsterdam’s Schiphol airport, Condé Nast, Harvard University, and the Hermitage. It has produced exhibitions, including Expansion and Neglect (2005) and When Attitudes Become Form: Bern 1969/Venice 2013 (2013) at the Venice Biennale; The Gulf (2006), Cronocaos (2010), Public Works (2012), and Elements of Architecture (2014) at the Venice Architecture Biennale; and Serial Classics and Portable Classics (both 2015) at Fondazione Prada, Milan and Venice, respectively.

Rem Koolhaas is a co-founder of the Office for Metropolitan Architecture. Having worked as a journalist and scriptwriter before becoming an architect, in 1978 he published Delirious New York. His 1996 book S,M,L,XL summarized the work of OMA and established connections between contemporary society and architecture. Among many international awards, he has received the Pritzker Prize (2000) and the Praemium Imperiale (2003). He directed the 2014 Venice Architecture Biennale, coinciding with the first publication of Elements of Architecture.

The designer:

Irma Boom is a graphic designer specialized in making books. Since founding Irma Boom Office in 1990, she has worked with the likes of Chanel, the United Nations, OMA/Rem Koolhaas, Fondazione Prada, Pirelli, and Rijksmuseum Amsterdam. She received the Gutenberg Prize and the Johannes Vermeer Prize, the Dutch state prize for the arts, among others. Her work is in a permanent collection of the Design and Architecture Department of the Museum of Modern Art in New York. Since 1992, Boom is a Senior Critic at Yale University in the USA.

Koolhaas’s Countryside. An urgent exploration of a long-neglected realm and its sublime beauty

The rural, remote, and wild territories we call “countryside”, or the 98% of the earth’s surface not occupied by cities, make up the front line where today’s most powerful forces—climate and ecological devastation, migration, tech, demographic lurches — are playing out. Increasingly under a ‘Cartesian’ regime — gridded, mechanized, and optimized for maximal production — these sites are changing beyond recognition. In his latest publication, Rem Koolhaas explores the rapid and often hidden transformations underway across the Earth’s vast non-urban areas.

Countryside, A Report gathers travelogue essays exploring territories marked by global forces and experimentation at the edge of our consciousness: a test site near Fukushima, where the robots that will maintain Japan’s infrastructure and agriculture are tested; a greenhouse city in the Netherlands that may be the origin for the cosmology of today’s countryside; the rapidly thawing permafrost of Central Siberia, a region wrestling with the possibility of relocation; refugees populating dying villages in the German countryside and intersecting with climate change activists; habituated mountain gorillas confronting humans on ‘their’ territory in Uganda; the American Midwest, where industrial-scale farming operations are coming to grips with regenerative agriculture; and Chinese villages transformed into all-in-one factory, e-commerce stores, and fulfillment centers.

This book is the official companion to the Guggenheim Museum exhibition Countryside, The Future. The exhibition and book mark a new area of investigation for architect and urbanist Rem Koolhaas, who launched his career with two city-centric entities: The Office for Metropolitan Architecture (1975) and Delirious New York (1978). It’s designed by Irma Boom, who drew inspiration for the book’s pocket-sized concept, as well as its innovative typography and layout, from her research in the Vatican library.

The book brings together collaborative research by AMO, Koolhaas, and students at the Harvard Graduate School of Design; the Central Academy of Fine Arts, Beijing; Wageningen University in the Netherlands; and the University of Nairobi. Contributors also include Samir Bantal, Janna Bystrykh, Troy Conrad Therrien, Lenora Ditzler, Clemens Driessen, Alexandra Kharitonova, Keigo Kobayashi, Niklas Maak, Etta Madete, Federico Martelli, Ingo Niermann, Dr. Linda Nkatha Gichuyia, Kayoko Ota, Stephan Petermann, and Anne M. Schneider.

