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Franck Bohbot s Light On New York City is a sentimental and nocturnal exploration of the city that never sleeps. 

In this photography project that began in 2013, New York City is presented in a series of haunting and cinematic images as seen in the nighttime façades and storefronts of buildings that boast neon marquees and signage, eerily preserved in all of their nostalgic and kitschy glory, to undeniably sleek and contemporary exteriors with more daring architectural design. 

This aesthetic, along with the predominant absence of people, results in a melancholic atmosphere reminiscent of Edward Hopper paintings and evocative of staged theatrical sets a merging of contemporary urban reality and a magical, sentimental artificiality. 

The photographs featured in Light On New York City convey a luminescence that celebrates modernity while longing for the past in an ironically ageless paradox.

The nude is a difficult subject to light. This book gives ideas on lighting nude and semi-nude figures, based on successful examples by established and renowned photographers. It features three-dimensional illustrations, and images from photographers working in digital. It contains pictures covering full nude and semi-nude erotica.

One of the most enduring images in art and photography, the nude continues to inspire photographers of all levels to explore the nuances of lighting. Now updated for the digital age, with more than 70 all-new images and lighting diagrams, Lighting the Nude, Revised Edition offers a behind-the-scenes look at how today’s top photographers sculpt light across the human form to create stunning, unforgettable images. Inside you’ll find:

• Lighting and posing setups for more than 140 nudes.
• A wide range of styles, from classical to fantasy, romantic to erotic.
• Camera settings, tips, and techniques straight from the photographers.
• A comlete introduction to gear, along with tips for working with models.

Through the 1950s and the early 1960s, fashion photographer Lillian Bassman worked with fashion magazines and Madison Avenue Advertising agencies to create a potent vision of women's lingerie: brassieres and bodices; corsets and girdles; camisoles and chemises; nightgowns and pajamas. Using the era's supermodels, she perfectly visualised a feminine ideal and captured women's imaginations. Fifty years later these images have lost none of their allure and the enormous cultural impact of the TV show Mad Men has given them new currency.

About the Author

Lillian Bassman, is a prominent and respected figure in the world of fashion photographers. Her signature style, once described by legendary photographer Richard Avedon as making "visible that heartbreaking invisible place between the appearance and the disappearance of things" offers a sensuous and intimate vision of modern women.

With more than 140 of her best images reproduced in stunning tritone, including many never published before and others not seen since they appeared in the pages of the legendary Harper's Bazaar of the 1950s, Lillian Bassman: Women offers a retrospective view of an extraordinary career in photography.
At 91 and still hard at work, Bassman is a beloved figure in the pantheon of fashion photographers. Her signature style, once described by Richard Avedon as making "visible that heart-breaking invisible place between the appearance and the disappearance of things," offered a sensuous and intimate vision of modern women. Says Judith Thurman, "Bassman's women--perennially soulful,elusively chic--have the poignance of an endangered species."
Well-known art writer and journalist Deborah Solomon contributes an introduction. An illustrated chronology gives a cinematic overview of a remarkable life.

The world through Linda's eyes. A retrospective of Linda McCartney's life and photography

In 1966, during a brief stint as a receptionist for Town and Country magazine, Linda Eastman snagged a press pass to a very exclusive promotional event for the Rolling Stones aboard a yacht on the Hudson River. With her fresh, candid photographs of the band, far superior to the formal shots made by the band’s official photographer, Linda secured her name as a rock ’n’ roll photographer. Two years later, in May 1968, she entered the record books as the first female photographer to have her work featured on the cover of Rolling Stone with her portrait of Eric Clapton. She went on to capture many of rock’s most important musicians on film, including Aretha Franklin, Jimi Hendrix, Bob Dylan, Janis Joplin, Simon & Garfunkel, The Who, The Doors, and the Grateful Dead.

In 1967, Linda went to London to document the "Swinging Sixties," where she met Paul McCartney at the Bag O’Nails club and subsequently photographed The Beatles during a launch event for the Sgt. Pepper’s Lonely Hearts Club Band album. Paul and Linda fell in love, and were married on March 12, 1969. For the next three decades, until her untimely death, she devoted herself to her family, vegetarianism, animal rights, and photography.

From her early rock ’n’ roll portraits, through the final years of The Beatles, to raising four children with Paul, Linda captured her whole world on film. Her shots range from spontaneous family pictures to studio sessions with Stevie Wonder and Michael Jackson, as well as encounters with artists Willem de Kooning and Gilbert and George. Always unassuming and fresh, her work displays a warmth and feeling for the precise moment that captures the essence of any subject. Whether photographing her children, celebrities, animals, or a fleeting moment of everyday life, she did so without pretension or artifice.

