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Explore and create expressive palettes and paintings with Color Harmony for Artists.

Watercolor author, artist, and teacher Ana Victoria Calderon guides you through choosing, mixing, and using color with watercolor and mixed media to create the most expressive and appealing combinations and effects for a wide range of moods and subjects. You'll explore a variety of subjects and themes, including flowers, foliage, landscapes, skies, cities, figures, art movements, and historical eras.

- Begin with a quick overview of the basics of color, color mixing, and mixed media.
- Explore a variety of color and media combinations, including brilliant brights, muted neutrals, high-contrast complements, and special effects.
- Find inspiration in evocative photos, abundant palettes, and beautiful paintings.

With Color Harmony for Artists, every artist, from beginner to advanced, will be inspired to embrace the creative possibilities of color and paint!

About the Author:

The author of several titles published by Quarry Books ― Creative Watercolor, Color Harmony for Artists, Creative Watercolor and Mixed Media, Creative Drawing: Symbols and Sacred Geometry, and Watercolor Textures for Artists ― Ana Victoria Calderon is a Mexican/American watercolor artist and teacher with a bachelor's degree in Information Design and continued studies in Fine Arts. Her licensed artwork can be seen in retail outlets throughout the United States and Europe on a wide variety of products. Ana teaches in-person workshops and hosts creative retreats in Tulum, Mexico, as well as summer watercolor retreats throughout Europe. She has taught more than 120,000 students on Skillshare, where she is a Top Teacher, and she also teaches thousands of Spanish-speaking students on Domestika. See more of Ana's work on Instagram (@anavictoriana), YouTube (Ana Victoria Calderon), and Facebook (Ana Victoria Calderon Illustration). She lives in Mexico City, Mexico.

Create dazzling, contemporary bouquets all year long with this gorgeous floral designs book.

Learn the secrets to designing show-stopping monochromatic arrangements: In this stunning book, Kiana Underwood shares her techniques for creating dazzling single-color displays using inspired ingredients, dramatic textures, and vibrant colors.

Features hundreds of eye-catching images and easy-to-follow tips throughout, such as suggestions for substituting flowers and options for both the beginner and advanced designer. This flower arranging book is as useful as it is gorgeous.

Organized by season, the book includes how-to’s for 40 arrangements, including a lush green display for spring, an astonishing black bouquet for summer, a striking magenta design for fall, and an unexpected, oh-so-pretty pink arrangement for winter.

The ultimate resource, Color Me Floral, has an extraordinary arrangement to enhance every occasion.

- This flower color guide makes an exceptional gift for anyone with interest in floral décor and arrangement.
- With thousands of gorgeous photographs showing step-by-step arrangement instructions, it’s ideal for beginners and experts.
- Great coffee table book filled with page after page of beautiful images to browse and enjoy.

About the Author:

Kiana Underwood is the owner of Tulipina, an internationally renowned floral design studio that specializes in creating bespoke experiences for high-end weddings and events. Underwood's use of unique color combinations and floral varieties draws admirers and floral designers from all over the world to her sold-out workshops, and her signature designs have appeared in publications such as Brides, Country Living, Elle Decor, Flower magazine, the New York Times, and Town & Country. She splits her time between Burlingame, California and Stone Ridge, New York, with her husband, Nathan, and their three children.

Nathan Underwood is a technology executive and photography enthusiast. He specializes in floral, street, and travel photography and enjoys working with classic cameras and film.

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Пролистать книгу Color Me Floral: Techniques for Creating Stunning Monochromatic Arrangements for Every Season на Google Books.

An illustrated guide to the history and symbolism of colours, as used in artworks throughout the ages, from prehistory to the present day.

Colour, which has the power to impart meaning or express emotion, has fascinated humans for millennia. This comprehensive, illustrated guide demonstrates how colour ― through different periods, cultures, and artistic movements ― has been used in art: from the black, red, and white pigments first used in prehistoric cave paintings to the muted tones of Gabonese Punu masks replete with spiritual significance, or from Andy Warhol’s Gold Marilyn Monroe with its flashy hues borrowed from the advertising world to the signature “outrenoir” (beyond black) of the late Pierre Soulages.

From oil painting to optical art, this international history of colour unfurls over thirty major periods in the development of colour in the arts, elucidating their characteristics, key works, and exponents. The symbolism given to a particular color and how such associations have evolved over time is revealed. A gallery of sixty works that are remarkable for their extraordinary use of colour includes the explosion of light emanating from Joseph Mallord William Turner’s Light and Colour (Goethe’s Theory), the fleeting moments of dawn depicted with broken brushstrokes and colorful intensity in Monet’s Impression, Sunrise, and the acidulous tones of David Hockney’s portrait My Parents. The final chapter examines the materials and techniques used to achieve chromatic effects. Complete with extensive cross-references, this accessible guide allows readers to discover more about a particular movement, theme, or technique, and offers an enlightening and polychromatic overview to the history of colour in art.

