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The rich colors of Fiestaware . . . the translucent beauty of Waterford crystal . . . nothing adds personality to a celebration like the right tableware. But beyond their appeal to all who want to entertain in style, and their value as collectibles, china and glass wares mirror the profound cultural and economic shifts in 20th-century America and provide a unique vantage point from which to view our society. Illustrated with more than 200 photographs of enticing glass and ceramic objects, this luxurious volume—which accompanies an exhibit organized by the Dallas Museum of Art—is the first to take a comprehensive look at the modern tableware used in American homes, treating its cultural and business history as well as its design. From table settings for turn-of-the-century ladies' luncheons to trendy accessories for suburban barbecues in the post-World War II years to the tinfoil trays invented for TV dinners, this fascinating book has it all.

This book brings together a vast selection of images by Chinese photographers since 1949, giving readers a visual journey across the great People's Republic; edited by esteemed photojournalist Liu Heung Shing, longtime Associated Press correspondent and Time magazine contributor.

In post-Mao China, late Chinese leader Deng Xiaoping urged his one billion countrymen to "seek truth from facts." Taking its cue from Deng's overture, China today is the leading economic story of the 21st century. The process by which China navigated the path from periphery to a central position in world affairs dominates the debate about Asia and China's relationship to the western world. Pulitzer-winning photojournalist Liu Heung Shing charts the visual history of sixty years of the People's Republic (1949 to 2008), and along the way aims to illustrate its humanistic course.

Via work by 88 Chinese photographers, this collection of images shows how the Chinese people have blossomed in spite of enduring previous decades of extraordinary hardship. When China opens the curtain at the summer Olympics in 2008 and the world’s focus falls upon Beijing, these photographs will serve to map out the remarkable road the Chinese have traveled to rejoin the rest of the world. To help place the images in context, also included is a chronology listing all the major political events in China.

The photographers:
Cai Shangxiong, Chen Changfen, Chen Ling, Ricky Chung, Cui Xinhua, Du Xiuxian, Feng Jianguo, Ge Xin , Gu Shoukang, Guo Gai, Guo Tieliu, Han Lei, He Yanguang, Hong Ke, Hou Bo, Hu Yang, Huang Yimin, Ji Lianbo, Jiang Jian, Jiang Shaowu, Jin Cheng, Kou Shanqin, Jason Lee, Lei Yu, Li Lang, Li Nan, Li Zhensheng, Liu Heung Shing, Liu Zheng, Lu Beifeng, Lu Guang, Lü Nan, Lü Xiangyou, Luo Xiaoyun, Meng Zhaorui, Peng Xiangjie, Qin Wen, Qiu Haiying, Qiu Yan, Ren Wen, Rong Rong & inri, Ru Suichu, Shi Xunfeng, Tang Desheng, Wang Fuchun, Wang Jie, Wang Jinsong, Wang Shilong, Wang Wenlan, Wang Jing, Wei Dezhong, Wei Ruoxun, Wen Jianping, Weng Naiqiang, Wu Jialin, Xiao Quan, Xiao Ye, Xiao Zhuang, Xie Guanghui, Xie Hailong, Xing Danwen, Xu Haifeng, Xu Xiaobing, Yang Shaoming, Yang Shizhong, Yang Yankang, Ying Fukan, Yong He, Yu Deshui, Yu Haibo, Yuan Kezhong, Zeng Nian, Zhang Dali, Zhang Peng, Zhang Xinmin, Zhang Yaxin, Zhao Qunying, Zheng Pingping, Zhou Cao, Zhou Chao, Zhou Yue, Zhu Yan and Zuo Jiazhong.

In this book Chinese Design, we are pleased to introduce a wide array of different architectural projects, and the various designers, architectural ateliers and developers that have made these works come to light. The distribution of the book has been done in three chapters according to the three main geographical areas - Beijing, Shanghai, and Hong Kong - where most of these projects are located. The fourth chapter covers the architectural projects located in other parts of the Chinese mainland.

Like the Great Wall, which with its 2.400 km is the only built structure on earth visible from outer space, China is so huge and profound, that to make an attempt to analyse its design is practically impossible. The basic principle, however, that seemed to influence space design in China was related to a number of different philosophies like Confucianism, Taoism or Fengshui. Although nowadays, in general, people do not really like being bound by ancient traditions, still most of them follow, or at least cannot ignore, that Fengshui laws of space direction or some other philosophies. China's complex, harsh and hazardous history partly explains one of the reasons why many residential houses and buildings often look like solid fortresses, with its inner space clearly separated and differentiated from the outer part of the house. Inside the house compound, the patio serves not only as a source of visual delight, but it is also used for outdoor inner living throughout the various seasons of the year.

