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The long-awaited third monograph on the work of the most important British designer of his generation, showcasing projects from the last thirty years of his career

Neville Brody’s work sits at the intersections between graphic design, communication design and graphic art, pushing boundaries and blurring lines between them as he fuses influences from art, design, fashion, music, low and high cultures. Brody has been one of the most consistently innovative and shapeshifting graphic designers of the past fifty years. He has produced a body of commercial work covering editorial, brand identity, typography, systems, information and interface design of unparalleled boldness and sophistication for global clients that include Shiseido, Coca-Cola, Samsung, Nikon, LVMH, Nike and Dom Perignon, and UK clients such as the BBC, Channel 4, Tate Modern and The Times. The Graphic Language of Neville Brody 3 also captures a body of one-off creative works and site-specific collaborations that are motivated by creativity, political and cultural viewpoints, provocation, and expression.

The Graphic Language of Neville Brody 3 brings almost thirty years of work together in thematic sections that address the key fields of his vibrant design projects, including typographic experimentation, cultural subversion, and design systems. Richly illustrated, each project is explored in detail, revealing the work that has defined Brody’s recent practice across six chapters, from major brands to magazine editorials and features, revealing how Brody’s design language has been informed, evolved and remarkably stayed true to key themes and ideas throughout his career to date. Brody has produced a rich, dynamic and surprising body of new work that will attract a new generation of designers and art directors.

This inspirational volume will be essential reading for anyone interested in the evolution of graphic design over the past three decades.

Contents List:

Forewords
Intro
1. Image and Word
2. Re:Fuse
3. Typo/Graphism
4. Anti/Pro
5. Type/DNA
6. System Addicts
Outro/Backwords
Talks

About the Authors:

Neville Brody is a globally acclaimed creative director, designer, typographer and brand strategist, whose career spans over four decades. Well-known internationally for his iconic work on album sleeve designs and as art director for The Face and Arena, he has also worked on major projects for the BBC, The Times, Tate and Channel 4.
Adrian Shaughnessy is a graphic designer, writer and publisher based in London. He is a senior tutor in Visual Communication at the Royal College of Art. His previous books include How to be a Graphic Designer Without Losing Your Soul and Graphic Design: A User’s Manual.
Steven Heller is a graphic designer, art director, art critic and author. For over thirty years he held the position of senior art director at New York Times Book Review and U&lc magazine. He has authored and co-authored over 200 books on design and popular culture.
Jo-Ann Furniss is an editor, creative director and writer based in Leigh-on-Sea who has worked on The Face, i-D and Arena Homme+ amongst many other key titles.
Naomi Hirabayashi is a Tokyo-based graphic designer and art director involved in creative direction, branding, visual identity, corporate identity systems, and design for apparel brands, stores, musicians and many other fields.

The companion book to the sixth series of this flagship BBC show, The Great British Sewing Bee: Sustainable Style accompanies sewers at all levels on their creative journey to reduce, reuse and recycle - ultimately creating their own considered closet.

Starting with the essentials, sewers will learn how to maintain and care for their sewing machine, find out the secrets to using an overlocker (and what to do if you don t have one) and the key to pattern matching. With a guide that demystifies the fitting process, and with expert sewing tips on making alterations, you'll be able to choose from 27 projects, for both women and men, that will ease you into the world of sustainable sewing.

For burgeoning dressmakers, this book showcases a vast array of sustainable and natural fabrics, reveals how to breathe life into old garments and entices the would-be sewer to dress handmade. Interspersed with sustainable tips, from advice on keeping an eco-friendly sewing space and how to better care for your garments, to guidance on recycling old clothes, using up fabric scraps and making repairs, this book is an indispensable reference to a more considered approach to sewing, that will encourage you to create long-lasting projects to cherish.

With womenswear sizes ranging from 8 to 22 and menswear sizes ranging from XS to XL, along with five full-size pattern sheets, expert sewers Caroline Akselson and Alexandra Bruce cover everything you need to build your sewing repertoire and grow in confidence as you sew yourself sustainable.

