Книги о моде и фэшн дизайне

India in Fashion explores the beautiful and sophisticated history and aesthetics of traditional Indian fashion, dress, and textiles and their profound impact on European and American fashion from the eighteenth century to today.

This intoxicating and visually rich volume — with texts by experts from India, Europe, and North America — is published to accompany a major exhibition that celebrates the long historical contributions that Indian dress, textiles, and embroidery have had on Western fashion. From the introduction of chintz dressmaking fabrics in the eighteenth century to the early nineteenth-century vogue for light Indian fabrics, paisleys, and chikan embroideries to larger realities of empire and cultural appropriation, this volume features paintings, fashion magazine editorials, and portraits of influential people who championed Indian style throughout history.

Traditional hues of brilliant royal blue, marigold, and fuchsia; intricate ikat and calico patterns; and sumptuous textiles enliven every page. Archival and contemporary fashion stories include kaleidoscopic images by photographers such as Henry Clarke in Udaipur in 1967, Arthur Elgort in Jaipur in 1999, and Mikael Jansson in Goa with Indian actress Lakshmi Menon in 2011. Traditional Indian embroidery techniques; design motifs; and dress forms such as saris, jodhpurs, and turbans are reimagined by renowned designers Paul Poiret, Elsa Schiaparelli, Pierre Balmain, Zandra Rhodes, Halston, Yves Saint Laurent, Oscar de la Renta, Gianni Versace, Jean Paul Gaultier, and Alexander McQueen, in addition to a wealth of contemporary Indian designers.

About the Author:

Hamish Bowles is an author, fashion collector, and historian. He is the editor in chief of World of Interiors and the global editor at large at American Vogue.

___________

Пролистать книгу India in Fashion: The Impact of Indian Dress and Textiles on the Fashionable Imagination

A beautifully photographed insider s look at the highly influential personal style and wardrobe of Isabella Blow, one of fashion s most courageous, outrageous, and imaginative muses. Isabella Blow was said to have been a one-off of her own creation in a world of copycats.

She had a gift for spotting fashion genius - her discoveries included Alexander McQueen, Hussein Chalayan, and Sophie Dahl, all of whom became instantaneously iconic. Her eye put her at the center of the high fashion scene, yet Isabella s pedigree, intoxicating energy, wicked sense of humor, boundaries-pushing aesthetics, and her willingness to wear the outrageous made her into a fashion icon.

This elaborate volume published with Somerset House and in association with the Isabella Blow Foundation and Central Saint Martins to accompany the fall 2013 exhibition is an exhaustive survey of Isabella s personal collection.

With over 100 gorgeous full-colour and black-and-white photographs shot exclusively for this publication by Nick Knight, this volume is the first to catalogue her own famous wardrobe that includes thousands of pieces by the most important contemporary designers, including McQueen, Philip Treacy, and Manolo Blahnik.

The impact of Isabella s influence can be seen within this captivating and inspiring volume, an essential addition to libraries of the fashionable, cultured, and eclectic.

About the Author:

Alistair O’Neill is a faculty member and a Senior Research Fellow at Central Saint Martins. Nick Knight is one of the world’s most prestigious fashion photographers and has been exhibited in museums and galleries internationally. Caroline Evans is a professor at Central Saint Martins. Alexander Fury is an editor at Love magazine. Shonagh Marshall is an assistant curator at Somerset House, London.

Lyrical Life-Wear. A tribute to the designer Issey Miyake

Initiated and conceived by Midori Kitamura, this definitive history of the life and work of Issey Miyake offers a unique insight into the designer’s vision and daring. With stunning photographs by Irving Penn, Yuriko Takagi and many others, the book is an encyclopedic reference to Miyake’s material and technical innovations from 1960 to 2022.

In 1983, Japanese designer Issey Miyake told The New Yorker that he aspired “to forge ahead, to break the mold.” With the boundary-defying fashion lines that followed, he not only broke molds, but recast clothing altogether. With a unique fusion of poetry and practicality, his creations blur the boundaries between tradition, modern technology, and everyday function.

This definitive history of Miyake’s clothes from 1960 to 2022 offers expert insight into the designer’s vision and daring. Initiated and conceived by Midori Kitamura, the book looks at the texture-driven originality of Miyake’s materials and techniques from the very earliest days of his career, before he had even established the Miyake Design Studio. Drawing on nearly 50 years of collaborative work with Miyake, Kitamura creates an encyclopedic reference of his material and technical innovations through the clothes based on A Piece of Cloth concept, Body Series of the 1980s, Miyake Pleats series, and such practical, everyday designs as Pleats Please pieces.

