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An illustrated guide to the history and symbolism of colours, as used in artworks throughout the ages, from prehistory to the present day.

Colour, which has the power to impart meaning or express emotion, has fascinated humans for millennia. This comprehensive, illustrated guide demonstrates how colour ― through different periods, cultures, and artistic movements ― has been used in art: from the black, red, and white pigments first used in prehistoric cave paintings to the muted tones of Gabonese Punu masks replete with spiritual significance, or from Andy Warhol’s Gold Marilyn Monroe with its flashy hues borrowed from the advertising world to the signature “outrenoir” (beyond black) of the late Pierre Soulages.

From oil painting to optical art, this international history of colour unfurls over thirty major periods in the development of colour in the arts, elucidating their characteristics, key works, and exponents. The symbolism given to a particular color and how such associations have evolved over time is revealed. A gallery of sixty works that are remarkable for their extraordinary use of colour includes the explosion of light emanating from Joseph Mallord William Turner’s Light and Colour (Goethe’s Theory), the fleeting moments of dawn depicted with broken brushstrokes and colorful intensity in Monet’s Impression, Sunrise, and the acidulous tones of David Hockney’s portrait My Parents. The final chapter examines the materials and techniques used to achieve chromatic effects. Complete with extensive cross-references, this accessible guide allows readers to discover more about a particular movement, theme, or technique, and offers an enlightening and polychromatic overview to the history of colour in art.

About the Author:

Camille Viéville is an art historian and coauthor of The Trouble with Women Artists: Reframing the History of Art (Flammarion, 2019).

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A wide-ranging and engaging introduction to the place and power of colour in life and art by John Gage, author of the award-winning Colour and Culture.

The complex phenomenon of colour has received detailed attention from the perspectives of physics, chemistry, physiology, psychology, linguistics and philosophy. However, the people who work most closely with colour – artists – have rarely been canvassed for their opinions on this mysterious subject.

John Gage sets out to address this omission by focusing on the thoughts and practices of artists. Colour in Art is concerned with the history of colour, but is not itself a history; instead each chapter develops a theme from a different scientific discipline, as seen from the viewpoint of such diverse artists such as Wassily Kandinsky, Vincent van Gogh, Sonia Delaunay, Bridget Riley and Clifford Possum Tjapaltjarri. Drawing on examples through the ages, from ancient times to the present, the many topics covered include flags, synaesthesia, Theosophy, theatre design, film, chromotherapy and chromophobia.

Featuring a new foreword by art writer Kelly Grovier outlining contemporary developments in the study of colour, and an updated bibliography, this new edition of this classic text offers a wide-ranging and engaging introduction to the place and power of colour in life and art.

About the Author:

John Gage an acknowledged international authority on the history of art and colour, and wrote many books on the subject, including Colour and Meaning and the award-winning Colour and Culture, both published by Thames & Hudson. He was Head of the Department of History of Art at Cambridge University from 1992 to 1995. Kelly Grovier is a feature writer for BBC Culture and the author of several acclaimed studies on art, including A New Way of Seeing: The History of Art in 57 Works (2018) and The Art of Colour (2023), both published by Thames & Hudson

Taking a practical approach to colour, Colour: A Workshop for Artists and Designers is an invaluable resource for art students and professionals alike. With its sequence of specially designed assignments and in-depth discussions, it effectively bridges the gap between colour theory and practice to inspire confidence and understanding in anyone working with colour. This third edition is updated with more contemporary examples drawn not just from painting, but from textiles, graphic design, illustration and animation. An expanded discussion of digital techniques, new assignments and a refreshed design have all been brought together to create a highly readable and relevant text.

About the Author:

David Hornung is Professor of Art at Adelphi University in Garden City, New York. He has exhibited his paintings in many solo and group exhibitions in the US and UK.

The first chronological global history of comics, from 1968 through to the present day

The story begins in 1968, a key year in comics’ shift from being driven by commercial potential into a means of self-expression respected not just as entertainment but also as art. The book traces comics’ evolution up to the emergence of today's global, digital scene and the medium’s likely future.

Robert Crumb and Gabrielle Bell, Jack Kirby and Alan Moore, Moebius, Yumiko Oshima and Osamu Tezuka are just a few of the hundreds of artists and writers included – making it unprecedented in its global reach.

The broad reach of Comics extends to artists, styles and movements, spanning Marvel and DC superheroes; the Underground movement and manga powerhouse Osamu Tezuka; politically charged Italian fumetti and sexually charged ladies’ manga; the Francophone technique of ligne claire; sci-fi; Métal Hurlant; the pioneering Japanese alternative journal Garo; the graphic memoir and the graphic novel; and, finally, the moment comics made the jump from page to web page.