The authors:

AMO is the think tank of the Office for Metropolitan Architecture (OMA), co-founded by Rem Koolhaas in 1999. Applying architectural thinking to domains beyond building, AMO has worked with Prada, the European Union, Universal Studios, Amsterdam’s Schiphol airport, Condé Nast, Harvard University, and the Hermitage. It has produced exhibitions, including Expansion and Neglect (2005) and When Attitudes Become Form: Bern 1969/Venice 2013 (2013) at the Venice Biennale; The Gulf (2006), Cronocaos (2010), Public Works (2012), and Elements of Architecture (2014) at the Venice Architecture Biennale; and Serial Classics and Portable Classics (both 2015) at Fondazione Prada, Milan and Venice, respectively.

Rem Koolhaas is a co-founder of the Office for Metropolitan Architecture. Having worked as a journalist and scriptwriter before becoming an architect, in 1978 he published Delirious New York. His 1996 book S,M,L,XL summarized the work of OMA and established connections between contemporary society and architecture. Among many international awards, he has received the Pritzker Prize (2000) and the Praemium Imperiale (2003). He directed the 2014 Venice Architecture Biennale, coinciding with the first publication of Elements of Architecture.

The designer:

Irma Boom is a graphic designer specialized in making books. Since founding Irma Boom Office in 1990, she has worked with the likes of Chanel, the United Nations, OMA/Rem Koolhaas, Fondazione Prada, Pirelli, and Rijksmuseum Amsterdam. She received the Gutenberg Prize and the Johannes Vermeer Prize, the Dutch state prize for the arts, among others. Her work is in a permanent collection of the Design and Architecture Department of the Museum of Modern Art in New York. Since 1992, Boom is a Senior Critic at Yale University in the USA.

New edition of this seminal 1953 study of lighting for the modern era
Showcasing mid-century modern design that is as relevant now as ever
More than 250 original images show the design trends of important manufacturers from America, Scandinavia, Germany and Italy
Apart from numerous lesser known designs, one can also see lighting by prominent artists, designers and architects
Essential for collectors and afficiandos of 20th-century lighting and design

In 1953 Alexander Koch published his book Neuzeitliche Leuchten. Nowadays Koch's then selection of lighting by international designers and manufacturers seems truly visionary. He presents a spectrum of diverse designs, whose origins lay not only in the addition of basic geometrical shapes as with the pre-war avant-gardists, but also in the respective temperaments of the different countries of origin. It is very apparent that after the war America, Scandinavia and Italy exerted a strong influence on designs hitherto rather dominated by Bauhaus purism in Germany.

As in architecture, one can also speak of an 'international style' with regard to lighting design. Despite the new orientation towards linear, dynamically flowing forms that cross national borders, diversity within the sculptural appearance of lighting itself remains important as the primary design goal, along with the effect the lighting exudes. The space-defining quality of modern era lighting has been dedicated its own chapter, in which interiors by Richard Neutra and Walter Gropius, among others, testify to the scenographic potential of the new lighting culture.

More than 250 original images show the design trends of important manufacturers from America, Scandinavia, Germany and Italy. Apart from numerous lesser known designs, one can also see lighting by prominent artists, designers and architects. This new edition of the almost obsolete original book is an indispensable standard work for collectors and modern lighting enthusiasts.

Designers featured include Isamu Noguchi (US), Jean Royère (FR), Pier Giacomo Castiglioni (IT), Gino Sarfatti (IT), Wolfgang Tümpel (DE), Alexey Brodovich (US), Paavo Tynell (FI), Franco Buzzi (IT), Arvid Böhlmarks (SE), Herta Witzemann (DE), Walter Gropius (US) and Richard Neutra (US).