About the Author:

Camille Viéville is an art historian and coauthor of The Trouble with Women Artists: Reframing the History of Art (Flammarion, 2019).

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Пролистать книгу Color : A Master Class: Art History, Symbolism, Masterpieces, Materials на сайте издательства.

A wide-ranging and engaging introduction to the place and power of colour in life and art by John Gage, author of the award-winning Colour and Culture.

The complex phenomenon of colour has received detailed attention from the perspectives of physics, chemistry, physiology, psychology, linguistics and philosophy. However, the people who work most closely with colour – artists – have rarely been canvassed for their opinions on this mysterious subject.

John Gage sets out to address this omission by focusing on the thoughts and practices of artists. Colour in Art is concerned with the history of colour, but is not itself a history; instead each chapter develops a theme from a different scientific discipline, as seen from the viewpoint of such diverse artists such as Wassily Kandinsky, Vincent van Gogh, Sonia Delaunay, Bridget Riley and Clifford Possum Tjapaltjarri. Drawing on examples through the ages, from ancient times to the present, the many topics covered include flags, synaesthesia, Theosophy, theatre design, film, chromotherapy and chromophobia.

Featuring a new foreword by art writer Kelly Grovier outlining contemporary developments in the study of colour, and an updated bibliography, this new edition of this classic text offers a wide-ranging and engaging introduction to the place and power of colour in life and art.

About the Author:

John Gage an acknowledged international authority on the history of art and colour, and wrote many books on the subject, including Colour and Meaning and the award-winning Colour and Culture, both published by Thames & Hudson. He was Head of the Department of History of Art at Cambridge University from 1992 to 1995. Kelly Grovier is a feature writer for BBC Culture and the author of several acclaimed studies on art, including A New Way of Seeing: The History of Art in 57 Works (2018) and The Art of Colour (2023), both published by Thames & Hudson
 

Taking a practical approach to colour, Colour: A Workshop for Artists and Designers is an invaluable resource for art students and professionals alike. With its sequence of specially designed assignments and in-depth discussions, it effectively bridges the gap between colour theory and practice to inspire confidence and understanding in anyone working with colour. This third edition is updated with more contemporary examples drawn not just from painting, but from textiles, graphic design, illustration and animation. An expanded discussion of digital techniques, new assignments and a refreshed design have all been brought together to create a highly readable and relevant text.

About the Author:

David Hornung is Professor of Art at Adelphi University in Garden City, New York. He has exhibited his paintings in many solo and group exhibitions in the US and UK.

Comics Sketchbooks gets inside the private notebooks of more than 80 of the planet's most inventive, innovative and successful artists, alongside new talents and emerging illustrators, in a breathtaking range of imaginative output.

Here is a chance to see the thinking – the image-and-word play, narrative sequencing, or just plain doodling – that leads to fully formed visual ideas and stories.

Featuring political cartoons, offbeat graphic stories, the ‘funnies’, underground comics and more, this jam-packed celebration
of comic art presents a wide spectrum of illustrations in vibrant visuals, deft texts and arresting human observation. Commentary by Steven Heller, the world’s leading authority on graphic design and illustration, reveals secrets of the trade and the minds behind these private worlds.

Professionals, students, anyone in the visual industries – and indeed all those who simply love comics – will find a wealth of inspiration in the visual excitement, mind-blowing creativity – and fun – of Comics Sketchbooks.

The first chronological global history of comics, from 1968 through to the present day

The story begins in 1968, a key year in comics’ shift from being driven by commercial potential into a means of self-expression respected not just as entertainment but also as art. The book traces comics’ evolution up to the emergence of today's global, digital scene and the medium’s likely future.

Robert Crumb and Gabrielle Bell, Jack Kirby and Alan Moore, Moebius, Yumiko Oshima and Osamu Tezuka are just a few of the hundreds of artists and writers included – making it unprecedented in its global reach.

The broad reach of Comics extends to artists, styles and movements, spanning Marvel and DC superheroes; the Underground movement and manga powerhouse Osamu Tezuka; politically charged Italian fumetti and sexually charged ladies’ manga; the Francophone technique of ligne claire; sci-fi; Métal Hurlant; the pioneering Japanese alternative journal Garo; the graphic memoir and the graphic novel; and, finally, the moment comics made the jump from page to web page.