Finally, we would like to introduce a few distinctive examples of iconography in China, symbologie that plays a very important role within Chinese design. Colours like red, aside form being the colour of the Chinese national flag, have signified fortune and luck, since ancient times. Visually, sometimes it seems as if every single city of the country lies under the overriding spell of the Chinese character script.

China's extraordinary appetite for the new was certainly a powerful driving force for its rapid change. The end product is as somewhat general retrofuristic urban landscape spreading all over its cities.

China’s ornamental tradition ranks among the foremost in the world. The motifs used vary from abstract and geometric forms to more realistic images of natural phenomena, or of typical objects such as gongs and lanterns. Flowers are a distinct inspiration to Chinese decorative art, both in stylised form and as exact representations. Other compositions may be inspired by plants or animals, including mythological creatures such as the dragon and the phoenix.

Chinese Patterns presents a collection of very colourful and highly decorative images from the vast Chinese area.

This book of Pepin Press Wrapping Paper contains 12 beautiful sheets, each an original design, that you can use to wrap gifts or as an embellishment to your journal, scrapbook or album. They are really high quality and especially beautiful, making them great posters for your wall too!

The book is 25 x 35cm and contains 12 fold out sheets. Each sheet is 50 x 70cm unfolded and is perforated for easy removal. The paper stock is chosen to accentuate the design and ink used, sometimes thin for shiny gold or silver, or thick and creamy for antique inspired design.

The Communist superhero. Mao’s starring role in Chinese propaganda art

With his smooth, warm, red face which radiated light in all directions, Chairman Mao Zedong was a fixture in Chinese propaganda posters produced between the birth of the People’s Republic in 1949 and the early 1980s.

Chairman Mao, portrayed as a stoic superhero (a.k.a. the Great Teacher, the Great Leader, the Great Helmsman, the Supreme Commander), appeared in all kinds of situations (inspecting factories, smoking a cigarette with peasant workers, standing by the Yangzi River in a bathrobe, presiding over the bow of a ship, or floating over a sea of red flags), flanked by strong, healthy, ageless men and “masculinized” women and children wearing baggy, sexless, drab clothing. The goal of each poster was to show the Chinese people what sort of behavior was considered morally correct and how great the future of Communist China would be if everyone followed the same path toward utopia by uniting together.

This book brings together a selection of colorful propaganda artworks and cultural artifacts from Max Gottschalk’s vast collection of Chinese propaganda posters, many of which are now extremely rare.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

This superb treasury of stylized Chinese motifs will spark the imaginations of graphic designers. Fierce dragons and lions abound, plus elegant cranes and peacocks, cherry blossoms, flower-bearing maidens, and other exotic designs. Includes a gallery of project ideas, tutorials, and 208 Vector-based images that stay crystal clear even when enlarged.

Image File Information:
Includes 208 highly scalable, vector-based graphics saved in EPS and SVG formats; also saved as high-res JPEG files; 14 texture images; Tutorials on scaling, twisting, repetition, patterns, colors, fills, layers, compound paths, and other invaluable techniques; Gallery section offering inspiring design ideas; JPEGs included for all Gallery graphics.

In the past hundred years or so, ‘chintz’ has come to mean any floral printed furnishing fabric. Its origins as a hand-drawn and dyed fabric from India are often forgotten, but it is with these rare earlier chintzes that this book is concerned. It explores in detail the background and development of this beautiful technique and looks at the use of chintzes in Europe from the early 17th century to the mid-19th century, first as bed-curtains and wall-hangings and later for popular men’s and women’s dress. The V&A’s collection, published for the first time in glorious colour and including close-up details, will interest interior designers, textiles students and those involved in fashion.

This handsome volume chronicles the rise of the fashion house Chloé, a crucible of creativity for some of fashion’s most notable designers.

The fashion brand Chloé may be sixty years old, but she still exudes a youthful elegance and femininity. As the first high-end Paris fashion house to sell exclusively ready-to-wear clothing, Chloé has since redefined its look for the modern woman with flattering colors, quality materials, and a series of must-have It bags.

Chloé started in 1952 when Gaby Aghion invented the revolutionary idea of luxury prêt-à-porter, taking the craftsmanship of haute couture and making it available to a wider audience. Her focus on the beautiful yet wearable gave the line currency with chic young women. Born in Egypt in 1921 and moving to Paris when she was in her twenties, Aghion dressed some of the most fashionable and powerful women of her day, including Jackie O, Grace Kelly, and Brigitte Bardot. Her vision has always been maintained through the company’s extensive career.

The company’s lively and fresh energy has been sustained through the decades partly because it seeks out new talent, including then-28-year-old designer Karl Lagerfeld, who started with the company in 1966.