Stunning photographs capture his clothes in their particular quotidian originality. In her far-reaching essay, meanwhile, leading cultural figure Kazuko Koike offers both a complete chronology of Miyake’s work, and an unprecedented personal profile, looking at the ambition and inspirations that have driven his repertoire from tender teenage years. A must-have for designers, students, and fashion devotees, this is a timeless tribute to one of the most innovative makers of our age.

The designer:

Renowned clothing designer Issey Miyake (1938–2022) studied graphic design at Tama Art University, Tokyo, before founding the Miyake Design Studio in 1970, Miyake’s creative base for all his work. In 2007, Miyake opened the design facility 21_21 DESIGN SIGHT, also in Tokyo.

The editor:

Midori Kitamura is chairman of the Miyake Design Studio and the Miyake Issey Foundation, and also president of 21_21 DESIGN SIGHT, working under Issey Miyake to develop collections, exhibitions, products, and publications, including Pleats Please Issey Miyake , also with TASCHEN. Kitamura directed the 2011 exhibition, Irving Penn and Issey Miyake: Visual Dialogue.

Texts by:

Kazuko Koike is the founder and director of Sagacho Exhibit Space in Tokyo. She has written and edited many books, including Issey Miyake East Meets West, Japanese Coloring, Japan Design, and Aura of Space. She is an Advisory Board member of MUJI.

A showcase of ground-breaking photography of fashion magazines over the last century

Acclaimed photography critic Vince Aletti has selected 100 significant magazine issues from his expansive personal archive, revealing images by photographers rarely seen outside their original context. With his characteristic élan and featuring stunning images, Aletti has created a fresh, idiosyncratic, and previously unexplored angle on the history of photography.

Issues, a luxury, oversized object, richly illustrated with brilliant reproductions, and enclosed in an elegant archival-style magazine-file box, is an essential addition to every book collection on photography, fashion, and graphic design.

It's the first survey to explore the history of photography through the lens of fashion magazines, spanning the years 1925 to 2018. Magazines featured include American, British, and French Vogue, Harper's Bazaar, W, Details, Purple Fashion, The Face, Dutch, and many more.

From Pucci's psychedelic patterns to Iuter's skate-inspired prints: how Italian designers have led innovations in textiles throughout the 20th century

The dynamic geometrical patterns of Emilio Pucci; the dazzling trompe-l'oeil effects of Roberta di Camerino; the pop sensibilities of Gianni Versace and Franco Moschino; the bold street-style prints of Iuter and Sunnei--these and countless other innovations have made Italian design a leading force in the history of 20th-century textiles.

This volume documents the history of Italian textiles from the beginning of the 20th century through to the present day, exploring their evolution in relation to the dominant styles of various periods. This is a history deeply interwoven with the birth of the totemic "Made in Italy'' concept, as textiles have significantly contributed to Italy's international reputation as a bastion of high-quality fashion and design. Numerous Italian artists, fashion designers, product designers and companies have pioneered and popularized a vast range of manufacturing processes that incorporate local fabrics and innovative techniques.

Featuring sumptuous illustrations of finished fabrics, preparatory drawings and photographs, Italian Textiles compiles the country's most notable design coups. Among the thematic sections in the book are those dedicated to scarfs, skirts, shirts, ties, wallpapers, tablecloths and various other fabricated objects.

Designers include: Fede Cheti, Enrico Coveri, Roberta di Camerino, Dolce & Gabbana, Salvatore Ferragamo, Lucio Fontana, Piero Fornasetti, Mariano Fortuny, Gucci, Iuter, Franco Moschino, Bruno Munari, Gio Ponti, Prada, Emilio Pucci, Ken Scott, Ettore Sottsass, Sunnei, Valentino and Versace.