Featuring the best-known artists and writers – from Jack Kirby, Hergé and Moebius to Katsuhiro Otomo, Neil Gaiman and Alan Moore – Comics also introduces readers to some creators they may not yet have encountered, such as Andrea Pazienza, the Fort Thunder collective and Fabrice Neaud.

In 1985, Nike released Michael Jordan’s first sneaker, the Air Jordan 1, and sneaker culture was born. Now thousands of people wait in line at Supreme, and companies throw millions of dollars at LeBron James to keep him in their marketing plans. The trend that saw steady growth for decades with the emergence of sports, hip-hop, and sportswear advertising has exploded into a phenomenon. And no one has watched that phenomenon more closely than Complex.

Sneaker of the Year explores the past 35 years of sneaker culture with the expertise, authority, and passion that only Complex can offer. With vibrant photographs and illustrations throughout, as well as input from some of the sneaker world’s most important voices, this compilation is a must-have for hypebeasts and sneakerheads everywhere.

About the Author: 

Complex is a New York-based media platform that reports on trends in style, pop culture, music, and sports, with a focus on streetwear, sneaker culture, hip-hop, and graphic art. It was founded by Marc Ecko in 2002.

The most complete volume on the subject in any language Japanese graphic design has been researched and published in Italy up to the first decade of the new millennium, but there is a gap from then to today.
edited by Gian Carlo Calza with Elisabetta Scantamburlo

This research aims at filling that gap considering the first two decades of the new millennium, covering on one side the past, in the names of important recognized masters, and on the other side exploring new names and trends. The volume includes 85 graphic designers and 756 posters. It is the most complete volume on the subject in any language.

Japanese contemporary posters are considered to have started in the mid 50’s, after the Second World War and following a period of depression, post-militarism, and post-autarchy. The new expressive mode was fuelled by stimuli coming from abroad, but it was also a chance to reinterpret traditional themes and colours, bringing them into modernity in refreshing and successful ways.

Since the post-war period, Japan has seen a rapid evolution in the arts: painting, architecture, sculpture, graphics, theatre, music, and cinema. Influences, assimilations, denials, transformations, new creative processes gave rise to a vast quantity of cultural and artistic movements. In this maze of expressive forms, graphic design is a precious tool for tracing and following the thread of national creativity and the more or less intense permanence of traditional aesthetic sensibility in the new forms taken.

Over half a century after the inception of graphics and with the coming Olympic Games taking place now in 2021, this volume aims at taking a wide view at the trends and aesthetic shifts that can be traced in the development of graphic design in Japan.

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This book brings together the best of Japanese graphic design in the posters that accompanied Japan from the 1964 Tokyo Olympics to the creation of the Issey Miyake logo, and from the Osaka Expo to the official poster for the Pan-Pacific Design Congress. Ken’ya Hara was born in the province of Okyama in 1958. After graduating from the Department of Design at Musashino Art University in 1981 and obtaining his M.A. in 1983, he joined the Nippon Design Center where he established the Hara Design Institute in 1992.

Yusaku Kamekura was born in Kanbara in 1915. He is considered to be the figure who contributed most to the spread of Japanese graphic design in the post-WWII period. He graduated with a degree in architecture and industrial arts in 1933; in 1940, he became the director of Nippon Kobo and in 1949 he was appointed artistic director of the magazine Commerce Japan. His most important designs, including the posters for the 1964 Olympic Games, the 1970 Osaka Expo, the Hiroshima Appeals, and the logo for the Nippon Telegraph and Telephone Corporation, all made a significant contribution to increasing his fame.

Shin Matsunaga was born in 1940 in Tokyo. After graduating in 1964 from the department of design at Tokyo National University of Fine Arts and Music, he joined the advertising division at Shiseido. He designed the PEACE ’86 poster and curated all the graphic design for the Sezon Museum of Modern Art. He also designed the symbol and official poster for the 1989 Pan-Pacific Design Congress, the human rights poster commemorating the 200th anniversary of the French Revolution, the medal for Mint’s 120th anniversary, the logo for Issey Miyake and RHIGA Royal Hotels, and the package design for the French cigarette brand Gitanes Blondes (1995).

