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Coming at you! Watch how they follow you around the room

It’s hard to imagine a book that could beat The Big Penis Book for grabbing attention and driving sales, unless it would be those same unimaginably colossal generative units seen in breathtaking 3D. That pop-up centerfold we joked about adding? In 3D every page becomes a pop-up! This 220-page, 28 by 28 cm special edition includes 96 images from the original book, plus 8 new bonus photos, transformed into eye-popping 3-D by Jon Schnitzer and The Brain Factory, the geniuses whipping up 3D projects for filmmaker Tim Burton. There is a revised introduction, new layout, and a pair of red/blue anaglyph glasses included.

Unlike other 3D pictures you may have seen, the photos in The Big Penis Book 3D do not look distorted when viewed without the glasses. The Brain Factory’s technique is so subtle it’s hard to even detect the red/blue tint in many of the black and white photos, but when you put on your glasses the parts of interest leap from the page, not in flat layers as in old-style 3D, but as thick, fully rounded, touchable contours.

That this is a red-hot gift book is a no-brainer. From the dawn of 3D technology, spears, sticks, guns, and rockets have been aimed at the audience to demonstrate the realism of the effect. The special effects in The Big Penis Book 3D are no less convincing

After the bust out success of The Big Book of Breasts TASCHEN presents the perfect companion, The Big Penis Book.

When it comes to pleasure, size doesn’t matter; as we all know it’s quality, not quantity, that counts. But let’s admit it: a big penis is undeniably compelling. Big shoulders, big lapels, and big hair may come and go, but the big penis never goes out of fashion. With those possessing more than 8 inches (20 cm) making up less than 2% of the world’s population, this rare accessory will always fascinate.

In The Big Penis Book we explore the centuries-old fascination with the large phallus, a fascination common to men and women alike. This hefty book is profusely illustrated with over 400 historic photos of spectacular male endowments, including rare photos of the legendary John Holmes. The majority of the photographs are from the 1970s, when the sexual revolution first freed photographers to depict the male entirely nude. Photographers include Bob Mizer of Athletic Model Guild, David Hurles of Old Reliable, Colt, Falcon, Sierra Domino, Third World, and Champion Studios, with each of these iconic photographers interviewed or profiled, along with information about each of their models. And if this isn’t enough, the book closes with a special surprise comparable to the Guinness Book of Records’ Norma Stitz featured in The Big Book of Breasts! Can you guess what body part Dian is dissecting next?

The Bitter Years celebrates some of the most iconic photographs of the 20th century and provides a whole new insight into Edward Steichen’s impact on the history of documentary photography.

The Great Depression of the 1930s was still a vivid memory in 1962 and The Bitter Years was the title of a seminal exhibition held that year at The Museum of Modern Art, New York, curated by Edward Steichen. 2012 marked its 50th anniversary. No proper catalogue was produced of the exhibition in 1962 so this book provides a unique opportunity to see all the photographs in a structure and sequence that reflect those devised by Steichen for the original show.

The exhibition featured more than 200 images by photographers who worked under the US Farm Security Administration (FSA) in 1935–41 as part of Roosevelt’s New Deal. The FSA, set up to combat rural poverty, included an ambitious photography project that launched many photographic careers, most notably those of Walker Evans and Dorothea Lange.

The exhibition featured their work as well as that of ten other FSA photographers, including Ben Shahn, Carl Mydans and Arthur Rothstein. Their images are among the most remarkable in documentary photography – testimonies of a people in crisis, hit by the full force of economic turmoil and the effects of drought and dust storms.

This book is published in association with the Centre National de l’Audiovisuel and the Ministry of Culture in Luxembourg. It accompanies a permanent display at the Château d’Eau in Dudelange of the original exhibition, given by Steichen, who was born in Luxembourg. No proper catalogue was produced of the exhibition in 1962 so this book provides a unique opportunity to see all the photographs in a structure and sequence that reflect those devised by Steichen for the original show.

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'The Bitter Years' was a seminal exhibition curated by Edward Steichen in 1962 at the Museum of Modern Art, New York. The show featured 208 images by photographers who worked under the aegis of the US Farm Security Administration (FSA) in 1935-41 as part of Franklin Roosevelt's New Deal.