This exciting book explores fashion not simply from an aesthetic point of view but also as a manifestation of social and cultural change

Focusing on fashion from 1850, noted fashion historians Daniel James Cole and Nancy Deihl consider the evolution of womenswear, menswear and childrenswear, decade by decade. The book looks at the dissemination of style and the mechanisms of change, at the relationship between fashion and the visual, applied and performing arts, the intertwined relationship between fashion and popular culture, the impact of new materials and technology and the growing globalization of style.

With photographs of costume from museums and images from the fashion press including editorial photography, illustrations and advertising, the book will include insights into icons of fashion and the clothes worn by 'real people', providing a valuable visual reference for the reader.

About the Authors:

Daniel James Cole teaches the History of Fashion at New York University and the Fashion Institute of Technology. He is also a freelance costume designer with stage, television and film credits.
Nancy Deihl, the Director of the graduate program in Costume Studies at New York University, specializes in the history of fashion and textiles from the mid-19th century to the present.

Contents:
Introduction
Chapter 1 1850–1890: The Dawn of Modern Clothing
Chapter 2 1890s: Extremes of the Gilded Age
Chapter 3 1900s: A New Century
Chapter 4 1910s: Exotic Fantasy, Wartime Reality
Chapter 5 1920s: Les Années Folles
Chapter 6 1930s: Aspirations of Glamour
Chapter 7 1940s: War and Recovery
Chapter 8 1950s: Couture Opulence, Suburban Style
Chapter 9 1960s: Fashion for the Future
Chapter 10 1970s: Revivals and Individuality
Chapter 11 1980s: Power Dressing and Postmodernism
Chapter 12 1990s: Subcultures and Supermodels

A lavishly illustrated banquet of style, elegance, and taste, this is a who's who of the most glamorous men and women around the world, the ultimate treasury of fashion inspiration.

This sumptuous volume -- the ultimate sourcebook for fashion mavens, Instagram followers, and celebrity worshippers -- presents the complete history of the much-lauded and highly visible International Best-Dressed List (IBDL) launched by Eleanor Lambert, "Godmother of Fashion," in 1940. The List has become a barometer of style and the highest honor a sartorial savant can receive, and today it's an ongoing record of the world's most glamorous women and men from society, royalty, Hollywood, celebrity, fashion, art, culture, sports, and media. These gorgeous "swans" of elegance, influence, and grace are gathered here in the most comprehensive survey ever published.

This rich story is told by insider and IBDL Hall-of-Famer Amy Fine Collins through her encyclopedic knowledge, exclusive insights, and countless entertaining anecdotes about the behind-the-scenes goings-on--Lambert was offered kickbacks and bribes of up to $50,000 by list aspirants--that shed light on the selection process, the vibrant personalities (not to mention egos) of the chosen, and the zeitgeist of the times.

For sixty years, Lambert was queen of the International Best-Dressed List. In 2002, she formally ceded the reins to Graydon Carter, Amy Fine Collins, Reinaldo Herrera, and Aimée Bell.

About the Author:

Amy Fine Collins is a writer and editor at large at Air Mail. She has been a special correspondent at Vanity Fair for more than 20 years. Graydon Carter was Vanity Fair's editor-in-chief from 1992 to 2017 and is now editor of Air Mail, the digital news platform. Fashion designer Carolina Herrera was inducted into the IBDL's Hall of Fame in 1980.

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Пролистать книгу The International Best Dressed List: The Official Story на сайте издательства.

A lavishly illustrated banquet of style, elegance, and taste, this is a who's who of the most glamorous men and women around the world, the ultimate treasury of fashion inspiration.

This sumptuous volume -- the ultimate sourcebook for fashion mavens, Instagram followers, and celebrity worshippers--presents the complete history of the much-lauded and highly visible International Best-Dressed List (IBDL) launched by Eleanor Lambert, "Godmother of Fashion," in 1940. The List has become a barometer of style and the highest honor a sartorial savant can receive, and today it's an ongoing record of the world's most glamorous women and men from society, royalty, Hollywood, celebrity, fashion, art, culture, sports, and media. These gorgeous "swans" of elegance, influence, and grace are gathered here in the most comprehensive survey ever published.

