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Edwardian fashion and etiquette are explored through the life and extensive wardrobe of London socialite Heather Firbank. Beautifully illustrated with new photography of finely crafted evening gowns, tailored suits and elaborate hats as well as contemporary photographs and pages from Heather’s own albums of fashion cuttings, London Society Fashion vividly maps the London couture scene of Edwardian Britain, and charts the changes in fashion through the tumultuous first decades of the twentieth century.

About the Author:

Cassie Davies-Strodder is a curator in the Furniture, Textiles and Fashion department at the V&A. Jenny Lister is a curator in the Furniture, Textiles and Fashion department at the V&A. Her exhibitions 60s Fashion (V&A 2006) and Grace Kelly: Style Icon (V&A 2010). Lou Taylor is Professor of Dress and Textile History at the University of Brighton and author of The Study of Dress History (2002) and Establishing Dress History (2004).

A gorgeous new edition with the cover printed on silver.

Tiffany was highly skilled in jewellery design, ceramics, enamels, and metalwork but he is best known for his beautiful stained-glass designs. 

Using opalescent glass in a variety of colours and textures, he created a stunning range of jewel-like Art Nouveau works, many of them presented here in this luxurious volume.

This fascinating publication presents the roles two men have played in turning a small workshop in nineteenth-century Paris into one of the most successful and recognized brands in the world.

Known for both craftsmanship and must-have high design, Louis Vuitton the luxury house was started by its eponymous founder in 1854. The first half of this publication traces the innovations by Vuitton, who turned the little-known guild profession of emballeur (packer) into the foremost luxury trunk maker in Paris, with a clientele that included in his lifetime the French nobility as well as the elite of a prosperous empire. Prime and never-before-seen examples of Vuitton’s craftsmanship, along with the fashion that went into them, are the highlights of these chapters. The second half of the book examines the role of Marc Jacobs as Louis Vuitton’s creative director (since 1997), who took the Louis Vuitton house into a new era with a series of collaborations with artists and designers - such as Takashi Murakami, Richard Prince, and Stephen Sprouse - as well as designing a line of highly successful and desired clothing for the company.

By examining two divergent but often similar careers one hundred years apart, Louis Vuitton / Marc Jacobs is not only a layered study of the evolution of a luxury brand in the past 150 years but also a celebration of technical and design innovations in the new century.

About the Author:

Pamela Golbin is the chief curator of twentieth-century and contemporary fashion and textiles at Les Arts Décoratifs in Paris. She is the author of Madeleine Vionnet and Valentino: Themes and Variations.

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Пролистать книгу Louis Vuitton / Marc Jacobs: In Association with the Musee des Arts Decoratifs, Paris

The definitive work on the collaborations between Louis Vuitton and artists, designers, architects, and photographers. This newly revised and updated edition brings the previous book up to the present, now celebrating the most recent and inspiring collaborations with Nicolas Ghesquière, Frank Gehry, Yayoi Kusama, and Steven Meisel, among others.

The more than eighty collaborators featured in this book comprise an A to Z of Vuitton’s creative collaborations, especially from the last decade, with significant chapters devoted to the work of Nicolas Ghesquière, Marc Jacobs, Takashi Murakami and other key collaborators. Never forgetting the long tradition of the house, the period covered by the book — from the late 1990s through the present day — will describe the role that Louis Vuitton is playing in a crucial moment in global fashion.
Now with 536 pages, this edition features more than 130 pages of stunning new imagery that showcases the increasingly symbiotic relationship between fashion, art, and design.

About the Author:

Valerie Steele is a fashion historian, curator, and director of the Museum at the Fashion Institute of Technology in New York City. Glenn O’Brien is an author and essayist based in New York. Jill Gasparina is an art curator, theoretician, and writer based in Paris. Ian Luna is a writer based in New York and the author of several books on fashion design, architecture, and urbanism, including Louis Vuitton: Architecture & Interiors. 

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Пролистать книгу Louis Vuitton: A Passion for Creation: New Art, Fashion and Architecture

This volume is an unprecedented history of Louis Vuitton’s women’s bags, the most coveted line of accessories in women’s fashion. 

At the heart of Louis Vuitton are its City Bags, a range of women’s bags that dates back to the turn of the twentieth century. Featuring the trademark monograms of the house, the City Bag story began with the Steamer, a resort bag designed in 1901 to be packed inside a much larger steamer trunk. These bags have in a hundred years formally diversified into a dizzying array of handbags for every conceivable function demanded by the modern woman. Profoundly influential, City Bags are now known to millions by their descriptive names (Keepall, Bucket, Papillon, Alma, Locket, Noe, Speedy) and are still evolving into more fantastical forms. 

