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72 tritone photographs, 19 color photographs

One of the world's foremost artists of Fantastic Realism H. R. Giger is recognized as one of the world's foremost artists of Fantastic Realism. Born in 1940 in Chur, Switzerland, he studied architecture and industrial design at the School of Applied Arts in Zurich. By 1964 he was producing his first artworks, mostly ink drawings and oils, leading to his first solo exhibition in 1966, followed by the worldwide distribution of his first published posters in 1969. Shortly after, he discovered the airbrush and his own signature, freehand, style, and created his most well-known works, which formed the cornerstone of his fame. Giger's first book, Necronomicon, published in 1977, served as the visual inspiration for director Ridley Scott's blockbuster movie Alien, Giger's first film assignment, earning him the 1980 Oscar for "Best Achievement in Visual Effects", for his designs of the film's title character and its otherworldly environment. Giger's album covers for Debbie Harry and the band ELP were voted among the 100 best in music history in a survey of rock journalists. Throughout his career, Giger also worked in sculpture and, in 1992, created his first total environment, the Giger Bar in Chur. The Museum H.R. Giger in Château Saint-Germain was opened in Gruyères in 1998. Today, Giger continues to live and work in Zurich with his companion in life Carmen, where his current projects include the realization of his museum bar in Gruyères. The H.R. Giger portfolio features high-quality prints that beg to be framed. Tucked in the portfolio are 14 large-format reproductions, each with a brief description. Images included: No. 312, Biomechanoid Landscape, No. 358, Illuminatus I, 1978, No. 305, Safari, 1973-76, No. 271, National Parc, 1975, No. 351, Cataract, No. 341, Witches' Dance, No. 292, Dune IV, 1976, No. 256, Minon, 1974, No. 350, Hommage à Böcklin, 1977, No. 272, Baphomet (after Eliphas Lévi), No. 274, A. Crowley (The Beast 666), No. 252, Biomechanoid I, No. 344, Mirror Image, No. 251, Li II, 1974.

Gijs Bakker (b. 1942), Dutch jewellery and product designer, has figured prominently in the front rank of international auteur jewellery for forty years. He has been setting trends in both form and design since the 1960s. Unsurprisingly, what is known as the ‘Dutch soft style’ has been an international hit. Collaborating with his former wife, Emmy van Leersum, he advocated the status of designer jewellery as autonomous works of art.

The present publication, which includes a detailed description of all his pieces, represents a complete annotated catalogue of Gijs Bakker’s œuvre. In this sumptuously illustrated book, the historian Ida van Zijl takes us through Gijs Bakker’s work, showing his importance for the development of jewellery worldwide.

The complete annotated catalogue of jewellery by the internationally renowned Dutch jewellery and product designer Gijs Bakker.

Taschen 25th Anniversary Series

Post-depression America was in desperate need of a defining iconography that would lift it out of the black and white doldrums, and it came in the form of Gil Elvgren's Technicolor fantasies of the American dream. His technique - which earned him a reputation as "The Norman Rockwell of cheesecake" - involved photographing models and then painting them into gorgeous hyper-reality, with longer legs, more flamboyant hair and gravity-defying busts, and in the process making them the perfect moral-boosting eye-candy for every homesick private.

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Minimum Design: An indispensable compendium on important designers of the modern era
An ideal and accessible introduction suitable for students and lovers of design today

Gio Ponti (Milano 1891-1979) was founder of 'Domus', Europe's most influential architecture and design magazine. Artistic director of Richard-Ginori, the ceramics manufacturer. Ponti's style was dominated by an exultant sense of the aesthetic both in his objects and his numerous buildings.

The Minimum Designers series includes books about the major figures in the field of design, creators of objects that have become a part of our daily lives. The lamp on our desk, the chair we are sitting on or the glasses we are wearing have a genius behind to be discovered.

These volumes will introduce in a practical manner the personalities and the works of the world's major designers by way of an historical-critical introduction to the work and life of each individual designer. An accurate selection of the designer's most famous objects arranged in chronological order and a critique of his or her work summarising the most significant reviews published in magazines and newspapers will complete the subject.

Available at a new, lower price, this comprehensive celebration of the fashions of one of the world’s most revered designers is now perfect for a wider audience.
 
This lavish book focuses upon the key creations and important milestones in the history of the celebrated Italian designer and his eponymous fashion house. With personal texts written by Giorgio Armani, the book contains biographical details interwoven with the story of the company.
 
Giorgio Armani has been universally credited with changing the rules of contemporary fashion and creating a timeless version of modern dress by removing excess ornament and translating traditional sportswear looks into business and evening wear. His impact is felt not only in women’s fashion and red- carpet glamour, but it is also inseparable from the evolution of men’s style in recent decades. More than any other contemporary designer, Armani best represents the global success of Italian style.
 
This gorgeously illustrated volume includes photography by a virtual who’s who of leading international fashion photographers, such as Steven Meisel, David Sims, Craig McDean, Herb Ritts, Mario Testino, Deborah Turbeville, Aldo Fallai, and Annie Leibovitz, and features numerous fashion icons.