Film director and art director Nagi Noda was born in Tokyo and made a name for herself as one of the most important young Japanese designers. She first achieved fame as an art director, designing publicity for the print media and graphics for publishing and the music industry, before working for bigger clients such as Nike and the Laforet Harajuku department stores. Ikko Tanaka was born in 1930 in Nara. In 1950, at just 19 years old, he graduated from the Kyoto City School of Fine Arts (now the Kyoto University of Arts) and immediately afterwards started working for companies such as the Kanegafuchi textiles company and the Sankei Shinbun daily newspaper. He designed the signage and medals for the 1964 Tokyo Olympics and the pavilion dedicated to Japanese history at the 1970 Osaka Expo.

Celebrating twenty-five years of PHUNK, this book traces the ways in which the Singapore-based design collective has mixed urban street culture, art and design to create a unique body of work

Traditional Chinese folklore, Hong Kong wuxia pulp fiction, Japanese manga, American street culture and British new wave music — all come together in the universe of PHUNK. Since its founding in 1994, the Singapore-based contemporary art and design collective made up of Alvin Tan, Melvin Chee, Jackson Tan and William Chan has blended diverse cultures, broken down creative boundaries and surpassed the waves of globalization to create a visual signature of its own.

Control Chaos is a deep dive into this visual rock band, retracing their journey over the last twenty-five years to becoming one of 21st-century Asia’s leading creative studios.

About the Author:

Justin Zhuang is a writer and researcher with an interest in design, cities, culture, history and media. He has written several books about Singapore design, including INDEPENDENCE: The History of Graphic Design in Singapore Since the 1960s.

Hidden behind a mask and wearing a cloak of creative curiosity, Joe la Pompe unmasks copycat advertising campaigns and inspires us all to take a closer look.

Books about advertising are, more often than not, supposed to act as sources of inspiration. Copy Paste daringly takes the opposite tack.  It is not that the hoards of adverts compiled here are lacking in artistic merit. Au Contraire! The showcased advertisements have been presented at major industry conferences and have won prestigious awards. Another common trait among the campaigns that Copy Paste presents is that all of them are reproductions. Whether that is the result of deliberate plagiarism or unlucky coincidence remains an open question. Copy Paste provides the images and allows the reader to make the judgment call.  A visual lesson in originality: selected campaigns possess unique hashtags that allow readers to interact with Joe la Pompe’s extensive research, cast their opinion online, and make their own judgements.

Copy Paste, Joe la Pompe’s third book, campaigns for more creativity. Through over six hundred ad campaigns featuring under three hundred original concepts, the volume begs the question: coincidence, phenomenon, or shameless plagiarism? To decide, you will have to read it – at least twice. 

About the Author:

For nearly 20 years, Joe la Pompe has pursued a passion for uncovering identical adverts that flaunt identical ideas and concepts, but that originate from different countries and periods. Joe la Pompe brings them face to face in the most simple and possible striking way. Working undercover with the help of his iconic mask, today, he is the world’s best known “copycat hunter”. The French blogger is followed by advertisers from around the world who love his revelations though their admiration may swiftly change to bitterness once he catches them.

This fascinating collection showcases an astonishing range of period pieces, from the 1750 whale-boned corsets, through the invention of the sewing machine and mass-produced corsets of the 1850s to the makeshift corsets of World War I.

Progressing through almost two centuries of corset-making, this fascinating collection showcases an astonishing range of period pieces, from the 1750 whale-boned corsets, through the invention of the sewing machine and mass-produced corsets of the 1850s to the makeshift corsets of World War I.

Reflecting the changing fashions and attitudes of women throughout the centuries, the collection includes corsets for pregnancy, riding corsets for sportswomen and hard-wearing corsets for housemaids. There are even corsets for small children and their dolls.

The book is packed with practical information on how to recreate these stunning period pieces for yourself. Each corset features an annotated pattern, a detailed drawing and close-up photography so historical detail can be captured accurately by the maker. A brief overview places the corset within its historical context and explains any features or alterations necessary for making up the patterns. For those new, to dressmaking, there are two step-by-step projects – one for a hand-stitched, pre-1850 corset and one for a post-1850 corset made using the sewing machine. There is also invaluable advice on a range of corset-making techniques, from cutting and fitting the patterns to adding historical detail. Information on lacing the corsets, inserting eyelets, gussets and split busks and on stitching and flossing is all included.

About the Author:

Jill Salen is a freelance costume maker and is widely employed in the theatrical costume industry. She has made costumes for many clients, including The Globe theatre. She is a lecturer in costume on the BA (Hons) theatre design course at the Royal Welsh College of Music and Drama in Cardiff. Jill is the author of Corsets, also published by Batsford. Jill lives in Cardiff.

A concise account of the history of fashion and costume from prehistoric times through to today.

