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The first comprehensive reference for watch connoisseurs to explore a century of stylish timepieces inspired by and built for aviation, aeronautics and space exploration, and piloting.

Air Time takes a keen look at more than ninety iconic timepieces that embody the spirit of flight, worn and made famous by the men and women who pioneered it, from daring balloonists and wartime jet pilots to jet-setters and astronauts.

In a thoroughgoing look at nearly a century ofaviation-inspired timepieces -- from 1904 to the present day -- WatchTime's Mark Bernardo interweaves history, technical insight, and the distinctive style of pilot watches into a first-of-its-kind comprehensive monograph.
Chapters showcase historical milestones such as Cartier's development of the first men's wristwatch for Alberto Santos-Dumont; Charles Lindbergh's invention of the Longines Hour Angle; and the Omega Speedmaster, the first watch to land on the moon. Also featured are iconic timepieces, including the Breitling Navitimer, IWC Big Pilot's Watch, Breguet Type XX, and Rolex GMT-Master, up through current category timepieces such as in the collections of Bell & Ross, Longines, Bremont, Patek Philippe, Hamilton, and Zenith. Informative and compelling, this fascinating guide is the perfect gift for connoisseurs of timepieces, aviation, and globetrotting travel.

About the Author:

Mark Bernardo is the Senior Editor of WatchTime, and the coauthor of Sea Time: Watches Inspired by Sailing, Yachting, and Diving (Rizzoli, 2018). Scott Kelly is a former military fighter pilot and test pilot, an engineer, a retired astronaut, and a retired U.S. Navy captain. A veteran of four spaceflights, Kelly commanded the International Space Station (ISS) on three expeditions.

This book contains all of the diaries, programs, essays, and major articles written by Alexander Rodchenko between 1911 and 1956.

The word "experiment" was a keyword for the artist, who conceived of his multimedia oeuvre as one huge experiment. Referred to by his friends and contemporaries as "a scout of the future," Rodchenko sought new paths in graphic design and painting, sculpture and architecture, poster design and cinema, photography and book design, and furniture and theatre design.

The first chapter in this volume covers the early life of Rodchenko and relates to the time of his studies in the Kazan art school. His diaries from 1911-15 relate the vivid atmosphere of the school, explain the artist's early tastes for theatrical, oriental and medieval motifs, and recall the moments when he first met Varvara Stepanova, his lifetime partner and fellow artist.

The second chapter covers the most active years of the Russian avant-garde movement: 1916-21. Here Rodchenko is linked to Vladimir Tatlin and his evolution as a non-objective painter comes about. His writings from this period explore his interest in the artistic process, in the way ideas are born, and often make comparisons with other artistic trends of the time: suprematism, cubism, and impressionism.

The third chapter runs through the 20s and the height of the constructivist movement, when Rodchenko became one of the leading designers of the time. This chapter is the most comprehensive, featuring writings dedicated to industrial design education, graphic design, advertising, photomontage and photography.

The fourth chapter reveals the artist's mood and the general Soviet culture situation of the 30s, a time of political change, accusations of formalism, and great success in photography.

The last chapter is dedicated to the war and postwar period and contains only diary texts in which the artist recounts his family's evacuation to the country, his subsequent hard living and working conditions, as well as his musings on the cultural politics of the time and life in general.

Originally published in 1996 in Moscow by Rodchenko's family, Experiments for the Future appears here in its first English edition. This new edition contains additional material and features a different design and images, but the content remains essentially unchanged.

A striking tribute to Alexander McQueen’s stunning collections, revealing photographs that were, until now, one of fashion’s best-kept secrets

Alexander McQueen has grasped the public's imagination like few other fashion designers before him, with exhibitions dedicated to his work continuing to attract record visitor numbers.

Almost 500,000 people visited the V&A's 2015 Alexander McQueen: Savage Beauty exhibition, making it the most popular in the museum s history. Opening with a brief essay on the designer's work, Alexander McQueen: Unseen unfolds chronologically.

Each collection is introduced by a concise text by Claire Wilcox, one of the foremost experts on the McQueen's work, revisiting the designer's most iconic creations across his entire career and revealing previously unseen behind-the-scenes moments that capture models, hairdressers, stylists, make-up artists and Alexander McQueen himself at their most candid and creative.

Robert Fairer's stunning and high-energy photographs, all previously unpublished, capture the glamour, grit and spirit that made McQueen's flamboyant shows unique. A treasure-trove of inspiration, they make this publication a must-have reference for fashion and photography lovers alike.

