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Arms Against Fury examines the dramatic struggle of the Afghan people through the lens of Magnum photographers, dating back to co-founder George Rodger’s documentation of the country’s role in World War II. Ever since, Magnum’s intrepid photographers have crisscrossed the country’s striking landscape from the Central Asian steppes to the parched southern desert by way of the Hindu Kush mountains surrounding Kabul and the adjacent Panjshir Valley.

As early as the 1950s, Eve Arnold and Marc Riboud filed unprecedented stories from a legendary Shangri-La, showing a small kingdom struggling for statehood against the forces of underdevelopment and unfortunate geographic position during the Cold War. The ultimate overthrow of the monarchy and brutal liquidation of Afghanistan’s constitutional government in 1978 heralded the arrival of Soviet-style communism. Peasants in Nuristan rebelled immediately and initiated a jihad that was covered first by Raymond Depardon and then by Steve McCurry, and later by renowned photojournalist Abbas, who also focused on the progress of the mujahedin, who eventually faced a massive Red Army invasion and savage aerial bombardments.

The victory against the Soviets also signaled the beginning of a civil war that began in 1992. Documented by Luc Delahaye, Christopher Steele-Perkins, Abbas, and Steve McCurry, Afghan militias destroyed large swathes of Kabul. The Taliban militia subdued warring factions in 1996 and proclaimed an Islamic emirate. Steele-Perkins was one of the few journalists to report from Afghanistan during this period of theocratic tyranny. In the wake of the September 11 attacks on the United States, the hated Taliban were shaken from power by a loose alliance of mujahedin backed by American forces. Yet nothing seemed to remedy the miserable spectacle of a ruined country littered with ten million land mines and thousands of innocent victims of the hi-tech war on terror.

The future of Afghanistan, as depicted by Abbas, Eve Arnold, Luc Delahaye, Thomas Dworzak, Alex Majoli, Steve McCurry, and Francesco Zizola, remains uncertain at best.

Containing additional photographic work by Ian Berry, Elliott Erwitt, Stuart Franklin, Philip Jones Griffiths, Susan Meiselas, and Wayne Miller; commentary by the photographers; and several illustrated essays, Arms Against Fury will become an indispensable reference for documentary studies, social history, and critical photography.

Piet Mondrian behind his easel, Igor Stravinsky at his piano, Max Ernst sitting smoking on his throne-like chair: the photographs of Arnold Newman (1918-2006) are classics of portraiture. His subtle arrangements constituted the foundations of “environmental portraiture.” His photographs integrate the respective artist’s characteristic equipment and surroundings, thus indicating his or her field of activity. The enormous fame of Newman’s portraits can be ascribed to their daring compositions and sometimes astounding spatial structures. The photographer’s beginnings, however, were none too promising. During the Great Depression, Newman had to abandon his art studies for financial reasons. Between 1938 and 1942 he concentrated on socio-documentary photography in the ghettos of West Palm Beach, Philadelphia, and Baltimore. One might think that being forced to earn his living in a photography studio would have stifled his artistic potential: Newman portrayed up to 70 clients a day. Yet he still succeeded in developing a very personal touch and establishing himself in the New York art scene of the early 1940s. His subjects included Marcel Duchamp, Marc Chagall, Jackson Pollock, Willem de Kooning, and Alexander Calder among many others. With his unmistakable style, Newman became the star photographer of artists, writers, and musicians. This new edition, which includes recent work and an updated biography, provides a sweeping overview of Newman’s illustrious career.

Art & Makeup is a stunning showcase of work created by award-winning makeup artist, Lan Nguyen-Grealis. The looks created specially for the book are inspired by the worlds of art, sculpture, cinema and performance art – references include Picasso, Warhol, Marie Antoinette, Cleopatra, Mad Men and The Great Gatsby.

The book contains MORE THAN 200 beautiful images and includes photography from Rankin. Makeup is an art form, and, like all art forms, it has a basis in technique.

To complement the inspirational showcase imagery of the main part of the book, the second part features step-by-step deconstructions of the techniques used to create some of the looks. There is also an insider's guide to the industry, featuring tips and quotes from professionals ranging from renowned makeup artists and fashion designers to photographers and celebrity stylists.

About the Author:

Lan’s daring style and breathtaking technical ability has led her to work with legendary names including David Bailey, Rankin and countless A-list celebrities. She is currently the youngest Golden Mask Award Winner 2013 for Makeup Art and National Professional Makeup Awards Winner 2011 for Best Studio Makeup and Overall Winner.

