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Originally published in France between 1876 and 1888, Auguste Racinet`s Le Costume Historique was the most wide-ranging and intelligent study of clothing ever published. Covering the world history of costume, dress, and style from antiquity through the end of the 19th century, the great work — "consolidated" in 1888 into 6 volumes containing nearly 500 plates — remains, to this day, completely unique in its scope and detail.
Racinet`s organization by culture and subject has been preserved in TASCHEN`s magnificent and complete reprint, as have excerpts from his delightful descriptions and often witty comments. Perusing these beautifully detailed and exquisitely coloured illustrations, you`ll discover everything from the garb of ancient Etruscans to traditional Eskimo attire to 19th-century French women`s couture.
Though Racinet`s study spans the globe from ancient times through his own, his focus is on European clothing from the Middle Ages to the 1880s and this subject is treated with exceeding passion and attention to detail. The Complete Costume History is an absolutely invaluable reference for students, designers, artists, illustrators, and historians; it is also an immensely fascinating and inspirational book for anyone with an interest in clothing and style.
Content:
Part I – The Ancient World (Egypt, Assyria, Israel, Persia and Phrygia, Greece, Etruscan, Greco-Roman, Rome, Barbarian Europe, Celts and Gauls)
Part II – The 19th Century - Beyond the Borders of Europe (Oceania, Africa, Eskimos, North American Indians, Mexican Indians, South American Indians, China, Japan, India, Ceylon, Middle East, Orient, Turkey)
Part III – Europe 400-1800 (Byzantium, France-Byzantine, Poland, Italy, Spain, Germany, France, England, Holland)
Part IV – Traditional Costume Till the Late 19th Century (Scandinavia, Holland, Scotland, England, Germany, Switzerland, Russia, Poland, Hungary, Greece, Italy, Spain, Portugal, France)
Part V - Patterns and Templates
Learn how to make slipcovers to fit all different styles of furniture with The Complete Photo Guide to Slipcovers, Pillows, and Bedding. From making simple seat cushions for wooden chairs to complicated covers for sleeper sofas, this comprehensive, how-to reference covers all the options and teaches all the essential skills.
Readers can easily access information with step-by-step directions and hundreds of color photos for clear understanding, and inspiring home interior photography shows slipcovered furniture pieces in real home settings.
Пролистать книгу The Complete Photo Guide to Slipcovers, Pillows, and Bedding на Google Books.
This book examines the nature of dictionaries, archives and dress curation, and adds a stunning visual essay recording two overnight tours through an Artangel-commissioned exhibition at Blythe House.
Phillips' definitions for words commonly associated with fashion and appearance were paired with eleven stations created by Clark on a walk through this vast building, home of the Victoria and Albert Museum's archive. Here in print, extending beyond the works at Blythe House, Phillips adds more words, more definitions and an overarching essay asking broader questions about what dictionaries are, how we use them and why they matter. Judith Clark also presents a written analysis of the Dictionary in her response to questions posed anonymously by authorities in cultural theory, fashion history, arts curation and architecture, as well as a catalogue of references used in creating the installations.
This sumptuous volume, which includes a complete inventory of every item of the Crown Jewels in the Tower of London, captures the magnificence of a collection of symbolic objects steeped in English history that is still in use today. For anyone with either a professional or a personal interest in jewellery and history, The Crown Jewels will be a delight.
The Crown Jewels tells the history of the spectacular, priceless objects now in the Tower of London. Their story is that of the English monarchy itself – from the 12th-century spoon used for the anointing at the coronation to the platinum crown created for Queen Elizabeth The Queen Mother in 1937, set with the Koh-i-nûr diamond.
Published in association with the Royal Collection and Historic Royal Palaces, the book features specially commissioned new photography, including many detailed shots, allowing individual pieces, the famous gems and carefully selected groups of objects to be viewed as never before.
The text, recounts the development of the collection in the medieval period, the dramatic sale and melting down of almost every piece after the execution of Charles I in 1649 and the remaking of the Crown Jewels for Charles II in 1660. Since then the collection has been augmented with pieces that reflect key moments in English history, such as the regalia created for the only joint monarchs, William III and Mary II, in 1689, and the crown made for King George V’s inauguration as Emperor of India in 1911.
The ultimate collection of the most innovative, beautiful, and influential products ever designed — now fully up to date
From the paper clip to the Eames Lounge Chair, the hundreds of everyday objects included in The Design Book span the last five centuries and shape our society in indelible ways. This extraordinary collection includes classic pieces by Breuer, Le Corbusier, and Castiglioni as well as anonymously designed objects like the deck chair and the whisk. Each entry has been carefully reviewed to bring every detail fully up to date and, with the addition of 30 products designed within the last 15 years, this new edition is more comprehensive — and relevant — than ever.