Pioneers in photography as an art form. Highlights from Stieglitz's legendary photo journal (1903–1917)

Photographer, writer, publisher, and curator Alfred Stieglitz (1864–1946) was a visionary far ahead of his time. Around the turn of the 20th century, he founded the Photo-Secession, a progressive movement concerned with advancing the creative possibilities of photography, and by 1903 began publishing Camera Work, an avant-garde magazine devoted to voicing the ideas, both in images and words, of the Photo-Secession. Camera Work was the first photo journal whose focus was visual, rather than technical, and its illustrations were of the highest quality hand-pulled photogravure printed on Japanese tissue. This book brings together all photographs from the journal’s 50 issues.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

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О книге alfred Stieglitz. Camera work

Alfred Stieglitz. Camera work рассказывает о знаменитом фотографе, Альфреде Стиглице. О его вкладе в преображение фотографии к виду искусства и легендарных снимков в журнале Camera work (1903-1917).

Фотограф, писатель, издатель и куратор известного журнала, Альфред Стиглиц (1864-1946) видел намного дальше своего времени. Примерно, на рубеже 20-го века он основал Photo-Secession – прогрессивное движение, связанное с повышением творческих возможностей в фотографии. И к 1903 году начал принимать участие в издательстве CameraWork – авангардного журнала, посвященного новым идеям в писательстве и фотографии.

Alfred Stieglitz. Camera work расскажет, как журнал Camera Work стал первым фотожурналом, который фокусировался на визуализации, а его иллюстрации – были высококачественными гравюрами, выполненными вручную на японской ткани. В этой книге собраны все фотографии из 50 номеров журнала.

This book contains over 300 rap rhythms, witticisms, insults, wisecracks, politically incorrect quips, courageous stands and words of inspiration from the mind, heart and soul of the brash young Cassius Clay, as he steadily grew into the magnificent man who is Muhammad Ali. From a narcissistic self-promoter who eventually became a man of enduring spirituality through a journey of formidable tests, Ali has emerged as a true superhero in the annals of American history, and the Worldwide Ambassador of Courage and Conviction. This fresh, first-person book serves as a hilarious and moving hands-on autobiography by Muhammad Ali, the intrepid man of action who spoke in soundbites, all wittily and powerfully visualized by the provocateur graphic designer, George Lois.

Alice Springs Photographs. Retrospective at the Helmut Newton Foundation, Berlin

Starting in 1970, June Newton created own photographic works under the pseudonym Alice Springs. These have been exhibited regularly at the Helmut Newton Foundation since 2005, namely in "June’s Room." The current retrospective in Berlin provides for the first time a comprehensive look at the four decades that span her work, presenting photographs from advertising and fashion as well as nudes and portraits.

Her own photographic oeuvre began with a bout of influenza suffered by Helmut Newton in Paris, 1970. June Newton had her husband show her how to handle the camera and light meter and in his place photographed an advertisement for the French cigarette brand Gitanes. The portrait of the smoking model would be the jump-start of a new career. In the early 1970s, Alice Springs shot several campaigns for the French hairstylist Jean Louis David; the photographs appeared under her byline as a full-page ads in renowned fashion magazines. 1974 later saw the first Alice Springs cover image adorning French Elle. By this time she had also received innumerable commissions for portraits, some of which have become iconic. The roster of artists, actors and musicians depicted by Alice Springs over the last 40 years reads like a "who’s who" of the international cultural scene on both sides of the Atlantic. Many portraits were magazine assignments from Paris to Los Angeles; others resulted from private initiative.

Alice Springs does more than document the appearance of celebrities and anonymous contemporaries; she captures their charisma, their aura. It might be that her deep knowledge of acting helps, how to simultaneously look at and beyond the human façade. This is particularly evident in her double portraits, in which the protagonists’ interaction is perfectly staged.

There is a certain sense of familiarity in her images; actually they oscillate between distance and intimacy. In her subtle portraits, we encounter the haughty stance alongside natural self-confidence as well as the shy glance.

The artist:

June Browne was born in Melbourne, Australia, in 1923. As a young woman she was passionately interested in the theatre. She changed her maiden name to June Brunell for there was another Melbourne actress called June Brown. She received the Erik Kuttner award for best actress in theatre in 1956. She married the photographer Helmut Newton in Melbourne in 1948 and became a photographer herself in 1970 in Paris, changing her name once again to Alice Springs. She has had numerous exhibitions and books published. June Newton has lived in London and Paris and for the last thirty years has resided in Monte Carlo. Her husband died in 2004, leaving her in charge of the Helmut Newton Foundation in Berlin.