Über 250 Original-Abbildungen zeigen gestalterische Positionen wichtiger Hersteller aus Amerika, Skandinavien, Deutschland und Italien. Neben zahlreichen noch zu entdeckenden Entwürfen sind Leuchten bedeutender Künstler, Designer und Architekten zu sehen. Diese Re-Edition des im Original fast unauffindbaren Buches ist ein unentbehrliches Standardwerk für Sammler und Liebhaber moderner Leuchten.1953 veröffentlicht der Publizist und Verleger Alexander Koch sein Buch Neuzeitliche Leuchten. Heute erweist sich Kochs damalige Auswahl von Leuchten internationaler Gestalter und Hersteller als geradezu visionär. Er breitet ein Spektrum gestalterischer Vielfalt aus, dessen Ursprünge nicht nur in der Addition geometrischer
Grundformen im Sinne der Vorkriegs-Avantgarden lag, sondern auch in den jeweiligen Temperamenten der unterschiedlichen Herkunftsländer. Dass Amerika, Skandinavien und Italien nach dem Krieg starken Einfluss auf eine bis dahin eher von bauhäuslerischem Purismus geprägte Gestaltungshaltung in Deutschland ausübten, wird hier deutlich sichtbar. Ein sich vom Ideal der Maschine emanzipierender, von Künstlern wie Alexander Calder, Henry Moore und Naum Gabo inspirierter organischer Entwurfsansatz, neue Materialien und Fertigungsverfahren führten zu Entwürfen von enormer innovativer Kraft.
Wie in der Architektur, so kann auch im Leuchten-Design von einem Internationalen Stil gesprochen werden, dessen Protagonisten heute zur Designer-Elite des 20. Jahrhunderts gehören. Trotz der Ländergrenzen überschreitenden Neuorientierung zur linearen, dynamisch schwingenden Form, bleibt die Vielseitigkeit der skulpturalen Erscheinung der Leuchte selbst, als auch ihre Lichtwirkung, als primärem Gestaltungsziel beeindruckend. Der raumbildenden Qualität neuzeitlicher Leuchten ist ein eigenes Kapitel gewidmet, in dem u.a. Interieurs von Richard Neutra und Walter Gropius die szenografischen Potentiale der neuen Beleuchtungskultur belegen

Saying that an architectural form is naked is a typical affirmation of everyday language that synthesises multiple characters and meanings through a metaphor. Anti-decorative architecture of modern tradition is naked, buildings under construction or ruined are naked, as are in general those whose bare, essential appearance is intended to give an impression of sincerity. Any architecture expressing an archaic or frugal or even at times primitive atmosphere may also be considered naked.

Today, the return to nakedness in architecture may be interpreted as the symptom of the definitive crisis of post-modernism, of its masks and coverings that no longer represent a world with an ever-increasing need for “naked” essentialness.

Showcases how, at the outset of the 21st century, classical and vernacular traditions are flourishing as a modern phenomena. This book features the architectural and urban projects from 48 of the most important classical architects in the world.

"New Palladians" showcases how, at the outset of the 21st century, classical and vernacular traditions are flourishing as a modern phenomena, practiced by a wide spectrum of architectural firms, scholars, students, universities and institutions. The 'New Palladians' are dedicated to the highest standards of craftsmanship and design, and to the very best ecological building and sustainable urbanism. The reference to Palladio is to engage him as a model of professional integrity and building expertise that encompasses the dimensions and dialectics of cities, the countryside and nature. The efficient didactic nature of Palladio's work and its contextual adaptability, has favoured the flourishing of Palladian architecture throughout the world. This book features the latest architectural and urban projects from forty-eight of the most important classical architects in the world today.

Alireza Sagharchi RIBA, FRSA is an internationally renowned architect and is the Principal of Stanhope Gate Architecture + Urban Design based in London. Lucien Steil taught as a visiting professor at many institutions around the world.

Today, sustainable building means planning and producing structures that offer their users a high degree of comfort while only requiring a small amount of energy to operate.

This entails: a high degree of thermal comfort, a good supply of daylight, good sound insulation with respect to both external and internal sources of noise, good room acoustics, the avoidance of any problems whatsoever with condensation or mold, and such a low energy requirement that especially gentle and efficient methods can be used to meet the remaining demand.

At first glance, it might seem quite difficult to fulfill all these requirements. Taken together, the various textbooks on building physics and building automation and the large number of EN and SIA standards now in existence are more confusing than they are useful.

By contrast, this manual presents the most important information on all the key aspects of sustainable building in concise and clearly organized form; makes it easy to put it into practice with the help of graphics, tables, and step-by-step instructions; illustrates it with examples; and supplements it with practical tips.