Having learned about geometry, perspective and representation of materials in the first volume, this second book in this two-part series - Jewellery Illustration and Design - delves deeper into the process of designing jewelry, from the first sketch to the final representation, with special emphasis on how to work on ideas, plan a collection, and design and depict a wide variety of pieces. The fundamentals of drawing different pieces, such as necklaces, rings, earrings, and bracelets, are carefully explained and illustrated in the book, which includes all the technical details to be taken into consideration when planning a jewelry piece, from the executive point of view. While the first volume focused on the tools needed to be able to accurately convey ideas, draw different materials, facets and effects, and master the use of color, this publication tackles the process from the initial idea, based in natural or geometrical forms, to the final drawing of the completed piece, including illustration techniques and sources of inspiration, all aspects that will stir up the reader's creativity. It is the ultimate tool and resource for jewelry students and professionals, and even illustrators in search of professional guidelines in freehand drawing and painting techniques when representing jewelry.

__________

This book constitutes a thorough and complete study on the fundamental aspects of graphically depicting a wide variety of jewellery. The second volume in this two-part series delves deeper into the process of designing jewellery, from the first sketch to the final representation, with special emphasis on how to work on ideas, plan a collection, and design and illustrate a wide range of pieces, such as necklaces, rings, earrings, and bracelets. The present volume tackles the process from the initial idea, based in natural or geometrical forms, to the final drawing of the completed piece, including illustration techniques and sources of inspiration, all aspects that will stir up the reader’s creativity. It is the ultimate tool and resource for jewellery students and professionals, and even illustrators in search of professional guidelines in freehand drawing and painting techniques when representing jewellery.

About the Authors:

Manuela Brambatti began her career in the fashion world in the late seventies working for Style and other fashion magazines. She has collaborated with Giorgio Correggiari, Krizia and Gian Marco Venturi, but her most important and far-reaching experience is her work with Gianni Versace, where she played a crucial role in setting standards with regard to the presentation and illustration of the house s fashion and home collections. She is the author of the best-selling title Fashion Illustration and Design by Promopress.

Cosimo Vinci studied jewellery design in Florence and Vicenza. His clients are international companies from small to large businesses, from high end jewellery to bijoux. He has designed jewellery for famous fashion brands such as Versace, Versus, Balmain, Montana, Laura Biagiotti, Valentino, Etro. Since 1998 he has been teaching at The Art and Craft School in Vicenza and conducting seminars in many parts of the world on this subject.

The iconic fashion designer offers unprecedented access into her career and personal history with this once-in-a-lifetime publishing event.

The complete, official retrospective, designed by Irma Boom — one of the world's leading book designers — in close collaboration with Jil Sander herself, is packed with special features, that will make it a highly coveted collectors' item.

For decades the name Jil Sander has evoked the philosophy of less is more — a minimalist aesthetic using highest quality materials and employing exquisite craftsmanship to the effect of poetic purity. Designed and produced as impeccably as her clothing, this beautiful book offers unprecedented access into Sander’s remarkable history as a designer, and international businesswoman.

Rich in archival material, and glimpses into the life of its famously publicity-shy subject, this book tells how Sander started in the 1960s and quickly established herself as a discriminating designer unfazed by trends. When the world finally caught up to her brand, in the late 80s and 90s, the Sander name became one of the most prestigious in all of fashion.

Adhering to her core principles was the key to success with her own label. The book recapitulates her foray into the world of cosmetics and her later partnership with Uniqlo, where she created the special line +J. A further focus is given to her cooperation with leading architects on the architecture and interior design of her multinational flagship stores. Every aspect of Sander’s career is interwoven in this fascinating story. The result is an elegant manifestation of the Jil Sander name — a story of integrity and grit, sumptuously packaged and timeless.

About the Authors:

Ingeborg Harms is a journalist and literary scholar. She has worked and taught at a number of universities, including Yale University in New Haven, CT, and the University of Bonn, Germany. She is currently a professor of design theory at the Institute for Experimental Clothing and Textile Design at Berlin University of the Arts. Irma Boom is a Dutch bookmaker. Her books are in the collections of the Museum of Modern Art, New York, Vatican Library, and Centre Pompidou, Paris, among other institutions. Boom received the Johannes Vermeer Award, the Dutch state prize for the arts. In 2019, she received an honorary doctorate from the Royal College of Art, London. She teaches at Yale and Harvard Universities.

A glamorous tribute to Karl Lagerfeld’s highly influential creations for Chanel captured behind the scenes by US Vogue photographer Robert Fairer in beautiful, never-before-seen images

Casting a new light on one of the best-loved chapters in fashion history, Karl Lagerfeld Unseen: The Chanel Years illuminates key Chanel collections and creations from behind the scenes.