Art ablaze. Pyrotechnics and pure self-expression in the parched Black Rock Desert

“You voluntarily assume the risk of serious injury or death by attending.” 

100 miles from the gambling town of Reno, in the wilderness of northern Nevada, lies a vast, hostile plain known as the Black Rock Desert. The region has been an empty and windswept dry lake bed for most of the past 10,000 years. Except, that is, for one brief week at the end of each summer, when a temporary city rises out of the barren clay.

This is the surreal and amazing site of Burning Man. Baked by the sun, and blinded by dust, the gathering acquires different meanings for different people: Temporary community, spiritual adventure, performance stage, desert rave, social experiment. It’s also the incubator of some of the most remarkable site-specific outdoor art ever made: a mechanized fire-breathing octopus, a towering wooden temple 15 meters tall, and the eponymous Man himself—a skeletal sculpture set ablaze at the event’s conclusion.

Here, writer and photographer NK Guy presents 16 years of Burning Man art. His dazzling images record these participatory, collective, intrinsically ephemeral installations and happenings in the desert, which exist for no clearer purpose than because someone wanted to express something. The result is testimony to a realm far beyond the ego, commerce, and power play of mainstream cultural output: It is one of the purest, uninhibited, expressive centers of our time.

With a foreword by temple designer and artist David Best and a futureword by Founding Board Member Marian Goodell.

Photographer David Blattel treats every photo shoot as a work of art. When his subjects are the works of art produced by the motorcycling maestros from Milwaukee, the results are doubly beautiful.

Art of the Harley-Davidson Motorcycle pulls together the best of Blattel’s Harley-Davidson portraiture -- over 100 stunning machines -- resulting in a breathtaking review of Harley-Davidson’s greatest hits from the early 1900s to today. Harley-Davidson expert Dain Gingerelli puts each machine in historical and technical context with informed profiles. The result is a handsome, informative overview of Harley-Davidson's 100-plus years of style and innovation.

Dain Gingerelli began writing for motorcycle and automotive magazines in 1970. He’s been an editor for six motorcycle magazines, and he’s authored numerous hot rod books for Motorbooks. His motorcycle titles include 365 Motorcycles You Must Ride and Harley-Davidson Museum Masterpieces.

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Пролистать книгу Art of the Harley-Davidson Motorcycle на Google Books.

The best hot rods are art on four wheels, and this book, a collection of studio photography of the cars produced by the world’s top hot-rod builders, is nothing less than a gallery of the best of American hot rodding.

Profiling top builders like Pete Chapouris, Roy Brizio, Vern Tardel, Troy Trepanier, and 15 others and featuring studio portraits of their most outstanding custom creations, this book celebrates the uniquely American marriage of mechanical know-how to an inspired sense of style and design. Built from the ground up, pieced together from salvaged parts, rebuilt with classic looks and futuristic technology - these are automotive works of art, as powerful on the page as they are on the street.

Through the stunning portraiture of master photographer Peter Harholdt, Art of the Hot Rod captures these magnificent creations as never seen before.

Photography helped shape art in the late twentieth century; in the twenty-first, it has begun to dominate it.
Not only are major international museums and galleries devoting blockbuster exhibitions to the medium, but artist-photographers are also being celebrated as contemporary masters, with their pieces commanding unprecedented prices.

This stunning survey presents the work of eighty of the most important and best-loved artist-photographers in the world today – such as Andreas Gursky, Thomas Struth, Cindy Sherman, Jeff Wall, Sophie Calle, Wolfgang Tillmans, Nan Goldin, Martin Parr, Allan Sekula, Boris Mikhailov, Inez van Lamsweerde, Philip-Lorca diCorcia, Sam Taylor-Wood and many more.

Introductions to each section outline the current genres and consider why photographers are attracted to certain themes. Each photographer’s work is then presented in sequence, with commentaries by the author highlighting the art’s most important aspects. A general introduction sets out the historical relationship between art and photography from the early nineteenth century and discusses the art world’s embrace of the medium in recent decades.

Art Photography Now is a truly comprehensive guide to the essential aspects of contemporary photography.

Following his career-spanning monograph The Big Picture, Arthur Elgort pays homage to his first love and eternal muse in this new collection of photographs. While glimpsing ballet through Elgort’s lens we are taken not to the front of the stage but behind the scenes, where the hard work is done.

