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Motor yachts are the essence of luxury, comfort and boundless freedom. Their design and fittings stand for premium quality. As swimming mansions they are exposed to very particular conditions that confront the boat designer with special challenges. The materials must be able to withstand the forces of wind and weather, and spatial concepts must adapt to the special physical characteristics of water. The selection of approximately 40 motor yachts, each presented on two to three double pages, covers the entire spectrum of this species of boat: from relatively affordable, serially produced motor yachts, to the 150 meter long, one-of-a-kind luxury mega yacht. The volume is an invitation to discover and explore the maritime visions of the 21st century.
From the content:
Super Yachts are the epitome of luxury, comfort and boundless freedom. Their design and furnishing stand for premium quality. Choice materials, refined concepts of space, and sleek lines pay water, wind and weather their respect.
This illustrated volume presents the latest maritime trends in an exclusive selection of 40 motor yachts, all of which were launched in the last few years. High-quality images show the solid craftsmanship of traditional shipyards, as well as the visions of both famous designers and innovative newcomers. The spectrum ranges from modern eco-yachts to multifunctional sports boats and the mega-yachts of the luxury class. Super Yachts is an invitation to discover and explore the maritime dreams and visions of the new millenium.
The name J. Stephen Hicks is synonymous with quality and excellence in the field of photography. At the late age of nineteen, Hicks purchased his first camera. Immediately, as he likes to explain, „I found my first true love.“
«I spent my last year at Colorado University taking only art and photography classes.» Realizing a more serious photography program was what he needed; he moved out to California and began classes at Brooks Institute in Santa Barbara. Just as Hicks had a passion for nature›s beauty, he also possessed a deep affinity for the beauty of women. One of his instructors was quite keen on his treatment of females on film. «This instructor of mine had a former student working for Playboy Studios in Los Angeles. He introduced us and within months I was working for Playboy as their studio manager.»
The Sport of Kings. More than 200 years of surfing culture
This tome is the most comprehensive visual history of surfing to date, marking a major cultural event as much as a publication. Following three and a half years of meticulous research, it brings together hundreds of images to chart the evolution of surfing as a sport, a lifestyle, and a philosophy.
The book is arranged into five chronological chapters, tracing surfing culture from the first recorded European contact in 1778 by Captain James Cook to the global and multi-platform phenomenon of today. Utilizing institutions, collections, and photographic archives from around the world, and with accompanying essays by the world’s top surf journalists, it celebrates the sport on and off the water, as a community of 20 million practitioners and countless more devotees, and as a leading influence on fashion, film, art, and music.
An unrivaled tribute to the breadth, complexity, and richness of surfing, this book is a must-have for any serious player on the surfing scene and anybody who aspires to the surfing lifestyle. As one surfing scribe has declared, “There has never been a book like this, and there will never be another one again.”
The editor:
Jim Heimann is the Executive Editor for TASCHEN America. A cultural anthropologist, historian, and an avid collector, he has authored numerous titles on architecture, pop culture, and the history of Los Angeles and Hollywood, including TASCHEN’s Surfing, Los Angeles. Portrait of a City, California Crazy and the All-American Ads series.
Celebrated Magnum photographer Susan Meiselas offers a remarkable commentary on her work and the role of the documentary photographer in this landmark book
This landmark book offers a synthesis of celebrated Magnum photographer Susan Meiselas’s views on her work and the role of the documentary photographer. Through text drawn largely from exclusive interviews with editor Mark Holborn, she offers a remarkable commentary on her career, from early work with carnival strippers, through groundbreaking reportage on Nicaragua and El Salvador, to projects encompassing subjects as varied as the Dani tribe of Indonesia, the Kurds of Northern Iraq and victims of domestic violence in California. Central to Meiselas’s work are themes of collaboration, return and exchange.
With over 110 photographs – some classics, others rarely published – this book demonstrates how the frontline on which Meiselas has worked involves a bearing of witness and a gathering of evidence. As Meiselas has stated: ‘To continue on is to be curious – to be compelled to confront, to examine, to expose, to engage, and not know where you will end up or how the journey will change you. The frontline is always a choice.’
Emmanuel Fouquet wanted to learn a profession in which being surrounded by beauti-ful women is part and parcel of the job. He left the Savoy Alps in 1991 and travelled to Paris, coming under the wing of Christian Chauveau. This famous man trained -Emmanuel in the skills of the make-up artist. Emmanuel’s first assignments were tough, low-paid jobs, which came his way via various model agencies. Until, that is, he took the plunge and decided to go to America. Prompted by an invitation from renowned Penthouse photographer Hank Londoner, he soon got to know others in his profession. He also acted as an agent for Londoner, for Suze Randall and Vivian Thomas as well. He used the sessions to watch and learn how the artists worked. Thus began a meteoric career, and today his photos grace the covers of Penthouse, Hustler, Private and other magazines, including many erotic calendars currently circulating Europe. Enjoy the magic of his pictures!
