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A celebration of the work of legendary fashion stylist Grace Coddington during her first 30 years at Vogue UK and US.

First published in 2002, the reissue of this 408-page monograph of work by the legendary fashion stylist Grace Coddington is also a showcase for some of the greatest photographs ever published in British and American Vogue.

It includes forewords by American Vogue Editor-in-Chief Anna Wintour and designer Karl Lagerfeld as well as personal anecdotes and insider stories of working with photographers Cecil Beaton, Irving Penn, Bruce Weber, Steven Meisel and Mario Testino and fashion-world personalities such as Naomi Campbell, Jerry Hall, Linda Evangelista and Manolo Blahnik.

About the author:

Grace Coddington's undisputed talent and impassioned commitment to her work as creative director of Vogue have made her an international style icon. The September Issue, the acclaimed 2009 documentary, focused on Grace's working relationship with Vogue Editor-in-Chief Anna Wintour. The daughter of a hotelier in Wales, Grace was a teenager when she won a Vogue modelling competition and moved to London to become one of the top models on the city's swinging 1960s fashion scene. In 1968, Grace decided she wanted to work behind the camera and started work as a junior editor at British Vogue. She soon established herself as a master stylist and creative director. "I hate fashion trends so in my head I write a script to make it less fashion", has always been her credo, storytelling with clothing that is the quintessence of Grace Coddington's work.

A chronicle of Grace Coddington's formative years at Vogue, now available as a jacketed paperback

Grace: Thirty Years of Fashion at Vogue showcases some of the most memorable photographs published in British and American Vogue from 1972 to 2002, stories created by the iconic fashion editor Grace Coddington. Both monograph and memoir, the book shows how Coddington transformed static studio portraiture into modern vivid tableaux and turned location shoots into cinematic narratives.

Grace's commentary gives behind-the-scenes insight into many famous images and fashion personalities, from the iconic shoot of a bikinied Naomi Campbell in Irving Penn's studio to Steven Meisel's boundary-pushing grunge aesthetic in nineties Vogue. This volume features photography by Irving Penn, Helmut Newton, Cecil Beaton, Guy Bourdin, Mario Testino, Steven Meisel, Annie Leibovitz, Steven Klein, Peter Lindbergh, among others.

First published in 2002 and reissued by Phaidon in 2015 to great success, this paperback, midi-sized edition includes forewords by fashion designer Karl Lagerfeld and American Vogue editor-in-chief Anna Wintour.

About the Author:

After a successful modelling career, Grace Coddington became a fashion editor at British Vogue in 1968. In 1988 she joined American Vogue with Anna Wintour and soon after was named the magazine's creative director. In 2016 she became Vogue's creative director-at-large, allowing her to pursue independent projects including developing her own perfume, Grace by Grace Coddington, with Comme des Garçons.

Graphic Beats has collected a large number of covers from all over the world in which we can find an enormous range of graphic images from dozens of artists and music genres. And we thought it would be a good idea to play a little game. We highlighted the music genre for each project at the top of the page. Are we able to tell the genre of each album merely from the visual impact of its cover?.Graphic Beats has collected a large number of covers from all over the world in which we can find an enormous range of graphic images from dozens of artists and music genres. And we thought it would be a good idea to play a little game. We highlighted the music genre for each project at the top of the page. Are we able to tell the genre of each album merely from the visual impact of its cover?.

700 Illustrations

Since the first volume of “Graphic Design” turned out to be our absolute bestseller and sold out quickly, we’ve decided to prepare a sequel. The focus of this collection lies on innovation. The operational areas of the designers featured in this book include Graphic Design, Posterdesign, Corporate Identity, Editorialdesign, Coverdesign, Postcard, Invitation Cards, Catalogue, Flyer, Brochure, Booklet, and Displays. We are proud to present more than 550 new pieces/works from many international designers.

Graphic Design 3 presents a collection of the best works of current international graphic designers. The examples given range from traditional fields of application in print media – as in magazines, brochures, booklets, posters, flyers etc. – to the graphical decoration on clothes, product packaging, and on the Internet. The styles are as varied as the origins of the artists represented: sometimes playful, sometimes sober and restrained, then again dynamic and energetic, or simply puristic. But the featured designs are always original. They delight and inspire the viewer.

Despite the individuality of each work, the comprehensive overview provided by Graphic Design 3 on the latest styles in illustration, typography and colour scheme, is a first step towards an understanding of our present era style - the thread that runs through the work of individual artists. A must for any design lover's shelf.

The latest installment in Rockport’s Graphic Design America series is sure to top the previous two best-selling volumes. Like its predecessors, Graphic Design America 3 profiles more than 35 of the graphic designers and graphic design firms in the United States. The work being produced in America is wonderful, varied, and influential around the globe, which is the reason for the success of the first two books. Each profile will feature a wide selection of a each designer or design firm’s recent work that shows off a range of both their talents and breadth of style, as well as noted accomplishments and an overview of their signature style. What is the status of graphic design in America today? Where is graphic design in America heading? This book provides the answers through the work profiles and essays by noteworthy writers in the graphic design industry. Jenny Sullivan is a contributing writer and columnist covering art, design, philanthropy, and creative small-business issues for HOW magazine, I.D. magazine, the Artist’s Magazine, and other consumer and trade publications. She is the author of Brochures: Making a Strong Impression. She lives in Annandale, Virginia.

Use design to transform your ideas into powerful visuals that connect with the right audience, define your brand, or take your project to the next level.