From the momentus invention of the needle some 40,000 years ago to the development of blue denim, from Neolithic weavers to the biggest names in the fashion industry today – this classic guide covers the landmarks of costume history, the forms and materials used through the ages, the underlying motives of fashion and the ways in which clothes have been used to protect, to express identity, and to attract or to influence others. This sixth edition features a new foreword and concluding chapter by Amy de la Haye. The book is brought right up to date with a discussion about the major political shifts within the fashion industry, highlighting how it has responded to issues surrounding racism and sexism; LGBTQI rights; mental health awareness; body and age diversity and global sustainability.

Contents List:

Foreword • 1. How it all began • 2. Greeks and Romans • 3. Early Europe • 4. The Renaissance and the sixteenth century • 5. The seventeenth century • 6. The eighteenth century • 7. From 1800 to 1850 • 8. From 1850 to 1900 • 9. From 1900 to 1939 • 10. Rationed fashion to pluralistic style • 11. At the turn of the millennium • 12. Fashion since 2010

About the Authors:

James Laver, the 20th century’s leading authority in Britain on the history of costume and fashion, was Keeper of the Department of Prints and Drawings and of Paintings at the Victoria and Albert Museum, London, from 1938 until 1959. Amy de la Haye is Rootstein Hopkins Chair of Dress History & Curatorship at London College of Fashion. She was formerly Curator of Twentieth-Century Dress at the Victoria and Albert Museum, London. Andrew Tucker is a fashion journalist and author of The London Fashion Book; Dries Van Noten; and Fashion: A Crash Course.

Learn the tailoring techniques and sewing secrets of such renowned designers as Chanel, Dior, and Balenciaga. Couture Sewing: Tailoring Techniques is a complete sewing workshop packaged in a DVD and book ensemble.

Get an insider's view of the couture industry. Author and fashion expert Claire B. Shaeffer shares garment tailoring techniques, construction methods, and even short cuts used in the finest European ateliers of Paris, Rome and London.

Lessons come alive in the 90-minute DVD. Shaeffer presents viewers with an in-depth tailoring workshop, demonstrating key techniques such as converting darts to ease, creating a patch pocket, interfacing a hem, stitching a fly zipper, and making a bound buttonhole.

The companion book reinforces the instruction with step-by-step images of each technique. Whether you're seeking advice on high-fashion sewing techniques or you want to take your skills to the next level, Couture Sewing: Tailoring Techniques fits like a finely tailored suit.

About the Author:

Claire Shaeffer is an internationally recognized expert in fashion design and construction techniques for haute couture. She is a designer for Vogue Patterns, a frequent contributor to Threads magazine, and the author of numerous books. Shaeffer served as Couture Sewing: Technique Consultant for the Museum of the City of New Yorks online exhibit, Worth & Mainbocher. She lives in Palm Springs, California.

Introduction

ONE
TAILORING TECHNIQUES FOR BUTTONHOLES
The Thread Buttonhole
The Bound Buttonhole

TWO
TAILORING TECHNIQUES FOR PATCH POCKETS
Patch Pockets

THREE
TAILORING TECHNIQUES FOR INTERFACED HEMS
The Interfaced Hem

FOUR
TAILORING TECHNIQUES FOR DARTS AND SLEEVES
Converting Darts to Ease
The Classic Tailored Sleeve

FIVE
TAILORING TECHNIQUES FOR TROUSERS
Fly Zipper Closure
Measuring for a Trouser Hem

SIX
CHARACTERISTICS OF COUTURE CONSTRUCTION
What Makes a Garment Couture?

Appendix
Metric Equivalency Chart
Resources
About the Author
Index

Bestselling author Claire Shaeffer teaches you everything you need to know to design and sew the perfect jacket in Couture Tailoring: A Construction Guide for Women’s Jackets, the perfect guide for fashion students.

Based on couture techniques learnt from master tailors, this book begins with the equipment, materials, design elements, and sewing and construction techniques used in all types of tailoring. Part Two provides an illustrated step-by-step guide to making a couture jacket, explaining all the design options and alternative methods for making every element including collars, sleeves and pockets.

Includes over 900 step-by-step illustrations throughout and photographs of couture jackets by Chanel, Dior, Yves Saint Laurent and more.

About the Author:

Claire Shaeffer is the author of more than 20 books and taught college-level sewing courses for 22 years. She has lectured at the Victoria and Albert Museum, the Metropolitan Museum of Art, Los Angeles County Museum of Art, and San Francisco Fine Arts Museum.

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Пролистать книгу Couture Tailoring: A Construction Guide for Women's Jackets на Google books.