История архитектуры

The book The Story of Modern Architecture provides concise and reliable information on key cultural and historical topics.

Highlights:
• Chronological presentation of the most important themes
• More than 150 illustrations with detailed explanations
• Supplementary cards on special related themes and the history of the events
• Timelines, illustrations, and maps
• Index of subjects and names

The Russian imperial residence of Tsarskoye Selo – the ‘Tsar’s Village’ – is now more than three hundred years old. It was once a modest estate housing a summer residence for Catherine I, second wife of Peter the Great. The building now known as the Catherine Palace was extensively rebuilt by Empress Elizabeth and then lavishly refurbished by Catherine II, known as Catherine the Great.

The estate now is not only a piece of art history but a living testimony to the tastes and private passions of the Romanov family. Their clothes and porcelain, their desks and bookshelves build an intimate and involving portrait of life in imperial Russia.

This empress’s love of art and decoration is evident in the sumptuous interiors and in the extensive park, filled with fanciful pavilions, bridges and monuments. Catherine also commissioned the neoclassical Alexander Palace for her favourite grandson, the future Alexander I; this later became home to the last tsar, Nicholas II, and his family until their exile to Siberia.

Occupied by the Nazi forces in 1941, Tsarskoye Selo saw its treasures plundered and many of its interiors left derelict. Fortunately, some of its magnificent interiors survived, while others, such as the extravagant Amber Room, have since been painstakingly restored to their former opulence.

The palaces and pavilions are a glorious showcase for Russian art and craftsmanship in a huge variety of materials and techniques, from the mirrors and lavish gilding of the Great Hall to the blood-red beauty of the Agate Rooms, their walls lined with Siberian jasper.

Specially commissioned photographs by Marc Walter are accompanied by fascinating archive images, capturing a bygone age of baroque splendour that will captivate art lovers and historians alike.

The retro-futuristic epoch is one of the most visually spectacular in architecture’s history.

The utopian buildings of the 1960s and 1970s never go out of style. This book compiles radical ideas, rediscovered photos, and visionary structures.

Driven by idealistic visions, utopian architecture aimed to overcome social divisions and political strife, to put us in touch with nature, and to enable us to live humane, healthy lives. For half a century, it was both hope and inspiration.

The Tale of Tomorrow surveys this diverse twentieth-century phenomenon, featuring renowned works like The House of the Century or the TWA terminal, as well as lesser-known masterpieces, and profiling major thinkers such as Oscar Niemeyer, Le Corbusier, and Eero Saarinen. By digging through archives, corresponding with descendants of departed architects, and restoring photographs, the collection of utopian approaches herein maintains a visual power and infectious optimism.

Looking at past dreams, The Tale of Tomorrow is a call to reclaim our future.

Since its foundation in 1897, Country Life has consistently featured new British houses, thus building up an unrivalled photographic archive on twentieth-century architecture and one that covers a much wider variety of houses than any other.

This archive forms the basis for Alan Powers' new study of twentieth-century houses, illustrated with 200 stunning colour and duotone photographs, some of which are reproduced here for the first time. The book is divided into chronological chapters covering the 1920s to the 1990s, preceded by an enlightening introductory essay on the changing nature of architectural style over the course of the century.

Both town and country houses are included, as well as remodellings of earlier buildings where the result has a clear twentieth-century character, such as London's glorious Eltham Palace.

Lucca, and its surrounds, are a testament to the splendour of the Italian Renaissance. In architecture, landscape garden design and classic interiors, the influence of this pocket of countryside in the Tuscan hills has spread far beyond Italy's borders. This book, written by one of Italy's foremost experts of Renaissance architecture and art, and photographed by one of Italy's most admired architectural photographers, offers unparalleled access to some of the world's most famous properties, their homes and gardens. A superb addition to the book collections of lovers of Italy, Tuscany, and the Italian Renaissance.

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Пролистать книгу The Villas Of Lucca на Google books.