This retrospective volume is a lasting and deeply personal testament to Linda's talent, produced in close collaboration with the McCartney family, with forewords by Paul, Stella, and Mary McCartney.

The photographer:

Linda McCartney (née Eastman) was born in New York in 1941. She took a photo course with Hazel Archer and studied art history at the University of Arizona before settling in New York City, where she began her photo career shooting rock portraits. Outside of her photography, which has been exhibited in over 50 galleries worldwide including the Victoria and Albert Museum, London, the National Portrait Gallery, London, and the International Center of Photography, New York, Linda McCartney is known for her passionate animal rights activism and her staunch vegetarianism. She wrote cookbooks and founded her own brand of frozen vegetarian meals, all the while raising a family, continuing to take photographs, and participating as a Wings band member alongside Paul McCartney. She died in 1998 at the age of 56.

The contributing authors:

Annie Leibovitz’s body of work encompasses some of the most well-known portraits of our time. Leibovitz began her career as a photojournalist for Rolling Stone in 1970 while she was still a student at the San Francisco Art Institute. In 1983, when she joined the staff of the revived Vanity Fair, she was established as the foremost rock music photographer and an astute documentarian of the social landscape. At Vanity Fair, and later at Vogue, her work with actors, directors, writers, musicians, athletes, and political and business figures, as well as her fashion photographs, expanded her collective portrait of contemporary life. Leibovitz has published several books and has exhibited widely. She is a Commandeur in the French government’s Ordre des Arts et des Lettres and has been designated a Living Legend by the Library of Congress.

Martin Harrison is a historian of art and photography and an exhibition curator who has collaborated with the likes of Linda McCartney and Peter Lindbergh on numerous projects and exhibitions. He has been working on Francis Bacon for twenty years, and most recently edited the artist’s catalogue raisonné (2016).

The editor:

Alison Castle received a BA in philosophy from Columbia University and an MA in photography and film from NYU/International Center of Photography. She is editor of photography, film, and design titles, including Some Like It Hot, The Stanley Kubrick Archives, Linda McCartney. Life in Photographs, and Marc Newson. Works.

The world through Linda's eyes. A retrospective of Linda McCartney's life and photography

In 1966, during a brief stint as a receptionist for Town and Country magazine, Linda Eastman snagged a press pass to a very exclusive promotional event for the Rolling Stones aboard a yacht on the Hudson River; her fresh, candid photographs of the band were far superior to the formal shots made by the band’s official photographer, and she was instantly on the way to making a name for herself as a top rock ’n’ roll photographer. In May 1968, with her portrait of Eric Clapton, she entered the record books as the first female photographer to have her work featured on the cover of Rolling Stone. During her tenure as the leading photographer of the late 1960s’ musical scene, she captured many of rock’s most important musicians on film, including Aretha Franklin, Jimi Hendrix, Bob Dylan, Janis Joplin, Simon & Garfunkel, The Who, The Doors, and the Grateful Dead. In 1967, Linda went to London to document the "Swinging Sixties," where she met Paul McCartney at the Bag ’O Nails club and subsequently photographed The Beatles during a launch event for the Sgt. Pepper’s Lonely Hearts Club Band album. Paul and Linda fell in love, and were married on March 12, 1969. For the next three decades, until her untimely death, she devoted herself to her family, vegetarianism, animal rights, and photography.

From her early rock ’n’ roll portraits, through the final years of The Beatles, via touring with Wings to raising four children with Paul, Linda captured her whole world on film. Her shots range from spontaneous family pictures to studio sessions with Stevie Wonder and Michael Jackson, as well as artists Willem de Kooning and Gilbert and George. Always unassuming and fresh, her work displays a warmth and feeling for the precise moment that captures the essence of any subject. Whether photographing her children, celebrities, animals, or a fleeting moment of everyday life, she did so without pretension or artifice.

This retrospective volume - selected from her archive of over 200,000 images - is produced in close collaboration with Paul McCartney and their children. Included are forewords by Paul, Stella, and Mary McCartney. As such, it is a moving personal journal and a lasting testament to Linda’s talent.

Trade edition.