This rich story is told by insider and IBDL Hall-of-Famer Amy Fine Collins through her encyclopedic knowledge, exclusive insights, and countless entertaining anecdotes about the behind-the-scenes goings-on -- Lambert was offered kickbacks and bribes of up to $50,000 by list aspirants -- that shed light on the selection process, the vibrant personalities (not to mention egos) of the chosen, and the zeitgeist of the times.

For sixty years, Lambert was queen of the International Best-Dressed List. In 2002, she formally ceded the reins to Graydon Carter, Amy Fine Collins, Reinaldo Herrera, and Aimée Bell.

About the Authors:

Amy Fine Collins is a writer and editor at large at Air Mail. She has been a special correspondent at Vanity Fair for more than 20 years. Graydon Carter was Vanity Fair's editor-in-chief from 1992 to 2017 and is now editor of Air Mail, the digital news platform. Fashion designer Carolina Herrera was inducted into the IBDL's Hall of Fame in 1980.

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Пролистать книгу The International Best Dressed List: The Official Story на сайте издательства.

An exclusive look inside the world of Moreschi, one of the world’s most prestigious shoemakers. Moreschi is renowned for its exacting standards and unique style, and for producing each and every pair on-site, from the arrival of the leather to boxing and dispatching to stores. The art of shoemaking is detailed throughout this richly illustrated book. Through conversations with the founder, the artisans’ memories, and pictures of dozens of the factory’s creations, a story unfolds that confirms the vast heritage of artisan culture that lies behind Italian production. Moreschi shoes have been worn by the likes of Richard Burton, Liam Neeson, Adrien Brody, Michael Jackson, James Brown, Johnny Cash, and also sports stars such as Michael Jordan, Novak Djokovic, and Alberto Tomba.

About The Authors:

Cristina Morozzi is a design and fashion editor, curator of exhibitions, consultant for numerous design labels, and former director of Modo magazine. She has taught at Milan’s Domus Academy and at the École Cantonale d’Art in Lausanne. Her recent books include Altagamma and Damiani: Alchemy of Desire.
Giò Martorana is a photographer who has worked for Louis Vuitton, Porsche, and TAG Heuer and whose work has appeared in publications such as Vogue, Elle, Harper’s Bazaar, GQ, and Marie Claire. He was awarded the UNESCO Prize in 1999 for his portrait work.

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Пролистать книгу The Italian Art of Shoemaking: Works of Art in Leather

This is the first book of its kind devoted to the history of Estel, celebrating eighty years of the furniture manufacturer's activity.

This book takes the reader through Estel's history from the future to the past, working backward in five major phases of the company's progress. These phases are related through various illustrations, best called "dioramas," covering double spreads that fold out, making four full-size pages.

Especially created for the book by Pierluigi Longo, these "dioramas" emerge like modern-day frescoes in which the leading figures of the business world can be observed, along with the production panorama and market environment around them. They represent a sort of visualized concept that not only illustrates and tracks a path through the book, but also lends it concept and structure.

The texts that follow each theme-diorama pivot successively on the company philosophy, the protagonists, the products, and a brief text classifying the furniture-manufacturing sector itself. Hence, the tale unfolds on two fronts simultaneously, interweaving the company's history with the ongoing developments in the sector and in methods of production.

About the Authors:

Mario Piazza is one of Italy's leading graphic designers. Maria Giulia Zunino is a journalist who writes on questions of production and design. Pierluigi Longo is an illustrator whose work is featured in leading Italian publications.

Destined to be a classic, this modern introduction offers a contemporary twist on the age-old craft of leatherworking.

The Leathercraft Handbook guides you through all the skills, tools, and techniques you need to make beautiful and durable pieces, from elegant accessories to stylish homewares - without the need for expensive equipment.

Try your hand at more than 20 step-by-step projects, complete with easy-to-follow tutorials and templates that can be scaled up or down. Ranging from a classic glasses case to a chic tote bag, the pieces are suitable for beginners through to experienced leatherworkers and feature inspiration on how to make the designs your own.

Use this tactile, age-old craft to make your own unique and modern leather items.