The book explores his career at Chloé, along with Martine Sitbon (in 1988), Stella McCartney, who joined Chloé when she was 26 (in 1997), and Phoebe Philo, who was responsible for Chloé’s major reinvention from 2001 to 2006, where she is credited for bringing a sensual and personal touch to the line. It is currently helmed by Clare Waight Keller, who previously reinvigorated the fashion line Pringle of Scotland. Chloé, in short, is the modern woman—refined and redefined.

Пролистать книгу Chloe: Attitudes

400 photos/illustrations 

Inspirational work combined with practical advice.

In the world of print, paper choice influences every design project, and designers often complain about the lack of genuinely good reference material for projects requiring a strong design input. Choosing and Using Paper for Great Graphic Design fills this gap. Case studies detail how the paper was chosen, the innovative treatments applied (folding, binding, cutting, embossing, printing, etc), and why they make the piece successful. By highlighting what was made possible through the paper choice, and how it affected the final design, this guide shows how paper influences and enhances graphic design and explains how to choose and use the right paper for the job. It explains how to turn ideas into reality.

A primary resource to inspire original, creative thought, this book showcases the very best designs created through the ingenious and groundbreaking use of paper and printing techniques. All budgets are covered and international work from both well-known and unsung design companies is featured. Every project makes the most of different paper qualities. Together they reveal the tremendous design work that can be achieved in print production.

Посмотреть издание Choosing and Using Paper for Great Graphic Design в мягкой обложке.

Now available in paperback, Choosing and Using Paper for Great Graphic Design remains the comprehensive resource for every designer working with paper. Showcasing the very best in paper-focused designs, it gathers all the information needed for planning and executing a project in paper, from fold styles to paper sizes, binding techniques to packaging. Music, art, fashion, and product design all feature, demonstrating the warmth and versatility of paper. Paper and print techniques remain at the heart of many graphic-design projects. From glossy corporate brochure to gritty fanzine, paper is the default medium. It is also a source of inspiration: design ideas and solutions can come from the qualities of a particular paper or from an innovative printing or finishing technique. This indispensable sourcebook is a treasure trove of design gems and inspiration.

Featuring hundreds of designs, Choosing Color for Logos and Packaging is not only a wonderful resource for ideas and inspiration, but also a handy manual that shows designers how to best communicate with color. Color is a powerful and extremely important decision in any design because it impacts legibility, promotes an emotional response, and greatly influences the overall aesthetic of a piece. Because of this, color plays a major role in determining the success of a design, so getting it right is imperative. Each design featured includes details on its color scheme and associative color response, along with comments on the typography, overall style, and key features that set the piece apart. The result is an invaluable guide, which offers readers a comprehensive overview in a concise, quick-hit format that can be digested quickly. This is a book that no designer should be without.

Christian Dior pulled off a coup that would revolutionise the international fashion scene when he showed his first collection on 12 February 1947. Thus was the ‘New Look’ born, which made his Paris fashion house world-famous overnight. Today Dior’s early collections symbolise the rebirth of Paris haute couture after 1945. Within only a few years Christian Dior rose to rule over a flourishing luxury empire and was celebrated throughout the world as the monarch of fashion until his sudden death in October 1957. His twenty-two haute couture collections – including the celebrated A and H, as well as Tulip lines – comprising some three thousand models, represent a design legacy that more than any other wrote 20th-century fashion history.

The present publication marks two anniversaries: it is published sixty years after the first Christian Dior collection was launched and fifty years after his untimely death. For the first time, the links between Christian Dior and Germany in the founder years of Maison Dior (1947–1957) are focused on. Twenty original, for the most part, unpublished Dior models from German museums are shown, including the fabulous Marlene Dietrich Collection in Berlin. The twenty-four Dior fashion jewellery sets made in Pforzheim presented here are astonishingly fine and richly diverse. This sumptuously illustrated publication contains an extensive annotated catalogue as well as essays by five distinguished specialists in fashion and jewellery on the fashion jewellery made under a licensing agreement in Germany for Dior, the early Dior fashion shows in Germany, Christian Dior’s sole postwar visit to Germany as well as the reception of Dior fashions as echoed in German-language journals and magazines of that time.

Arguably the most famous fashion designer of the twentieth century, Christian Dior created feminine fashions that were desired, worn, and emulated by women around the world.

This lavishly illustrated volume explores the brilliance behind Dior's dramatic creations, which revived the entire Paris haute couture industry after the devastation of World War II.

This volume features the Royal Ontario Museum's collection of Christian Dior couture, accompanied by sketches and material from Christian Dior Heritage along with photographs of the collection taken by world-renowned Dior photographer Laziz Hamani. In addition to showcasing Dior's most striking designs, from daytime to evening wear, the book examines how the lighthearted and contoured "New Look" swept away the gloom and gravity of the wartime silhouette, and explains the innovative dressmaking techniques behind key Dior signatures.

Christian Dior is an essential read for anyone interested in fashion, art, culture, and history.