Praise for the original edition:
"Phaidon seems to have pulled off the rare trick of creating something accessible and wide-ranging, but genuinely inter
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Under the witty and metaphorical guise of a high-end cookbook, the author provides visual “ingredients,” such as grid structures, folios, border devices, type treatments, abstract graphic elements, categorized stylistically and functionally. These ingredients are shown in use through a “recipe” format to accomplish strategies such as movement, rhythm, organization, contrast, metaphor, etc. Ingredients are coded and cross-referenced among categories for mix and matching purposes as well as demonstrating varied alternate combinations to achieving different approaches to strategies.
Timothy Samara is a graphic designer based in New York City, where he divides his time between teaching, writing, lecturing, and freelance consulting through STIM Visual Communication. His 18-year career in branding and information design has explored projects in print, packaging, environments, user interface design, and animation. He has been a senior art director at Ruder Finn, New York’s largest public relations firm, and senior art director at Pettistudio, a small multidisciplinary design firm. Before relocating to Manhattan, he was principal of Physiologic in Syracuse, located in upstate New York.
In 1990, he graduated a Trustee Scholar from the Graphic Design program at the University of the Arts, Philadelphia. Mr. Samara is a faculty member at New York’s School of Visual Arts, New York University, Purchase College/SUNY, and The New School, and has published six books on design and typography, all through Rockport Publishers: Making and Breaking the Grid; Typography Workbook; Publication Design Workbook; Type Style Finder; Design Elements; and, most recently, Design Evolution, released in January 2008. Mr. Samara and his partner live in the Williamsburg neighborhood of Brooklyn.
Brian M. Viveros paints dangerous women. Often depicted helmeted and smoking, they sport bandages as if they had just been in a fight and won.
This first-ever monograph on this talented self-taught artist allows us to enter his fantasy world where women are sexy and powerful and men are nowhere to be seen.
From his first group exhibition 20 years ago, where his work was exhibited alongside the likes of H.R. Giger and Eric Stanton, his reputation among the art community and collectors alike has continued to grow.
For 40 years, the Cold War dominated the world stage. East and West Germany stood at the frontlines of the global confrontation, symbolized by the infamous Berlin Wall, which separated lovers, friends, families, coworkers, and compatriots.
The Wende Museum in Los Angeles, California, is named after the period of change immediately following the wall's destruction. It was established in 2002 to study the visual and material culture of the former Eastern Bloc, and, with physical and psychic distance, to foster multiple perspectives on this multilayered history that continues to shape our world.
This encyclopedic volume features around 2,000 items from its extraordinary collections. Based on our XL-sized volume, this edition includes a full spectrum of art, archives, and artifacts from socialist East Germany: official symbols and dissident expressions, the spectacular and the routine, the mass-produced and the handmade, the funny and the tragic.
Accompanying these remnants of a now-vanished world are texts from scholars and specialists from across Europe, Canada, and the United States, with themes ranging from the secret police to sexuality, from monuments to mental-mapping. More than 800 pages, featuring around 2,000 objects.A smaller, more accessible version of our XL-sized volume, the most comprehensive overview of GDR visual and material culture to date.Several dozen images of everyday life and public events from the most famous GDR photographers.Special two-language edition featuring texts both in English and German.
From November 18, 2017, visit the Wende Musem at its expanded campus in Culver City’s Armory Building, a site originally created in preparation for World War III but re-designed by Michael Boyd, Christian Kienapfel, and Benedikt Taschen to welcome its 100,000+ collection of artifacts.
Well-crafted and class-tested, this guide to figure drawing features a unique teaching method. It focuses on learning to draw complete figures prior to the study of individual components, and it stresses action figures rather than the customary static examples favoured by most drawing and anatomy texts. Employing more text than typical art instruction books, it presents thirty figure drawing lessons and fifty-six drawings and figures. Each lesson includes detailed instructions on anatomical drawing, accompanied by visual examples of strokes, boxes, and measurements.
Author Alon Bement taught art instruction to future art teachers at Columbia University and later founded the prestigious Maryland Institute of Art. His students included Georgia O'Keeffe, who regarded him as a mentor and major influence. Bement's nontraditional approach offers students at all levels an excellent opportunity to build their visual acuity and technical skills.
Table of Contents for The Energetic Line in Figure Drawing
What is Life Drawing--Introduction by Arthur Wesley Dow
Preface
Illustrations
Materials
The Figure in Profile
The Arm in Profile
The Head in Profile
The Hand, the Forearm, and Simple Measurements
Variations of the Profile
Dancing Figure
The Head—Front View
The Back—Three-quarters View
The Front—Three-quarters View
The Front of the Figure
Memory and Imagination
Adaptability
The Double Curve
The Ear as a Pivot
The Standing Figure—Three-quarters View
Two Convex Sides
Adaptability
The Figure and Line
The Sitting Figure (No. 1)
The Sitting Figure (No. 2)
The Sitting Figure (No. 3)
Beginning Shading
Symmetry
Figure and Costume
Figure and Line
Absence of Line
Extreme Action
The Foot
The Hand
The Head
Epica Book 23: Europe's Best Advertising brings together images from all the winners of the 09/10 awards, featuring more than 950 commercials, print ads, innovative media ideas, publications, internet sites, direct marketing operations, packaging design projects and integrated campaigns. It is a unique source of information for all those interested in contemporary European creative trends. This unique record is conveniently arranged by product category with creative credits and brief translations where necessary. Epica Book 23 includes articles by Lewis Blackwell and Mark Tungate, author of Media Monoliths and Adland (Kolan Page), who also contributed the creative synopses.