The Great Depression of the 1930s defined a generation in modern American history and was still a vivid memory in 1962. The FSA, set up to combat rural poverty, included an ambitious photography project that launched many photographic careers, most notably those of Walker Evans and Dorothea Lange. The exhibition featured their work as well as that of ten other FSA photographers, including Ben Shahn, Carl Mydans, and Arthur Rothstein. Their images are among the most remarkable in documentary photography - testimonies of a people in crisis, hit by the full force of the economic turmoil and the effects of drought and dust storms.

'The Bitter Years' was the last exhibition curated by Steichen, who was not only a distinguished photographer in his own right, but also a celebrated director of the photography department at MoMa, in which role he had won international acclaim in 1955 for 'The Family of Man' exhibition.

Jean Back, Director of the Centre National de l'Audiovisuel, contributes an introduction to the book and the four essays by international writers and teachers on photography discuss the FSA, its place in the history of 20th-century photography and the continuing role of its archive, Steichen and the origins, impact and legacy of the exhibition, and its new location in Luxembourg.

About the Author:

Françoise Poos is a curator at the National Audio Visual Centre, Luxembourg. Ellen Handy is Chair of the Photography Department, City College of the City University, New York. Gabriel Bauret is the author of books on Colour Photography, Alexey Brodovitch and Peter Knapp. He has been artistic director of Le Mois de la Photo, Paris. Ariane Pollet wrote her doctorate at the University of Lausanne on Steichen’s work at MoMA, New York. Antoinette Lorang received her doctorate at the University of Heidelberg.

The sensual curve of the hip. The disturbing pucker of a scar. The magnetic pull of the lashed eye. In this book, William A. Ewing presents an archive of over 360 photographic images of the body - beautiful, bizarre, sometimes brutally revealing - reflecting many years research and selection in museums, libraries and private collections throughout North America, Europe and Japan. Photography has intensified our obsessive attraction to images of the body for at least 150 years. This book reveals a long tradition of photographing the nude, looking at the many different ways it has been depicted in the photographer's art: the full figure nude; the body in fragments; the body as an object of sexual desire and in the realm of dam, fantasy and obsession. Also included are bodies scrutinised by medical and anatomical photographers, and those celebrated by photographers of sport, dance and fashion. Most of the greatest names in photography are represented here: Nadar, Muybridge and Roger Fenton from the earliest days of the medium; later Alfred Stieglitz, Edward Weston, Imogen Cunningham and Man Ray; and from our own time John Coplans, Robert Mapplethorpe, Barbara Kruger, Pierre Radisic and many others. Today, in the age of the supermodel and the super-athlete, consciousness of both the private and the public body has never been greater. From 19th-century erotica to the sexual politics of the 1990s, this book in a special slipcased edition provides a rich archive of bodily forms, male and female, and a record of the camera's infatuation with the human figure. William A. Ewing is a renowned authority in the field of photography. His many books include "The Fugitive Gesture" (1987), "Flora Photographica: Masterpieces of Flower Photography" (1991) and "Breaking Bounds: The Dance Photography of Lois Greenfield" (1992) - all published by Thames and Hudson.

The Centre Pompidou in Paris houses one of the greatest collections of twentieth century photography in the world. This book comprises a comprehensive catalogue of the collection, 350 photographs by 283 of the most famous artists and photographers to engage with the medium – from Drtikol, Abbott, Strand, Evans, Brancusi, Rodtchenko and Abbott, via Alvarez Bravo, Man Ray, Boubat and Klein, to Mapplethorpe, Sherman, Struth, Gursky and Goldin. The book is comprised of 6 sections, each introduced by a short essay, and proposes a new history of photography through the collections of the Centre Pompidou.

The chopper is quintessentially American and, since Easy Rider, has embodied the American dream. This book tells the true story of the most rebellious of all motorcycles.

“Where did you get this motorcycle?” “It’s not a motorcycle, baby, it’s a chopper.”

                                                                                    — Butch (Bruce Willis), Pulp Fiction

Whether you collect custom motorcycles or want to throw rocks at those biker freaks who leave you deaf as they zoom by, you need to know the story of the chopper. Because the story of the chopper is the story of popular culture.

The Great Depression, 1960s youth culture, folk art, the conservative press, old-school revivals — the chopper plays a part in all of these.

In this book, leading motorcycle journalist and vintage motorcycle expert Paul d’Orléans tells the chopper’s true story, from its origins to its renaissance today. With its well-informed texts and showcase of historical and contemporary photographs, it finally gives the chopper the respectful attention it deserves.