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Пролистать книгу The Leathercraft Handbook: 20 Unique Projects for Complete Beginners на Google Books.

Arrows, swashes, swooshes, globes, sunbursts and parallel, vertical and horizontal lines, words, letters, shapes and pictures. Logos are the most ubiquitous and essential of all graphic design devices, representing ideas, beliefs and, of course, things. They primarily identify products, businesses and institutions, but they are also associated, hopefully in a positive way, with the ethos or philosophy of those entities. The 50 logos in this book are examples of good ideas in the service of representation, reputation and identification.

About the Authors

Steven Heller is the co-chair of the MFA Design/Designer as Author + Entrepreneur program at the School of Visual Arts in New York. He is the author of more than 170 books on design and popular culture, and the recipient of the 2011 Smithsonian National Design Award. 

Gail Anderson is the director of design and digital media at SVA’s Visual Arts Press. She is a designer, writer and educator who has lectured about design at organizations and conferences around the world. 

A comprehensive make-up manual that details all aspects of make-up application, solutions to common problems, as well as tips and tricks for perfecting your look every time. 

Starting with Skin Secrets, make-up artist Lisa Potter-Dixon teaches you everything you need to know about skincare and perfecting your base. In Beautiful Brows, Lisa explains how to enhance your brows, before styling a Natural, Full, Ombre and Feathered look. In Go with the Glow, she explains why we add colour and takes a look at Contouring, Strobing, Blushing and Bronzing. In The Eyes Have It, things really get interesting, with looks for Smokey, Colourful, Nude, Smudged and Glittery Eyes. And in Luscious Lips, Lisa helps you understand the difference between types of lipsticks, pencils, glosses and all that's in between before teaching you how to achieve the perfect lip, no matter what your style. Finally, Lisa offers up Looks to Dazzle, from Extreme Glitter to using sequins, feathers and transfers, as well as enhancing your look with accessories. Whether you’re looking for a fun and youthful, elegant and sophisticated or one-off look, Lisa will show you how to make the most of your facial features and complexion in this Make-up Manual.

About the Author:

Lisa Potter-Dixon is Head Make-up and Trend Artist and Brow Expert for Benefit Cosmetics. A regular on the London Fashion Week scene, she has styled looks for Matthew Williamson. Her work has appeared in print and online for ‘Elle’, ‘Glamour’ and ‘Red’ magazines, as well as the ‘Telegraph’. She regularly appears on TV, promoting Benefit products on QVC and performing makeovers on ‘Lorraine’ (ITV) and her clients include Editor-in-chief of ‘Elle’ UK, Lorraine Candy. Lisa lives in London, UK and this is her first book. Benefit Cosmetics was founded in San Francisco in 1976. The action-packed, beauty brand offering quick fix solutions for every gal's beauty dilemmas. Famous for high quality iconic products with clever names, compelling packaging and innovative formulas, Benefit has grown into a global brand that continues to captivate women of all ages with unique shopping experiences like the Benefit Brow Bar. With over 2,000 locations in over 30 countries, it is one of the world’s biggest make up brands.

A one-stop resource providing comprehensive information about all the 'design' material types and new technology developments

Today’s designers are often presented with a seemingly infinite number of creative choices, with the ability to push their materials to the limits of what they can do. Understanding these materials properly helps designers make inspired decisions in a practical and confident manner. The Materials Sourcebook for Design Professionals is the one-stop resource for all design professionals, providing comprehensive, accurate information about the basic materials with which they work on a daily basis, as well as a complete breakdown on new and exciting developments in high-tech materials.

Written by Rob Thompson, The Materials Sourcebook for Design Professionals comprises six main parts on all the major ‘design’ material groups. These parts are then separated further into chapters that examine the properties of individual types of materials, e.g. ‘Iron’, ‘Steel’ and ‘Aluminium’. In total, there are nearly 100 material types featured, each one supported by examples of how it can be used in a variety of industries, an outline of its most desirable properties and details on its form and texture. With 450 vibrant illustrations and a clear layout, the design professional or student is presented with a long-term reference tool that tells them everything they need to know about the materials they use habitually, with information delivered in a wholly unbiased and accessible manner.

