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Each chapter of the two Photo Icons volumes focuses on a single image which is described and analyzed in detail, in aesthetic, historical, and artistic contexts.

Volume I begins with the very first permanent images (Nicéphore Niépce's 1827 8-hour-exposure rooftop picture and Louis Daguerre's famous 1839 street scene) and takes the reader up through the avant-garde photography of the 1920s.

Volume II explores works such as Dorothea Lange's Migrant Mother (1936) and Robert Doisneau's Kiss in Front of City Hall (1950), up through Martin Parr's 'New European photography.'

Each chapter of the two Photo Icons volumes focuses on a single image which is described and analyzed in detail, in aesthetic, historical, and artistic contexts.

Volume I begins with the very first permanent images (Nicéphore Niépce's 1827 8-hour-exposure rooftop picture and Louis Daguerre's famous 1839 street scene) and takes the reader up through the avant-garde photography of the 1920s.

Volume II explores works such as Dorothea Lange's Migrant Mother (1936) and Robert Doisneau's Kiss in Front of City Hall (1950), up through Martin Parr's 'New European photography.'

The Shot. The stories behind history’s most extraordinary photographs

From Nicéphore Niépce’s 1827 eight-hour-exposure rooftop pictures to the horror of Nick Ut’s “napalm girl,” the 50 photographs in this collection have defined eras, made history, or touched something so fundamentally human that they have become resonant icons around the world. Each image goes under the microscope, revealing the history of the medium and its social, historical, and artistic impact.

Photographs have a strange and powerful way of shaping the way we see the world. The most successful images enter our collective consciousness, defining eras, making history, or simply touching something so fundamentally human and universal that they have become resonant icons all over the globe. To explore this unique influence, Photo Icons puts some of the most important photographic landmarks under the microscope.

From some of the earliest photography, such as Nicéphore Niépce’s 1827 eight-hour-exposure rooftop picture and Louis Daguerre’s famous 1838 street scene, through to Martin Parr, this is as much a history of the medium as a case-by-case analysis of its social, historical, and artistic impact. We take in experimental Surrealist shots of the 1920s and the gritty photorealism of the 1930s, including Dorothea Lange’s Migrant Mother.

We witness the power-makers (Che Guevara) and the heartbreakers (Marilyn Monroe) as well as the great gamut of human emotions and experiences to which photography bears such vivid witness: from the euphoric Kiss in Front of City Hall (1950) by Doisneau to the horror of Nick Ut’s Napalm Against Civilians showing nine-year-old Phan Thi Kim Phúc running naked toward the camera from South Vietnamese napalm.

The author:

Hans-Michael Koetzle, born 1953, is a Munich-based freelance author and journalist, focusing mainly on history and the aesthetics of photography. He has published numerous books on photography, including Die Zeitschrift twen (1995), Photo Icons (2001), Das Lexikon der Fotografen (2002), René Burri (2004), Photographers A-Z (2011) and Dr. Paul Wolff & Tritschler (2019).

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

Getty Images has one of the most important photo collections in the world. The fascinating black-and-white and color photographs in this volume lead observers through almost two centuries of the history of photo journalism. Including both everyday life and the grandest events, the ideals and fears of the decades are conveyed through an exciting perspective. The book will captivate you with its varied and striking images: viewers will be touched, shocked, amused, or even moved to tears. Individual chapters provide a clear, chronological summary of themes such as Revolutions, Entertainment, the Third Reich or the Role of Women.

Commentary in three languages familiarizes readers with each topic and points out noteworthy aspects of the photographs. Photo Journalism is a must for everyone interested in photography and the events of our times.

Highlights

• The history of photo journalism from 1850 to the present 2011
• Clearly organized according to topics such as 'Industrialization', 'Post-War Fashion', 'Music and Dance', and 'Sports'
• Impressive photographs of the great events, famous personalities, and special moments in everyday life
• Commentary on each picture in English, German and French
• Introductory text that provides an overview of each topic

A retrospective on the work of Spanish photographer Miguel Trillo (Jimena de la Frontera, Cádiz, 1953). His work can be described as a photo-documentary, (though his first works are clearly experimental). His encounters with his subjects are almost always accidental, capturing their daily and habitual contexts. Since the beginning of the 80s, Miguel Trillo has depicted anonymous protagonists from what was known as the "Movement" in Madrid and has documented the evolution of urban "tribes", (Mods, Punks, Goths (Death-rockers), Rappers, Head Bangers...) over the last 3 decades all over the world. His photographs depict adolescents and young adults searching for and asserting their identities through clothing, attitude, and behaviour, reflecting the contradictions of a society that has played with experimentation and profound transformation.

A unique, comprehensive survey of photography, from reportage to nature, war, portraits, still lifes, women, travel, cities, art, fashion, the nude and sports

250 photographs by more than 200 of the world's most prominent photographers, ranging from legendary masters to contemporary stars, in a portfolio binding.

Photographers include Ansel Adams, Richard Avedon, Yann Arthus-Bertrand, Henri Cartier-Bresson, Elliot Erwitt, Robert Frank, Nan Goldin, David LaChapelle, Annie Leibovitz, Helmut Newton, and many more.