Emmanuel Fouquet wollte einen Beruf erlernen, bei dem er immer von schönen Frauen umgeben ist. So ging er 1991 um künstlerischer Visagist zu werden. Zuerst führte ein harter Weg schlecht bezahlter Arbeit durch diverse Mannequin-Agenturen, bis er den Sprung nach Amerika wagte, eingeladen vom renommierten Fotografen Hank Londoner, der unter anderem für Penthouse arbeitete. In diesen Kreisen lernte er schnell weitere Fotografen kennen und wurde für einige auch Agent, z.B. für Londoner selbst, aber auch Suze Randall und Vivian Thomas. Er nutzte die Zeit bei den Shootings, um die Künstler zu beobachten und ihre Arbeitsweisen zu erlernen. Eine steile Karriere begann, heute zieren seine Bilder die Umschläge von Penthouse, Hustler, Private und anderen Magazinen und viele der in Europa kursierenden erotischen Kalender. Lassen Sie sich von seinen Fotos bezaubern!
Adolphe Sylvain (1920-1991) stopped off in Tahiti in 1946 and, enchanted by the beautiful landscape, welcoming people, and a certain island beauty who called herself Tehani, decided to stay. He settled in and eventually married his hypnotic lover, working as a correspondent for magazines such as Paris Match, Life, and National Geographic. Drawn by an irrepressible desire to capture his surroundings and to share this lost, unknown world with those outside of it, he dedicated himself to photographing the island's many delights. Like Rousseau and Gauguin before him, he was captive to the people and places of a land so radically different from his own and chose it as his principal subject matter. Sylvain's rich, skilled black-and-white images are like visions of an earthly paradise, peopled with half-clad women wearing flowers in their hair, the sun reflecting off of their glowing skin. His images, capturing the timeless beauty of Tahiti, are a testament to the island's powerful magnetism. After Sylvain's death, his widow Jeanine-Tehani had a dream that a European embarked upon her island country and that she gave to this person all of her husband's photos to be made into a book. In a storybook twist of fate, it just so happened that Tehani's dream became a reality when photographer Gian Paolo Barbieri- born on the same day and hour as Sylvain- stopped off for a visit a few years later. He was mesmerized by Sylvain's photographs and eagerly gathered together his work to take back to Europe. Thus was born Tahiti, woven together by the strands of destiny and the vision of an impassioned photographer. Tahiti begins with a preface by Barbieri and an introduction by biographer, journalist, and longtime friend of Sylvain, Jean Lacouture, followed by Sylvain's best works, including landscapes, portraits, and images of celebrities visiting the island (such as Brigitte Bardot, Marlon Brando, and Charles de Gaulle). With these luscious, sensual images as evidence, it's not hard to see why Sylvain was enraptured by Tahiti's exotic, ethereal atmosphere, nor why he felt the need to photograph it. Sylvain's work has not met the success it deserves until now, as fate finally brings his photographs to the world with this retrospective tribute.
From the Andes to Nepal, a portrait of some of the most remote peoples and places around the globe
In the past few years, Dutch photographer Pie Aerts has travelled to some of the most remote corners of our planet. From the deep jungles of West Papua to the high plains of Bolivia, from the tiniest Himalayan mountain villages to the beating heart of the Okavango Delta, Pie ventures well off the beaten track to capture real people and everyday experiences in extraordinary habitats around the globe.
The avid Instagrammer now presents his best travel photographs in Tales from the Roads Less Traveled. Featuring vibrant images alongside first-hand travel anecdotes, the book invites Pie’s many fans to join his photographic world tour, together with his girlfriend and favourite model, Jessica Wintz. Page after page brings viewers face-to-face with astonishing landscapes, captivating characters, and some of the most awesome and endangered animals. With Pie’s unique view on people, wildlife, and nature, Tales from the Roads Less Traveled provides a unique view on our beautiful planet, as well as a new sense of belonging and community around the globe.
About the Author:
Pie Aerts is a Dutch photographer based in Amsterdam but typically on the road, documenting his travels around the world. He loves long road trips, the cosmos, sunlight, and bygone days, but above all else, telling stories. As a child, there was nothing he loved more than drawing. It taught him to use his imagination and create stories within the four corners of a canvas. Years later, he uses that visual storytelling as a photographer in an attempt to connect viewers with whatever he sees, whether it is people, wildlife, or landscapes.
The first photographic book from Pie Aerts, the popular Dutch photographer, with over 120,000 Instagram followers.