On this journey through the hallways and rehearsal spaces of some of the world’s most distinguished ballet schools, including the New York City Ballet and the Vaganova Academy of Russian Ballet, we see previously unpublished images of legends such as Balanchine, Baryshnikov and Lopatkina.

The perfection of the prima ballerina disappears in these quiet photographs where the viewer is able to witness the individual dancers’ natural glamour as they work to perfect their craft. Elgort’s snapshot style allows the pain and pleasure of one of the world’s most beloved forms of expressive dance to be seen with beauty.

The night shots by Axel Hütte, born 1951, present empty riverside promenades dotted with lanterns, illuminated office buildings, landscapes immersed in darkness with a single light at the horizon, and one sunset showing the last glow in the blackness of the night.

With understatement, high-class individuality, andconservative reliability, the Aston Martin takes its place among the ranks of the most exclusive sports cars. Only an illustrated book of the highest quality can do justice to the charm and elegance of this exclusive British car, making this volume an absolute must-have for every Aston Martin fan.

Aston Martin is a feast for the eyes in the truest sense of the word. Lavishly illustrated with more than 400 color photographs, which were shot especially for this book, it covers the entire history of this automobile – a history full of passion.

With 320 pages and an abundance of information, the exciting text consolidates the total picture.

Our Fair Lady. A photographic love affair

People, even more than things, have to be restored, renewed, revived, reclaimed, and redeemed; never throw out anyone." - Audrey Hepburn

In his distinguished career as a Hollywood photographer, Bob Willoughby took iconic photos of Marilyn Monroe, Elizabeth Taylor and Jane Fonda, but remains unequivocal about his favourite subject: Audrey Kathleen Ruston, later Edda van Heemstra Hepburn-Ruston, best known as Audrey Hepburn. Willoughby was called in to shoot the new starlet one morning shortly after she arrived in Hollywood in 1953. It was a humdrum commission for the portraitist often credited with having perfected the photojournalistic movie still, but when he met the Belgian-born beauty, Willoughby was enraptured. "She took my hand like...well a princess, and dazzled me with that smile that God designed to melt mortal men's hearts," he recalled.

As Hepburn's career soared following her Oscar-winning US debut in Roman Holiday, Willoughby became a trusted friend, framing her working and home life. His historic, perfectionist, tender photographs seek out the many facets of Hepburn's beauty and elegance, as she progresses from her debut to her career-high of My Fair Lady in 1963. Willoughby's studies, showing her on set, preparing for a scene, interacting with actors and directors, and returning to her private life, comprise one of photography's great platonic love affairs and an unrivalled record of one of the 20th century's touchstone beauties.

The photographer:

Bob Willoughby (1927-2009) took his first photo at the age of twelve. By 1954 his exhibitions of photographs of jazz musicians and dancers led to a contract with Globe Photos, followed by work at Harper's Bazaar. After shooting Judy Garland during the filming of A Star is Born he became the first "unit photographer"— hired specifically by movie studios to take on-set promotional "stills". The author of numerous books on photography, he lived his last years in Vence, France.

Audrey Hepburn epitomised elegance and style and her beauty, fragility and grace set her apart in Hollywood, but her story makes her even more special. From poverty and humble beginnings in WW2 to Gigi on Broadway and thence one of the most beloved of all screen actresses, Hepburn's life is illustrated by the likes of Slim Aarons and Richard Avedon, Bert Hardy, Leonard McCombe and Ralph Morse.

Audrey Hepburn was an Academy Award-winning, Emmy Award-winning, Tony Award-winning and Grammy Award-winning film and stage actress, fashion icon and humanitarian. In 1999, she was ranked as the third greatest female star of all time by the American Film Institute. She also served as a UNICEF Goodwill Ambassador and was honoured with the Presidential Medal of Freedom for her work. This book charts the extraordinary life of this Hollywood legend from her early life right through her illustrious career with fabulous rare and classic photographs.

More than a mere fashion idol, Audrey Hepburn evinced a natural intelligence and almost artificial appeal that changed the face of women and the way women face the world for all generations to come. This biography is dedicated to her sense of dressing and the people who surrounded her. It captures the essence of her style and explains the Hepburn phenomenon.

Recently sold at Christie’s, Holly Golightly’s black Givenchy dress (and its enchanting wearer) remain available for admiration in this volume presenting movie shots from Breakfast at Tiffany’s and fashion shots with Audrey Hepburn taken by Howell Conant, a long-time friend of Grace Kelly’s and the official court photographer to the Grimaldis.