Featuring the best-known artists and writers – from Jack Kirby, Hergé and Moebius to Katsuhiro Otomo, Neil Gaiman and Alan Moore – Comics also introduces readers to some creators they may not yet have encountered, such as Andrea Pazienza, the Fort Thunder collective and Fabrice Neaud.

In 1985, Nike released Michael Jordan’s first sneaker, the Air Jordan 1, and sneaker culture was born. Now thousands of people wait in line at Supreme, and companies throw millions of dollars at LeBron James to keep him in their marketing plans. The trend that saw steady growth for decades with the emergence of sports, hip-hop, and sportswear advertising has exploded into a phenomenon. And no one has watched that phenomenon more closely than Complex.

Sneaker of the Year explores the past 35 years of sneaker culture with the expertise, authority, and passion that only Complex can offer. With vibrant photographs and illustrations throughout, as well as input from some of the sneaker world’s most important voices, this compilation is a must-have for hypebeasts and sneakerheads everywhere.

About the Author: 

Complex is a New York-based media platform that reports on trends in style, pop culture, music, and sports, with a focus on streetwear, sneaker culture, hip-hop, and graphic art. It was founded by Marc Ecko in 2002.

The most complete volume on the subject in any language Japanese graphic design has been researched and published in Italy up to the first decade of the new millennium, but there is a gap from then to today.
edited by Gian Carlo Calza with Elisabetta Scantamburlo

This research aims at filling that gap considering the first two decades of the new millennium, covering on one side the past, in the names of important recognized masters, and on the other side exploring new names and trends. The volume includes 85 graphic designers and 756 posters. It is the most complete volume on the subject in any language.

Japanese contemporary posters are considered to have started in the mid 50’s, after the Second World War and following a period of depression, post-militarism, and post-autarchy. The new expressive mode was fuelled by stimuli coming from abroad, but it was also a chance to reinterpret traditional themes and colours, bringing them into modernity in refreshing and successful ways.

Since the post-war period, Japan has seen a rapid evolution in the arts: painting, architecture, sculpture, graphics, theatre, music, and cinema. Influences, assimilations, denials, transformations, new creative processes gave rise to a vast quantity of cultural and artistic movements. In this maze of expressive forms, graphic design is a precious tool for tracing and following the thread of national creativity and the more or less intense permanence of traditional aesthetic sensibility in the new forms taken.

Over half a century after the inception of graphics and with the coming Olympic Games taking place now in 2021, this volume aims at taking a wide view at the trends and aesthetic shifts that can be traced in the development of graphic design in Japan.

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This book brings together the best of Japanese graphic design in the posters that accompanied Japan from the 1964 Tokyo Olympics to the creation of the Issey Miyake logo, and from the Osaka Expo to the official poster for the Pan-Pacific Design Congress. Ken’ya Hara was born in the province of Okyama in 1958. After graduating from the Department of Design at Musashino Art University in 1981 and obtaining his M.A. in 1983, he joined the Nippon Design Center where he established the Hara Design Institute in 1992.

Yusaku Kamekura was born in Kanbara in 1915. He is considered to be the figure who contributed most to the spread of Japanese graphic design in the post-WWII period. He graduated with a degree in architecture and industrial arts in 1933; in 1940, he became the director of Nippon Kobo and in 1949 he was appointed artistic director of the magazine Commerce Japan. His most important designs, including the posters for the 1964 Olympic Games, the 1970 Osaka Expo, the Hiroshima Appeals, and the logo for the Nippon Telegraph and Telephone Corporation, all made a significant contribution to increasing his fame.

Shin Matsunaga was born in 1940 in Tokyo. After graduating in 1964 from the department of design at Tokyo National University of Fine Arts and Music, he joined the advertising division at Shiseido. He designed the PEACE ’86 poster and curated all the graphic design for the Sezon Museum of Modern Art. He also designed the symbol and official poster for the 1989 Pan-Pacific Design Congress, the human rights poster commemorating the 200th anniversary of the French Revolution, the medal for Mint’s 120th anniversary, the logo for Issey Miyake and RHIGA Royal Hotels, and the package design for the French cigarette brand Gitanes Blondes (1995).

Film director and art director Nagi Noda was born in Tokyo and made a name for herself as one of the most important young Japanese designers. She first achieved fame as an art director, designing publicity for the print media and graphics for publishing and the music industry, before working for bigger clients such as Nike and the Laforet Harajuku department stores. Ikko Tanaka was born in 1930 in Nara. In 1950, at just 19 years old, he graduated from the Kyoto City School of Fine Arts (now the Kyoto University of Arts) and immediately afterwards started working for companies such as the Kanegafuchi textiles company and the Sankei Shinbun daily newspaper. He designed the signage and medals for the 1964 Tokyo Olympics and the pavilion dedicated to Japanese history at the 1970 Osaka Expo.

