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This attractive series reveals the V&A's spectacular and extensive pattern collections. Each title includes a free CD of high-resolution images.

The Fifties showcases the work of some of the most dynamic artists, designers and manufacturers of the 1950s from the V&A's textile and wallpaper collections. The artists and designers highlighted include Lucienne Day, Joan Miro, Jacqueline Groag, Tom Mellors and Frank Lloyd Wright.

This attractive series reveals the V&A's spectacular and extensive pattern collections. Each title in the series includes a free CD of high-resolution images.

Walter Crane was a key designer of the Aesthetic movement, incorporating swans, bulrushes, fairy tales, English patriotism, and more into his diverse patterns.

This attractive series reveals the V&A's spectacular and extensive pattern collections. Each title in the series includes a free CD of high-resolution images.

William Morris showcases the work of William Morris and Morris & Co. These popular repeating patterns possess a timeless quality and have a modern appeal surprising in work created over 120 years ago.

Valentina was the twentieth century’s first American fashion designer celebrity, working and living on equal social footing with the clientele she dressed (Greta Garbo, Gloria Swanson, Katharine Hepburn, Millicent Rogers, and Audrey Hepburn, among others). One of the few designers who proved that America could live without the Parisian haute couture, her career is a much needed missing link in the history of American fashion. Beyond merely turning out show-stopping evening gowns, Valentina’s exotic beauty, dramatic personality, and incomparable style earned her a legendary reputation. Kohle Yohannan explores the carefully constructed persona and lore of this designer who helped define American Couture. Published in association with the Museum of the City of New York’s exhibition Valentina: New York Couture and the Cult of Celebrity, this book includes photographs, never-before-seen personal ephemera, sketches, and original platinum prints from master photographers such as Cecil Beaton, Horst P. Horst, and George Hoyningen-Huene.

For almost half a century Valentino dominated Italian haute couture, dressing the world's wealthiest and most glamorous women. Only a few years after opening his fashion house in Rome in 1959, Valentino could already count Elizabeth Taylor, Jackie Kennedy, and Audrey Hepburn among his devotees. Despite his retirement in 2007 little has changed; his brand continues to thrive and prosper, and is worn by celebrities like Gwyneth Paltrow and Jennifer Lopez. Valentino has always designed magnificent gowns, never wavering from his signature style despite fads like grunge, deconstruction, and minimalism.

This lavish book traces Valentino’s illustrious career through copious images from his archives, including drawings, magazine editorial shoots, advertisements, portraits, and documentary photographs. Presented chronologically, the visual material is accompanied by a vast array of newspaper and magazine articles about Valentino throughout the years. Combined, they provide an in-depth look at the man, his lifestyle, and his genius.

Following the Collector's and Art Editions, this trade edition puts Valentino's haute couture glamour within reach at a ready-to-wear price point.

The glamorous life and work of Valentino Garavani

Think Valentino: think luxury. Think elegance. Think red carpet. Fashion’s most beloved upholder of refined decadence and the most exciting couturier in business is known around the globe simply by his first name. Only a few years after opening his fashion house in Rome in 1959, Valentino was already at the height of success, counting Elizabeth Taylor, Jackie Kennedy, and Audrey Hepburn among his devotees. Over forty years later, not much has changed — he’s still dressing the top celebrities, from Gwyneth Paltrow to J.Lo, though now his business is a major economic force in Italy and his fashion house is among the most famous in the world. Valentino has always designed clothes for glamorous and sophisticated women, never wavering from his signature style even when grunge, deconstruction, and other passing fads were all the rage. Though his couture division almost never makes a profit (his ready-to-wear lines are what fuel the business), his heart is most solidly devoted to the magnificent haute couture gowns that earned him his reputation as fashion’s most talented dressmaker.

This luxurious limited-edition publication renders homage to Valentino’s illustrious career via a copious selection of images from his archives, including drawings, magazine shoots, advertisements, portraits of Valentino, and documentary photographs; presented chronologically, the visual material is accompanied by a vast array of newspaper and magazine articles about Valentino throughout the years.

Text also includes Vanity Fair writer Matt Tyrnauer’s interviews with twenty of Valentino’s closest collaborators and friends as well as an appreciation of Valentino by International Herald Tribune’s fashion writer Suzy Menkes. All of these elements add up to an in-depth look at the man, his lifestyle, and his genius — a book more comprehensive and stunning than one could hardly dare to dream of. After all, what could be a more fitting tribute to the work of Valentino than a book as beautiful and luxurious as one of his gowns?

The emperor not only of fashion but also of l’art de vivre, Valentino Garavani is in a class all his own. At the Emperor’s Table is an invitation into his refined world of graceful and cultured living.

