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In July 1993, Nirvana was the biggest band in the world, and Kurt Cobain was subject to an intense level of celebrity and public scrutiny.
In New York City to play the famed Roseland Ballroom and promote their new album In Utero, Cobain and Nirvana were photographed by Jesse Frohman and Cobain gave a candid interview to Jon Savage for an article in the Observer.
Only nine months later, Cobain killed himself. It was the last formal photo shoot Nirvana ever did, and one of the last major interviews Cobain ever gave. Twenty years after his death, they are published here together for the first time since the Observer article, including previously unpublished material, and accompanied by new commentary from Frohman and Savage about that day, and an essay by pop culture maven Glenn OBrien on what it all might have meant.
Frohman's 100-plus photographs, including contact sheets, get to the heart of one of the most beloved bands of all time, at the height of their success and the moment when everything was starting to unravel. We see Cobain as he was just months before his death, by turns feral and refined, posing on his own, goofing around with his band mates, engrossed in his music and always ambivalent about the spotlight. Savages interview reveals an optimistic side of Cobain seemingly at odds with his public image, and particularly poignant as we look back on his life.
This book offers a powerful, moving portrait of Kurt Cobain and will be an important contribution to the literature of rock and roll.
Kylie/Fashion is the official book celebrating twenty-five years since Kylie burst onto the music scene with ‘Locomotion’ and ‘I Should Be So Lucky’.
From the very beginning, the fashion she has worn has been key to Kylie’s persona and performances. Her status as style icon is unassailable. This dazzling book celebrates her numerous and groundbreaking collaborations with the world’s great fashion designers.
Produced by Kylie, and drawing on her personal archives, it showcases Kylie at all her key fashion moments, whether as ingénue in gold hot pants for ‘Light Years’, geisha/manga super-heroine in her ‘X’ era, or Grecian winged messenger for ‘Aphrodite’.
Curated by William Baker, Kylie’s acclaimed creative director, and introduced by Jean Paul Gaultier, the book also features specially written texts by some of the most important designers and stylists Kylie has worked with throughout her career, including Domenico Dolce and Stefano Gabbana, Christian Louboutin, Julien Macdonald, Stella McCartney, Laudomia Pucci, make-up artist Kabuki and photographer Stéphane Sednaoui. Kylie herself supplies additional commentary and an afterword.
Packed with iconic images as well as the very best rare and unseen archival photography, video stills, fashion sketches and ephemera, Kylie/Fashion is a collector’s item for fashionistas and fans worldwide, and a tribute to one of the most inspirational style icons of our time.
With worldwide record sales of around 70 million, a Grammy, a Brit and numerous other awards and honours, Kylie Minogue is one of the world’s most successful recording artists.
When Fedrico Fellini first began shooting his film in the Via Veneto, he probably never imagined that he would create a new era in fashion and in world cinema. At the end of the 50s, Rome had become a crossroads, witnessing the transit of international stars, famous singers, actors, emerging stars, starlets, the sex symbol industry, politicians, princes, princesses and billionaires. With these players, Italian nights became the symbol of a "sweet and lazy" way of life, made up of fashion and gossip, paparazzi and tabloid scandal, relationships and forbidden love. From Rome to Portofino, from Capri to Venice, the Italian jet set was the epitome of this phenomenon. A new photographic book tells the story of those Italian years and its unforgettable icons, from Fellini to Anita Ekberg, Ava Gardner, Liz Taylor, Brigitte Bardot and Soraya. Documenting, amongst other things, striptease and elite parties, the book includes 600 rare images rediscovered and selected from Scalarchives in Italy and Europe to accompany the text by Italian journalist Marco Gasparini.
Rome in the 60s: Anita Ekberg posing in the Trevi Fountain, Audrey Hepburn taking her Yorkshire Terrier for a walk through Roman streets and Brigitte Bardot smiling seductively for the camera. Life in Italy in the late 1950s and early 1960s was characterized by the "Dolce Vita", with Rome the favoured hot spot of the international Jet Set. By the time Federico Fellini had released his film of the same name in 1960, the reputation of the "sweet life" was assured.
"La Dolce Vita" in earBOOK format brings the legend back to life with portraits of many famous stars of the era.