Exhibitions featuring highlights
from the Linda McCartney Archive

June 2 – July 29, 2011
The Bonni Benrubi Gallery
41 East 57th Street 13th Floor, New York, NY 10022

June 7 – 16, 2011
Phillips de Pury & Company
Howick Place, London, SW1P 1BB

The photographer:

Linda McCartney (née Eastman) was born in New York in 1941. She took a photo course with Hazel Archer and studied art history at the University of Arizona before settling in New York City, where she began her photo career shooting rock portraits. Outside of her photography, which has been exhibited in over 50 galleries worldwide including the Victoria and Albert Museum, London, the National Portrait Gallery, London, the Bonni Benrubi Gallery, New York, and the International Center of Photography, New York, Linda McCartney is known for her passionate animal rights activism and her staunch vegetarianism. She wrote cookbooks and founded her own brand of frozen vegetarian meals, all the while raising a family, continuing to take photographs, and participating as a Wings band member alongside Paul McCartney. She died in 1998 at the age of 56.

The contributing authors:

Annie Leibovitz has been a working photographer for 40 years. She was the chief photographer for Rolling Stone and then the first contributing photographer for the revived Vanity Fair. In addition to her editorial work at Vanity Fair, and later at Vogue, she has created several award-winning advertising campaigns. She has been designated a Living Legend by the Library of Congress, Washington, D.C.

Martin Harrison is a historian of art and photography and an exhibition curator. He worked with Linda McCartney on Roadworks (1996), Light from Within (2001), and her exhibitions at the National Museum of Photography, Film and Television in Bradford and the International Center of Photography in New York. He has published widely on photography and, most recently, on the paintings of Francis Bacon.

The editor:

Alison Castle received a BA in philosophy from Columbia University and an MA in photography and film from New York University (NYU/International Center of Photography masters program). She is the editor of titles on photography, film, and design, including Some Like it Hot, The Stanley Kubrick Archives, and Linda McCartney: Life in Photographs.

Peter Lindbergh is courted by international fashion magazines and is loved for his sensitive portraits of the most beautiful women in the world.

The renowned photographer who lives in Paris and New York and works all over the world has also published two earlier books with overwhelming success: Ten Women (1996) with dream shots of ten dream models, and Images of Women (1997), a collection of famous fashion photographs of beautiful women.

As a climax in his third book, Untitled 116, Peter Lindbergh presents a collection of his most impressive photographs of 116 stars in the world of pop music, cinema and fashion, such as Monica Bellucci, Juliette Binoche, Naomi Campbell, Geraldine Chaplin, Catherine Deneuve, Linda Evangelista, Aretha Franklin, Daryl Hannah, Milla Jovovich, Jennifer Lopez, Madonna, Demi Moore, Jeanne Moreau, Charlotte Rampling, Anna Nicole Smith, Sharon Stone, Tina Turner, Isabella Rossellini, Veruschka, and many others.

Untold Stories. The companion volume to Peter Lindbergh’s first self-curated exhibition

This volume documents the first exhibition curated by Peter Lindbergh himself shortly before his untimely death. With more than 150 photographs from the early 1980s to the present, it offers new and unexpected insights into the work of the legendary photographer. The selection is complemented by detailed texts on the exhibition’s origins and a tribute by Wim Wenders, a close friend of Lindbergh’s.

The first-ever exhibition curated by Peter Lindbergh himself, shortly before his untimely death, Untold Stories at the Düsseldorf Kunstpalast served as a blank canvas for the photographer’s unrestrained vision and creativity. Given total artistic freedom, Lindbergh curated an uncompromising collection that sheds an unexpected light on his colossal oeuvre. This artist's book, the official companion to the landmark exhibition, offers an extensive, firsthand look at the highly personal collection. When it came to printing his photos, Lindbergh chose a special uncoated paper – a thin sheet with a soft, open surface – as a deliberate aesthetic statement.

Renowned the world over, Lindbergh’s images have left an indelible mark on contemporary culture and photo history. Here, the photographer experiments with his own oeuvre and narrates new stories while staying true to his lexicon. In both emblematic and never-before-seen images, he challenges his own icons and presents intimate moments shared with personalities who had been close to him for years, including Nicole Kidman, Uma Thurman, Robin Wright, Jessica Chastain, Jeanne Moreau, Naomi Campbell, Charlotte Rampling and many more.