The remarkable collection of table settings and objets d’art housed in his five residences, in Gstaad, London, Rome, New York, and Paris, as well as on his yacht, evoke the grandeur in which he lives and is presented in this first-ever edition with photographs by Oberto Gili. Recipes by Mr. Garavani’s personal chefs are also included and bring readers one step closer to discovering his extraordinary surroundings.

Assouline presents VALENTINO: At the Emperor’s Table, a stunning visual and written account that enters the world of famed fashion designer Valentino Garavani, the emperor not only of fashion but also of l’art de vivre.

As a fashion editor and friend André Leon Talley writes in the introduction, “Valentino Garavani designs his luncheons and dinners, in all of his homes, the way he has created crescendos and allegros vivace throughout his forty-plus-year career as one of the greatest haute couture designers and high-fashion leaders in the world.”

Beauty and entertaining have long been passions of Valentino. “I am in love with beauty,” he admits in the book’s opening. “I have always loved beautiful objects.” Though beyond the tangible objets d’art housed in each of his residences, Valentino’s excellence as a host is defined by the warmth and joy he creates for his guests.

A tribute to the sumptuous jewelry and the glamorous history of Van Cleef & Arpels

For more than a century, the designs of the French jewelry house Van Cleef & Arpels have represented the marriage of an unrivaled sense of elegance with an extraordinary level of technical expertise and prowess. The comprehensive monograph Van Cleef & Arpels: The Art & Science of Gems is a glittering, gorgeous tribute to a century of luxurious, glamorous jewelry design and incomparable mastery of materials. Lavishly illustrated with meticulous photographs by Patrick Gries, the book’s pages are filled with sparkling chalcedony, cornelian, rubies, emeralds and colored diamonds, beautifully set off and enhanced by the jeweler’s designs (at alternate moments whimsical or understated, as the materials demand).

Suggesting the complexity and richness of Van Cleef & Arpels’ output, the book is organized thematically around categories such as “Abstractions,” “Couture,” “Nature” and “Icons,” and additionally features some of the legendary stones from the annals of the house’s history, such as the “Blue Princess” sapphire and the “Walska Briolette Diamond” brooch. Texts by art historians, personalities from the fashion world and mineralogists offer context and highlight the full extent of the jeweler’s art. Essential for those who love and lust after jewelry design, this eminently covetable volume celebrates the Van Cleef & Arpels style.

From Empress Farah and the secrets of the treasure of Iran, to Queen Marie Amélie’s missing emeralds, via Fantômas and the blood-red rubies of the kings of Burma, entering the world of Van Cleef & Arpels is like embarking upon a fascinating treasure hunt. In this book, Vincent Meylan explores a century in the history of one of the most prestigious Parisian jewellery dynasties. He opens doors and unlocks caskets to reveal the mysterious, and sometimes fantastic, stories of its clients and the fabulous and exceptional stones that they entrusted to the “golden hands” of Van Cleef & Arpels. The Maharani of Baroda, the Duchess of Windsor, Princess Lilian of Belgium, Elizabeth Taylor, Marlene Dietrich, Princess Grace of Monaco, Maria Callas, Barbara Hutton and the Countess of Camargo: they are all the heroines of this incredible epic full of rubies, diamonds, emeralds, and sapphires.

Van Cleef & Arpels: Treasures and Legends is full of extravagant fairytales and fascinating behind-the-scenes revelations. It also tells the sometimes troubled story of a dynasty of jewellers, of gifted men and women who have, for over a century, helped to shape that inimitably Parisian art de vivre that is the envy of the world.

About the Author:

Vincent Meylan is responsible for the history and royalty pages in Point de Vue. He is also a specialist in precious stones and in 'haute joaillerie'. He is the author of several biographies, Queens' Jewels and Boucheron: The Secret Archives.

Expanded edition of the first monograph from critically acclaimed Russian-born Vania.

Russian-born Vania Zouravliov’s surreally haunting illustrations capture a mixture of innocence, beauty, and decay. He draws inspiration from sources as seemingly opposite as Russian folklore, Japanese illustration, and pop culture. His resulting drawings are elaborately composed and demonstrate the technical brilliance of an old master.

Gestalten published the first monograph of Vania’s work in 2008, which quickly sold out. This expanded edition not only presents the ample scope of exceptional talent, but also features more than 30 additional artworks. Vania’s intense emotional style evokes a nostalgia rooted in the artist’s Russian background that is reminiscent of the imagery used in that country’s silent and art-house movies. His dark motifs are intricately layered and full of powerful symbolism. They often feature provocative sadomasochistic references that represent the vulnerable relationship between innocence and affliction.

As a prodigy in his homeland, Vania has exhibited internationally since the age of thirteen and continues to produce a vast range of work for both commercial clients and as an independent artist.

Vanity Fair 100 Years showcases a century of personality and power, art and commerce, crisis and culture — both highbrow and low.

