История архитектуры

First one-volume paperback edition of one of the most important documents in American architecture. Depicted are over 130 structures — the Metropolitan Museum of Art, Pierpont Morgan Library, Tiffany & Company, and the original Penn Station, among others, in New York, as well as many important landmarks in other cities. 435 photographs, over 250 line illustrations.

Over a million houses were built in Britain during the Edwardian period and another four million in the years between the two World Wars; most of these are still in use as homes today. This book explains to current owners of such houses why and by whom their properties were built, how the original occupants would have decorated, furnished and used them, and the development of the distinctive architectural styles of the time. The leading architects of the Edwardian period were enthusiasts for a return to English vernacular styles, in contrast to what they considered the dry rigidities of classicism and the extravaganzas of the Gothic revival and they were also obliged for the first time to address the changes necessary to incorporate innovations such as modern sanitation, bathing facilities and the use of electricity into their designs. The first half of the book looks at the styles which these men created for showpiece developments such as Hampstead Garden Suburb and Letchworth Garden City and the way in which their designs were copied by speculative builders and adapted for the first council houses as the suburbs started to spread ever-outwards along the railway lines and the new arterial roads from the centre of London and other great cities. There are also chapters on the gardens of the period. In the second half of the book individual chapters are devoted to the various elements of the house - fireplaces and chimneys, doors and windows, kitchens, bathrooms and WCs, staircases, etc - to the methods and materials used in their construction and to the decorative styles and materials fashionable at the time. For anyone who now owns or lives in a house built between 1900 and 1939 and who is interested in its history or in maintaining or restoring its period character this book will be an invaluable resource. Richard Russell Lawrence is the co-author, illustrator and designer of The Period Home: Style, Detail and Decoration 1774-1914 and the co-author or editor of six other books.

The Glasshouse traces the evolution of the building type back to antiquity and goes on to describe developments in the sixteenth century when houses and orangeries were first constructed in glass. The history continues into the eighteenth and nineteenth centuries when increasingly complex structures were built incorporating iron and industrial construction techniques. The contribution of innovators such as Joseph Paxton and J C Loudon is charted and their influence on the pioneers of twentieth-century design such as Paul Scheerbart and Bruno Taut is examined.

- Traces the evolution of the glass building from its humble hothouse beginnings to the climate-controlled, high-tech structures of the 20th century
- A wide range of horticultural and other building types, including early 16th-century orangeries and examples from the 18th and 19th centuries when increasingly more complex structures, incorporating iron and industrial construction techniques
- Charts the contributions of innovators such as Joseph Paxton and John C Loudon and their influence on pioneers of 20th-century design such as Paul Scheerbart and Bruno Taut
- Illustrated with a wide selection of archival and contemporary photographs, etchings and lithographs

Adventure through the princely Thurn und Taxis estate, an enchanted palace where 1,000 years of history meets a thoroughly modern family. For 200 years the Thurn und Taxis family have called the palace of St. Emmeram home. Regarded as one of Germany’s finest examples of historicist architecture, the Regensburg residence’s myriad rooms trace centuries of distinctive styles: a Romanesque-Gothic cloister built between the twelfth and fourteenth centuries, a neo-Renaissance marble staircase, a number of Rococo and neo-Rococo staterooms, and a Baroque library frescoed in 1737. Celebrated photographer Todd Eberle captures the confluence of high art and grand architecture within the 500-room palace to reveal the curious tale of the Thurn und Taxis family. Complete with stately portraits and scenes of life at St. Emmeram, this monograph offers a glimpse into the world and glamour of one of the most important dynasties of the European aristocracy.

About the Authors:

Sir John Richardson is a British art historian and Picasso biographer. Princess Gloria von Thurn und Taxis is the matriarch of the princely house of the Thurn and Taxis. André Leon Talley is an author and contributing editor of Vogue. Alexander Count von Schoenburg is a journalist and author. Elisabeth von Thurn und Taxis is an author and writer for Vogue.