The chopper is a quintessentially American invention, rivalling jazz and abstract expressionism as one of the country’s most emblematic cultural exports of the twentieth century. Choppers have deep roots in the origins of American motorcycling, flourishing after the Second World War out of a heady mix of personal mobility, an identification with the legends of the Wild West, and an interracial cross-pollination simultaneous to the creation of rock ‘n’ roll. With its own system of unspoken rules for both machine and rider, the chopper has a special status in the motorcycle world — a position it earned despite being actively discouraged by the professional motorcycle industry for decades.

By the time the film Easy Rider was released, the chopper was firmly established as an icon of the American dream. Choppers are instantly recognizable — the dangerously stretched forks, crazy paint jobs, and feet-forward riding position are an outrageous statement of freedom, which sprouted in California and spread like a weed to the rest of the world.

Since the 1920s, an independent scene of riders and builders from around the world has continuously evolved the canon of the chopper. What began as the ultimate American folk art movement, with a self-identified “outsider” status, has now been marketed and commercially exploited for generations by pop culture, television shows, and print media, while government agencies use choppers as symbols of crime and anarchy. Despite the fact that the chopper’s real story is much more complex and thrilling than the stereotypes that surround it, it has never been told — until now.

In this book, leading motorcycle journalist and vintage motorcycle expert Paul d’Orléans tells the chopper’s true story, from its origins to its renaissance today. He provides insight into legendary builders such as Arlen Ness, super-cool riders both male and female, “patch club” motorcycle gangs, ingenious Japanese workshops, and the young enthusiasts who are now reviving the chopper’s popularity.

With its well-informed texts and showcase of historical and contemporary photographs, this book finally gives the chopper the respectful attention it deserves.

Paul d’Orléans, also known as “the Vintagent,” is a leading expert on classic motorcycles. For the past 30 years, the motorcycle-obsessed cultural historian has explored global motorcycle movements, most recently in two books. In Gestalten’s The Ride, he looked at the contemporary custom scene, while Ton Up! is devoted to cafe racers. In The Chopper, d’Orléans turns his keen insight back towards America to discover the true history of this misunderstood model. In addition to writing for the website the Vintagent, he contributes to monthly magazines in six languages. D’Orléans also documents the vintage motorcycle scene on MotoTintype.com and serves as a consultant to leading international auction houses on topics related to motorcycles.

A year-by-year history of the people and events which shaped the evolution of jazz from its roots in Africa and the southern United States to the myriad urban styles heard around the world today

Updated and Revised Edition

The Chronicle of Jazz tells the whole story of jazz music and its personalities, a story rich with innovation, experimentation and controversy. Beginning at the dawn of the twentieth century, the book charts the evolution of jazz from its roots in Africa and the southern United States to the many styles heard around the world today, and looks closely at how jazz has influenced, and been influenced by, other musical and artistic forms.

It features hundreds of illustrations and rare images, from record-cover artwork to pictures of live performances, and is accompanied by an accessible and wide-ranging text that turns music into words and histories into living images. Each chronologically arranged section contains special features, on topics ranging from the bossa nova craze to jazz in Paris, personality sketches and seminal gigs and albums.

This is a vibrant celebration of imaginative and enduring music and is a rich resource for both jazz aficionados and all music lovers.

Contents List:

1895–1916: Origins • 1917–1929: From New Orleans to the East Coast • 1930–1945: Swing • 1946–1958: Style and Idea • 1959–1969: The Birth of Modern Jazz • 1970–1999: Innovation and Reaction • 2000–: Millennium Blues • Reference

About the Author:

Mervyn Cooke is Professor in Music at the University of Nottingham. Among his other books are The Cambridge Companion to Jazz, The Hollywood Film Music Reader, The Cambridge Companion to Twentieth-Century Opera, Letters from a Life: The Selected Letters of Benjamin Britten, A History of Film Music and The Cambridge Companion to Benjamin Britten.

Luxury, exclusivity, status — for centuries, the cigar has been a symbol for the special and extraordinary. Cigar smoking, which began over 2,000 years ago with the Maya, is experiencing a huge renaissance today. The cigar is a recreational luxury item in high demand, a combination of craftsmanship and tradition with a cult following that is hard to top. Connoisseur and cigar expert Cosima M. Aichholzer is one of the world’s leading authorities on cigars. There isn’t a cigar lounge in the world she has not travelled to, or a brand that she has not personally tested.