Lavishly illustrated with new and archival photography, historical graphics, landmark editorials, and ad campaigns, the volume traces the history of these specific bag families, and examines the earliest specimens and today’s most sought-after collectibles, including Vuitton’s collaborations with Takashi Murakami, Stephen Sprouse, Richard Prince, Yayoi Kusama, and Rei Kawakubo and one-off projects by Zaha Hadid, Shigeru Ban, Vivienne Westwood, Helmut Lang, Andrée Putman, and of course, Marc Jacobs. 

Louis Vuitton: City Bags is an ambitious volume on the creation and cultivation of a cultural phenomenon.

About the Authors:

Marc Jacobs is the creative director for Louis Vuitton and designer for the Marc Jacobs and Marc by Marc Jacobs lines. Florence Müller is a curator, fashion historian, and associate professor at the Institut Français de la Mode. Takashi Murakami is an artist based in New York and Tokyo.

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Пролистать книгу Louis Vuitton: City Bags: A Natural History

When Louis Vuitton: The Birth of Modern Luxury was published in 2004, the book was the first to describe the dramatic rise of the world’s finest luxury company. Written with full access to the company’s archives, it demonstrates Louis Vuitton’s passion for fine design with a stunning array of archival art, product designs, and cutting-edge advertising. The company is examined through the lives of its first three leaders - founder Louis (who invented the modern trunk), his son Georges, and his grandson Gaston.

Now with fresh information on subjects such as designs for ready-to-wear clothing, shoes, jewellery, and even automobiles, this new edition includes 20 additional pages and updated material throughout the book, covering the brand’s recent history, with new texts and photographs.

About the Author:

Paul Gerard Pasols is the former director of communications for Louis Vuitton and a longtime consultant to the company. He was editorial director of Louis Vuitton City Guide 2004, New York, which is a finalist in the "best guide" category of the Gourmand World Cookbook Awards. The author of the updated sections is all at once journalist, traveller, and lover of all things beautiful. Pierre Leonforte has been editor in chief of City Guides Louis Vuitton since their creation in 1998. He collaborates on numerous French and Italian publications including Les Echos, Vogue and Maison Francaise. He is also the author of guidebooks and lifestyle books appearing in France, Germany, and Britain.

He is the author of Abrams's Louis Vuitton: 100 Legendary Trunks.

Louise Bourgeois, who has produced art since the 1930s, began in the 1990s to use her clothes and the clothes of her loved ones as components in her sculptures and drawings. It is as much a reincarnation of her past and her childhood as a confirmation of her relationship with memory. Her visual approach to fabrics transforms decorative accessories into emotional and personal references which, especially in her Cells and later in her drawings, create representations of a tormented and at the same time powerful womanhood. Further development of the artist’s work began in 2002: exploiting the iridescent colours and formal structural properties of pieces of her clothing, she created “The Fabric Drawings,” astonishing works alternating between floral figurative pieces and chromatic abstractions.

This set of images is collected here in its entirety for the first time, constituting the closest thing yet to a general catalogue.

• This collection of pictorial and sculptural images is brought together in this anthology in a unique and exhaustive way.
• The publication is a means of approaching her distinctive iconographic and visual explosions and adding to our knowledge of the artist herself.
• Bourgeois’s emotional and figurative strength, translated into compositions of colour and form, is further testimony to her important contribution to the history of modern and contemporary art.

A touching volume that celebrates the life and work of beloved fashion designer Alber Elbaz.

On April 24, 2021, the designer Alber Elbaz passed away due to complications from COVID-19. The creative director of Lanvin from 2001 to 2015, he was the most consequential figure from the fashion community lost to the pandemic.

Love Brings Love, the celebration of Elbaz’s life and work that concluded Paris Fashion Week on October 5, 2021, remains a unique event in the recent history of the industry. In tribute, forty-four designers, from nearly all the French and Italian maisons, as well as his dear friends in Japan and the United States, created dresses for a memorial fashion show — the first collaborative one to have ever been held in Paris. Of the more than seventy looks, thirty were by Elbaz, posthumously executed by his team at AZ Factory.
The international fashion community came as one family to publicly mourn and remember one of their own, with a reverence and affection reserved only for someone so universally and genuinely loved.

This book is divided into three parts, which include texts written by Elbaz prior to his passing; a sequence of sketches by forty-four designers and maisons, including Alexander McQueen, Balenciaga, Comme des Garçons, Giambattista Valli, Gucci, Jean Paul Gaultier, Rick Owens, and Valentino, on uncoated stock; and a section of photographs of completed dresses, including dresses designed by Elbaz, on matte coated stock.

The sequence describes in ways both conceptual and material how his friends and peers saw him, and how they intimately honored his memory with their own work and in their own words.

About the Author:

AZ Factory is a brand formed by Alber Elbaz, the creative director of Lanvin in Paris from 2001 until 2015.

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Пролистать книгу Love Brings Love: A Homage to Alber Elbaz

A fresh look at the concept of elegance and Parisian style, personified by the iconic fashion of Roger Vivier.