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Пролистать книгу The House of Thurn und Taxis

The gabled manor houses of the early 17th century are, for many, the epitome of the English country house; indeed, Jacobean houses form the core of the National Trust collection. Richly illustrated with colour and duotone photographs from "Country Life's" unparalleled archive, this book tells the absorbing story of the evolution of the Jacobean country house. Though the Jacobean period itself spanned only 22 years (1603-25), it was to have a major impact on English domestic architecture. This was an exciting period of experiment and discovery, with an extraordinary range of architectural styles being brought into play. Plain Classical formality coexisted with French, Italian and Dutch examples adapted to English tastes, the result of an explosion in new ideas that also produced revolutions in other aspects of life - notably the English Civil War. Nicholas Cooper's authoritative essays on 22 key Jacobean houses are brought to life with beautifully reproduced photographs in the next in the "Country Life" series on houses by period.

Photographs detailing architectural features and interior design, accompanied by a text capturing early twentieth-century ways of life explore the lavish houses built by the Vanderbilts, Morgans, and others on Long Island's North Shore, in an expanded, beautifully illustrated celebration of the design of a bygone era.

This 1774 guidebook for English carpenters was one of the earliest "do-it-yourself" manuals ever published. The builders' manuals and pattern books of the eighteenth and nineteenth centuries offered carpenters and other construction workers important resources for designs and techniques. Those unable to afford an architect's services could feel confident in the good taste of their residence by selecting designs from a pattern book. Employing elementary arithmetic and geometry, the guide's annotated and meticulously rendered engravings depict cross-sections of chimney-pieces, ceilings, cornices, and other architectural details.

William Pain's manual was one of the earliest such works published in the United States. Printed in Philadelphia in 1797, it helped standardize key aspects of Federal architecture and served as a model for construction at George Washington's Mount Vernon home. Reprinted from an original 1774 edition, this is the only available version of a splendid reference for architectural historians and those with an interest in classical architecture.
Reprint of the I. Taylor, London, 1774 edition.

The Regency Country House is the first book to provide a comprehensive survey of the key English country houses of 1800 to 1830. It is written by John Martin Robinson, leading architectural historian, herald, and librarian to the Duke of Norfolk, who is author of numerous books including Buckingham Palace the official illustrated history.

This new book is divided into three parts: it looks at the princely palaces and houses associated with the Prince Regent, from Brighton Pavilion to Buckingham Palace, the nobleman's houses such as Tregothnan, Eastnor Castle and Goodwood and gentleman's houses such as Southill, Bedfordshire and Sheringham, Norfolk.

The book will illustrate work by leading country houses architects including the Wyatt dynasty, Henry Holland, John Nash, Thomas Hopper, Humphry Repton and Sir John Soane - as well as regional designers such such as Dobson of Newcastle and Webster of Kendal.

Twenty-eight leading architects, engineers and architectural historians explore and explain the modern world’s greatest structures, charting the progress of human ingenuity and creativity in erecting buildings, from AD 500 to the present day.

• How was the Empire State Building erected right in the middle of New York?
• What machines dug the Channel Tunnel?
• Why does the Leaning Tower of Pisa lean - and not fall over?
• How can the 1.4 mile Akashi Kaikyo bridge withstand earthquakes and typhoons?
• What supports the soaring vaults of Chartres Cathedral?

Many of these structures are the tallest, longest or largest of their kind, but aesthetic power is combined with structural virtuosity in the small chapel at Ronchamp in France and the beautifully elegant wooden roof of the temple of Byodo-in, Japan. And the ability to harness or overcome the forces of nature, as seen in the Three Gorges Dam in China, or the Jungfrau Rail System in Switzerland, is equally spectacular.

Some buildings, including Hagia Sophia in Istanbul and the Potala Palace in Lhasa, were constructed using traditional methods and materials: others, such as the Guggenheim Museum in Bilbao, Spain, and Kansai Airport in Japan, represent the latest in computer-aided design and space-age technologies. All these structures transcend mere utility, they have changed landscapes and can encapsulate the identity of a city or a nation – instantly recognizable and infinitely memorable.

The definitive retrospective on the Bauhaus, the 20th century’s greatest art school

‘Architects, sculptors, painters, we all must return to the crafts!’ declared the architect Walter Gropius in his Bauhaus manifesto. Founded as an art school in 1919 and forced to close in 1933 by the Nazis, the Bauhaus established itself as a major influence on 20th-century art and design that continues to this day. Students were taught by some of the most celebrated artists of the time, including Paul Klee, Lyonel Feininger and Wassily Kandinsky. The school moved from Weimar to Dessau in 1922, under its radical new director Hannes Meyer, and to Berlin in 1932 under architect Ludwig Mies van der Rohe. In 1933 the Gestapo forced the Bauhaus to close for the last time.