The Palladian style dominated British architecture for most of the 1700s, until the rise of the Adam style, which held sway for the final decades of the eighteenth century. Brothers Robert and James Adam were almost single-handedly responsible for infusing Georgian architecture with the sensibilities and elements of classical Hellenic and Latinate design. Their elegant, sophisticated form of Neoclassicism affected not only architecture, but also interior design, furniture design, and landscaping.

The Works in Architecture of Robert and James Adam, one of the most celebrated books in architectural history, consists of the brothers' own selections of illustrations from their commissions. Dating from the 1770s, these 106 illustrated plates epitomize the style that influenced generations of British and American architectural and furniture designs. Created by some of the finest commercial engravers of the age — including four plates by Piranesi — these illustrations are painstakingly reproduced in perfect detail and clarity. The original text imparts the Adams' own esthetic and practical aims, and an informative introduction places the brothers' work in historical perspective.

Unabridged republication of the edition published in three volumes by Priestley and Weale, et al., London, 1778-1822.

The art of the Eastern Roman Empire and of its capital, Byzantium (Constantinople), found expression throughout the ancient world, particularly in Italian architecture. This superb archive of Byzantine ornament contains a wealth of decorative architectural elements derived from sixth- and seventh-century Italian buildings in Ravenna and in the Venetian church of St. Mark's.

Depicted in more than 250 delicate line drawings are splendid perforated marble panels, intricately fashioned stone grilles and cornices, lavish candle brackets, elaborate stone mosaics for floors and ceilings, bronze window guards, as well as an abundance of decorative wreaths, rosettes, mouldings, and medallions.

A multipurpose reference for students, artists, and designers, this archive of sumptuous, royalty-free designs will also serve as a rich source of inspiration for anyone working in the fine or applied arts.

Exquisite photography of one of Frances most significant historical landmarks.

The largest château in the world holds a thousand and one secrets, even from those who know it intimately. Versailles has been described in minute detail since the reign of Louis XIV, but numerous rooms in the palace and its outbuildings are inaccessible to the public due to their fragility or state of preservation.

From the most renowned salons to the gardens, passing through the Trianon or the Queens hamlet, Versailles contains extraordinary details, transformed by light and shadow. From dusk on a summers evening to the veil of mist on a winters morning, these photographs reveal the many facets of Versailles and offer readers unprecedented access to this historical treasure.

For this book, the Château de Versailles gave photographer Francis Hammond carte blanche access to the palace and its grounds; the resulting photographs uniquely capture the exceptional ambience and light of both famous and lesser known places.

From Marie-Antoinette's boudoir, the wings of the Queens theater, or even the Orangerie on a beautiful wintery day, Versailles: A Private Invitation is richly illustrated and brings to life this extraordinary theater of unrivaled splendor, this place of hidden secrets, mysteries, and everlasting beauty, which continues to capture the hearts of visitors and aficionados of France from around the world.

About the Author:

Francis Hammond’s photographs have been published in Mariage Frères French Tea (2003) and Elegant Entertaining (2009) and in lifestyle magazines such as Elle Décor and Martha Stewart Living. Béatrix Saule is chief curator and director of the research center at the Château de Versailles.

541 beautiful full-color architectural drawings illustrating the imaginative use of brickwork and terra-cotta appliqués in Victorian revival styles, reprinted from a rare portfolio by a well-known 19th-century French architect. Includes front and side elevations, floor plans, and detailed sections. 682 illustrations.

Reprint of rare catalog by one of America's most successful, late-19th-century domestic architects, with more than 100 designs for 68 houses. Elevations and floor plans for custom-designed homes in the Colonial, Romanesque, and Queen Anne styles, as well as plans for verandas, summer pavilions, and barns. Invaluable to architectural historians, preservationists, and home restorers.

Victorian architecture, with its quirky diversity, eclectic origins and exuberant ornamentation, continues to exert a strong attraction on today's architects, builders and homeowners. For those interested in restoring, preserving, or even recreating Victorian homes, authentic plans and designs are invaluable. This volume, meticulously reproduced from a rare 19th-century publication, offers an exceptionally rich pictorial record of actual mid- to late-victorian designs.