From discreet client fittings in rue Cambon’s immaculate black-and-beige salons to previously unseen backstage moments that show models, hairdressers, stylists, make-up artists and Karl Lagerfeld himself at work, Robert Fairer’s stunning and high-energy photographs capture the elegance, glamour and spirit that defined Karl Lagerfeld’s shows for Chanel.

Texts by Karl Lagerfeld’s collaborators and friends provide a fresh perspective on his creative process and reveal the stories behind the now iconic designs. A treasure trove of inspiration, this publication will be a must-have reference for fashion and photography lovers alike, and for dedicated Chanel fans the world over.

About the Authors:

Robert Fairer started photographing the major international womenswear collections in the mid-1990s. First commissioned by Elle and Harper’s Bazaar USA, he then became US Vogue’s exclusive backstage photographer for over a decade. His first book, Alexander McQueen: Unseen, was published by Thames & Hudson, followed by John Galliano: Unseen, Marc Jacobs: Unseen and John Galliano for Dior.
Sally Singer is head of fashion direction at Amazon. Her previous roles have included creative director of American Vogue and editor-in-chief of T: The New York Times Style Magazine.
Natasha A Fraser is an author, journalist and expert on Paris, luxury and lifestyle. Her books include Chanel Fashion, Monsieur Dior and After Andy: Adventures in Warhol Land. She has also taught at the American University in Paris and is the co-producer of Inside Dior, the two-part television series.
Elizabeth von Thurn und Taxis is a freelance writer, columnist and editor for international publications. Formerly style editor-at-large at American Vogue, she has designed and collaborated with both fashion brands and art institutions.

Step inside the private realm of the great designer Karl Lagerfeld through the eyes of his fellow artist and close friend Patrick Hourcade.

The artist Patrick Hourcade met Karl Lagerfeld in 1976. A friendship that will last more than twenty years is immediately born between the two men, strengthened by their shared passion for eighteenth-century arts. After studying art history, Patrick Hourcade begins working with the creative team at Vogue Paris, while at the same time introducing Karl to his beloved specialty, the arts of the Enlightenment. From then on, he would accompany the great fashion designer on all of his lavish acquisitions -- mansions, decors, and works of art. The two would build a magnificent universe together, refined and sometimes overly extravagant, especially at the Grand-Champ chateau in Brittany, the Hotel Pozzo di Borgo in Paris, or at La Vigie, a villa on the French Riviera.

Patrick Hourcade tells the story of this aesthetic connection, through previously unpublished documents and a unique biography of Karl Lagerfeld, where he is seen in all of his splendor as well as his weaknesses. This intimate story also crosses paths with the colorful characters who populated the life of the great designer, including Anna Piaggi and Francine Crescent, Laure de Beauvau and Liliane de Rothschild, Pierre Bergé and Yves Saint Laurent, Gilles Defour, Vincent Darré, Guy Bourdin, and Andrée Putnam, and, most importantly, his mother Elisabeth and Jacques de Bascher--his two loves of his life.

About the Author:

Art historian Patrick Hourcade was previously the artistic director of Vogue Paris before he decided to devote himself to photography. His most recent exhibition, Nights at Versailles, was held at Gallery Gradiva in Paris in 2021. An artist of many mediums, he also creates installations (Ephemeral Ribbons at the Château de Vaux-le-Vicomte, 2016), stage designs (Entertainments in the Courtyard, Versailles, 2016) and books (Ad Vitam Aeternam, Editions de Maule, 2017).

_______________

Пролистать книгу Karl: No Regrets на сайте издательства.

Known as the gardener of fashion, Ken Scott designed large-scale flowers that blossomed on fabrics and whole outfits and have recently been rediscovered in Gucci’s Epilogue collection.

The American fashion designer Ken Scott was a masterful creator of fabrics, mapping out flowers with romanticism and multiplying them as he transformed them into something that stood out and reflected his eclectic personality.

Born in Fort Wayne, Indiana, Scott moved to Milan in the 1950s, where he pioneered many colorful patterned fabrics and collections and founded the Falconetto brand. Known for bright floral patterns with peonies, roses, poppies, sunflowers, petunias, and asters, Scott followed a maximalist design philosophy when it came to his vibrant line. In the 1960s, he is said to have been one of the first designers to showcase calf-length skirts in his collection, while in 1970s he rose to fame because of his floral-printed suits for both men and women and unisex catwalks.