Let us take you on an exciting and fascinating journey into the world of cigars. Learn more about the countries they come from, the raw materials that go into them, the craftsmanship involved in making them, and the world’s most beautiful cigar lounges, all shown in captivating pictures. Take a look at exclusive accessories, custom-made humidors, luxurious lighters, and many other items. So sit back, light up a cigar with celebrity fellow smokers, and peruse entertaining interviews that include tidbits like the cigar that Arnold Schwarzenegger finds unforgettable.

In THE CIGAR WORLD, Cosima M. Aichholzer will introduce you to interesting and highly regarded personalities of the cigar world, as well as offer an insight into a dazzling and international microcosm which on closer observation seems almost like a family to her. The opening chapter deals with TOP CIGAR BRANDS and their histories. Spearheading these producers are experts and enthusiasts who live to create the perfect cigar. She then explores the world’s most FAMOUS CIGAR SHOPS. Some of these have existed for generations, whilst others have opened in recent years and have been fabulously designed. The current trend for CIGAR LOUNGES has given birth to some wonderful creations around the world. In the course of researching this book, Cosima M. Aichholzer was fortunate enough to visit over 100 lounges. She presents here some of the most beautiful and interesting from that esteemed group. In CIGAR LIFESTYLE, she focus on the most beautiful things that surround the pleasure of cigar smoking. The cigar has made its appearance in the world of art and gastronomy, as well. THE CIGAR WORLD also includes a special by top Chef Anton Mosimann for the book created tobacco and a unique Roberto Cavalli photograph of his beloved Zino Cigar. After a short introduction into the Cigar Etiquette, finally, Cosima lets several international cigar connoisseurs have their say.

In addition to her love of art, travelling and cooking, the author has had, for more than 20 years, a passion for the world of cigars and the lifestyle that surrounds them. Cosima shares her knowledge and experience with fellow aficionados and hotels in the creation of top Cigar Lounges and in the organisation of exclusive Cigar Dinners around the world.

In the 2016 Cigar Smoking World Championship, Cosima was crowned UK champion and new world record holder in the women’s slow smoking category y with a time of 2 hours, 9 minutes and 6 seconds. ‘For me, smoking a cigar is like opening a good bottle of wine. Every cigar is unique – feel it, look at it, smell it, taste it and listen.’

 - Never-before-seen insights into the fascinating world of the elegant cigar
 - Exclusive interviews with prominent smokers about their favorite brands and great cigar moments
 - A wonderfully entertaining book, not just for smokers!

A spectacular celebration of the most iconic vintage cars.

With more than 1300 colour photographs of the key classic cars from every decade since the 1940s to the 1980s, you'll meet the designers behind these beautiful machines and discover the story of their manufacturers.

Here's what you'll find inside this lavishly illustrated vintage car book:
- Comprehensive catalogues draw out the key features of each important model, with detailed profiles and specifications
- Feature spreads broaden the scope of this classic car guide, covering everything from the designers and manufacturers who created them to their evolution over the decades
- Stunningly shot DPS images add an extra layer of colour and flavour to this book about classic cars
- Written by award-winning author and expert on all aspects of motoring, Giles Chapman

From Bentley and Mercedes to Ferrari and Aston Martin, Classic Car tells you the story of more than 20 great marques in incredible detail. It places classic cars into a wider cultural context and charts their enduring legacy as symbols of luxury and objects of desire.

This car reference book puts you in the driving seat of the Chevrolet Corvette, the Ford Thunderbird, and the Jaguar C-type. It's packed with stunning photographic catalogues that showcase the iconic cars of every era and specially commissioned photographs that pick out key details of each featured model.

Whether you're a collector of these super-cool cars or a motor enthusiast, there is simply no other classic car book that compares.

About the Author:

Giles Chapman is an award-winning journalist and author of more than 40 books on a wide spectrum of car subjects. Drive is the third major title he has directed for DK after the internationally successful The Car Book (2011) and The Classic Car Book (2016), bringing his knowledge of car culture, history, and industry from 35 years in the motoring media. He was editor of Classic & Sports Car, the world's best-selling classic car magazine, and since 1994 he has contributed to dozens of major newspapers and magazines. Besides his own books - which include My Dad had One Of Those, Chapman's Car Compendium, and Britain's Toy Car Wars - he has worked as an advisor to many other authors and publishers. He founded the Royal Automobile Club's Motoring Book Of The Year Award, and appears regularly on TV and radio commenting on motoring and automotive industry issues.

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Пролистать книгу The Classic Car Book: The Definitive Visual History на Google Books

The Complete Book of Formula One is a year-by-year account of the cars, drivers, and races of Formula One from 1950 to the present. Includes full-color and historic black and white photos, thorough race data, and a fun and easy-to-read design.