This provocative, visually stunning volume draws upon Taoist teachings to explore the creative and spiritual dimensions of the art of photography. Excerpts from the Taoist classic the Chuang-tzu and the writings of Western aesthetes are complemented by over 60 photographs from the work of such canonical photographers as Henri Cartier-Bresson, Alfred Stieglitz, and Dorothea Lange. Lucid instructional text and enlightening exercises assure that photographers of all levels will be able to incorporate the lessons of the Tao into their own work.
Andrey Tarkovsky was the most important Russian filmmaker of the post-war era, and one of the world’s most renowned cinematic geniuses.
Tarkovsky’s films are characterized by metaphysical themes, extended takes, an absence of conventional dramatic structure and plot, and a dream-like, visionary style of cinematography. They achieve a spiritual intensity and transcendent beauty that many consider being without parallel.
He directed the first five of his seven films – Ivan’s Childhood, Andrei Rublev, Solaris, Mirror and Stalker – in the Soviet Union, but in 1982 defected to Italy, where he made Nostalgia. His final film, The Sacrifice, was produced in Sweden in 1985.
This book presents extended sequences of stills from each of the films alongside synopses and cast and crew listings. It includes reflections on Tarkovsky’s work from fellow artists and writers including Jean-Paul Sartre and Ingmar Bergman, for whom Tarkovsky was ‘the greatest, the one who invented a new language.’
Extracts from Tarkovsky’s own writings and diaries offer a wealth of insights into his poetic and philosophical views on cinematography, which he described as ‘sculpting in time'. The book also reproduces many personal Polaroid photographs that confirm the extraordinarily poetic vision of a great artist who died aged only 54, but who remains a potent influence on artists and filmmakers today.
Contents List:
Essay by Andrej Tarkovsky Jr: The Closed Time • A Tarkovsky Biography • An Introduction to the Films by H. J. Schlegel • Essays on Tarkovsky • Private Photos and Polaroids: Russia
About the Author:
Andrey A. Tarkovsky is the son of filmmaker Andrei Tarkovsky.
Hans-Joachim Schlegel is a film historian and the editor and translator of the writings of Sergei Eisenstein and Andrei Tarkovsky.
List of Contributors:
Lothar Schirmer, Hans-Joachim Schlegel, Jean-Paul Sartre, Sven Nykvist, Erland Josephson, Ingmar Bergman, Chingiz Aitmatov, Aleksandr Sokurov
New York throughout the ages. Your daily dose of the city that never sleeps: TASCHEN's perpetual calendars
For those of you whose datebooks have been replaced by smartphones, TASCHEN has created the new 365 Day-By-Day series so that you can still enjoy the warm analog feeling of marking every day with the turn of a page. Each day you'll discover a new image and a related quote — on special days you'll also learn the birthdays of iconic New Yorkers - ensuring a constant source of inspiration right on your desktop. At the end of the year, just turn back to the beginning and start again!
Take a bite. The best of sleeping, eating and shopping in NYC
In a city that soars as high in the imagination as it does in its skyscrapers of steel and glass, a visitor can easily feel too dazzled to know where to begin. This updated edition of TASCHEN’s New York guide does the reconnaissance for you, scouring uptown and downtown to bring you the most secret, stylish and exciting venues in the city that never sleeps.
Behind velvet ropes, entering unmarked restaurants and scouring SoHo, Nolita and Tribeca stores, this is an all-access pass to parts of New York even most locals don’t know. Find the way to Acme, the hub of Neo-Nordic cuisine that's got the whole city talking. Check where to buy New York’s best cheesecake; and find the Greenwich Letterpress, where you get your own cards hand-printed.
With dictionary-style cutout tabs for easy navigtation and a companion pocket-sized map, New York is yours for the taking.
70 colour and duotone plates
Originally the catalogue to one of Robert Mapplethorpe’s last retrospective exhibitions, this book gives a complete survey of Mapplethorpe’s œuvre. It includes his best portraits, male and female nudes, and still lifes.
For ten years, Prix Pictet has been inviting artists to tackle multi-faceted themes on the topic of sustainability.
During its first decade, some 4,200 photographers have presented over 28,000 images to the jury, and the public has enjoyed 92 exhibitions in 40 cities across the world.
Each of the seven cycles has unearthed powerful images that speak to today's vast environmental, societal, and cultural challenges. Featuring work from all of the winning photographers to date-Benoit Aquin, Nadav Kander, Mitch Epstein, Luc Delahaye, Michael Schmidt, Valerie Belin, and Richard Mosse-and many of the shortlisted artists, ten is a celebration of the outstanding photography that has been showcased by the Prix Pictet over the past decade. Readers embark on a poignant visual journey through a carefully curated selection of compelling images, venturing into a world defined by our complex relationship with our environment.
The photographs, some of which have not previously been published or exhibited by the Prix Pictet, have been grouped into twelve themes. Photojournalistic or conceptual in nature, the images are fantastically diverse and tell a powerful story of some of the most critical problems facing modern society.