Music CDs: Two CDs provide the perfect musical accompaniment to the photographic collection: one featuring the original soundtrack to "La Dolce Vita" and the other a selection of Italian hits from the period.
La Strada is a photographic history of Italy from the end of the Second World War to the early 1970’s, with 162 photos by 64 photographers selected from the Keith de Lellis collection, the prestigious black and white archives in New York.
The images are introduced in an essay (Italian and English) by Vicki Goldberg, photography critic and historian and contributor to the New York Times.
The photographers include Mario De Biasi, Nino Migliori, Gianni Berengo Gardin, Mario Giacomelli and an extensive group of lesser-known or unknown artists whose work is seen for the first time in this book. With the definitive passing of Mussolini years photography – “pretty babies, swans and old peasants” – and the kind still subordinate to the figurative arts, post-war Italian photographers operated in a country half destroyed by bombs and politically divided, a land of farms and little industry.
From north to south the subject portrayed is always the road which, in its natural theatricality and variety of landscape, offered an almost inexhaustible series of themes and situations. Many languages are employed in the composition of the images, ranging from a neo-realist sensibility (these were the years of the cinematographic poetics elaborated by Rossellini, Zavattini and De Sica) to a reiterated recourse to the portrait which is sometimes charged with openly expressionist tones (Zovetti, M. Cattaneo).
Then there is aesthetic research that presses on to the limits of the figurative: passers-by and means of transport that move on streets made of flagstones, cobbles and paving slabs that design geometries of a metaphysical flavour (Ranati, Spadoni, Crepaz, Ronconi, Bornaccini). There is also powerful use of the panoramic view to shoot broad sections of crowds and trajectories of movement. Shots from above (Migliori) reveal urban spaces in a new, previously unknown spatiality.
The Fellini of photography. Life on Planet LaChapelle
"The only link between Andy Warhol and J-Lo." - GQ, London on David LaChapelle
LaChapelle Heaven to Hell is the third volume in an exhilarating trilogy that began with LaChapelle Land (1996) and continued with the infamous Hotel LaChapelle (1999). Packed with astonishing, color-saturated, and provocative images, those titles both became instant collector's items and have since gone through multiple printings. Featuring almost twice as many images as its predecessors, LaChapelle Heaven to Hell is an explosive compilation of new work by the visionary photographer. Since the publication of Hotel LaChapelle, the strength of LaChapelle's work lies in its ability to focus the lens of celebrity and fashion toward more pressing issues of societal concern.
LaChapelle's images - of the most famous faces on the planet, and marginalized figures like transsexual Amanda Lepore or the cast of his critically acclaimed social documentary Rize - call into question our relationship with gender, glamour, and status. Using his trademark baroque excess, LaChapelle inverts the consumption he appears to celebrate, pointing instead to apocalyptic consequences for humanity itself. While referencing and acknowledging diverse sources such as the Renaissance, art history, cinema, The Bible, pornography, and the new globalized pop culture, LaChapelle has fashioned a deeply personal and epoch-defining visual language that holds up a mirror to our times.
This popular hardcover edition of LaChapelle Heaven to Hell is a must-have for anyone interested in contemporary photography. It is also keenly priced, especially for those who have coveted TASCHEN's limited edition, LaChapelle, Artists & Prostitutes.
Artist:
David LaChapelle was offered his first professional job by Andy Warhol to shoot for Interview magazine. Since then his work has been exhibited in galleries and museums worldwide, including Tony Shafrazi Gallery and Deitch Projects in New York, and London's Barbican. His images have appeared in countless magazines including Vogue Italia, French Vogue, Vanity Fair, Rolling Stone and i-D. In recent years he has expanded into music videos, live theatrical events and documentary film-making.
In her second book, acclaimed photographer Brigitte Lacombe offers revelatory portraits of Barack Obama, Brice Marden, Joan Didion, Kate Winslet,
Daniel Day-Lewis, Miuccia Prada, and many of her most influential contemporaries. Lacombe's honest and intelligent collection of portraits is a documentation of artists, writers, directors, actors, and political figures. These compelling photographs, in color and black and white, capture private and public moments, intimate and theatrical.