Celebrating twenty-five years of PHUNK, this book traces the ways in which the Singapore-based design collective has mixed urban street culture, art and design to create a unique body of work

Traditional Chinese folklore, Hong Kong wuxia pulp fiction, Japanese manga, American street culture and British new wave music — all come together in the universe of PHUNK. Since its founding in 1994, the Singapore-based contemporary art and design collective made up of Alvin Tan, Melvin Chee, Jackson Tan and William Chan has blended diverse cultures, broken down creative boundaries and surpassed the waves of globalization to create a visual signature of its own.

Control Chaos is a deep dive into this visual rock band, retracing their journey over the last twenty-five years to becoming one of 21st-century Asia’s leading creative studios.

About the Author:

Justin Zhuang is a writer and researcher with an interest in design, cities, culture, history and media. He has written several books about Singapore design, including INDEPENDENCE: The History of Graphic Design in Singapore Since the 1960s.

A concise account of the history of fashion and costume from prehistoric times through to today.

From the momentus invention of the needle some 40,000 years ago to the development of blue denim, from Neolithic weavers to the biggest names in the fashion industry today – this classic guide covers the landmarks of costume history, the forms and materials used through the ages, the underlying motives of fashion and the ways in which clothes have been used to protect, to express identity, and to attract or to influence others. This sixth edition features a new foreword and concluding chapter by Amy de la Haye. The book is brought right up to date with a discussion about the major political shifts within the fashion industry, highlighting how it has responded to issues surrounding racism and sexism; LGBTQI rights; mental health awareness; body and age diversity and global sustainability.

Contents List:

Foreword • 1. How it all began • 2. Greeks and Romans • 3. Early Europe • 4. The Renaissance and the sixteenth century • 5. The seventeenth century • 6. The eighteenth century • 7. From 1800 to 1850 • 8. From 1850 to 1900 • 9. From 1900 to 1939 • 10. Rationed fashion to pluralistic style • 11. At the turn of the millennium • 12. Fashion since 2010

About the Authors:

James Laver, the 20th century’s leading authority in Britain on the history of costume and fashion, was Keeper of the Department of Prints and Drawings and of Paintings at the Victoria and Albert Museum, London, from 1938 until 1959. Amy de la Haye is Rootstein Hopkins Chair of Dress History & Curatorship at London College of Fashion. She was formerly Curator of Twentieth-Century Dress at the Victoria and Albert Museum, London. Andrew Tucker is a fashion journalist and author of The London Fashion Book; Dries Van Noten; and Fashion: A Crash Course.

Cozy Days: The Art of Iraville is a collection of the best work by popular illustrator Ira Sluyterman van Langeweyde, also known as Iraville. This lavish hardback book presents hundreds of colorful paintings of nature, small towns, idyllic scenes, and charming characters, as well as offering insights into Ira’s career path, watercolor painting process, and hand-crafted materials.

About the Author:

Ira “Iraville” Sluyterman van Langeweyde is a prolific Munich-based illustrator with a passion for watercolors. Her idyllic paintings of flora and fauna, travel scenes, home comforts, and autumnal landscapes are rendered with exquisite care, often using handmade pigments, creating a unique, picturesque world beloved by fans across the globe. She shares her expertise with her followers via her highly popular Instagram and YouTube accounts, as well as in-person painting workshops.

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Cutting edge packaging and graphic design created by and for craft breweries around the world.

Craft breweries spring up like mushrooms around the globe. Creating unique brands to stand out, they draw from the full riches of graphic language and are leading the way in modern packaging design. From the minimalist to the expressionist, using lines, colors, patterns and illustrations, all the styles are allowed and it makes for an exciting, exuberant visual culture.

In Craft Beer Design, Danish designer Peter Monrad finally brings a global perspective to the truly global phenomenon that is craft beer branding. As microbreweries use cans and bottle labels to define their ethos and identity, they push the boundaries of graphic design and illustration. This curated selection shows the best and the most out-there, and reveals that when it comes to craft beer, what’s on the can matters as much as what’s in it.

About the Author:

Peter Monrad is a Copenhagen-based graphic designer with years of experience in branding, art direction, design for mobile apps, and various international start-ups. He’s also an avid consumer of IPA and a musician / producer releasing music under the moniker Tiny Anthem.

Creating a brand identity is a fascinating and complex challenge for the graphic designer. It requires practical design skills and creative drive as well as an understanding of marketing and consumer behaviour. This practical handbook is a comprehensive introduction to this multifaceted process.