About the Author

Award-winning fashion designer Giorgio Armani launched his menswear label in 1975, with his first womenswear collection following a year later. By 2001 he was acclaimed as the most successful designer to come out of Italy, with a retail network encompassing 37 countries.

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Creative jewelry design beyond luxury and pomp.

Contemporary jewelry has been vitalized by a recent burst of innovative concepts, materials, and designers. A Girl’s Best Friends is a compilation of the most creative pieces by outstanding jewelry designers from around the world.

The book features styles from glamorous to minimalistic, forms from geometric to organic, and materials from gold and silver to plastics and feathers. It includes work ranging from new interpretations of necklaces, rings, bracelets, earrings, and brooches to more experimental forms of body decoration.

More About This Book

Today, jewelry — whether glamorous, gothic, or minimalist — is en vogue. Jewelry goes back centuries and has been on the forefront of design many times throughout history. Now, thanks to a burst of innovative concepts, materials, and designers, a new age of contemporary jewelry has begun. A Girl’s Best Friends is an eclectic collection of work from around the world that documents this current development.

Today, jewelry exists in a wide spectrum of forms from traditional to modern, from geometric to organic. It is inspired by elements of folklore and the composition of collage. The materials used include gold, silver, and gemstones as well as plastics, porcelain, leather, wood, feathers, and hair. These are being used to create not only necklaces, rings, bracelets, earrings, and brooches, but also more experimental forms of decoration that expand the human body.

A Girl’s Best Friends features work by outstanding jewelry designers including Ted Noten, Saskia Diez, byAMT, and Kelsey Quan; fashion labels such as Bless; creatives working with cutting-edge technologies such as Nervous System; and a range of innovative designers from other disciplines.

In short, A Girl’s Best Friends is the most comprehensive showcase of the innovative jewelry being created today.

Conceived of and written by seven-time FiFi Award winner, internationally renowned packaging designer Marc Rosen, 'Glamour Icons' is a book that both recognises and celebrates perfume bottle design as an art form. Rosen calls them "small pieces of glass architecture."

'Glamour Icons' is a collection of Marc Rosen's remarkable bottle designs, as well as a selection of perfume bottles from the last century that he considers iconic. It abounds with industry back stories never published before about working at his first job with Revlon founder the imperious Charles Revson, his career at Elizabeth Arden, his collaboration with the fashion houses of Chloe, Karl Lagerfeld, Fendi, Perry Ellis, Ellen Tracy, and Jill Stuart, as well as with celebrities such as Joan Rivers, Christina Aguilera and Celine Dion. The book recounts intriguing stories about working with Princess Grace of Monaco and Saudi Prince Fahad and about the experience that changed his life, working on a fragrance with Arlene Dahl, one of Hollywood's most glamorous leading ladies, and marrying her, as well. Marc Rosen is the first perfume bottle designer to write a book about his craft, and to describe the design process from original sketches to models, to working with glass manufacturers on engineering drawings to actual production. He shares his insights into creating the logo, graphics, colours, boxes and counter displays, as well as the "theatre of the launch."
'Glamour Icons' documents perfume bottles, their history, their place in society and their inspiration. Illustrated with amazing photographs by Vincent Ricardel, the book also contains Rosen's personal photographs and artwork given to him by many of the people he has worked with.

Foreword: Harold Koda Introduction: Fleur Cowles Chapter 1: Glamour Icons Chapter 2: My Perfume Bottles At Revlon The Arden Years Kaiser Karl Carnivale Fendi On My Own Chapter 3: The Art of Designing a Perfume Bottle Chapter 4: A Designer's Eye: Icons of the Past Chapter 5: Enduring Glamour A Conversation with Hamish Bowles

An updated illustrated survey overview highlighting the most outstanding projects by the well-established and renowned Mexican interior and furniture designer Gloria Cortina.

Superbly photographed, this beautifully crafted volume presents Cortina’s most recent interior projects and unique furniture pieces.

Cortina’s design inspirations range from Mayan artifacts to cubism, twentieth-century modernist art and architecture, Mexico’s unique arts and crafts heritage, and natural and archaeological environments.

Her unique approach to design, shaped by the visions of Mexican masters such as Diego Rivera and Luis Barragán, seeks to consolidate European and modernist influences with Mexico’s own arts and crafts heritage in pieces characterized by luxurious materials like tropical wood, stone, textured metal, and rich textiles sourced both locally and worldwide. Her designs are known for mixing Mexican antiquities, bespoke artisan-made pieces, and contemporary artworks and for her exquisitely rendered and sculptural pieces in bronze, obsidian, and quartz.

This volume will present Cortina’s blend of Old World sophistication and Mexican flair, which has affirmed her position as an arbiter of taste among the country’s elite; her aesthetic reflects the cosmopolitan nature of contemporary life in Mexico. Cortina’s recent projects range from Cabo San Lucas vacation homes for tech and finance giants to a new penthouse suite at the Sebastian resort in Vail, Colorado, luxury apartments in New York, and monumental homes in Mexico City.