Epica is the largest advertising awards covering Europe and the EMEA region, with thousands of entries every year. Their aim is to encourage the highest standards of creativity in European advertising and to help agencies, film production companies and photographers to develop their reputations across the continent.
Patterns are everywhere – on paper or cloth, as wallpaper or as wrapping material. Patterns can be strictly abstract and geometrical or concrete, multicoloured or monochrome. Sometimes they serve as a background, sometimes as a coating.
They are usually composed of a recurrent motif – often floral or natural, sometimes abstract. They have in common that they're not meant to be seen as a picture with a focus, nor as the main thing that draws the attention. The purpose of a pattern is mostly to create a mood, a backdrop, a setting for the main thing.
Creating an ideal pattern requires a certain restraint and a good knowledge of colours. Historically, William Morris springs to the mind with his famous quasi-mediaeval designs for panels and textiles. More recently, the Finnish company Marimekko defined a style that is mostly associated with the sixties, though their influence is still visible today. You'll find traces of both in many of the designs collected in this book.
Regardless if they're stark and restrained, or flowery and colourful – “the Exciting World Of Pattern Design” features an abundance of patterns of all kinds and dimensions. They're all brand new, they're inspired and inspiring, they're original, decorative, funny, pretty, unusual, flashy or subdued, vintage or totally modern. We've collected new patterns in every conceivable form.
This time, the focus lies on patterns.
Muster und Strukturen sind überall – egal, ob auf Papier, Tapete, Textilien oder Verpackungen. Patterns können rein geometrisch sein oder gegenständlich, verschiedenfarbig oder nur strukturell. Mal dienen sie als Hintergrund, mal als Hülle.
Oft bestehen sie aus einem floralen, manchmal auch abstrakten Motiv, das endlos wiederholt wird. Patterns sollen nicht den Blick auf einen Punkt, auf ein Objekt fokussieren, sondern sie dienen in der Regel zur Schaffung einer Atmosphäre, einer Hintergrund-Ästhetik.
Gute Muster zu entwerfen erfordert ein sicheres Gespür für Farben, Formen und optische Rhythmen. Historische Vorbilder wie William Morris mit seinen pseudo-mittelalterlichen Entwürfen oder Marimekko mit ihren vor allem aus den 60s bekannten Punkt- und Blütenmustern spielen noch immer eine große Rolle. In vielen der hier präsentierten Entwürfen ist ihr Einfluss deutlich spürbar.
Egal ob sachlich oder floral, bunt oder monochrom – “The Exciting World Of Pattern Design” bietet eine Vielzahl brandneuer Patterns in allen Formen und Dimensionen. Ideen in Hülle und Fülle auf rund 700 randvollen Seiten.
The Fashion Book takes a fresh look at the fashion world and the people who created and inspired it.
Spanning almost 200 years, the entire industry is represented; from clothing and footwear designers to photographers, stylists, icons and retailers, including the new category of educational institutions that have been fundamental in the careers of many of the creative individuals.
Marking the significant changes on the fashion landscape since the first edition, this revision includes updates on existing entries as well as important new names who have fundamentally shaped the way we see fashion, from designers such as Nicholas Ghesquière, Gareth Pugh and Phoebe Philo, influential image-makers Mert and Marcus and Mario Sorrenti, and contemporary icons Lady Gaga and Tilda Swinton, representing just a few of the many exciting new figures. New faces rub shoulders with the fashion pioneers of the original edition; such as Coco Chanel, Issey Miyake, Yves Saint Laurent, Kate Moss and Helmut Newton. In keeping in the reference style of the first edition, this new edition reflects a comprehensive view of the fashion industry today.
Easy to use and filled with inspirational images, The Fashion Book is organized as an A-Z guide of names, listing 576 entries across the categories of clothing and accessory designers, photographers, institutions, models and those iconic individuals who instigated or symbolize a whole fashion movement. Cutting through the usual classifications, and organized alphabetically, the book creates unexpected juxtapositions that make fascinating and unlikely partnerships: the powerful Anna Wintour sits opposite the pioneer of modern fashion, Charles Worth while Terry Richardson rubs shoulders with Herb Ritts, and digital print wunderkind Mary Katranzou meets Rei Kawakubo.
Each entry is illustrated with a photograph or drawing from the most important creative talents in the industry - showing a quintessential aspect of their work. An accompanying text describes where they fit into the fashion story and includes essential biographical information about the subject. In addition, The Fashion Book uses a comprehensive cross-referencing system and glossary which explain the many collaborations and techniques used in fashion, that singular business which lives somewhere between art and commerce.