Exercises and examples highlight the key activities undertaken by designers to create a successful brand identity, including defining the audience, analyzing competitors, creating mood boards, naming brands, designing logos, presenting to clients, rebranding and launching the new identity.

Case studies throughout the book are illustrated with brand identities from around the world, including a diverse range of industries – digital media, fashion, advertising, product design, packaging, retail and more.

About the Author:

Catharine Slade-Brooking has an industry background in branding, packaging and illustration with a client list including Glaxo Smith Kline, Lloyds Bank and the Sunday Times. She has written widely on graphic design subjects.
She currently teaches on the BA Graphic Communication course at Farnham UCA.

Delve into the vibrant, exciting world of character design with Creating Stylized Characters! Join professional illustrators, animators, and comic artists as they demonstrate how to exaggerate form and proportion. Sharing in-depth and industry-informed knowledge of creating fun and memorable characters, this book teaches essential creative skills that are applicable to both digital and traditional media. Learn how to design exciting heroes, villains, and monsters, as well as about key concepts such as gesture, color, poses, and expressions.

Creating Stylized Characters gives readers a valuable insight into the popular art of character design. Professional illustrators, animators and cartoonists, well versed in creating characters for video games, comics and film, guide the reader through accessible tutorial projects packed with images and advice. Any budding artist will soon be able to draw characters of all ages, shapes and sizes! This entertaining, beginner-friendly book is applicable to both digital and traditional media, and delves into many essential aspects of the character development process, from real-world research to sketching gestures and poses, to exploring different genres, personalities and styles.

This beginner-friendly book delves into the industry-essential aspects of the character development process, from real-world research, to thumbnailing, to exploring different genres, personalities, and styles. With multi-faceted tutorials and an introduction to key concepts such as gesture, color, and expressions, follow the character development process with six talented artists and learn how they turn an initial base character into interesting variants while maintaining the original character's core attributes.

Each chapter is broken down into in-depth steps, giving you an insight into how character designers work in the entertainment industry, and the creative decisions that go into making a brilliant and unique character.

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People like to share their creativity and preference on any platforms nowadays. Handbag is definitely a canvas to display personal interests and taste. 

Creative Bags presents a collection of the most originally created handbags around the globe that are diverse in the use of materials, forms, colors and techniques. 

The book is a must-have for anyone seeking news ways to realize their design ideas. Each copy comes with a multifunctional cloth shopping bag tailored to the size of the book.

Business cards are a statement of personality and style, capable of conveying much more than contact information. They represent the creativity and intention, or ambition, of a company in a very portable format. As a historical artefact in the digital age, the business card is constantly evolving and only those that truly stand out are memorable. One way to achieve a noteworthy effect is through the use of interactive features. Others include the use of colour, unusual shapes, or innovative materials. This book collects together all of these techniques and designs.

Bedevilled by the demons of self-doubt, fear of failure or lack of inspiration? Lay waste to your mind-forged monsters with the help of Creative Demons and How to Slay Them.

If you've ever embarked on a creative endeavour, then there's a good chance you'll have been bedevilled by self-doubt, fear of failure or a lack of inspiration at some point along the way. This book will help you to banish those mind-forged monsters one by one, no matter how grotesque or scary they may be.

Drawing on inspirational anecdotes from art, philosophy, neuroscience, nature, music and contemporary culture, creativity expert Richard Holman provides you with your very own mental armoury to see you through every stage of the creative process. By learning through the experiences of such creative luminaries as Leonardo da Vinci, Marina Abramovic, J.K. Rowling, Dr Seuss and Herbie Hancock, you'll find out how best to overcome the perils of procrastination, the sting of criticism, the seductive tug of convention or the gnawing feeling that you're not up to it.

It's time to say farewell to your demons and make your next creative project the very best it can be.

Contents List:

Introduction • 1: The Demon of Procrastination • 2: The Demon of the Blank Page • 3: The Demon of Doubt • 4: The Demon of Convention • 5: The Demon of Constraints • 6: The Demon of Criticism • 7: The Demon of Theft • 8: The Demon of Accidents • 9: The Demon of Failure • 10: The Demon of Disappointment • Epilogue

About the Author:

Richard Holman is a creative specialist, with a background in design and advertising. He runs workshops on creativity all over the world, to inspire people and brands to make better ideas. He also hosts the podcast 'The Wind Thieved Hat', where he interviews leading artists and creators, and is a regular contributor to Creative Review and Creativepool. Al Murphy is an illustrator whose clients include the BBC, MTV, Newsweek, the Guardian and Faber & Faber. He has inspired many to pursue a career in illustration, confident they can do better.