That is not to say that PINPOINT is intended to replace a textbook or standards collection. On the contrary, it is meant to help practitioners who already have a grasp of the basics make rational use of their expertise while keeping their focus on the essentials.

In this small, but sharply-pointed book, renowned theorist Sanford Kwinter addresses the sometimes subtle, sometimes brutal transformations that characterized the modernization processes set into motion at the turn of the millennium.

From the strange appearance of the 'Trojan Horse' that was the Centre Pompidou which served as the harbinger and template of the new idea of "Europe", through the dot.com bubble of the late 1990s, to the destruction of the World Trade Center Towers in New York, a new world came into being that design thinking has yet to fully take into account.

The City is here seen not only as the last frontier of human history currently under threat of total eclipse, it is the indomitable form of collective experience upon which one can count as assuredly as one can on death and taxes.

Requiem, to quote from Thomas Daniell's introduction, is first and foremost redemptive: "Kwinter's most negative assessments of the city are driven by a deep commitment to its sublime potentials--a desire to sacralize the most profane and fecund of human creations"

The Institute for Advanced Architecture of Catalonia and the technology company HP have developed an international contest with the idea of “self-sufficient city". It is an invitation to reflect on how we will live in the near future in the light of the social, cultural and technological changes in which we are immersed. This publication presents the projects of the 107 finalists between 708 participant proposals. From connected metropolises, eco neighbourhoods, self-sufficient buildings, intelligent homes or any other proposal for a short-, medium or long-term project such as the winning ones: “HURBS” proposed by Sergio Castillo Tello and María Hernández Enríquez from Spain and “WATER FUEL” by Rychiee Espinosa and Seth Mcdowell from the United States.

Created for students and professionals to inspire changes in how new buildings are designed and constructed, the Self-Sufficient competition challenged participants to design a self-sufficient and ecologically oriented dwelling. In the early 20th century, the concept of “dwelling” was defined as a “machine for living”, a reference to a new way of understanding the construction of inhabitable spaces that characterized the Machine Age. Today, a century later, we face the challenge of constructing a sustainable or self-sufficient dwelling, a living organism that interacts with its environment, exchanging resources, and which functions as an entirely independent entity. The Institute for Advanced Architecture of Catalonia (IAAC) has collected a selection of entries presented during its 1st Advanced Architecture Contest: Self-Sufficient Housing.

Extroverted spectacular architecture and futuristic spaces charged with iconographic scenes

Strike a Pose documents a new extroverted architectural language. Manifested in spectacular structures, eccentric forms and vivid colours, this expressive approach goes way beyond conventional stylistic and geographic boundaries.

Strike a Pose leads the reader around the globe to iconographically charged scenes and futuristic spaces, with examples of architectural playfulness and experimental wanderlust ranging from private residences to schools and operas, museums and interior design.

Conceived and edited by Lukas Feireiss, the editor of Spacecraft, this publication inspires beyond the traditional borders of genre, further indicating architecture’s pop appeal and its contagious and entertaining effect.

This new title showcases ten beautiful holiday houses all over Europe.

Projects include:

- Casa Olivi, Italy. Architects: Markus Wespi & Jérôme de Meuron. Interior Designer: Sophie and Charles Heaulme
- Farmhouse Tuscany, Italy. Interior Design: Am Projects
- Ozone Loft, Monaco, France
- Beach House Caribbean sea. Project Designer: Alisa Thiry, Lesley Batchelor, Adam Design
- Home in Saint Barthelemy. Creative Director: Wolfgang Ludes
- Minimalist Caribbean Island Retreat. Architect: Johannes Zingerle. Interior Designers: Johannes Zingerle, Poupette Giraud, Robert Nollet.
- St Barth Getaway. Architect: Michael Mammen. Interior Designer: Marianne Brandi - DAY Birger & Mikkelsen
- Beach House West Indies
- Beach House New Zealand
- Finca, Mallorca (Spain). Interior Design: Project by Phyl