Some moments include: Bob Dylan on his ranch in Malibu (2004), Nelson Mandela in Johannesburg (2002), Aung San Suu Kyi under house arrest in Myanmar (1996), David Mamet writing in his Vermont cabin (1997), a direct Richard Avedon (2001), Louise Bourgeois in pigtails (1995), Bruce Nauman at his ranch outside Santa Fe (1998), Meryl Streep and Dustin Hoffman on the set of Kramer vs. Kramer (1979), Martin Scorsese directing Leonardo DiCaprio in The Aviator (2003), and in The Departed (2006), Robert Redford as a director on Ordinary People (1979), President Clinton traveling in Africa for his foundation (2007), Claude Levi-Strauss at the College de France (1999), and the Dalai Lama in Dharamsala, India (2003).
To the public, French-born New York-based photographer Brigitte Lacombe is largely unknown; film and theatre celebrities, however, made her their favorite portraitist. No wonder, her pictures of Woody Allen, Robert de Niro, Jeanne Moreau, Dustin Hoffman, and others bespeak a trust and familiarity between model and artist that is unique in contemporary photography. A master oeuvre to be discovered.
The first official book by international superstar Lady Gaga
In this book of original, behind-the-scenes photographs, acclaimed photographer Terry Richardson follows superstar Lady Gaga during one year of her life, from Lollapalooza through the final show of her Monster Ball tour.
During the time period he followed Gaga, Richardson took over 100,000 images and attended more than 30 Monster Ball dates around the world. From the 2010 MTV Video Music Awards to the Don't Ask, Don't Tell repeal rally in Portland, Maine, to the Thierry Mugler show at Maxime, Paris, Richardson captures Lady Gaga as you've never seen her before.
A year-long global odyssey - all access, nothing off limits - this is the book Lady Gaga fans have been waiting for.
LADY GAGA came to prominence following the release of her debut studio album The Fame (2008), which included the hits 'Just Dance', 'Poker Face', and 'Bad Romance'. She is well-recognized for her outre sense of style as a recording artist, in fashion, in performance and in her music videos. Her contributions to the music industry have garnered her numerous achievements including five Grammy Awards amongst twelve nominations, two Guinness World Records and the estimated sale of 20 million albums and 64 million singles worldwide. Billboard named her both the '2010 Artist of the Year' and the top selling artist of 2010 ranking her as the 73rd Artist of the 2000s decade. Gaga was named Forbes' Most Powerful Woman in the World 2011 and was included in Time's annual 'The 2010 Time 100' list of the most influential people in the world.
TERRY RICHARDSON is one of the most prolific and compelling photographers of his generation. Known for his uncanny ability to cut to the raw essence of whomever appears before his lens, Mr. Richardson's vision is at once humorous, tragic, beautiful, and provocative. Richardson's editorial work has appeared in magazines such as French Vogue, British Vogue, GQ, and Harper's Bazaar. Richardson's work has been the subject of numerous group and one man shows throughout the world.
A comprehensive official monograph that provides a complete history of one of the most renowned brands in the luxury automotive landscape.
This lavishly produced volume features the complete collection of all the models produced by Lamborghini from 1963 to the present day, including special editions, unreleased models, and those that underwent significant evolutions. Stunning photography highlights the exquisite lines and lavish details of the vehicles, along with spectacular archival images and technical information celebrating the glamour and excellence of Italian automotive design. The book also includes information on the prominent designers, including Filippo Perini, Walter de Silva, Mitja Borkert, and Marcello Gandini, who created some of the company's most iconic models, such as the Miura, Countach, Aventador, Huracán, and the new Urus as well as astonishing prototypes such as the Marzal, Egoista, and the Terzo Millennio.
This official book is dedicated to the history of the legendary Italian luxury sports car company that was founded in Sant'Agata Bolognese in 1963 by Ferruccio Lamborghini. His dream was to create the perfect car and, more than half a century later, Lamborghini continues to produce sports cars that are sought after and renowned throughout the world for technical innovation, cutting-edge design, and stylish, original use of color.
About the Author:
Antonio Ghini is a journalist and brand marketing and communications specialist who started his career in racing. He worked first at Renault as Director of Communications for Italy, then as Global Director of Communications and Brand Management at Ferrari. Today he works as a journalist and consultant in the automotive sector.
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Пролистать книгу Lamborghini: Where Why Who When What на сайте издательства.