For decades, Roger Vivier has created visionary shoes and bags that, over time, have become icons of fashion. This book tells the story of this achievement and offers a fresh take on the designer’s legendary accessories, as seen through the eyes of young enterprising fashion bloggers and tastemakers including Charlotte Groeneveld (The Fashion Guitar website), Chriselle Lim (The Chriselle Factor website), Eleonora Carisi (Joujou Villeroy website), and Tamu McPherson (All the Pretty Birds website). For the first time, objects of this legendary luxury brand will be interpreted directly by those who wear them, people who live their lives “inside” the Vivier brand.

About the Authors:

Ines de la Fressange was a runway model in the 1980s. She is a creative consultant for Roger Vivier and Uniqlo. Christene Barberich is the global editor-in-chief and co-founder of the Webby award–winning lifestyle media company, Refinery29, which reaches 225 million women worldwide every month. Leandra Medine is the founder of the fashion blog Man Repeller and has collaborated with a long list of fashion brands and retailers. In 2013 she released her first book, Man Repeller: Seeking Love, Finding Overalls. Arianna Piazza is a scholar of Italian fashion. She is the author of You: The Digital Fashion Revolution (Electa Mondadori, 2017), and Fashion 150: 150 Years/150 Designers (Laurence King, 2016).

The beautiful minds of six extremely successful women artists in the entertainment industry present LOVELY: Ladies of Animation. The history of art in animation has had many female heroes, this elite group is continuing the tradition and building upon it.

Featuring the first published personal works by Lorelay Bove, Lisa Keene and Claire Keane, this title is an indispensable addition to the library of those interested in animation. With a variety of styles from graphic works to realistic portraits, these images will inspire and delight the viewer with each turn of the page.

This adventure into fashion follows a milliner's shop on Via Roma, Florence, that went on to become a hugely important international e-shop and concept store.

Over the course of ninety years of history and constant metamorphosis in the world of fashion, LuisaViaRoma has never stopped evolving and embracing new experiments, opening itself up to unexpected and sometimes provocative linguistic and creative forms. This is a story, told through images, of a launching platform directed toward the new and the diverse, in a city devoted to experimentation and artistic thought.

The core of the volume centers on images of LuisaViaRoma's window displays, particularly the contribution of the artist Kyle Bradfield and of the architect Lorenzo Gemma between the 1980s and 1990s during the effervescent period when postmodern Florence served as a laboratory of signs, alchemies, and interpretations of the real. There will also be a focus on Weststuff magazine, which wove together fashion, art, and music, conceived by Andrea Panconesi with Stefano Tonchi and Maria Luisa Frisa. A part of the book will be dedicated to the celebratory fashion show from 2019 conceived by Carine Roitfeld.

About the Author:

Cesare Maria Cunaccia is a writer, journalist, university teacher, and curator. A long-standing contributor to AD Italia and other monthly Condé Nast publications, he also works for Vogue Italia as editor-at-large.

For more than 40 years, Parisian jeweller Lydia Courteille has been confounding the Place Vendome jewellery houses with her bold and brazen designs. Her unique and avant-garde style is legendary. Her collections spark the senses. In this impassioned new biography, Juliet Weir-de la Rochefoucauld takes us on a voyage around the world, sharing the stunning locations and famous women from whom Courteille draws inspiration.

In the disposable world of 21st-century consumerism, amidst the monotony of marketing algorithms and ceaseless production lines, Lydia Courteille has forged her own creative path, refusing to let the individuality of her work slip from her fingers. Her jewels crystalise memories, honour the dead, make powerful social statements, poke fun at modern absurdities, and transport us to the other side of the planet. Guided by an acclaimed author and jewellery expert, this colourful monograph renders her odysseys of creation and discovery in stunning visual detail.

_The spectacular new biography of unique Parisian jeweller, Lydia Courteille
_Charts Courteille’s voyages of creation and discovery
_Includes the stories behind some of the most idiosyncratic jewels of the past 40 years
_A celebration of the famous women who inspired Courteille’s life and work

About the Author:

A Fellow of the Gemmological Association of Great Britain (Gem A), Juliet Weir-de La Rochefoucauld began her career at Sotheby's & Co., London. Based in France, she is also the author of 21st-Century Jewellery Designers: An Inspired Style (Antique Collectors' Club, 2013), and Lydia Courteille, Extraordinary Jewellery of Imagination and Dreams (ACC Art Books, 2016). Juliet's great-grandfather, Thomas Weir, founded the jewellers Weir & Sons in Dublin in 1869, a company that is still run by members of the family.

The definitive monograph on one of Europe’s most influential creative partnerships, M/M (Paris, to mark their 20th anniversary

Michael Amzalag and Mathias Augustyniak formed their studio, M/M (Paris), in 1992. Since then, it has become one of this generation’s most distinctive and influential voices in graphic design.