Students, entrepreneurs, community groups, social media influencers, bloggers or campaigners: this practical guide is for you, and everyone else who wants to learn how to communicate visually, combining the building blocks of type, photography, illustration, and colour to create designs that inform, influence, and enthral.

All the key principles of graphic design are explained via a series of specially created, beautifully streamlined graphics that show, rather than tell, you what you need to know. In addition, detailed how-to demonstrations, hands-on workshops, and inspirational galleries of the best design will help you to achieve your aims, from creating a brand identity or setting the right mood by choosing the best typeface, to organizing the elements of a layout to boost your message and meaning.

Ten step-by-step projects help you create your own bespoke designs - for websites, digital newsletters, e-commerce, invitations, posters, sales materials, and more. There's also plenty of practical advice, including tips on publishing online, dealing with printers, commissioning professionals, and finding free design tools.

If you're ready to use the power of design to take your personal project or burgeoning business to the next level, Graphic Design for Everyone is a one-stop resource to becoming an effective, inspirational visual communicator.

About the Author:

Cath Caldwell is a Senior Lecturer at Central Saint Martins, the world-leading college for art and design education at University of the Arts London. She is a former Design Director at ELLE UK, having also worked for the Guardian and Condé Nast (New York). She is the author of two books on graphic design and co-founder of the Editorial Designers Organisation.

This book covers the high spectrum of fashion graphics from advertising campaings and fashion photography to promotional graphics such as fashion-catalogues, fashion-show invitation cards, and labels and tag designs. In celebrating the successful experiences to fashion brands, Graphic Design for Fashion explores the diversity of their uniqueness and personality.

At some point, almost everyone will produce a piece of graphic design. It might be a birthday card for a relative, a poster for a neighborhood event, or an advert for the office notice board. There are thousands of DIY graphic designers out there who have neither the time nor the inclination to study graphic design formally, but do want to know how to get results that move their projects beyond the amateurish. Graphic Design for Nondesigners is the book for them, offering an accessible, jargon-busting guide to getting professional-looking results.

The book explains the basic principles of graphic design, such as use of space and structure, color, and type. It will feature do’s and don’ts, hints, tips, box-outs, comparative examples, and specially-commissioned illustrations. The book includes 20 step-by-step projects for everyday design items, such as adverts, logos, business cards, letterheads, menus, gift wrap, invitations, posters, CD and DVD packaging, websites, blogs, newsletters, and T-shirts.

* Packed with everyday design projects that are achievable even for the complete design novice
* Simple but effective work-throughs show what can be done using only basic software
* Outlines the best and most cost-effective materials and consumables, along with software and hardware recommendations

Recording 1525 works which Japan Graphic Design Association Inc on be half of design group in Japan recommends with confidence. The collection of the highest of Japanese Graphic Design in 2007

Avant-garde graphics from around the globe Covering a vast range of cutting-edge graphic design, with politically charged anti-commercial work placed side by side with Nike’s latest ads, this book presents a sweeping look at today’s most progressive graphic trends-from signage and packaging to branding and web-design. 52 designers and firms listed alphabetically Entries include: - examples of recent work - biographical and contact information - the answer to the question "What is your vision for the future of graphic design?"

The history of graphic design is a very underpublished subject for such a widely studied discipline. Now Stephen Eskilson provides a scholarly and accessible account of the field from Gutenberg to today. His approach is distinctive in that, for the first time, the subject is fully discussed in the light of prevailing political, social, military and economic conditions, nationalism, and gender.

Clearly designed and easy-to-follow, the book tells the story chronologically with key topics developed in more than one chapter by way of cultural comparison. It covers a host of different materials: book, journal, magazine and album covers; photographs, prints, posters, logos and websites. Featured designers include Albers, Benton, Brody, Earls, Glaser, Morris, Rodchenko, Sagmeister, Scher and Toulouse-Lautrec. Logo designers Bass, Chermayeff & Geismar and Rand receive substantial coverage. Pioneering typographers range from Garamond, Caslon and Morison to Hoefler, Licko and Carter.

This book offers students, novice designers and battle-toughened professionals alike an insider’s guide to the complexities of current graphic design practice and thinking. It contains all you need to know to survive and prosper in the complex, ever-shifting world of graphic design.

Set out in A-Z style and written in a realistic, conversational and insightful way, the book provides advice on the fundamental topics and issues that face designers in their daily lives, looking at everything from kerning to presenting; from budgeting to dealing with rejection; from annual reports to interface design.

About the Author:

Adrian Shaughnessy is a designer and writer, and the author of 'How To Be A Graphic Designer, Without Losing Your Soul' and 'Cover Art By: New Music Graphics'. He co-founded the design company Intro and, since leaving in 2003, has worked as a consultant to various design studios and clients. He has lectured extensively on design and hosts the radio show ‘Graphic Design On The Radio’.

Prepress is a broad subject with lots of technical information that can be boring at times so it's a definite bonus when a book comes along that can elegantly describe the banal intricacies of halftone patterns and why they matter to you. This book has it all including sections covering fonts, printer types, digital bits, image resolution, paper types and weights, book bindings and paper folds. Of particular note are the variety of examples images and graphics spread throughout the book to help illustrate the various technologies and processes of printing. The text itself is consistent in tone and quality although occasionally it switches from relatively basic topics like image resolution to more complex issues such as halftone versus stochastic screening. I would recommend this book as a semi-pro level book and not necessarily a "prepress for dummies" tutorial.