Contents List:

How to use this book * Introduction 1 METAL Ferrous Metal: Cast Iron • Steel Non-Ferrous Metal: Aluminium • Magnesium • Titanium • Copper • Brass • Bronze and Nickel Silver • Zinc Precious Metal: Silver, Gold 2 PLASTIC Thermoplastic: Polypropylene (PP) • Polyethylene (PE) • Ethylene Vinyl Acetate (EVA) • Polyvinyl Chloride (PVC) • Acid Copolymers and Ionomers • Polystyrene (PS) • Styrene Acrylonitrile (SAN) and Acrylic Styrene Acrylonitrile (ASA) • Acrylonitrile Butadiene Styrene (ABS) • Polycarbonate (PC), Polyethylene Terephthalate (PET) Polyester • Polyamide (PA) • Nylon • Polymethyl Methacrylate(PMMA) Acrylic • Polyacrylonitrile (PAN) Acrylic Fibre • Polyoxymethylene (POM) Acetal • Polyetheretherketone (PEEK) • Fluoropolymer • Thermoplastic Elastomer (TPE) Thermoset: Polyurethane (PU) • Polysiloxane • Silicone • Synthetic Rubber Formaldehyde-Based: Melamine (MF) • Phenolic (PF) and Urea (UF) • Unsaturated Polyester (UP) Resin • Polyepoxide • Epoxy Resin Super Fibre: Carbon-Fibre-Reinforced Plastic (CFRP) • Aromatic Polyamide • Aramid • Polyphenylene Benzobisthiazole (PBO) Bio-Derived: Natural Rubber and Latex • Cellulose Acetate (CA) and Viscose • Starch Plastic • Polylactic Acid (PLA) 3 WOOD Wood Products: Wood Pulp • Paper and Board • Bark • Cork • Veneer • Engineered Timber Softwood: Spruce • Fir and Pine • Hemlock • Larch • Douglas-Fir • Cypress Family Hardwood: Poplar • Aspen and Cottonwood • Willow • Maple • Birch • Beech • Oak • Chestnut • Walnut • Hickory and Pecan • Ash • Elm • Cherry • Apple and Pear Tropical Hardwood: Acacia • Iroko • Teak • Mahogany Family • Exotics • Balsa 4 PLANT Stem and Leaf: Rattan • Bamboo • Grass • Rush and Sedge • Leaf Fibres Bast Fibre: Flax • Linen • Jute and Kenaf • Hemp • Ramie Seed Fibre: Cotton • Coconut Coir 5 ANIMAL Animal Fibres: Silk • Wool • Hair Bone and Horn: Horn • Bone • Antler Leather and Fur: Cowhide • Sheepskin and Goatskin • Pigskin • Horsehide • Deerskin and Kangaroo Hide • Exotics • Fur 6 MINERAL Rock: Stone • Diamond and Corundum Ceramic: Clay • Plaster • Cement • Technical Ceramic Glass: Soda-Lime Glass • Lead Glass • High-Performance Glass Directory • Glossary and Abbreviations • Featured Designers, Artists and Manufacturers • Selected Bibliography • Illustration Credits • Sources • Index

About the Author:

Rob Thompson is an award-winning designer and the author of Manufacturing Processes for Design Professionals.

Become inspired, find your voice, and create work that matters.

Why are human beings driven to make?

It’s as if we collectively intuited, long before science gave us the language, that the universe bends toward entropy, and every act of creation on our part is an act of defiance in the face of that evolving disorder.

When we pick up a paintbrush, or compose elements through our camera viewfinders, or press fingers into wet clay to wrestle form from a shapeless lump, we are bending things back toward Order and wrestling them from Chaos.

But making things is often not enough.

We also want the things we make to be filled with meaning. We’re each trying to describe what we know about life, to create a collective sense of “safety in numbers.” When we reach the end of our traditional descriptive powers, it’s time to weave collective meaning from poetry, painting, writing, dancing, photographing, filmmaking, storytelling, singing, animating, designing, performing, carving, sculpting, and a million other ways we daily create Order out of the Chaos and share it with each other for comfort.