Originally working for small independent music labels, M/M soon caught the attention of the fashion world, and later developed long-term collaborations with a rich array of iconic artists, art directors and musical artists – most notably, Björk and Madonna. They have also produced unexpected three-dimensional designs for the stage, restaurants and perfume.

Designed by London’s Graphic Thought Facility, this alphabetically organized book ‘starts’ in the middle with the letter ‘M’, presenting projects and interviews with the designers and key collaborators, including Pierre Huyghe, Inez van Lamsweerde and Vinoodh Matadin, Philippe Parreno and Nicolas Bourriaud. Presenting the complete range of M/M’s work for the very first time, it offers rich insight into how they have created one of the most original and unified visual languages of our times.

About the Author:

Emily King is a graphic design historian and curator who has written widely on design-related subjects. She lives in London.

A comprehensive, irreverent guide to the inner workings of provocative art collective MSCHF

Made by MSCHF is a survey of the work of Brooklyn-based art collective MSCHF, known for their eclectic projects that critique the very areas of popular culture they inhabit. Ranging from a line of designer handbags only visible under a microscope to an anime dating game that helps players generate a functional tax return, MSCHF’s works are incisive, often viral, and always instilled with their unique brand of subversive humor.

Featuring never-before-seen imagery, this book presents case studies that explore twelve of MSCHF’s projects in depth, providing readers with a blueprint of how their works are developed from ideation to release. Written by two of the collective’s cofounders, the book features an additional six thematic essays and an archive of every MSCHF artwork to date, together revealing the experimental group’s range and evolution.

Projects include: Big Red Boot, a pair of cartoonishly large rubber boots; Jesus Shoes, their designer-branded sneakers filled with holy water; ATM Leaderboard, an ATM installed at Art Basel Miami Beach that ranked users by bank balance; and Severed Spots, in which they cut out spots from Damien Hirst prints and sold them as individual art works.

About the Authors:

Lukas Bentel is co-founder and Chief Creative Officer of MSCHF.

Kevin Wiesner is co-founder and Chief Creative Officer of MSCHF.

Karen Wong is co-founder of the New Museum’s NEW INC.

Amy Adler is one of the leading scholars of Art Law in the United States.

Lauren Boyle is the co-founder of DIS, a New York–based collaborative art project.

Maurizio Cattelan is an Italian visual artist known for his irreverent approach to art.

Blake Gopnik is an art critic and historian of Andy Warhol.

Natasha Jen is a partner at Pentagram.

Sean Monahan is a co-founder of the trend forecasting group, K-HOLE.

Lydia Pang is a co-founder of the creative strategy studio, MØRNING.

Through images both intimate and provocative Erin Magee, founder of MadeMe, presents the first comprehensive monograph of the one of first streetwear brands “by girls for girls.”

MadeMe rose to acclaim during a time when female and queer perspectives were missing from the streetwear landscape. Inspired by the energy of the 1990s when a female-first ethos was actively shaping music, clothing and culture, Magee has fostered the same spirit of enthusiasm for a new generation of it-girls, championing a truly singular and radically instinctive take on femininity.

In the brand’s early days, Magee enlisted the likes of Coco Gordon-Moore (Kim Gordon’s daughter) and Princess Nokia to star in campaigns while mentoring industry heavyweights like Paloma Elsesser, Lourdes Leon, Amandla Stenberg, and Beatrice Domond. The brand's essence is reinforced by these dynamic, emotionally charged interactions with females across generations becoming more of an ecosystem than a brand. The MadeMe girl is radical because she rebels against the concept of who society says she should be, she is defiant because she is true–this feeling is always embodied through the garments she wears and the choices she makes. Communicating through ideas and interests across music, art, fashion, and culture, MadeMe has collaborated with the likes of Doc Martens, Nike, Fruits, Vans, Converse, and X-Girl, translating its youthful design language to like-minded audiences through energetic design codes. Arranged by pure feeling rather than in a traditional chronological order, this publication features an extensive range of voices and talents harnessed by the brand over the years including artwork by musician, Cody Critcheloe (SSION), artists, Ally Bo, Shana Sadeghi-Ray, Aneko, and photographer, Petra Collins.

About the Authors:

Erin Magee is the Chief Creative Officer of Supreme, where she started in 2004.  During her tenure, Magee founded MadeMe, a peerless brand for girls, by girls. Through MadeMe, Magee fosters an active, emotional exchange across generations, through the language of product that fosters selfhood, and singularity. Chioma Nnadi was named head of editorial content for British Vogue in September 2023. Throughout her career Nnadi has worked for publications including the Evening Standard Magazine, Trace, The Fader, and Vogue.com. She also serves as the co-host for the Vogue podcast, The Run-Through.