This XL volume presents more than 150 photographs—many of them unpublished or short-lived, often having been commissioned by monthly fashion magazines such as Vogue, Harper’s Bazaar, Interview, Rolling Stone, W Magazine, or The Wall Street Journal. An extensive conversation between Lindbergh and Kunstpalast director Felix Krämer, as well as an homage by close friend Wim Wenders, offer fresh insights into the making of the collection. The result is an intimate personal statement by Lindbergh about his work.

The photographer:

Peter Lindbergh (1944–2019) was a master of his craft who made his mark in the halls of photography history, with such credits as shooting the first American Vogue cover under Editor-in-Chief Anna Wintour, bringing together for the first time a group of young women who would become the ’90s supermodels, and numerous exhibitions at renowned institutions including Victoria & Albert Museum in London and Centre Pompidou in Paris, as well as in solo exhibitions at Hamburger Bahnhof, the Berlin Museum for Contemporary Art, Bunkamura Museum of Art in Tokyo, the Pushkin Museum of Fine Arts in Moscow, and Kunstpalast in Düsseldorf.

The contributing authors:

Since 2003, Felix Krämer has been the curator of many notable exhibitions and the author and editor of numerous publications on modern art. In 2013, he was named Chevalier of the Ordre des Arts et des Lettres. After working at the Hamburger Kunsthalle and the Städel Museum in Frankfurt am Main, Krämer has been General Director of the Kunstpalast in Düsseldorf since October 2017.

Director, author, and photographer Wim Wenders is one of the most prominent German filmmakers today. He is best known for Paris, Texas (1984), Wings of Desire (1987), Pina (2011), and The Salt of the Earth (2014), a documentary about Sebastião Salgado which he co-directed. Many artists have been influenced by his works, among them his close friend, the late Peter Lindbergh.

Liners - The Golden Age chronicles the great era of ocean liner travel from the close of the nineteenth century to the launch of the QE2 and beyond.

A fascinating selection of images from the Getty Images collection documents the pioneers of transportation by rail and by road.

The King of the Animals in all its richness and character. Stunning black-and-white lion photography

The French photographer Laurent Baheux dedicates his new book to the “King of the Animals” — the lion. Breathtaking black-and-white images create a powerful portrait of one of the most majestic and endangered species in the world.

Think of lions and one might think of the powerful member of the “Big Five,” with a roar that echoes across the planes, and a merciless pursuit of its prey. One might think of the pack animal, surprisingly playful and affectionate within its pride. Or one might think of the endangered lion — long the target of hunters and trophy collectors. In this new photo book, Laurent Baheux journeys across Africa to capture the lion in all its intricate facets. The result is a sensitive and intimate photo portrait that shows the big cat in all its nuance: at once powerful, fragile, and tender. Baheux’s stunning black-and-white lion photographs show this feline animal with the precision and texture of a studio portrait — its many different movements, postures, behaviours, and expressions captured with startling intimacy. Playing among the pride, out hunting its prey, or eyeing us directly from the page, Baheux’s lion photography is as much a tribute to the lion’s character, power, and feeling as it is a haunting reminder that this most impressive of animals is also among the most endangered wildlife on earth.

About the Author:

For over 15 years, Laurent Baheux has been creating a collection of monochrome wildlife photographs, characterized by a contrasting, condensed style. With a unique approach that overrides the laws of nature photography, Baheux seeks to capture the character of each animal as an individual. He is actively involved with environmental organizations, including the World Wildlife Fund (WWF) and the Jane Goodall Institute. In 2013, he served as a goodwill ambassador for the United Nations Environment Program (UNEP) in the Wild & Precious campaign against poaching. His photographs are shown in galleries and exhibitions in his native France and abroad and are the subject of numerous books and publications.

Sensual, meditative, and powerfully evocative photographic studies of the ocean by professional surfer Danny Fuller.

Danny Fuller's work as a photographer and artist is best understood through his thirty years as a professional surfer. Fuller who is known for riding the waves of North Shore Oahu's famous Pipeline and Maui's treacherous Jaws sees and experiences the ocean in ways intimate and infinite.

Fuller's nocturnal seascapes of the worlds most savage and beautiful waves, all captured exclusively by moonlight with slow exposures, share the soulful beauty of the ocean, in meditative, painterly studies of subtle changes of light and color. In the tradition of artists drawn to the sea for inspiration, Fuller expresses a surfer's deep spiritual connection to the ocean and to the meaning of consequence in surfing. The sensual allure of blue mixed with the ominous presence of water, whose scale is epic, reminds us just how minuscule and insignificant we are relative to the powers of the sea.