Many of the photographs are renowned images that have become icons of our time, while others are lesser-known but demand discovery!

Each image is accompanied by a commentary and a brief biography of the photographer.

Roberto Koch is the author/photographer of Exit, Album and Istanti di Russia, for which he received the 1991 Kodak award. As editor of Contrasto, one of the world’s leading publishers of photography books, he has profound knowledge of the subject.

Masters and monographs. An encyclopedia of 20th-century photographers and their finest publications

A comprehensive overview of the most influential photographers of the last century and their finest monographs: Arranged alphabetically, this biographical encyclopedia features every major photographer of the 20th century, from the earliest representatives of classical Modernism right up to the present day.

Richly illustrated with facsimiles from books and magazines, this book includes all the major photographers of the last one hundred years - especially those who have distinguished themselves with important publications or exhibitions, or who have made a significant contribution to the culture of the photographic image. The 400 entries include photographers from North America and Europe as well as from Japan, Latin America, Africa, and China.

Photographers A-Z focuses on photographic images and culture, but also features photographers working in "applied" areas, whose work goes beyond the merely illustrative, and is regarded as photographic art and is conserved by major museums, such as Julius Shulman, Terry Richardson, Cindy Sherman, and David LaChapelle, et al.

Featured photographers include:

Ansel Adams, Manuel Álvarez-Bravo, Nobuyoshi Araki, Diane Arbus, Richard Avedon, David Bailey, Elmer Batters, Peter Beard, Cecil Beaton, Werner Bischof, Guy Bourdin, Bill Brandt, Robert Capa, William Claxton, Anton Corbijn, Robert Doisneau, William Eggleston, Masahisa Fukase, Nan Goldin, Jean-Paul Goude, John Heartfield, Eikoh Hosoe, George Hoyningen-Huene, Seydou Keïta, William Klein, Nick Knight, Neil Leifer, Peter Lindbergh, Man Ray, Robert Mapplethorpe, Inez van Lamsweerde & Vinoodh Matadin, Jean-Baptiste Mondino, Helmut Newton, Martin Parr, Irving Penn, Pierre et Gilles, Bettina Rheims, Leni Riefenstahl, Sebastião Salgado, Steve Schapiro, Andres Serrano, Cindy Sherman, Kishin Shinoyama, Jeanloup Sieff, Lord Snowdon, Bert Stern, Larry Sultan, Mario Testino, Wolfgang Tillmans, Ellen von Unwerth, Andy Warhol, Bruce Weber, Weegee, Gary Winogrand and many more.

Hans-Michael Koetzle is a Munich-based freelance author and journalist, focusing mainly on history and the aesthetics of photography. He has published numerous books on photography, including Die Zeitschrift twen (1995), Photo Icons (2001), Das Lexikon der Fotografen (2002), and René Burri (2004).

A refreshing and eye-opening behind-the-scenes exploration of the art of contemporary photography, richly illustrated with rarely seen works-in-progress from nearly fifty of today’s most original practitioners

Photography is so much more than pushing a button. It is a way of seeing, a way of life, a grasping of life. At the same time it involves an enormous amount of preparatory work, research, and trial and error.

All photographers – the visually restless, the diarists, the experimenters, the R&D obsessives, the collectors and the cross-genre free-wheelers – know this as they dream of future pictures and agonize over the next big project. They create speculative work that may blossom into something important, or wind up in a box under the bed – or its virtual equivalent.

This book offers a rare behind-the-scenes look at the working methods of nearly 50 photographers from around the world.

In their own words, they present selections from their ‘sketchbooks’: everything from Polaroid studies to smartphone snaps, diaries, found photography, installations, zines, blogs and online photo streams alongside traditional contact sheets, photo albums and book dummies.

With over 500 images, Photographers’ Sketchbooks is a compelling insight into the ways professional photographers realize a personal vision.

About the Authors:
 
Stephen McLaren is a photographer, writer and curator based in San Francisco.

Bryan Formhals is a photographer and writer, and the founding editor of LPV Magazine.

A unique collection of photographs by Brigitte Niedermair, celebrating her original, creative collaboration with the House of Dior.

Informed by her parallel paths as an artist and a photographer, Brigitte Niedermair expands the conventions and biases of the fashion image system. Her work focuses on representations of women’s bodies in art and culture, with deeply constructed images and striking compositions that make for a distinctive style.

This volume explores the remarkable relationship between Dior and Niedermair’s aesthetic, resulting in photographs radiating a strong sense of unconventional femininity. The first section is devoted to the collaboration throughout the recent years, followed by a portfolio of exclusive images of historical and iconic Christian Dior creations. Captured with an analogic, classical technique in a five-by-four-inch format — which was used during photography’s early beginnings — 42 pieces from Dior archives are photographed twice, with each version of the image offering a unique perspective and revealing hidden details, such as the construction of the designs. With the principal essay by Olivier Gabet and contributions by Dior’s creative director, Maria Grazia Chiuri, and artists and friends of Niedermair, this beautifully crafted book offers an extraordinary look into one of today’s most fascinating creatives.