The authoritative guide for photographing nature in today’s digital world

Infused with both a passion for nature and an abundance of technical expertise, The Complete Guide to Nature Photography guides amateur photographers through every stage of shooting landscapes, close-ups, and animal portraits in today’s digital world. Master nature photographer Sean Arbabi offers insider advice on everything from packing your gear bag to selecting sites, staying safe while working in the field, getting a perfect exposure, composing your images for maximum impact, and processing your digital images afterward.
Packed with more than 200 inspiring and instructive images, this complete course is the only book you’ll need to capture the beauty of the world around you.

The Day After Tomorrow takes readers on a journey to bear witness to the environmental destruction that is currently plaguing our planet; from a forest in West Virginia devastated by mountaintop removal mining, to a region in Florida left in ruins by the phosphate mining industry, J. Henry Fair presents hard evidence that our unchecked consumerism is leading the way in the destruction of our planet, one natural resource at a time.

Primarily through the use of aerial photography, Fair captures spellbinding vistas of pools of toxic hog waste, streams of paper mill runoff, and the remains of hollowed-out mountains. These environmental abstractions lure the viewer in with unique asymmetrical shapes and striking colors; however, fascination quickly turns to horror, as the viewer realizes what lurks beneath the surface of the image.

Fair is a consummate environmentalist and after years as a corporate and portrait photographer he turned his lens on the industries that sustain us - oil, fertilizer, coal, and factory farming, to name a few - eager to uncover the dirty little secrets that he knew were well hidden there. It turns out the secrets, and the “dirt” they produce, are far too large to hide. For example: the factory farming industry is responsible for one of the largest environmental disasters in history, wherein a hog waste lagoon burst, causing 25 million gallons of highly toxic sludge to flood the New River in North Carolina, killing ecosystems, animals, and infecting water supplies. Just before Christmas in 2008, the Tennessee Valley Authority power plant was responsible for sending a billion gallons of coal ash waste into the Tennessee River; this spill was 40 times larger than the infamous 1989 Exxon Valdez oil spill. Coal ash is toxic, containing a laundry list of hazardous substances such as uranium, mercury, lead, and arsenic. These are only two examples of the endless calamity we inflict on our environment daily. Now is the time to take action and make change.

More than anything else, The Day After Tomorrow is a call to arms. Our planet dies a little bit every second, and this trend will continue unless we take responsibility. Fair’s images reveal the calamitous effects of our consumer culture’s insatiable appetite for natural resources. Forests are being wiped-out, water supplies polluted and/or drained, animals and humans are dying, but for what? These stunning and tragically beautiful images, in conjunction with an essays by one of America’s leading environmental defenders, provide indisputable evidence that the way we eat, commute, and manufacture is collectively destroying the Earth, and we must change the way we live if we expect our planet to survive.

Dog Days. A photo tribute to our four-pawed friends

With more than 400 canine portraits, this book is both a picture tribute to our favourite four-legged friend and a unique history of dogs in photography. From the 19th century right through to today, we see how the camera has been the key witness to our timeless affection for dogs, capturing their beauty, character, joy, and abiding friendship.

In celebration of the world’s favourite animal, we bring you over 400 photographs of or about dogs. With pictures from the 19th century to today, the collection includes works by Man Ray, Eric Fischl, Wolfgang Tillmans, Donna Ruskin, Fatima NeJame, Vincent Versace, and of course Elliott Erwitt and William Wegman. Together, their pictures, unique in style but united in canine affection, are testimony if ever there was one that dogs are not only best friends, but also pure photographic inspiration.

Forget #dogsofinstagram, this is real canine art, showing how the camera has been key witness to dogs in all their diversity, character, and friendship, from pensive pooch portraits to four-pawed action shots. As intellectually as it is visually stimulating, the book includes captivating essays tracing the presence of dogs in the history of photography and their relationship with humans across the decades.

The author:

Raymond Merritt is a senior partner of the New York law firm of Willkie Farr & Gallagher and a member of the Executive Committee of the American Fund for UNICEF. He has been active in the photography world for over thirty years, serving as a trustee of the International Center of Photography, New York, and a member of the acquisitions committee of the Whitney Museum of American Art, New York, and the Norton Museum, West Palm Beach. An avid collector, he has curated numerous photography exhibitions and edited several books on photography. He also served as a director of the SoHo Partnership and the Loyola Foundation.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!