Дизайн

The art of faience tile making had found its way from Arabic North Africa from where it had slowly progressed northward via Spain, Italy (mainly the city of Faenza, hence the French “faïence”) and Antwerp to arrive about 1570 in the northern Dutch province of Friesland. The Royal Tichelaar Makkum from which the designs in this book originate is the oldest enterprise in the Netherlands and indeed ranks it among the oldest companies in the world. Many of the designs this factory has been using over the years have been compiled in an ancient volume kept in the historical collection of their archives, along with many examples of actual antique tiles. For the first time a selection of these has now been made available for publication in this book.

This is a sister book of “The Traditional Japanese Color”, and focuses on the beauty of Japanese traditional color combination. This book explores the aesthetic of color combination in the traditional Japanese art works, which show its various aspects and constitute the exquisite world of color. About 100 examples of two, three or more color combinations in various fields from painting to annual events in the Japanese art and culture will be included. Color name list of 250 traditional Japanese colors and index with CMYK/ RGB date in the back page.

This work explores the multifarious significance given in India to decorative jewellery formed of materials as diverse as horn and feathers as well as gold and diamonds. The jewellery presented here ranges from traditional animalistic and ritual pieces to contemporary design.

Cet ouvrage, devenu un livre de référence, expose de façon claire et précise l’ensemble des connaissances techniques permettant de concevoir et de réaliser les principaux meubles de style. La première partie traite des points techniques nécessaires au dessin. La deuxième partie est consacrée à l’étude des styles. Pour chaque style sont indiqués les caractéristiques du mobilier, le tracé des moulures, les ornements et les plans de construction du meuble le plus représentatif.

Sommaire :
Première partie :Tracés et constructions. Géométrie plane. Les ordres en architecture.La géométrie descriptive. Perspective. Les assemblages. La mise au plan.
Deuxième partie : études des styles : le Gothique, la Renaissance, Louis XIII, Louis XIV, la Régence, Louis XV, Transition, Louis XVI, le Directoire, L’Empire.

Pierre Le-Tan’s illustrations and Bertil Scali’s entertaining pen portraits tell the stories of the world’s most celebrated travellers, impeccably presented in a luxurious volume

From heiresses to actors, aristocrats to pop stars, writers, composers, dancers and designers, here are the personalities who have travelled through our modern era, whether by train, plane, car or canoe, accompanied by luggage that defines good taste.

With suitably glamorous style, over fifty individuals are described and illustrated in witty and perceptive detail. Everyone who’s anyone is here: from Madonna to Marilyn Monroe, from the Duchess of Windsor to Karl Lagerfeld, from Audrey Hepburn to Keith Richards, from the firm’s eponymous founder Louis Vuitton to artist Jeff Koons.

Every traveller has a tale to tell: every bag reveals a personal secret. In her canvas Louis Vuitton bag Greta Garbo never kept more than a pair of blue espadrilles, flannel pyjamas and some pots of her favourite jam. (But she had a trunk specially made for her seventy pairs of Ferragamo shoes.) Ernest Hemingway, who owned and lost several Vuitton trunks, rediscovered in 1957 notes for a novel that he’d absentmindedly left in a trunk in the basement of the Paris Ritz some thirty years before. Richard Burton made sure that Elizabeth Taylor always had enough Louis Vuitton trunks (as well as furs and jewels), through both their marriages; in fact, the trunks outlasted her next two husbands as well.

About the Authors:

Bertil Scali is a writer, journalist and editor. He is the founder of literary agency Litcom.

Pierre Le-Tan is a painter and illustrator. His work has appeared in many publications, including The New York Times Magazine, Vogue, Fortune, Madame Figaro, Tatler, Atlantic Monthly, Harper’s Bazaar, Town & Country and the World of Interiors, as well as on the cover of the New Yorker.

Rare, versatile, copyright-free volume offers the largest, finest collection of Art Nouveau typographic material: 137 complete alphabets; 23 upper-case fonts; 33 sets of decorative initials; 1951 monograms; 146 signet designs; 179 miscellaneous designs (many with borders) and numerous ornaments. Plus, a selection of Gothic, Roman and Italic faces.

The art of the Eastern Roman Empire and of its capital, Byzantium (Constantinople), found expression throughout the ancient world, particularly in Italian architecture. This superb archive of Byzantine ornament contains a wealth of decorative architectural elements derived from sixth- and seventh-century Italian buildings in Ravenna and in the Venetian church of St. Mark's.

Depicted in more than 250 delicate line drawings are splendid perforated marble panels, intricately fashioned stone grilles and cornices, lavish candle brackets, elaborate stone mosaics for floors and ceilings, bronze window guards, as well as an abundance of decorative wreaths, rosettes, mouldings, and medallions.

A multipurpose reference for students, artists, and designers, this archive of sumptuous, royalty-free designs will also serve as a rich source of inspiration for anyone working in the fine or applied arts.

Practical archive of over 700 wonderfully graceful and imaginative designs featuring flowers, leaves, and vines in delicate interlacements.

A hundred garden favorites rendered in black-and-white line illustrations will suggest numerous design and artistic uses to artists, designers, craftsmen, needleworkers. Amaryllis, anemone, begonia, cinquefoil, peony, snapdragon flow and weave, many forming borders and frames. All drawings royalty-free.

Rich collection of attractive, highly usable folk motifs spans broad range of historical periods and cultures — from ancient Egypt to early 20th-century Japan. Over 700 designs, brimming with native imagination and invention, include examples of decorative artwork derived from textiles, pottery, clothing, masks, tapestries, and other original sources.

Trend-forecasting collection of work from the trend think-tank at the world-famous Central Saint Martins college in London (often referred to as 'Saints').

'Trends 09' represents in a clear and concise visual manner early trend directions. Amongst the maelstrom of creativity, Saints edits, sources and narrates key early trends, mixing and matching creative disciplines (from fashion, design, fine art and product design), acknowledging that everything influences everything. Based on a 24-month forecast with considerable amount of design data, Saints thin-slices the most influential, directional and creative work to represent it in its rawest and earliest form with enough flexibility to adapt over the two-year lead.

'Trends 09' is composed of a general introduction to the think-tank’s findings, highlighting key drivers and influences in the year’s graduates work. It then presents the 10 key trends – some socio-cultural, some design led and some style based. All the work collated and represented in 'Trends 09' is from graduates and students.

Central Saint Martins is unique in its expression of emerging trends and its privileged position at the heart of what is a world famous art and design college.

The Saints think-tank consults blue chip companies such as Nokia, the Gucci Group and Dyson, providing an authoritative and proven track record in trend forecasting.

This guide to the identification of motifs, designs and patterns of the rich weaving traditions of the Near East and Central Asia is an indispensable resource on Oriental rugs and carpets.

The book is divided into six major regional and tribal groupings, covering Anatolian, Baluchi, Caucasian, Kurdish, Persian and Turkmen motifs. These are further subdivided into sections which give more precise attributions and motif types, and examine the derivations and uses of medallions, field repeats and borders, as well as the relationships between them.

Pattern recognition has long been used to determine the origin and age of rugs, and this detailed analysis of designs and their component elements provides a vital key to accurate attribution.

Lavishly illustrated throughout, this book has become an invaluable aid to identifying the enormous variety of tribal and village rug motifs. It is also a treasure house of creative inspiration for designers of all kinds.

Peter F. Stone is an expert on Oriental carpets and the author of several books, including The Oriental Rug Lexicon.