About the Author:

Daniel Fuller, born in Hanalei, Hawaii, is an American professional surfer, model, photographer, and filmmaker. His work as a photographer and artist is best understood through his thirty years as a surfer and eighteen years as a professional big wave specialist. His work has been exhibited at Venus Over Los Angeles, LA, Dirt Gallery, Wainscott, NY, Murphy and Dine Gallery, New York, Known Gallery, LA, and the RVCA Gallery, San Francisco. Gerry Lopez, aka "Mr. Pipeline," is an American professional surfer and shaper, and the author of the book Surf Is Where You Find It. Adam Lindemann is an American art writer, art collector, and gallerist. His galleries include Venus Over Manhattan and South Etna in Montauk, New York. Julian Schnabel is an acclaimed American painter and award-winning filmmaker.

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Пролистать книгу Liquid Horizon: Meditations on the Surf and Sea

As a photographer, the challenge is in capturing the very moment that a fluid substance interacts with the body in a way that will take the viewer on a sensual adventure, inviting not only to their visual sense but also invoking sensations of touch, taste, and imagination. When successful, the result is a unique moment frozen in time, never to be repeated. The result is photographic imagery that is sensual, provocative and erotic.
Living close to Washington, D.C., Jim spent many years photographing landscapes, monuments, masonry and still lifes, and his stunning images have adorned the offices of doctors, lawyers and dentists. It wasn't until his daughter requested Jim capture a few maternity images for her that he turned his sights to portrait photography. With this new found passion, Jim completely immersed himself in the study of lighting, posing, and the business of photography, and soon found himself perfecting what was quickly becoming his specialized genre, the fine art nude.
Always striving to aim higher, to always improve, and, yes, to push the envelope even further. When asked to pick his best image, Jim says "the best is yet to come".

Genau den Moment erhaschen, indem eine Flüssigkeit sich mit dem Körper verbindet, darin besteht die Herausforderung an den Fotografen. So wird der Betrachter auf ein sinnliches Abenteuer mitgenommen, eines das nicht nur den visuellen Reiz anspricht, sondern auch Berührung, Geschmack und Fantasie. Jedes Bild ist ein einzigartiger eingefrorener Moment, der niemals wiederholt werden kann. Das Ergebnis ist eine fotografische Welt voller Sinnlichkeit, provokativ und erotisch.
Jim Fredlund lebt in der Nähe von Washington D.C. und verbrachte viele Jahre damit, Landschaften, Denkmäler und Stilleben zu fotografieren. Viele dieser prächtigen Bilder zieren die Büros zahlreicher Ärzte, Rechtsanwälte und Zahnärzte. Schließlich bat ihn seine Tochter während der Schwangerschaft, einige Fotos von ihr anzufertigen; dieses Schlüsselerlebnis öffnete ihm das Tor zur Portraitfotografie. Mit der neuen Passion im Sinn beschäftigte er sich mit dem gesamten Umfeld der Fotografie, Beleuchtung und Posieren usw. Schon bald entdeckte er für sich das Thema Aktfotografie. Seitdem ist er unentwegt dabei seine Kunstfertigkeit zu verfeinern. Fragt man ihn nach seinem besten Foto, erhält man die Antwort: „Das beste kommt noch!“

Reporting live from “everywhere,” photographer Adam Katz Sinding (formerly known as Le 21ème) travels around the globe to document the fashion zeitgeist. An Instagram hit, @aks’s lens captures fashion weeks, runway idols, the next big trends, taste­makers, and — in particular — street style.

His first teNeues book This is Not a F*cking Street Style Book featured a curated collection of some of his best images, taken both backstage at the shows and of the style-setters on the streets. In this new publication, Sinding widens his scope and explores culture and landmarks with the same sophisticated eye he uses to photograph fashion. In the last year, he has travelled through over 35 countries across the globe, snapping a breathtaking number of beautiful photos that capture the essence of a place as only he would recognize it. Along with his pictures, the book includes contributions from Errolson Hugh and offers a unique insight into the peculiar mind of Adam Katz Sinding himself, his obsessive exercising habits, and the cultural phenomenon he has become over the years.

About the Author

Adam Katz Sinding, formerly known as Le 21ème, is an American-born, Copenhagen-based photographer. A true innovator in the realm of street-style photography since 2003, Sinding spends the majority of the year documenting the fashion zeitgeist. When he is not photographing fashion events in all corners of the globe, he shoots major campaigns and editorials, gives lectures, and embarks on epic cross-country cycling trips.