About the Author:

Gloria Cortina was born and raised in Mexico City and studied at Parsons School of Design in New York. After a period of working with architect David Ling in New York, she returned to Mexico to work for the architect Ricardo Legorreta, later joining forces with others to launch the avant-garde firm A5 Arquitectura. In 2009 she established her own studio. Sean Kelly is a British, New York-based gallerist, contemporary art dealer, and owner of the Sean Kelly Gallery, New York. Jay Merrick is an architecture critic of The Independent and a regular essayist for the Architects Journal. He also contributes to leading magazines such as Blueprint, ArtReview and the periodical London Magazine.

The first book to tell the visual story of the USSR s war against religion of all denominations, from the 1917 revolution to its fall in 1991

We've finished the earthly tsars and were coming for the heavenly ones!  Thus spoke the Soviet Union's first atheist propagandists as they declared war on the opium of the people across the USSR.

Soviet atheism is the great lost subject of the 20th century. Pope Pius XI led a crusade of prayer against it. George Orwell satirised it in Animal Farm. The Nazis called it a Jewish plot. Franklin D Roosevelt pressured Stalin to abandon it. Aleksandr Solzhenitsyn blamed it for Russia s catastrophes. Ronald Reagan put it at the core of his Evil Empire speech. And yet, because the Soviet Union promoted atheism almost entirely for domestic consumption, decades worth of arcane and astonishing antireligious imagery remains unknown in the West.

Drawing on the early Soviet atheist magazines Godless and Godless at the Machine, and post-war posters by Communist Party publishers, Roland Elliott Brown presents an unsettling tour of atheist ideology in the USSR. Here are uncanny, imaginative and downright blasphemous visions from the very guts of the Soviet atheist apparatus: sinister priests rub shoulders with cross-bearing colonial torturers, greedy mullahs, a cyclopean Jehovah, and a crypto-fascist Jesus; Russian cosmonauts mock God from space while vigilant border guards nab American Bible smugglers.

Godless Utopia is the occult grimoire of a lost socialist anti-theology.

Table of Contents

Introduction Occult History Formidable Sect Red Seminarian Campaignovshchina
Priests of Power Millennium Coda

In Gods and Kings Dana Thomas, author of Deluxe, tells the story of how John Galliano and Alexander McQueen changed the face of fashion

In the first decade of the 21st century the fashion world was dominated by two different but equally successful and turbulent figures. Within twelve months, Alexander McQueen had committed suicide, and John Galliano had professionally imploded. Who was to blame? And how was fashion changed by their rise and fall? Spanning the 80s, 90s and noughties, Gods and Kings tells the story of these two charismatic figures and times of great change in the world of fashion, from London's raucous art and club scene to the old-world glamour of Parisian couture, and reveals the machinations of this notoriously secretive industry.

About the Author:

Dana Thomas has written for The New York Times magazine, the New Yorker, WSJ, the Financial Times, Vogue, Harper's Bazaar, and was the European editor of Condé Nast Portfolio. She is a contributing editor for T: The New York Times Style magazine, and the author of The New York Times bestseller, Deluxe: How Luxury Lost Its Lustre. She lives in Paris.

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Gothic & Lolita charts the trend of Gothic street fashion that has swept Japan over the last decade. 

Influenced by Western fashion trends from the mid 1980s, young teenagers, predominately adolescent girls, congregate in the urban centres of Harajuku, Akihabara and a number of underground clubs in and around Tokyo, dressed head-to-toe in gothic costumes and late-Victorian dress. The psychological characteristics of the average Japanese Goth is one of introversion and exclusivity. The majority of girls in the scene are teenagers and most usually stop dressing and behaving this way by the age of eighteen. 

The origin of the movement was in Osaka in the mid 1990s when young teenagers adopted Gothic fashion in response to the clothes worn and promoted by Japanese Gothic rock bands. In the ten years since the trend began it has expanded to a number of cities including Tokyo and now boasts many thousands of devotees who dedicate their lives to creating ever more flamboyant and bizarre variations on the Gothic theme.

About the Author:

Masayuki Yoshinaga is one of the leading fashion and reportage photographers of his generation, his images have appeared in such magazines as Dazed & Confused and The Face. His work was recently shown in the Barbican Art Centre's Jam exhibition and at the Dazed & Confused Gallery in London. He lives in, and continues to investigate, the subcultures of Tokyo.

Reprinted from a rare German portfolio, this collection of magnificent wood, stone, and iron decorations features architectural flourishes from medieval-era buildings throughout Europe. Utterly authentic, the 179 black-and-white illustrations include decorations form portals, columns, and doors, along with sacred images, sculptures, and many other distinctive designs.

Text in Chinese, English, French, German, Italian, Japanese, Portuguese, Spanish

The Gothic era is the last period of the European Middle Ages and forms the link between the Romanesque and the Renaissance. The 100+ patterns in this book have been culled mostly from fabrics and architectural decorations. The carefully restored images provide a wealth of inspiration for today's designers.