This volume uncovers the sources of inspiration that brought the Bauhaus into existence, from medieval cathedrals of Europe and Hokusai prints to William Morris and the Arts and Crafts movement. Each of the various workshops and courses at the Bauhaus is explored in detail, illustrating the extraordinary wealth of experimentation in every field: ceramics, woodwork, metalwork, textiles, glass-painting, sculpture, mural, printing and binding, typography and publicity, theatre, architecture and photography.

This accessible guide to the Bauhaus, its history and turbulent political context, provides the key to understanding why it is recognized as the most durable and influential source of modern ideas about art, design and craft.

Contents List:

Essays • Sources and Inspirations • Workshops and Lessons • In the Heart of Bauhaus • Bauhaus Lives On

About the Authors:

Olivier Gabet is Director of the Musée des Arts décoratifs in Paris.
Anne Monier, a graduate of the Sorbonne and the École Normale Supérieure, is a curator at the Musée des Arts Décoratifs. Her research focus is the Bauhaus in general and Herbert Bayer in particular.
Raphaèle Billé is an assistant curator at the Musée des Arts Décoratifs. Her university research was on the topic of French metal furniture from 1925 to 1937.
Monique Blanc is a senior curator at the Musée des Arts Décoratifs and head of the Middle Ages/Renaissance department.
Marie-Sophie Carron de la Carrière is a senior curator at the Musée des Arts Décoratifs and head of the fashion collections from 1800 to 1945.
Louise Curtis is an assistant curator at the Musée des Arts Décoratifs. She is also a PhD candidate in History of Photography at the Université de Lausanne in Switzerland.
Olivier Gabet is Director of the Musée des Arts décoratifs in Paris.
Nicholas Fox Weber is executive director of the Josef and Anni Albers Foundation.
Jean-Louis Gaillemin, founder of Beaux-Arts magazine and L’Objet d’art, is an honorary lecturer at the Université Paris-Sorbonne, specializing in architecture and decor.
Mathieu Mercier is a French visual artist. He was awarded the Marcel Duchamp prize in 2003.
Anne Monier, a graduate of the Sorbonne and the École Normale Supérieure, is a curator at the Musée des Arts Décoratifs. Her research focus is the Bauhaus in general and Herbert Bayer in particular.
Béatrice Quette is head of the Asian collections at the Musée des Arts Décoratifs.

Imagine a dwelling so splendid that the king of France, after spending the evening there as a guest, claps the owner in jail for the rest of his life for attempting to overshadow the monarchy! Vaux-le-Vicomte is but one of many chateaux featured in this volume that could incite the envy of royals. These timeless residences, many of which are still in private hands today, collectively depict the noble heritage of the French nation and a sense of its glory.

Highest-quality photographs that often bleed off the page to fill entire spreads allow the viewer to fall into the pictures, making one feel as if one is actually living the fairy tale life depicted here rather than suffering the fate of an armchair reader.

The photographs portray not only the buildings' exteriors but also their formal gardens and grounds, resplendent interior furnishings, and fabulous art treasures.

A map at the beginning of the book highlights the wide geographic distribution of the chateaux, including a number of architectural marvels from Paris and environs.

With 330 color illustrations, this is highly recommended as a sumptuous overview of the subject.

Focusing on the Gothic period, this book gives readers the tools they need to grasp the architectural language and building forms of this style.

Part of a new, accessibly written, and generously illustrated series on architecture through the ages, this book features the Gothic period’s most important architects, buildings and cities, interior and exterior photographs, detailed images, and drawings and plans. The book offers a general introduction to the Gothic period and discusses the primary characteristics of the style, along with the commonly used techniques and materials. A hallmark of the medieval period, Gothic architecture originated in twelfth-century France and lasted until the sixteenth century. Its lofty style expressed spiritual ideals, yet it was also an incredibly innovative movement that introduced such iconic forms as the pointed arch, ribbed vault, and flying buttress. Some of the world’s most famous castles, universities and churches, including Westminster Abbey in London, were designed according to Gothic principles.