They called him “the fashion gardener,” but he was so many things: a gifted painter, an experimental restaurateur, an ingenious textile artist, and one of the most brilliant design savants of the twentieth century.

Edited together with the Ken Scott Foundation, including an interview with Alessandro Michele, this book provides an in-depth exploration of his archives and thoroughly reflects his imagination for everything from loungewear and luggage to silk scarves and swimsuits, all joyfully splashed with his colors, sunflowers, poppies, petunias, and peonies.

About the Author:

Shahidha Bari is professor of fashion cultures and histories at London College of Fashion. Federico Chiara is a journalist and Culture Editor at Vogue Italia. Pierre Léonforte is a journalist based in Paris and Milan, regular contributor to Vanity Fair France and Marie Claire Maison. Renata Molho is a journalist, essayist and former fashion critic for the newspaper Il Sole 24 Ore. Isa Tutino is a journalist and essayist who directed Casa Vogue and contributes to publications such as L’Espresso and Corriere della Sera. Photographs by Guido Taroni.

The inspiring history of Kering — the luxury group that includes Gucci, Balenciaga, and Saint Laurent — its visionary founder François Pinault, and his talented son François-Henri Pinault, current chairman and CEO.

This richly illustrated volume traces the history of the Kering group, from its beginnings as a timber trading firm founded by François Pinault in 1962 to the global luxury group it has become today. With exceptional intuition regarding pivotal economic and societal evolutions — from sustainability to gender equality — the group has, since its creation, consistently demonstrated that audacity and imagination are the driving forces behind its development.

Contributions from renowned personalities with close ties to Kering in fashion, business, entertainment, activism, the arts, and journalism — including Jean-Jacques Aillagon, Carlo Capasa, Jean-Miche Darrois, Mercedes Erra, Jane Fonda, Franz-Olivier Giesbert, Bethann Hardison, Ghada Hatem-Gantzer, François Henrot, Huang Hong, Bernard-Henri Lévy, Alain Minc, Paul Polman, Xavier Romatet, Serge Weinberg, and Anna Wintour — accompany this exhilarating history. Featuring a wealth of photographs and documents, the volume bears witness to the company’s extraordinary journey, from the rugged coast of Brittany to the magnificently restored former hospital that houses Kering’s headquarters today.

About the Author:

Tristan Gaston-Breton, specialist in the history of major French companies, has authored sixty works, including sagas devoted to the Rothschild and the Rockefeller families.

_____________

Пролистать книгу Kering: Of Granite and Dreams на сайте издательства.

A lavish survey of the Khalili Collection’s world-renowned holdings of traditional Japanese kimono, from the Edo period to the 20th century.

The Khalili Collection of kimonos comprises over 200 garments spanning 300 years of Japanese textile artistry. The form of the T-shaped, straight-seamed, front-wrapping kimono has changed very little over the centuries, yet the collection reveals an astonishing variety of designs. The garments presented here convey the remarkable creativity of designers who produced works of art that would enfold the wearer. The enormous range of patterns were executed in a complex combination of techniques, with some garments requiring the expert skills of a number of different artisans.

The Khalili Collection includes formal, semi-formal and informal kimono, underkimono and jackets, worn by women, men and children. Represented are the sophisticated garments of the samurai elite and the affluent merchant classes of the Edo period (1603– 1868), the shifting styles and new colour palette of Meiji-period dress (1868–1912) and particularly the bold and dazzling kimono of the Taisho- (1912–26) and early Sho-wa (1926–89) eras, which utilized innovative techniques and drew fresh inspiration from both past traditions and the modern world.

Here, an international team of authors examine the art and evolution of the kimono in the historical context of the 17th to the 20th centuries, under the editorship of Anna Jackson, Keeper of the Asian Department at the Victoria and Albert Museum, London.

Contents List:

Introduction • I. Edo (1603–1868) • II. Meiji (1868–1912) • III. Taisho/Showa (1912–1989)

About the Author:

Anna Jackson is Keeper of the Asian department at the Victoria and Albert Museum, and Honorary Curator of the Khalili Collection.