“Coffee and photography are children of our age. Both generate energy and both are fastly enjoyed. Neither needs to be decoded.” - Francesca Lavazza.
For twenty years Lavazza has been producing calendars with the exclusive involvement of master photographers who have made history. Photographers who have contributed to the Lavazza calendar over the years have included Helmut Newton, Ellen Von Unwerth, Ferdinando Scianna, Elliott Erwitt, David La Chapelle, Annie Leibovitz, Jean-Baptiste Mondino, Finlay MacKay, Miles Aldridge, Mark Seliger and many others.
For the first time collected together in a book, these photographs are a depiction of seduction and taste, of beauty and pleasure. Designed as an imaginary voyage of the senses in which the female figure becomes an icon and guide to a parallel world of pleasure and beauty, this remarkable package also features original drawings by one of Italy’s best known masters of erotic graphic novels and comics, Milo Manara, paired with a narrative by one of Italy’s leading screenwriters, Vincent Cerami.
As a special feature, the book also includes the 2012 calendar in which Lavazza continues to celebrate the intimate connection between photography and espresso, pleasure and sensuality.
A Splash of Marilyn. On her final film, Marilyn Monroe gave a young photographer his big break, and this is their story
“You’re already famous, now you’re going to make me famous,” photographer Lawrence Schiller said to Marilyn Monroe as they discussed the photos he was about to shoot of her. “Don’t be so cocky,” Marilyn replied, “photographers can be easily replaced.” The year was 1962, and Schiller, 25, was on assignment for Paris Match magazine. He already knew Marilyn — they had met on the set of Let’s Make Love—but nothing could have prepared him for the day she appeared nude in the motion picture Something’s Got to Give.
Marilyn & Me is an intimate story of a legend before her fall and a young photographer on his way up. Schiller’s extraordinary photographs and vibrant storytelling take us back to that time with tact, humor, and compassion. With more than 100 images, including rare outtakes from the set of Marilyn’s last film, the result is a real and unexpected portrait that captures the star in the midst of her final months.
The photographer and author:
Lawrence Schiller began his career as a photojournalist for Life, Time, and Paris Match, photographing some of the most iconic figures of the 1960s, from Marilyn Monroe to Barbra Streisand, from Ali and Patterson to Redford and Newman. His book projects include five New York Times best sellers, Marilyn & Me, Barbra, and the Pulitzer Prize-winning book, The Executioner’s Song, by Norman Mailer. He has directed or produced 20 motion pictures, including the documentaries The American Dreamer and the Oscar-winning The Man Who Skied Down Everest. Among his films for television, The Executioner’s Song and Peter the Great won five Emmys.
Almost everyone can “see” in the conventional sense, but developing photographic vision takes practice. Learning to See Creatively helps photographers visualize their work, and the world, in a whole new light.
Now totally rewritten, revised, and expanded, this best-selling guide takes a radical approach to creativity. It explains how it is not some gift only for the “chosen few” but actually a skill that can be learned and applied. Using inventive photos from his own stunning portfolio, author and veteran photographer Bryan Peterson deconstructs creativity for photographers. He details the basic techniques that went into not only taking a particular photo, but also provides insights on how to improve upon it - helping readers avoid the visual pitfalls and technical dead ends that can lead to dull, uninventive photographs.
This revised edition features the latest information on digital photography and digital imaging software, as well as an all-new section on color as a design element. Learning to See Creatively is the definitive reference for any photographers looking for a fresh perspective on their work. Almost everyone can “see” in the conventional sense, but developing photographic vision takes practice. Learning to See Creatively helps photographers visualize their work, and the world, in a whole new light.
Now totally rewritten, revised, and expanded, this best-selling guide takes a radical approach to creativity. It explains how it is not some gift only for the “chosen few” but actually a skill that can be learned and applied. Using inventive photos from his own stunning portfolio, author and veteran photographer Bryan Peterson deconstructs creativity for photographers. He details the basic techniques that went into not only taking a particular photo, but also provides insights on how to improve upon it - helping readers avoid the visual pitfalls and technical dead ends that can lead to dull, uninventive photographs.
This revised edition features the latest information on digital photography and digital imaging software, as well as an all-new section on color as a design element. Learning to See Creatively is the definitive reference for any photographers looking for a fresh perspective on their work.