Alison Jackson has photographed the Queen of England on the toilet, George Bush and Tony Blair chatting in the sauna, Mick Jagger doing gymnastics, and Monica Lewinsky lighting Bill Clinton's cigar. Or has she? The likenesses are uncanny, but of course, her subjects are look-alikes. Her photos demonstrate that while seeing is believing, the truth is another story entirely. In her work, Jackson says, "Likeness becomes real and fantasy touches on the believable. The viewer is suspended in disbelief. I try to highlight the psychological relationship between what we see and what we imagine. This is bound up in our need to look—our voyeurism—and our need to believe." Indeed, by showing "celebrities" ostensibly caught unawares, Jackson's pictures show us what we imagine might go on behind closed doors. Jackson's work causes controversy, because it threatens to cross the line between the private and public life of our contemporary icons. Because we unquestioningly accept the authenticity of the photograph, it would appear that we are being given a glimpse of something confidential, a private moment. It is only upon closer examination that we question the reality of the image, and hopefully this makes us question our unwitting tendency to believe everything we see in the media today.

One of the most imaginative and original photographers working today. Work that entertains — and holds up a mirror to our bizarre muddling of private and public worlds

Alison Jackson’s staged realism toys with our voyeuristic and fame-fueled fantasies. Her mockumentary approach uses look-alikes to create elaborate imaginary scenes of famous people. Cheeky and often shocking, her fabulously fake scenarios question the levels of reality present in our media-saturated existences. Along the way, she challenges us to question how much of what we know (or think we know) about well-known figures can actually be true. Could it all really be a deluded projection of our own mundane lives? Is loneliness and disconnection at the heart of wanting to come close to our famous “friends?” Why are we so curious about people we’ll probably never meet — whose whole existence might just be a carefully constructed performance?

The term alpenglow refers to the purple light that can often be seen on the tops of mountains, a spectacularly beautiful natural phenomenon.

But in this magnificent volume of photographs, it’s not only the Alps that are glowing in warm translucent light, but the girls also. Is this for real? It seems these strikingly pretty creatures have climbed up steep hills and hiked through meadows only to cast off their Dirndls with enthusiastic aplomb.

Well, Stefan Soell knows exactly how to turn such fantasies into reality. He has discovered the natural beauty of alpine flora and fauna, and uses the mountains where Germany, Austria and Switzerland meet as his setting. His studio in Friedrichshafen on the Bodensee is in the perfect location from which to start these photographic excursions.

Stefan Soell began to take photos at the age of 15, and soon landscape and portrait photography had become his favourite subject. In addition to his astonishing talent at choosing the ideal background and selecting key details, he also has the rare knack of capturing ideal lighting conditions.

This book will introduce you to another, different world of auctions. For instance: the domain "business.com" has been auctioned for $7.5 million and is therefore the most expensive web address ever. But not only are the superlatives like the highest price or having the most bidders the auction highlights. The real gems are, inconspicuously at first, among the totally normal auctions. Bizarre, funny, astonishing, unexpected, shocking - just: amazing!

Weddings have always been very special events in all countries and cultural environments- they honour love. Therefore this ceremony between two people loving each other is being used to celebrate the most impressive and remarkable events-glamorous and posh-or just to do something really extraordinary. Even in history books you can read about great and unique weddings like the nuptials of Prince Charles and Diana or one of the latest ones, Liz Hurley getting married to Arun Nayar, her Indian billionaire. Exactly these special weddings will be presented in the book Amazing Weddings, it will even contain events that outbid all the extraordinary you have seen until today. You will find spectacular venues for tying the knot, unknown traditions and ceremonies as well as people who turned getting married into their profession and are now organizing and arranging these events and are making sure this day will really be the one to remember. This book will be for those willing to get married, romantics and those who are still as happily in love as on the day they met.

Produced by the Detroit Photographic Company between 1888 and 1924, these rediscovered Photochrom and Photostint postcard images are the very first color pictures of North America. An unparalleled voyage across peoples, places, and time unfolds in this sweeping panorama that ranges from Native American settlements to New York's Chinatown.

About the Authors:

Graphic designer, photographer, and collector Marc Walter (1949–2018) specialized in vintage travel photographs, particularly photochromes, of which he held one of the world’s largest collections. He published numerous books featuring images from his collection as well as his own photographs.
Sabine Arqué is a photo researcher, editor, and author. She has collaborated on numerous publications on the themes of travel, the history of tourism, and photography.