About the Authors:

Brigitte Niedermair is an Italian photographer alternating artistic research with fashion photography. Her works are included in private collections, museums, and public institutions. Olivier Gabet is the director of the Musée des Arts Décoratifs (MAD) in Paris. Maria Grazia Chiuri is the creative director of Dior. Brigitte Lacombe is a French photographer. Martino Gamperis an Italian designer. Marcello Jori is an Italian visual artist and designer.

ILLUSTRATIONS: 120 b&w

* Newly discovered images of British fashion taken by world famous photographers for The Sunday Times during the 1960s, using the finest models of the day and published for the first time since their original appearance in editor Ernestine Carter's fashion pages

* With a foreword by fashion designer John Bates

For almost forty years one of Britain's most important photographic archives has remained unseen. Created by the legendary fashion editor Ernestine Carter, the hundreds of images she commissioned for The Sunday Times include some of the finest photo-shoots of the Sixties. Photographing Fashion champions the best of British chosen by her during this incredible decade: photographers John Cowan, Terence Donovan, John French and Patrick Hunt capture the mood, with the clothes of Mary Quant, John Bates, Gina Fratini, Foale & Tuffin, Biba, Jean Muir, and Ossie Clark. The emphasis is on an unswerving eye for style, with a fresh look at everything from ball gowns to beachwear. Unparalleled photographs, groundbreaking fashion, all published for the first time since they appeared in the decade that still defines British style.

With over 350 illustrations in colour and duotone

This marvellously rich photographic journey through the last sixty years of Italian history will be a joy for anyone who loves photography or Italy – a stunning anthology of some of the most important Italian and international photographers.

The first section records Italy's evolution since 1943 in photographs accompanied by the thoughts of witnesses. The first is by Robert Capa of the arrival of the American army in Sicily in 1943 and in the last, Gabriele Basilico shows the Calabrian coast where the bridge over the Straits of Messina could soon be built. These images encompass all genres: from the work of photojournalists to amateurs, from the first pioneers to contemporary practitioners from the worlds of fashion, architecture, nature photography and artistic experiment.

In Part Two six essays reflect upon moments and movements that have defined the evolution of Italian visual culture, both from the point of view of the creators and the ways in which their images were used.

The third section displays auteur portfolios, each composed of two photo-essays on the same theme, one by an Italian and the other by a non-Italian photographer. These are allied to a text by Ferdinando Scianna, one of Italy’s most prominent photographers.

Giovanna Calvenzi is one of the most prominent figures in European photography today. Currently the Director of Photography for Sportsweek, she has also been the photo-editor at several magazines, notably Amica and Vanity Fair. She has also curated many exhibitions and has sat on several juries, including the World Press Photo award.

Эта динамичная, вдохновляющая и всеобъемлющая книга по технике профессионального освещения рассказывает об увлекательных и новаторских работах фотографов со всего мира, объясняя систему постановки света, которая занимает крайне важное место в процессе достижения успеха.

Книга охватывает портретную съемку, моду и гламур. Она является уникальным источником информации и вдохновения, как для проницательного любителя, так и для уже состоявшегося фотографа-профессионала.

Объясняет постановку освещения при съемках лучших мировых фотографий. Каждая фотография снабжена детальными схемами постановки освещения: трехмерной и двумерной с видом сверху.

Включает указатель фотографов – отличный справочник для художественных редакторов и дизайнеров.

The phenomenally successful "Photographing People" owed its success to its inspiring and comprehensive showcase of professional lighting techniques featuring exciting and innovative work from photographers around the world. Now available in a revised and updated paperback edition, it covers the genres of portraits, fashion and glamour photography with depth and clarity. Although a vast range and diversity of work is on display, the key element in each shot is the lighting. For every featured photograph, the lighting setup is illustrated by helpful 3D diagrams, along with expert explanations and advice on potential problems that might arise, alongside suggested solutions. This book is therefore a unique source of information and inspiration for the keen amateur and the established professional alike.

Horst P. Horst, one of the worlds most influential fashion photographers, died in November 1999 at the age of 93. Our superbly produced monograph was first published in 1991.

The Museum of Modern Art has one of the greatest collections of twentieth-century photography in the world.

As one of three volumes dedicated to a new history of photography published by the Museum, this publication comprises a comprehensive catalogue of the collection post-1960s and brings much-needed new critical perspective on the most prominent artists working with the photographic medium of the late twentieth and early twenty-first centuries. At a moment when photography is undergoing fast-paced changes and artists are seeking to redefine its boundaries in new and exciting ways, Photography at MoMA serves as an excellent resource for understanding the expanded field of contemporary photography today.

The book is organized with an in-depth introductory chapter and eight chapters of full-colour plates, each introduced by a short essay, and features work by over 250 artists, including Diane Arbus, John Baldessari, Jan Dibbets, Rineke Dijkstra, William Eggleston, Lee Friedlander, Louise Lawler, Zoe Leonard, Helen Levitt, Sigmar Polke, Cindy Sherman, Wolfgang Tillmans, Jeff Wall, Carrie Mae Weems, Hannah Wilke and Garry Winogrand, among many others.