On this journey we need a creative philosophy which will help us find our voice, discover our message, deal with the responses to our work, maintain inspiration, and stay mentally healthy and motivated creators as we strive to find “the meaning in the making.”

Table of Contents:
Chapter 1: Order
Chapter 2: Logos
Chapter 3: Breath
Chapter 4: Voice
Chapter 5: Ego
Chapter 6: Control
Chapter 7: Attention
Chapter 8: Envy
Chapter 9: Critique
Chapter 10: Feel
Chapter 11: Shadows
Chapter 12: Meaning
Chapter 13: Time
Chapter 14: Benediction

About the Author:

Sean Tucker is a professional photographer and filmmaker based in the United Kingdom.

Mandy Aftel is one of the world’s preeminent natural perfumers, with a clientele ranging from the singer-songwriter Leonard Cohen to Ivy Ross, head of hardware design at Google. Eschewing the synthetic molecules that dominate commercial perfumes, Aftel creates her complex and subtle fragrances using only natural essences. For her, each of these essences is a gateway to a lost world of scent, stretching back to the beginnings of human civilization and intertwined with the history of medicine, cuisine, adornment, sexuality, and spirituality. In 2017, Aftel opened a one-room museum ― the Aftel Archive of Curious Scents ― in her backyard in Berkeley, California, to help a modern audience rediscover the enchantment of this lost world. Her museum has attracted thousands of enthusiastic visitors and has been featured in the New York Times, Vogue, Goop, O: The Oprah Magazine, and numerous other media outlets.

Now Aftel has created this beautiful book, illustrated with treasures from her museum’s collection, so that readers at home can immerse themselves in the world of scent. She guides us through the different families of botanical fragrances (including flowers, woods, leaves and grasses, and resins), depicting each plant with a hand-colored antique woodcut and revealing its olfactory notes and lore. Special chapters are devoted to the most rare and precious fragrances ― such as ambergris, formed of a rare secretion of the sperm whale ― and to antique essential oil bottles, handwritten recipe books, and other evocative artifacts. The Museum of Scent, which includes a bookmark subtly scented with a natural essence, invites us on a sensuous, imaginative journey.

About the Authors:

Mandy Aftel, an internationally known artisan perfumer and authority on natural fragrance, is the owner of Aftelier Perfumes and the Aftel Archive of Curious Scents in Berkeley, California. Her other books include Essence and Alchemy: A Natural History of Perfume, which helped sparked the natural perfume renaissance and has been translated into eight languages. Aftel's work has been featured in the New York Times, Vogue, Vanity Fair, and numerous other major outlets.

In this beautiful new book, Olivier Dupon introduces the finest modern jewelers practising today. Featuring 108 both up-and-coming and established designers, the book is inspired not by traditional jewelry typology, but by style and look. Rough stones appear with exquisitely faceted gems; organic forms vie with geometric structures; feathers and leather take their place next to platinum and diamonds.

The book showcases fine jewelry, fashion jewelry, luxe jewelry, conceptual jewelry, and much much more.

Over 800 mainly colour photographs display the jewelry alongside portraits of the designers at work, shots of sketches and works in progress, studios and boutiques. Complete with short, informative profiles and useful contact details for the designers, as well as a listing of recommended shops, this publication offers a wealth of inspiring material and is a must for any aficionado of jewelry, design or craft.

The catalogues of the Paris Salons at the turn of the 19th to the 20th century provide a unique archive of illustrations of the decorative arts at a pivotal time in their development, the five previous volumes covering Jewellery, Furniture, Ceramics and Glass, and Objets d'Art.

The fabric designers of the Art Nouveau style who exhibited at the Paris Salons produced a remarkable oeuvre in printed and woven fabric, silk, lace, embroidery and tapestry.

Bookbinding was, and still is, a well-established French tradition, and bibliophiles commissioned unique bindings from artist-designers who, at the same time, were also creating and exhibiting non-bound leather goods - handbags, blotters, upholstery.

This volume is probably the most important in the series. Because of wear and tear, practically none of the approximate 1,200 textile and leatherware pieces illustrated have survived outside museum collections or appeared at auction, unlike the items covered by the earlier volumes.