In Know Your Style, style maven Alyson Walsh offers simple style formulae and playful advice to ensure that no matter what you’re wearing, you always look perfectly put together. Chapters cover workwear, weekend wear, layering, tailoring and special events, so you’re prepared for any fashion occasion. Interviews with iconic, creative women talk the reader through their favourite outfits in detail and give tips on honing your personal style. Learn how to wear glasses with hats or earrings, how to wear pattern and colour, and formulate your own silhouette that you feel comfortable in.

Creatively covering a range of outfits, trends, style icons and designs, Know Your Style will offer original ways to wear clothes and fresh styling ideas for women of all ages. Beautifully illustrated throughout, this is a stylish guide that celebrates women of all ages.

About the Author:

Alyson Walsh believes that you don’t have to have youth to have style. As former fashion editor for Good Housekeeping magazine and regular feature writer and columnist for the Financial Times, How to Spend It website, and her very own style blog That s Not My Age, Alyson has excellent fashion credentials. That’s Not My Age, in particular, has developed a loyal group of followers, all hungry for Alyson’s fashion advice and insider knowledge.

A gorgeously illustrated book showcasing the exquisite high-end lingerie from the world-renowned Italian brand La Perla.

La Perla is celebrated for its sophisticated, sexy, and beautifully designed and crafted lingerie. The company was founded by Ada Masotti, an artisan skilled in the tradition of handcrafted Italian corsetry, in 1954 when she opened a small lingerie boutique in Bologna. She combined her impeccable craftsmanship and understanding of women’s bodies to fulfil their growing desire to possess undergarments that were not only functional but also beautiful and alluring. The continuous dedication to artisanship, to fine quality, and to women’s needs and desires has transformed the small Italian boutique into an internationally beloved brand. La Perla’s lingerie is a mix of beauty and seduction, and it is the unparalleled choice for women all over the world when they want to feel sensual and desired.

This is the only book ever published on the glamorous and delicate lingerie produced by La Perla throughout its history. The book first pays homage to the Italian craftsmanship, including the use of fine Italian fabrics, that helped to establish La Perla as the maker of sophisticated couture lingerie, and that continues with today’s collections to set the company apart from other brands. Then it showcases the exceptional intimate garments the company has created throughout the years with gorgeous archival images as well as sexy, sumptuous photographs of the latest collections.

About the Author:

Isabella Cardinali was the editor-in-chief of La Perla magazine from 2006 to 2009 and oversaw the brand’s other publishing projects. She currently works as the content manager in La Perla communications department and as a freelance travel writer.

__________

Пролистать книгу La Perla: Lingerie and Desire на сайте издательства.

The debut book by fashion and lifestyle designer Clare Vivier, whose eponymous brand has expanded from her Los Angeles home base to become the epitome of bohemian American chic.

In 2008, Clare Vivier, now known as the “Queen of the Clutch,” wanted to create a brand where women could find joy. She started Clare V. as a collection of handbags and accessories, and later introduced clothing and lifestyle designs that embrace classic shapes with uniquely graphic and modern details. The Clare V. aesthetic is an unexpected, colorful marriage of bohemian French chic and relaxed American prep — a reflection of the designer’s style influence and life, which she divides between L.A. and France. Devoid of hardware or logos, the brand places an emphasis on craftsmanship, authenticity, and functionality — while also creating a le cute collection designed for women by women.

Celebrating fifteen years of Clare V., this vibrantly hued volume takes readers through Clare’s journey and inspiration: from her childhood in Minnesota and years in Paris, to the creation of an iconic, female-owned American company that responds to women’s needs today. Each page is replete with a colorful mix of imagery: collages of iconic bags and accessories, inspiring mood boards, selfies and personal photographs of Clare’s travels, and street style shots of Clare V. designs worn across the globe. Also featured are special collaborations with the Beastie Boys’ Mike D., Donald Robertson, and Every Mother Counts, and anecdotes from friends, celebrities, editors, and artists including Melissa McCarthy, Adam Scott, Shannon Watts, Christy Turlington, and Laura Brown.

A journey through the people, places, and things that inspire Clare and her brand, this stylish tome, printed with a luxe cloth hardcover and ribbon bookmarker, celebrates fashion, design, travel, and creative communities.

About the Author:

Clare Vivier is an American fashion designer who launched her namesake brand which sells women’s handbags, accessories, and apparel.

_______________

Пролистать книгу La Vie de Clare V.: Paris Chic/L.A. Cool  на сайте издательства.