Extremely clear and detailed engravings — drawn to scale — present elevations, floor plans, perspectives and other drawings (in some cases, complete framing plans) for country houses and cottages in a variety of styles: Queen Anne, Eastlake, Elizabethan, Colonial, Jacobean, Southern, Californian and more. There are even designs for several store and office fronts, with counters, shelving, etc.

Supplementing the large number of complete designs are nearly 700 large-scale drawings of virtually every architectural detail, many embodying the unique “gingerbread” that characterizes Victorian buildings. Included are clear, precise renderings of balusters, brackets, cornices, dormers, fireplaces, finials, gables, mantels, moldings, newels, piazzas, porches, rafters, rosettes, staircases, transoms, verandas, wainscoting, windows and hundreds of other features.

For restorers of old houses, preservationists, students of American architectural history, admirers of Victoriana, anyone interested in the “Victorian Gothic” styles that dominated American domestic architecture in the late 1800s will want to have this inexpensive treasury of authentic century-old plans and details.

This vintage volume offers a treasure trove of floor plans, elevations, and details of residences and public buildings. Artists, architects, and historians alike will find it an endless source of inspiration.
Featured buildings include villas, cottages, and farm houses as well as churches, schools, banks, and many other structures. Eighty-one remarkably detailed illustrations capture the elaborate, distinctive beauty of Victorian-era cornices, staircases, gables, verandas, doors, dormers, and other architectural elements. In addition, a fascinating "Specifications" section highlights construction guidelines for masons, bricklayers, and carpenters

Since the Second World War, technology has caught up with our imagination: such practitioners as Daniel Libeskind, Rem Koolhaas, Peter Eisenman and Zaha Hadid, whose works were often considered too experimental or controversial to construct, are now creating real, iconic buildings.

The definitive history of visionary and experimental architecture since 1945, Visionary Architecture contains:–
• A thematic overview of the most important and far-reaching work produced in the last sixty years
• A survey of some of the most exciting practices working today, particularly in the digital realm, shown through case studies in each chapter, such as Diller+Scofidio, Morphosis and NOX
• Illustrated glossary of ideas, movements, people and terms.

Narrative, case studies and glossary thus offer a complete resource for students and professionals and will become the authoritative source on a subject of essential interest for all in the world of architecture, building and construction.

The Vienna Workshop and the "total work of art"

Founded in 1903 by Josef Hoffmann, Koloman Moser, and Fritz Waemdorfer, the Wiener Werkstätte ("Vienna Workshop") was a collective of architects and craftsmen which aimed at fusing architecture and interior design into a Gesamtkunstwerk, or total work of art. Experimenting with various materials (gold, precious stones, and papier mâché, for example), the artists of the Wiener Werkstätte created buildings and objects which combined classical elegance with streamlined functionality.

Though the workshop lasted only thirty years, its influence is still strong today.

William Burges (1827-81) was arguably the greatest of all Victorian architects. But he was more than just the creator of a modest number of fabulous, and fabulously expensive, buildings. He dreamed of hundreds more, designed dozens, and in addition created some of the most remarkable furniture and jewellery of all time.

He was an art-architect. Rich, clever, well connected and short lived, he was uncompromising, profoundly learned, skilled in every process of design and explosively inventive. A brilliant talker, pungent critic and hilarious companion, he was one of Victorian London's great eccentrics and networkers, though he was bewitched by the Middle Ages.

The great buildings that he completed include Cork Cathedral, Cardiff Castle and the even more eccentric Castell Coch, the great Yorkshire churches of Skelton and Studley Royal, the magnificent country houses of Knightshayes in Devon, and Mount Stuart on the Isle of Bute, and his own astonishing Tower House in Kensington. His furniture, fabric and jewellery designs and his unrealised projects were also hugely influential, and the former are now enthusiastically collected.

This book was a landmark in Victorian studies when first published in 1981 and is now completely revised and re-illustrated substantially in colour.