From its inception in 1913, through the Jazz Age and the Depression, to its reincarnation in the boom-boom Reagan years, to the image-saturated Information Age, Vanity Fair has presented the modern era as it has unfolded, using wit, imagination, peerless literary narrative, and bold, groundbreaking imagery from the greatest photographers, artists, and illustrators of the day.

This sumptuous book takes a decade-by-decade look at the world as seen by the magazine, stopping to describe the incomparable editor Frank Crowninshield and the birth of the Jazz Age Vanity Fair, the magazine’s controversial rebirth in 1983, and the history of the glamorous Vanity Fair Oscar Party.

With its exhaustive sweep, visual impact, and time-capsule format, Vanity Fair 100 Years is the book everyone will want in 2013.

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Пролистать книгу Vanity Fair 100 Years: From the Jazz Age to Our Age на Google Books.

The exquisite creations of Fulco di Verdura stand out from the designs of other 20th-century jewelers for their exuberance and refined glamour.

His devoted admirers included Cole Porter and his wife Linda, Marlene Dietrich and Greta Garbo, along with prominent society figures such as the Duchess of Windsor, Diana Vreeland and Mona Bismarck. They not only collected Verdura’s jewelry but his wit and erudition were in great demand at their dinner tables.

Patricia Corbett documents Verdura’s fascinating career.
Born into the Sicilian nobility in 1898, he left his ancestral home in the mid-1920s, moving to Paris where he hoped to be a painter, but his true vocation was revealed once he began designing jewelry for the discriminating customers of Chanel.

The author has been given access to all of Verdura’s archives and has interviewed many of his surviving patrons. Wonderful colour photography, as well as illustrations of the celebrities who wore his pieces, convey the irresistible genius of his designs.

The furniture designs of William Morris, C. R. Ashbee and Charles Rennie Mackintosh are even more popular today than in their own lifetimes.

The work of other figures, such as William Burges and Christopher Dresser is also being avidly collected. Jeremy Cooper’s survey contains an astonishing range of photographs and drawings: nearly 700 illustrations offer a uniquely comprehensive coverage of nineteenth-century furniture.

Every major designer is represented, and the choice of pictures includes little-known pieces from private collections. Rare contemporary photographs of Victorian and Edwardian interiors show how the furniture formed part of complete decorative ensembles.

Extensive commentaries on the illustrations and detailed text provide the essential background – wherever possible using the actual words of the designers, architects and critics themselves.

More than 160 exquisitely rendered color illustrations offer a fabulous array of decorative borders and panels in a tremendous variety of styles: Byzantine, Roman, Gothic, Renaissance, Louis XIV, and other historical fashions.

Many of these enchanting images are drawn from Christopher Dresser's Studies in Design, a landmark in home-decorating stylebooks. Dresser's compilations of unusual designs from far-flung sources - including Egypt, Morocco, and the Far East - exercised an enormous influence upon his Victorian contemporaries and subsequent generations. Images from his book, together with selections from a nineteenth-century French album and other pictorial collections of the era, afford a wealth of delights for art enthusiasts as well as inspiration for designers and crafters.

Dover original selection from Album du Peintre en Bâtiment, N. Glaise, Ducher et Cie, Paris, 1885, and Studies in Design, Christopher Dresser, Cassell, Peter and Galpin, London, 1876.

The continual demand among graphic artists for floral and botanical illustrations, combined with the perennial popularity of the Victorian style, have inspired this practical royalty-free collection. Artist Carol Belanger Grafton has selected 344 handsome and botanically accurate wood engravings from two notable botanical classics: Paxton's Flower Garden by John Lindley and Sir Joseph Paxton, 1850–53; and The Natural History of Plants: Their Forms, Growth, Reproduction, and

Distribution by Anton Kerner von Marilaun and F. W. Oliver, 1902.
Illustrations include exquisitely detailed renderings of flowers and other plant features of exotic specimens from around the world: passionflower, baobab, spider lily, hop, quaking grass, mourning cypress, American mangrove, wayfaring tree, Christmas rose, Indian rhododendron, false indigo, winged pea, Persian walnut. cat's-claw mimosa, Bhutan cypress, and many more.

The engravings encompass a broad spectrum of plant forms: trees, shrubs, aquatic and climbing plants, evergreens, vines, brushes, herbs, various perennials, and others. Orchids are especially well represented; over 10 percent of the illustrations in this volume depict orchids. Each illustration is accompanied by an identifying caption that provides the scientific name and a brief description of the plant, its native region, and if it is a flower, the coloration of the blossoms.
The clarity and accuracy of these engravings is striking; they are well-suited to reproduction for almost any graphic purpose. Moreover, all illlustrations are royalty-free; no prior permission or fee is required for their use.

Invaluable to graphic artists in need of a comprehensive archive of unusual floral illustrations, this versatile reference will delight botanists, naturalists, flower lovers, and any admirer of exotic plants that are depicted with the meticulous clarity and detail of fine engravings.